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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 52 238 it is the complementary color RGB 41 203 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 52 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 52 238 shade: RGB 219 52 233, RGB 236 70 252, RGB 253 88 255, RGB 255 106 255 and RGB 255 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 52 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 52 238 shade: RGB 214 52 238, RGB 197 34 219, RGB 180 16 200, RGB 163 0 181 and RGB 146 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 52 238 shade: RGB 214 52 238, RGB 238 52 212, RGB 238 52 162, RGB 238 52 111 and RGB 238 52 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 52 238 shade: RGB 214 52 238, RGB 164 52 238, RGB 113 52 238, RGB 63 52 238 and RGB 52 52 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 52 238 shade matches the following richer shades: RGB 214 52 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 52 238 shade: RGB 214 52 238, RGB 201 69 220, RGB 188 87 203, RGB 175 105 185 and RGB 161 123 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 52 238 shade: RGB 114 52 238, RGB 163 52 238, RGB 213 52 238, RGB 238 52 213 and RGB 238 52 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 52 238 shade: RGB 169 15 192, RGB 203 18 230, RGB 214 52 238, RGB 222 90 241 and RGB 229 128 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 52 238 shade: RGB 214 52 238, RGB 238 64 52 and RGB 52 238 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 52 238 shade: RGB 214 52 238, RGB 238 213 52 and RGB 52 238 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 52 238 shade: RGB 214 52 238, RGB 238 64 52, RGB 77 238 52 and RGB 52 226 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 52 238 shade: RGB 214 52 238, RGB 238 120 52, RGB 77 238 52 and RGB 52 170 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

Complementary color

CMYK 80 / 0 / 92 / 20

HEX #29CB11

RGB 41 203 17

HSL 112.26, 0.85%, 0.43%

LAB 71.71, -69.33, 68.53

 

CMYK 6 / 78 / 0 / 9

HEX #DB34E9

RGB 219 52 233

HSL 295.36, 0.8%, 0.56%

LAB 55.48, 82.02, -56.64

 

CMYK 6 / 72 / 0 / 1

HEX #EC46FC

RGB 236 70 252

HSL 294.73, 0.97%, 0.63%

LAB 60.99, 83.14, -58.28

 

CMYK 1 / 65 / 0 / 0

HEX #FD58FF

RGB 253 88 255

HSL 299.28, 1%, 0.67%

LAB 65.81, 81.1, -52.12

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

CMYK 10 / 84 / 0 / 14

HEX #C522DB

RGB 197 34 219

HSL 292.86, 0.73%, 0.5%

LAB 49.65, 80.06, -58.26

 

CMYK 10 / 92 / 0 / 22

HEX #B410C8

RGB 180 16 200

HSL 293.48, 0.85%, 0.42%

LAB 44.58, 77.15, -55.64

 

CMYK 10 / 100 / 0 / 29

HEX #A300B5

RGB 163 0 181

HSL 294.03, 1%, 0.35%

LAB 39.79, 73.11, -52.38

 

CMYK 10 / 100 / 0 / 36

HEX #9200A2

RGB 146 0 162

HSL 294.07, 1%, 0.32%

LAB 35.44, 67.4, -48.18

 

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

CMYK 0 / 78 / 11 / 7

HEX #EE34D4

RGB 238 52 212

HSL 308.39, 0.85%, 0.57%

LAB 57.45, 82.6, -41.45

 

CMYK 0 / 78 / 32 / 7

HEX #EE34A2

RGB 238 52 162

HSL 324.52, 0.85%, 0.57%

LAB 55.32, 76.45, -15.84

 

CMYK 0 / 78 / 53 / 7

HEX #EE346F

RGB 238 52 111

HSL 340.97, 0.85%, 0.57%

LAB 53.79, 71.84, 12.28

 

CMYK 0 / 78 / 74 / 7

HEX #EE343D

RGB 238 52 61

HSL 357.1, 0.85%, 0.57%

LAB 52.92, 69.11, 40.68

 

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

CMYK 31 / 78 / 0 / 7

HEX #A434EE

RGB 164 52 238

HSL 276.13, 0.85%, 0.57%

LAB 47.65, 73.37, -72.51

 

CMYK 53 / 78 / 0 / 7

HEX #7134EE

RGB 113 52 238

HSL 259.68, 0.85%, 0.57%

LAB 41.44, 66.11, -82.93

 

CMYK 74 / 78 / 0 / 7

HEX #3F34EE

RGB 63 52 238

HSL 243.55, 0.85%, 0.57%

LAB 37.27, 61.24, -89.94

 

CMYK 78 / 78 / 0 / 7

HEX #3434EE

RGB 52 52 238

HSL 240, 0.85%, 0.57%

LAB 36.67, 60.53, -90.97

 

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

CMYK 9 / 69 / 0 / 14

HEX #C945DC

RGB 201 69 220

HSL 292.45, 0.68%, 0.57%

LAB 53.86, 70.86, -52.06

 

CMYK 7 / 57 / 0 / 20

HEX #BC57CB

RGB 188 87 203

HSL 292.24, 0.53%, 0.57%

LAB 53.84, 57.12, -42.53

 

CMYK 5 / 43 / 0 / 27

HEX #AF69B9

RGB 175 105 185

HSL 292.5, 0.36%, 0.57%

LAB 54.78, 40.87, -30.83

 

CMYK 4 / 26 / 0 / 35

HEX #A17BA7

RGB 161 123 167

HSL 291.82, 0.2%, 0.57%

LAB 56.62, 22.65, -17.77

 

CMYK 52 / 78 / 0 / 7

HEX #7234EE

RGB 114 52 238

HSL 260, 0.85%, 0.57%

LAB 41.54, 66.24, -82.75

 

CMYK 32 / 78 / 0 / 7

HEX #A334EE

RGB 163 52 238

HSL 275.81, 0.85%, 0.57%

LAB 47.52, 73.21, -72.74

 

CMYK 11 / 78 / 0 / 7

HEX #D534EE

RGB 213 52 238

HSL 291.94, 0.85%, 0.57%

LAB 54.84, 81.74, -60.53

 

CMYK 0 / 78 / 11 / 7

HEX #EE34D5

RGB 238 52 213

HSL 308.06, 0.85%, 0.57%

LAB 57.5, 82.74, -41.94

 

CMYK 0 / 78 / 32 / 7

HEX #EE34A3

RGB 238 52 163

HSL 324.19, 0.85%, 0.57%

LAB 55.36, 76.56, -16.37

 

CMYK 12 / 92 / 0 / 25

HEX #A90FC0

RGB 169 15 192

HSL 292.2, 0.86%, 0.41%

LAB 42.13, 74.22, -55.03

 

CMYK 12 / 92 / 0 / 10

HEX #CB12E6

RGB 203 18 230

HSL 292.36, 0.85%, 0.49%

LAB 50.5, 85.3, -63.09

 

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

CMYK 8 / 63 / 0 / 5

HEX #DE5AF1

RGB 222 90 241

HSL 292.45, 0.84%, 0.65%

LAB 60.95, 71.02, -52.37

 

CMYK 6 / 48 / 0 / 4

HEX #E580F4

RGB 229 128 244

HSL 292.24, 0.84%, 0.73%

LAB 68.48, 55.92, -42.09

 

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

CMYK 0 / 73 / 78 / 7

HEX #EE4034

RGB 238 64 52

HSL 3.87, 0.85%, 0.57%

LAB 54.12, 65.15, 46.86

 

CMYK 78 / 0 / 42 / 7

HEX #34EE8B

RGB 52 238 139

HSL 148.06, 0.85%, 0.57%

LAB 83.83, -66.38, 35.38

 

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

CMYK 0 / 11 / 78 / 7

HEX #EED534

RGB 238 213 52

HSL 51.94, 0.85%, 0.57%

LAB 85, -7.22, 76.05

 

CMYK 78 / 0 / 11 / 7

HEX #34EED5

RGB 52 238 213

HSL 171.94, 0.85%, 0.57%

LAB 85.34, -50.03, -0.72

 

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

CMYK 0 / 73 / 78 / 7

HEX #EE4034

RGB 238 64 52

HSL 3.87, 0.85%, 0.57%

LAB 54.12, 65.15, 46.86

 

CMYK 68 / 0 / 78 / 7

HEX #4DEE34

RGB 77 238 52

HSL 111.94, 0.85%, 0.57%

LAB 83.43, -72.75, 71.46

 

CMYK 78 / 5 / 0 / 7

HEX #34E2EE

RGB 52 226 238

HSL 183.87, 0.85%, 0.57%

LAB 82.54, -37.81, -18.08

 

CMYK 10 / 78 / 0 / 7

HEX #D634EE

RGB 214 52 238

HSL 292.26, 0.85%, 0.57%

LAB 55, 81.92, -60.27

 

CMYK 0 / 50 / 78 / 7

HEX #EE7834

RGB 238 120 52

HSL 21.94, 0.85%, 0.57%

LAB 63.23, 41.14, 55.9

 

CMYK 68 / 0 / 78 / 7

HEX #4DEE34

RGB 77 238 52

HSL 111.94, 0.85%, 0.57%

LAB 83.43, -72.75, 71.46

 

CMYK 78 / 29 / 0 / 7

HEX #34AAEE

RGB 52 170 238

HSL 201.94, 0.85%, 0.57%

LAB 66.25, -9.54, -43.15

 

Description

Color code: RGB 214 52 238 | qconv.com Color code: RGB 214 52 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 52 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 52 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 78 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 78% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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