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Color name
RGB 214 86 102

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 86 102 it is the complementary color RGB 41 169 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 86 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 86 102 shade: RGB 219 86 97, RGB 236 104 116, RGB 253 122 135, RGB 255 140 154 and RGB 255 158 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 86 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 86 102 shade: RGB 214 86 102, RGB 197 68 83, RGB 180 50 64, RGB 163 32 45 and RGB 146 14 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 86 102 shade: RGB 214 86 102 and RGB 214 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 86 102 shade: RGB 214 86 102, RGB 214 86 137, RGB 214 86 171, RGB 214 86 205 and RGB 188 86 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 86 102 shade matches the following richer shades: RGB 214 86 102, RGB 231 69 89 and RGB 248 52 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 86 102 shade: RGB 214 86 102, RGB 197 103 115, RGB 180 120 127, RGB 163 137 140 and RGB 146 154 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 86 102 shade: RGB 214 86 171, RGB 214 86 137, RGB 214 86 103, RGB 214 103 86 and RGB 214 137 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 86 102 shade: RGB 175 42 59, RGB 206 53 72, RGB 214 86 102, RGB 222 119 132 and RGB 230 153 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 86 102 shade: RGB 214 86 102, RGB 205 214 86 and RGB 86 154 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 86 102 shade: RGB 214 86 102, RGB 103 214 86 and RGB 86 103 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 86 102 shade: RGB 214 86 102, RGB 205 214 86, RGB 86 214 197 and RGB 95 86 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 86 102 shade: RGB 214 86 102, RGB 167 214 86, RGB 86 214 197 and RGB 133 86 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

Complementary color

CMYK 76 / 0 / 9 / 34

HEX #29A999

RGB 41 169 153

HSL 172.5, 0.61%, 0.41%

LAB 62.63, -37.37, -1.5

 

CMYK 0 / 61 / 56 / 14

HEX #DB5661

RGB 219 86 97

HSL 355.04, 0.65%, 0.6%

LAB 54.64, 52.89, 21.23

 

CMYK 0 / 56 / 51 / 7

HEX #EC6874

RGB 236 104 116

HSL 354.55, 0.78%, 0.67%

LAB 60.78, 51.99, 18.93

 

CMYK 0 / 52 / 47 / 1

HEX #FD7A87

RGB 253 122 135

HSL 354.05, 0.97%, 0.74%

LAB 66.94, 51.03, 16.97

 

CMYK 0 / 45 / 40 / 0

HEX #FF8C9A

RGB 255 140 154

HSL 352.7, 1%, 0.77%

LAB 71.11, 44.81, 12.19

 

CMYK 0 / 38 / 32 / 0

HEX #FF9EAD

RGB 255 158 173

HSL 350.72, 1%, 0.81%

LAB 75.28, 37.85, 7.61

 

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

CMYK 0 / 65 / 58 / 23

HEX #C54453

RGB 197 68 83

HSL 353.02, 0.53%, 0.52%

LAB 47.79, 52.32, 19.78

 

CMYK 0 / 72 / 64 / 29

HEX #B43240

RGB 180 50 64

HSL 353.54, 0.57%, 0.45%

LAB 41.77, 52.71, 22.94

 

CMYK 0 / 80 / 72 / 36

HEX #A3202D

RGB 163 32 45

HSL 354.05, 0.67%, 0.38%

LAB 36, 52.47, 26.84

 

CMYK 0 / 90 / 82 / 43

HEX #920E1A

RGB 146 14 26

HSL 354.55, 0.83%, 0.31%

LAB 30.64, 51.17, 31.54

 

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

CMYK 0 / 60 / 60 / 16

HEX #D65656

RGB 214 86 86

HSL 0, 0.61%, 0.59%

LAB 53.63, 50.38, 26.19

 

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

CMYK 0 / 60 / 36 / 16

HEX #D65689

RGB 214 86 137

HSL 336.09, 0.61%, 0.59%

LAB 54.82, 55.07, -2.27

 

CMYK 0 / 60 / 20 / 16

HEX #D656AB

RGB 214 86 171

HSL 320.16, 0.61%, 0.59%

LAB 55.98, 59.41, -20.46

 

CMYK 0 / 60 / 4 / 16

HEX #D656CD

RGB 214 86 205

HSL 304.22, 0.61%, 0.59%

LAB 57.42, 64.59, -37.77

 

CMYK 12 / 60 / 0 / 16

HEX #BC56D6

RGB 188 86 214

HSL 287.81, 0.61%, 0.59%

LAB 54.24, 59.69, -48.15

 

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

CMYK 0 / 70 / 61 / 9

HEX #E74559

RGB 231 69 89

HSL 352.59, 0.77%, 0.59%

LAB 53.99, 63.02, 25.46

 

CMYK 0 / 79 / 69 / 3

HEX #F8344D

RGB 248 52 77

HSL 352.35, 0.93%, 0.59%

LAB 55.02, 72.53, 34.45

 

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

CMYK 0 / 48 / 42 / 23

HEX #C56773

RGB 197 103 115

HSL 352.34, 0.45%, 0.59%

LAB 54.87, 38.57, 10.46

 

CMYK 0 / 33 / 29 / 29

HEX #B4787F

RGB 180 120 127

HSL 353, 0.29%, 0.59%

LAB 56.75, 24.45, 5.82

 

CMYK 0 / 16 / 14 / 36

HEX #A3898C

RGB 163 137 140

HSL 353.08, 0.12%, 0.59%

LAB 59.5, 10.34, 2.06

 

CMYK 5 / 0 / 1 / 40

HEX #929A99

RGB 146 154 153

HSL 172.5, 0.04%, 0.59%

LAB 62.95, -3.06, -0.48

 

CMYK 0 / 60 / 20 / 16

HEX #D656AB

RGB 214 86 171

HSL 320.16, 0.61%, 0.59%

LAB 55.98, 59.41, -20.46

 

CMYK 0 / 60 / 36 / 16

HEX #D65689

RGB 214 86 137

HSL 336.09, 0.61%, 0.59%

LAB 54.82, 55.07, -2.27

 

CMYK 0 / 60 / 52 / 16

HEX #D65667

RGB 214 86 103

HSL 352.03, 0.61%, 0.59%

LAB 53.95, 51.69, 16.63

 

CMYK 0 / 52 / 60 / 16

HEX #D66756

RGB 214 103 86

HSL 7.97, 0.61%, 0.59%

LAB 56.75, 42.26, 30.19

 

CMYK 0 / 36 / 60 / 16

HEX #D68956

RGB 214 137 86

HSL 23.91, 0.61%, 0.59%

LAB 64.05, 24.46, 39.22

 

CMYK 0 / 76 / 66 / 31

HEX #AF2A3B

RGB 175 42 59

HSL 352.33, 0.61%, 0.43%

LAB 39.72, 53.68, 23.23

 

CMYK 0 / 74 / 65 / 19

HEX #CE3548

RGB 206 53 72

HSL 352.55, 0.61%, 0.51%

LAB 47.15, 60.07, 25.91

 

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

CMYK 0 / 46 / 41 / 13

HEX #DE7784

RGB 222 119 132

HSL 352.43, 0.61%, 0.67%

LAB 61.99, 41.28, 11.12

 

CMYK 0 / 33 / 30 / 10

HEX #E699A2

RGB 230 153 162

HSL 352.99, 0.61%, 0.75%

LAB 71.02, 30.01, 7.19

 

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

CMYK 4 / 0 / 60 / 16

HEX #CDD656

RGB 205 214 86

HSL 64.22, 0.61%, 0.59%

LAB 82.78, -19.72, 60.46

 

CMYK 60 / 28 / 0 / 16

HEX #569AD6

RGB 86 154 214

HSL 208.13, 0.61%, 0.59%

LAB 61.61, -3.69, -37.11

 

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

CMYK 52 / 0 / 60 / 16

HEX #67D656

RGB 103 214 86

HSL 112.03, 0.61%, 0.59%

LAB 77.07, -55.81, 52.51

 

CMYK 60 / 52 / 0 / 16

HEX #5667D6

RGB 86 103 214

HSL 232.03, 0.61%, 0.59%

LAB 47.67, 27, -59.24

 

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

CMYK 4 / 0 / 60 / 16

HEX #CDD656

RGB 205 214 86

HSL 64.22, 0.61%, 0.59%

LAB 82.78, -19.72, 60.46

 

CMYK 60 / 0 / 8 / 16

HEX #56D6C5

RGB 86 214 197

HSL 172.03, 0.61%, 0.59%

LAB 78.52, -39.2, -2.14

 

CMYK 56 / 60 / 0 / 16

HEX #5F56D6

RGB 95 86 214

HSL 244.22, 0.61%, 0.59%

LAB 44.15, 39.03, -64.9

 

CMYK 0 / 60 / 52 / 16

HEX #D65666

RGB 214 86 102

HSL 352.5, 0.61%, 0.59%

LAB 53.93, 51.61, 17.2

 

CMYK 22 / 0 / 60 / 16

HEX #A7D656

RGB 167 214 86

HSL 82.03, 0.61%, 0.59%

LAB 80.17, -34.7, 56.85

 

CMYK 60 / 0 / 8 / 16

HEX #56D6C5

RGB 86 214 197

HSL 172.03, 0.61%, 0.59%

LAB 78.52, -39.2, -2.14

 

CMYK 38 / 60 / 0 / 16

HEX #8556D6

RGB 133 86 214

HSL 262.03, 0.61%, 0.59%

LAB 47.62, 46.72, -59.12

 

Description

Color code: RGB 214 86 102 | qconv.com Color code: RGB 214 86 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 86 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 86 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 52 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 52% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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