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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 68 227 it is the complementary color RGB 41 187 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 68 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 68 227 shade: RGB 219 68 222, RGB 236 86 241, RGB 253 104 255, RGB 255 122 255 and RGB 255 140 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 68 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 68 227 shade: RGB 214 68 227, RGB 197 50 208, RGB 180 32 189, RGB 163 14 170 and RGB 146 0 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 68 227 shade: RGB 214 68 227, RGB 227 68 197, RGB 227 68 154, RGB 227 68 111 and RGB 227 68 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 68 227 shade: RGB 214 68 227, RGB 171 68 227, RGB 128 68 227, RGB 85 68 227 and RGB 68 68 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 68 227 shade matches the following richer shades: RGB 214 68 227 and RGB 228 51 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 68 227 shade: RGB 214 68 227, RGB 199 85 209, RGB 185 103 192, RGB 170 120 175 and RGB 156 137 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 68 227 shade: RGB 129 68 227, RGB 171 68 227, RGB 213 68 227, RGB 227 68 198 and RGB 227 68 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 68 227 shade: RGB 172 27 185, RGB 206 33 221, RGB 214 68 227, RGB 222 104 232 and RGB 229 140 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 68 227 shade: RGB 214 68 227, RGB 227 87 68 and RGB 68 227 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 68 227 shade: RGB 214 68 227, RGB 227 213 68 and RGB 68 227 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 68 227 shade: RGB 214 68 227, RGB 227 87 68, RGB 81 227 68 and RGB 68 208 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 68 227 shade: RGB 214 68 227, RGB 227 134 68, RGB 81 227 68 and RGB 68 161 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

Complementary color

CMYK 78 / 0 / 85 / 27

HEX #29BB1C

RGB 41 187 28

HSL 115.09, 0.74%, 0.42%

LAB 66.59, -64.19, 62.02

 

CMYK 1 / 69 / 0 / 13

HEX #DB44DE

RGB 219 68 222

HSL 298.83, 0.7%, 0.57%

LAB 56.55, 75.42, -48.73

 

CMYK 2 / 64 / 0 / 5

HEX #EC56F1

RGB 236 86 241

HSL 298.06, 0.85%, 0.64%

LAB 62.37, 75.79, -49.99

 

CMYK 1 / 59 / 0 / 0

HEX #FD68FF

RGB 253 104 255

HSL 299.21, 1%, 0.7%

LAB 68.02, 74.95, -48.62

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

CMYK 5 / 76 / 0 / 18

HEX #C532D0

RGB 197 50 208

HSL 295.82, 0.63%, 0.51%

LAB 50.34, 74.3, -50.86

 

CMYK 5 / 83 / 0 / 26

HEX #B420BD

RGB 180 32 189

HSL 296.56, 0.71%, 0.43%

LAB 44.82, 72.62, -48.85

 

CMYK 4 / 92 / 0 / 33

HEX #A30EAA

RGB 163 14 170

HSL 297.31, 0.85%, 0.36%

LAB 39.59, 69.79, -46.16

 

CMYK 3 / 100 / 0 / 41

HEX #920097

RGB 146 0 151

HSL 298.01, 1%, 0.3%

LAB 34.69, 65.62, -42.7

 

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

CMYK 0 / 70 / 13 / 11

HEX #E344C5

RGB 227 68 197

HSL 311.32, 0.74%, 0.58%

LAB 56.58, 73.42, -34.37

 

CMYK 0 / 70 / 32 / 11

HEX #E3449A

RGB 227 68 154

HSL 327.55, 0.74%, 0.58%

LAB 54.86, 67.93, -12.01

 

CMYK 0 / 70 / 51 / 11

HEX #E3446F

RGB 227 68 111

HSL 343.77, 0.74%, 0.58%

LAB 53.61, 63.75, 11.74

 

CMYK 0 / 70 / 70 / 11

HEX #E34445

RGB 227 68 69

HSL 359.62, 0.74%, 0.58%

LAB 52.83, 61.07, 35.52

 

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

CMYK 25 / 70 / 0 / 11

HEX #AB44E3

RGB 171 68 227

HSL 278.87, 0.74%, 0.58%

LAB 49.9, 66.38, -62.6

 

CMYK 44 / 70 / 0 / 11

HEX #8044E3

RGB 128 68 227

HSL 262.64, 0.74%, 0.58%

LAB 44.62, 58.37, -71.42

 

CMYK 63 / 70 / 0 / 11

HEX #5544E3

RGB 85 68 227

HSL 246.42, 0.74%, 0.58%

LAB 40.59, 51.86, -78.17

 

CMYK 70 / 70 / 0 / 11

HEX #4444E3

RGB 68 68 227

HSL 240, 0.74%, 0.58%

LAB 39.43, 49.89, -80.13

 

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

CMYK 7 / 79 / 0 / 4

HEX #E433F4

RGB 228 51 244

HSL 295.03, 0.9%, 0.58%

LAB 57.46, 85.68, -59.56

 

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

CMYK 5 / 59 / 0 / 18

HEX #C755D1

RGB 199 85 209

HSL 295.16, 0.57%, 0.58%

LAB 55.32, 61.92, -43.5

 

CMYK 4 / 46 / 0 / 25

HEX #B967C0

RGB 185 103 192

HSL 295.28, 0.41%, 0.58%

LAB 55.91, 46.28, -33.01

 

CMYK 3 / 31 / 0 / 31

HEX #AA78AF

RGB 170 120 175

HSL 294.55, 0.26%, 0.58%

LAB 57.15, 29, -21.48

 

CMYK 1 / 13 / 0 / 38

HEX #9C899D

RGB 156 137 157

HSL 297, 0.09%, 0.58%

LAB 59.34, 10.88, -7.98

 

CMYK 43 / 70 / 0 / 11

HEX #8144E3

RGB 129 68 227

HSL 263.02, 0.74%, 0.58%

LAB 44.73, 58.54, -71.24

 

CMYK 25 / 70 / 0 / 11

HEX #AB44E3

RGB 171 68 227

HSL 278.87, 0.74%, 0.58%

LAB 49.9, 66.38, -62.6

 

CMYK 6 / 70 / 0 / 11

HEX #D544E3

RGB 213 68 227

HSL 294.72, 0.74%, 0.58%

LAB 55.91, 74.97, -52.63

 

CMYK 0 / 70 / 13 / 11

HEX #E344C6

RGB 227 68 198

HSL 310.94, 0.74%, 0.58%

LAB 56.63, 73.56, -34.88

 

CMYK 0 / 70 / 32 / 11

HEX #E3449B

RGB 227 68 155

HSL 327.17, 0.74%, 0.58%

LAB 54.9, 68.04, -12.55

 

CMYK 7 / 85 / 0 / 27

HEX #AC1BB9

RGB 172 27 185

HSL 295.06, 0.75%, 0.42%

LAB 42.85, 71.59, -49.73

 

CMYK 7 / 85 / 0 / 13

HEX #CE21DD

RGB 206 33 221

HSL 295.21, 0.74%, 0.5%

LAB 51.19, 82.1, -56.86

 

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

CMYK 4 / 55 / 0 / 9

HEX #DE68E8

RGB 222 104 232

HSL 295.31, 0.74%, 0.66%

LAB 62.72, 63.33, -44.56

 

CMYK 3 / 41 / 0 / 7

HEX #E58CED

RGB 229 140 237

HSL 295.05, 0.73%, 0.74%

LAB 70.54, 48.55, -35.04

 

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

CMYK 0 / 62 / 70 / 11

HEX #E35744

RGB 227 87 68

HSL 7.17, 0.74%, 0.58%

LAB 55.65, 53.37, 39.37

 

CMYK 70 / 0 / 34 / 11

HEX #44E396

RGB 68 227 150

HSL 150.94, 0.74%, 0.58%

LAB 80.94, -58.26, 26.02

 

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

CMYK 0 / 6 / 70 / 11

HEX #E3D544

RGB 227 213 68

HSL 54.72, 0.74%, 0.58%

LAB 84.14, -11.19, 69.57

 

CMYK 70 / 0 / 6 / 11

HEX #44E3D5

RGB 68 227 213

HSL 174.72, 0.74%, 0.58%

LAB 82.36, -43.56, -5.06

 

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

CMYK 0 / 62 / 70 / 11

HEX #E35744

RGB 227 87 68

HSL 7.17, 0.74%, 0.58%

LAB 55.65, 53.37, 39.37

 

CMYK 64 / 0 / 70 / 11

HEX #51E344

RGB 81 227 68

HSL 115.09, 0.74%, 0.58%

LAB 80.24, -67.33, 63.07

 

CMYK 70 / 8 / 0 / 11

HEX #44D0E3

RGB 68 208 227

HSL 187.17, 0.74%, 0.58%

LAB 77.21, -30.86, -20.24

 

CMYK 6 / 70 / 0 / 11

HEX #D644E3

RGB 214 68 227

HSL 295.09, 0.74%, 0.58%

LAB 56.06, 75.18, -52.38

 

CMYK 0 / 41 / 70 / 11

HEX #E38644

RGB 227 134 68

HSL 24.91, 0.74%, 0.58%

LAB 64.8, 30.26, 49.63

 

CMYK 64 / 0 / 70 / 11

HEX #51E344

RGB 81 227 68

HSL 115.09, 0.74%, 0.58%

LAB 80.24, -67.33, 63.07

 

CMYK 70 / 29 / 0 / 11

HEX #44A1E3

RGB 68 161 227

HSL 204.91, 0.74%, 0.58%

LAB 63.56, -6.35, -41.3

 

Description

Color code: RGB 214 68 227 | qconv.com Color code: RGB 214 68 227 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 68 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 68 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 70 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 70% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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