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Color name
RGB 214 89 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 89 129 it is the complementary color RGB 41 166 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 89 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 89 129 shade: RGB 219 89 124, RGB 236 107 143, RGB 253 125 162, RGB 255 143 181 and RGB 255 161 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 89 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 89 129 shade: RGB 214 89 129, RGB 197 71 110, RGB 180 53 91, RGB 163 35 72 and RGB 146 17 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 89 129 shade: RGB 213 87 127, RGB 213 87 94 and RGB 213 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 89 129 shade: RGB 213 87 127, RGB 213 87 161, RGB 213 87 195, RGB 196 87 213 and RGB 163 87 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 89 129 shade matches the following richer shades: RGB 213 87 127, RGB 230 70 121 and RGB 247 53 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 89 129 shade: RGB 213 87 127, RGB 196 104 133, RGB 179 121 140, RGB 162 138 146 and RGB 145 155 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 89 129 shade: RGB 213 87 196, RGB 213 87 162, RGB 213 87 129, RGB 213 87 96 and RGB 213 112 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 89 129 shade: RGB 174 43 85, RGB 204 54 102, RGB 213 87 127, RGB 221 120 152 and RGB 229 153 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 89 129 shade: RGB 214 89 129, RGB 213 196 87 and RGB 87 179 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 89 129 shade: RGB 214 89 129, RGB 129 213 87 and RGB 87 129 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 89 129 shade: RGB 214 89 129, RGB 213 196 87, RGB 87 213 171 and RGB 87 104 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 89 129 shade: RGB 214 89 129, RGB 192 213 87, RGB 87 213 171 and RGB 108 87 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 40 / 16

HEX #D65981

RGB 214 89 129

HSL 340.8, 0.6%, 0.59%

LAB 55.1, 52.83, 2.86

 

Complementary color

CMYK 75 / 0 / 24 / 35

HEX #29A67E

RGB 41 166 126

HSL 160.8, 0.6%, 0.41%

LAB 61, -43.1, 11.25

 

CMYK 0 / 59 / 43 / 14

HEX #DB597C

RGB 219 89 124

HSL 343.85, 0.64%, 0.6%

LAB 55.75, 53.93, 6.85

 

CMYK 0 / 55 / 39 / 7

HEX #EC6B8F

RGB 236 107 143

HSL 343.26, 0.77%, 0.67%

LAB 61.94, 53.2, 4.99

 

CMYK 0 / 51 / 36 / 1

HEX #FD7DA2

RGB 253 125 162

HSL 342.66, 0.97%, 0.74%

LAB 68.14, 52.38, 3.41

 

CMYK 0 / 44 / 29 / 0

HEX #FF8FB5

RGB 255 143 181

HSL 339.64, 1%, 0.78%

LAB 72.39, 46.5, -1

 

CMYK 0 / 37 / 22 / 0

HEX #FFA1C8

RGB 255 161 200

HSL 335.11, 1%, 0.82%

LAB 76.63, 39.91, -5.24

 

CMYK 0 / 58 / 40 / 16

HEX #D65981

RGB 214 89 129

HSL 340.8, 0.6%, 0.59%

LAB 55.1, 52.83, 2.86

 

CMYK 0 / 64 / 44 / 23

HEX #C5476E

RGB 197 71 110

HSL 341.43, 0.52%, 0.53%

LAB 48.89, 53.38, 4.93

 

CMYK 0 / 71 / 49 / 29

HEX #B4355B

RGB 180 53 91

HSL 342.05, 0.55%, 0.46%

LAB 42.77, 53.6, 7.48

 

CMYK 0 / 79 / 56 / 36

HEX #A32348

RGB 163 35 72

HSL 342.66, 0.65%, 0.39%

LAB 36.85, 53.22, 10.74

 

CMYK 0 / 88 / 64 / 43

HEX #921135

RGB 146 17 53

HSL 343.26, 0.79%, 0.32%

LAB 31.27, 51.83, 14.99

 

CMYK 0 / 59 / 40 / 16

HEX #D5577F

RGB 213 87 127

HSL 340.95, 0.6%, 0.59%

LAB 54.55, 53.2, 3.23

 

CMYK 0 / 59 / 56 / 16

HEX #D5575E

RGB 213 87 94

HSL 356.67, 0.6%, 0.59%

LAB 53.78, 50.17, 21.68

 

CMYK 0 / 59 / 59 / 16

HEX #D55757

RGB 213 87 87

HSL 0, 0.6%, 0.59%

LAB 53.65, 49.65, 25.61

 

CMYK 0 / 59 / 40 / 16

HEX #D5577F

RGB 213 87 127

HSL 340.95, 0.6%, 0.59%

LAB 54.55, 53.2, 3.23

 

CMYK 0 / 59 / 24 / 16

HEX #D557A1

RGB 213 87 161

HSL 324.76, 0.6%, 0.59%

LAB 55.62, 57.3, -15.19

 

CMYK 0 / 59 / 8 / 16

HEX #D557C3

RGB 213 87 195

HSL 308.57, 0.6%, 0.59%

LAB 56.98, 62.29, -32.77

 

CMYK 8 / 59 / 0 / 16

HEX #C457D5

RGB 196 87 213

HSL 291.9, 0.6%, 0.59%

LAB 55.44, 61.01, -45.62

 

CMYK 23 / 59 / 0 / 16

HEX #A357D5

RGB 163 87 213

HSL 276.19, 0.6%, 0.59%

LAB 51.16, 52.92, -52.68

 

CMYK 0 / 59 / 40 / 16

HEX #D5577F

RGB 213 87 127

HSL 340.95, 0.6%, 0.59%

LAB 54.55, 53.2, 3.23

 

CMYK 0 / 70 / 47 / 10

HEX #E64679

RGB 230 70 121

HSL 340.88, 0.76%, 0.59%

LAB 54.64, 64.74, 7.29

 

CMYK 0 / 79 / 53 / 3

HEX #F73573

RGB 247 53 115

HSL 340.82, 0.92%, 0.59%

LAB 55.64, 74.21, 12.72

 

CMYK 0 / 59 / 40 / 16

HEX #D5577F

RGB 213 87 127

HSL 340.95, 0.6%, 0.59%

LAB 54.55, 53.2, 3.23

 

CMYK 0 / 47 / 32 / 23

HEX #C46885

RGB 196 104 133

HSL 341.09, 0.44%, 0.59%

LAB 55.41, 39.85, 0.64

 

CMYK 0 / 32 / 22 / 30

HEX #B3798C

RGB 179 121 140

HSL 340.34, 0.28%, 0.59%

LAB 57.22, 25.42, -1.05

 

CMYK 0 / 15 / 10 / 36

HEX #A28A92

RGB 162 138 146

HSL 340, 0.11%, 0.59%

LAB 59.83, 10.44, -0.9

 

CMYK 6 / 0 / 2 / 39

HEX #919B98

RGB 145 155 152

HSL 162, 0.05%, 0.59%

LAB 63.12, -4.17, 0.33

 

CMYK 0 / 59 / 8 / 16

HEX #D557C4

RGB 213 87 196

HSL 308.1, 0.6%, 0.59%

LAB 57.02, 62.45, -33.27

 

CMYK 0 / 59 / 24 / 16

HEX #D557A2

RGB 213 87 162

HSL 324.29, 0.6%, 0.59%

LAB 55.66, 57.44, -15.72

 

CMYK 0 / 59 / 39 / 16

HEX #D55781

RGB 213 87 129

HSL 340, 0.6%, 0.59%

LAB 54.6, 53.41, 2.13

 

CMYK 0 / 59 / 55 / 16

HEX #D55760

RGB 213 87 96

HSL 355.71, 0.6%, 0.59%

LAB 53.82, 50.32, 20.56

 

CMYK 0 / 47 / 59 / 16

HEX #D57057

RGB 213 112 87

HSL 11.9, 0.6%, 0.59%

LAB 58.44, 37.38, 31.72

 

CMYK 0 / 75 / 51 / 32

HEX #AE2B55

RGB 174 43 85

HSL 340.76, 0.6%, 0.43%

LAB 40.22, 54.88, 7.48

 

CMYK 0 / 74 / 50 / 20

HEX #CC3666

RGB 204 54 102

HSL 340.8, 0.6%, 0.51%

LAB 47.54, 61.25, 8.05

 

CMYK 0 / 59 / 40 / 16

HEX #D5577F

RGB 213 87 127

HSL 340.95, 0.6%, 0.59%

LAB 54.55, 53.2, 3.23

 

CMYK 0 / 46 / 31 / 13

HEX #DD7898

RGB 221 120 152

HSL 340.99, 0.6%, 0.67%

LAB 62.57, 42.79, 0.47

 

CMYK 0 / 33 / 22 / 10

HEX #E599B2

RGB 229 153 178

HSL 340.26, 0.59%, 0.75%

LAB 71.32, 31.88, -1.27

 

CMYK 0 / 58 / 40 / 16

HEX #D65981

RGB 214 89 129

HSL 340.8, 0.6%, 0.59%

LAB 55.1, 52.83, 2.86

 

CMYK 0 / 8 / 59 / 16

HEX #D5C457

RGB 213 196 87

HSL 51.9, 0.6%, 0.59%

LAB 78.64, -7.3, 55.65

 

CMYK 59 / 16 / 0 / 16

HEX #57B3D5

RGB 87 179 213

HSL 196.19, 0.6%, 0.59%

LAB 68.8, -17.47, -25.41

 

CMYK 0 / 58 / 40 / 16

HEX #D65981

RGB 214 89 129

HSL 340.8, 0.6%, 0.59%

LAB 55.1, 52.83, 2.86

 

CMYK 39 / 0 / 59 / 16

HEX #81D557

RGB 129 213 87

HSL 100, 0.6%, 0.59%

LAB 77.84, -47.59, 53.23

 

CMYK 59 / 39 / 0 / 16

HEX #5781D5

RGB 87 129 213

HSL 220, 0.6%, 0.59%

LAB 54.59, 10.86, -47.6

 

CMYK 0 / 58 / 40 / 16

HEX #D65981

RGB 214 89 129

HSL 340.8, 0.6%, 0.59%

LAB 55.1, 52.83, 2.86

 

CMYK 0 / 8 / 59 / 16

HEX #D5C457

RGB 213 196 87

HSL 51.9, 0.6%, 0.59%

LAB 78.64, -7.3, 55.65

 

CMYK 59 / 0 / 20 / 16

HEX #57D5AB

RGB 87 213 171

HSL 160, 0.6%, 0.59%

LAB 77.61, -44.86, 10.44

 

CMYK 59 / 51 / 0 / 16

HEX #5768D5

RGB 87 104 213

HSL 231.9, 0.6%, 0.59%

LAB 47.92, 26.23, -58.26

 

CMYK 0 / 58 / 40 / 16

HEX #D65981

RGB 214 89 129

HSL 340.8, 0.6%, 0.59%

LAB 55.1, 52.83, 2.86

 

CMYK 10 / 0 / 59 / 16

HEX #C0D557

RGB 192 213 87

HSL 70, 0.6%, 0.59%

LAB 81.56, -24.41, 58.42

 

CMYK 59 / 0 / 20 / 16

HEX #57D5AB

RGB 87 213 171

HSL 160, 0.6%, 0.59%

LAB 77.61, -44.86, 10.44

 

CMYK 49 / 59 / 0 / 16

HEX #6C57D5

RGB 108 87 213

HSL 250, 0.6%, 0.59%

LAB 45.37, 40.61, -62.31

 

Description

Color code: RGB 214 89 129 | qconv.com Color code: RGB 214 89 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 89 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 89 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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