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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 88 222 it is the complementary color RGB 41 167 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 88 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 88 222 shade: RGB 219 88 217, RGB 236 106 236, RGB 253 124 255, RGB 255 142 255 and RGB 255 160 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 88 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 88 222 shade: RGB 214 88 222, RGB 197 70 203, RGB 180 52 184, RGB 163 34 165 and RGB 146 16 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 88 222 shade: RGB 214 88 222, RGB 222 88 194, RGB 222 88 158, RGB 222 88 122 and RGB 222 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 88 222 shade: RGB 214 88 222, RGB 178 88 222, RGB 142 88 222, RGB 106 88 222 and RGB 88 88 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 88 222 shade matches the following richer shades: RGB 214 88 222, RGB 228 72 238 and RGB 242 56 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 88 222 shade: RGB 214 88 222, RGB 200 105 206, RGB 185 121 189, RGB 171 137 173 and RGB 157 153 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 88 222 shade: RGB 142 88 222, RGB 177 88 222, RGB 213 88 222, RGB 222 88 195 and RGB 222 88 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 88 222 shade: RGB 181 37 190, RGB 205 54 215, RGB 214 88 222, RGB 222 123 228 and RGB 231 157 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 88 222 shade: RGB 214 88 222, RGB 222 106 88 and RGB 88 222 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 88 222 shade: RGB 214 88 222, RGB 222 213 88 and RGB 88 222 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 88 222 shade: RGB 214 88 222, RGB 222 106 88, RGB 97 222 88 and RGB 88 204 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 88 222 shade: RGB 214 88 222, RGB 222 146 88, RGB 97 222 88 and RGB 88 164 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

Complementary color

CMYK 75 / 0 / 80 / 35

HEX #29A721

RGB 41 167 33

HSL 116.42, 0.67%, 0.39%

LAB 60.09, -57.71, 54.68

 

CMYK 0 / 60 / 1 / 14

HEX #DB58D9

RGB 219 88 217

HSL 300.92, 0.65%, 0.6%

LAB 59.02, 66.99, -42.01

 

CMYK 0 / 55 / 0 / 7

HEX #EC6AEC

RGB 236 106 236

HSL 300, 0.77%, 0.67%

LAB 65.12, 66.72, -42.89

 

CMYK 1 / 51 / 0 / 0

HEX #FD7CFF

RGB 253 124 255

HSL 299.08, 1%, 0.74%

LAB 71.23, 66.26, -43.59

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 3 / 66 / 0 / 20

HEX #C546CB

RGB 197 70 203

HSL 297.29, 0.56%, 0.54%

LAB 52.47, 66.63, -44.61

 

CMYK 2 / 72 / 0 / 28

HEX #B434B8

RGB 180 52 184

HSL 298.18, 0.56%, 0.46%

LAB 46.47, 66.18, -43.28

 

CMYK 1 / 79 / 0 / 35

HEX #A322A5

RGB 163 34 165

HSL 299.08, 0.66%, 0.39%

LAB 40.65, 64.98, -41.47

 

CMYK 0 / 89 / 0 / 43

HEX #921092

RGB 146 16 146

HSL 300, 0.8%, 0.32%

LAB 35.12, 62.63, -38.96

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 0 / 60 / 13 / 13

HEX #DE58C2

RGB 222 88 194

HSL 312.54, 0.67%, 0.61%

LAB 58.42, 64.11, -29.86

 

CMYK 0 / 60 / 29 / 13

HEX #DE589E

RGB 222 88 158

HSL 328.66, 0.67%, 0.61%

LAB 57.05, 59.14, -11.14

 

CMYK 0 / 60 / 45 / 13

HEX #DE587A

RGB 222 88 122

HSL 344.78, 0.67%, 0.61%

LAB 56, 55.15, 8.46

 

CMYK 0 / 60 / 60 / 13

HEX #DE5858

RGB 222 88 88

HSL 0, 0.67%, 0.61%

LAB 55.29, 52.37, 27.43

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 20 / 60 / 0 / 13

HEX #B258DE

RGB 178 88 222

HSL 280.3, 0.67%, 0.61%

LAB 53.73, 57.95, -53.58

 

CMYK 36 / 60 / 0 / 13

HEX #8E58DE

RGB 142 88 222

HSL 264.18, 0.67%, 0.61%

LAB 49.5, 49.68, -60.59

 

CMYK 52 / 60 / 0 / 13

HEX #6A58DE

RGB 106 88 222

HSL 248.06, 0.67%, 0.61%

LAB 46.07, 42.32, -66.32

 

CMYK 60 / 60 / 0 / 13

HEX #5858DE

RGB 88 88 222

HSL 240, 0.67%, 0.61%

LAB 44.7, 39.18, -68.6

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 4 / 70 / 0 / 7

HEX #E448EE

RGB 228 72 238

HSL 296.39, 0.83%, 0.61%

LAB 59.25, 78.58, -53.35

 

CMYK 5 / 78 / 0 / 0

HEX #F238FE

RGB 242 56 254

HSL 296.36, 0.99%, 0.61%

LAB 60.66, 88.54, -59.87

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 3 / 49 / 0 / 19

HEX #C869CE

RGB 200 105 206

HSL 296.44, 0.51%, 0.61%

LAB 58.82, 52.21, -36.28

 

CMYK 2 / 36 / 0 / 26

HEX #B979BD

RGB 185 121 189

HSL 296.47, 0.34%, 0.61%

LAB 59.58, 36.08, -25.6

 

CMYK 1 / 21 / 0 / 32

HEX #AB89AD

RGB 171 137 173

HSL 296.67, 0.18%, 0.61%

LAB 61.28, 19.33, -14.05

 

CMYK 0 / 3 / 0 / 38

HEX #9D999D

RGB 157 153 157

HSL 300, 0.02%, 0.61%

LAB 63.66, 2.22, -1.58

 

CMYK 36 / 60 / 0 / 13

HEX #8E58DE

RGB 142 88 222

HSL 264.18, 0.67%, 0.61%

LAB 49.5, 49.68, -60.59

 

CMYK 20 / 60 / 0 / 13

HEX #B158DE

RGB 177 88 222

HSL 279.85, 0.67%, 0.61%

LAB 53.6, 57.72, -53.79

 

CMYK 4 / 60 / 0 / 13

HEX #D558DE

RGB 213 88 222

HSL 295.97, 0.67%, 0.61%

LAB 58.41, 66.38, -45.84

 

CMYK 0 / 60 / 12 / 13

HEX #DE58C3

RGB 222 88 195

HSL 312.09, 0.67%, 0.61%

LAB 58.46, 64.26, -30.36

 

CMYK 0 / 60 / 28 / 13

HEX #DE589F

RGB 222 88 159

HSL 328.21, 0.67%, 0.61%

LAB 57.09, 59.26, -11.68

 

CMYK 5 / 81 / 0 / 25

HEX #B525BE

RGB 181 37 190

HSL 296.47, 0.67%, 0.45%

LAB 45.45, 71.79, -48.41

 

CMYK 5 / 75 / 0 / 16

HEX #CD36D7

RGB 205 54 215

HSL 296.27, 0.67%, 0.53%

LAB 52.42, 75.86, -51.47

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 3 / 46 / 0 / 11

HEX #DE7BE4

RGB 222 123 228

HSL 296.57, 0.66%, 0.69%

LAB 65.98, 53.5, -37.24

 

CMYK 2 / 33 / 0 / 8

HEX #E79DEB

RGB 231 157 235

HSL 296.92, 0.66%, 0.77%

LAB 74.25, 39.91, -28.2

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 0 / 52 / 60 / 13

HEX #DE6A58

RGB 222 106 88

HSL 8.06, 0.67%, 0.61%

LAB 58.55, 43.88, 31.58

 

CMYK 60 / 0 / 28 / 13

HEX #58DE9F

RGB 88 222 159

HSL 151.79, 0.67%, 0.61%

LAB 80.08, -51.02, 20.24

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 0 / 4 / 60 / 13

HEX #DED558

RGB 222 213 88

HSL 55.97, 0.67%, 0.61%

LAB 83.87, -12.12, 61.19

 

CMYK 60 / 0 / 4 / 13

HEX #58DED5

RGB 88 222 213

HSL 175.97, 0.67%, 0.61%

LAB 81.36, -38.34, -6.5

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 0 / 52 / 60 / 13

HEX #DE6A58

RGB 222 106 88

HSL 8.06, 0.67%, 0.61%

LAB 58.55, 43.88, 31.58

 

CMYK 56 / 0 / 60 / 13

HEX #61DE58

RGB 97 222 88

HSL 115.97, 0.67%, 0.61%

LAB 79.32, -60.12, 54.15

 

CMYK 60 / 8 / 0 / 13

HEX #58CCDE

RGB 88 204 222

HSL 188.06, 0.67%, 0.61%

LAB 76.4, -27.34, -18.74

 

CMYK 4 / 60 / 0 / 13

HEX #D658DE

RGB 214 88 222

HSL 296.42, 0.67%, 0.61%

LAB 58.56, 66.62, -45.61

 

CMYK 0 / 34 / 60 / 13

HEX #DE9258

RGB 222 146 88

HSL 25.97, 0.67%, 0.61%

LAB 67.12, 23.06, 42.1

 

CMYK 56 / 0 / 60 / 13

HEX #61DE58

RGB 97 222 88

HSL 115.97, 0.67%, 0.61%

LAB 79.32, -60.12, 54.15

 

CMYK 60 / 26 / 0 / 13

HEX #58A4DE

RGB 88 164 222

HSL 205.97, 0.67%, 0.61%

LAB 64.88, -6.38, -36.42

 

Description

Color code: RGB 214 88 222 | qconv.com Color code: RGB 214 88 222 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 88 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 88 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 60 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 60% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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