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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 50 151 it is the complementary color RGB 41 205 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 50 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 50 151 shade: RGB 219 50 146, RGB 236 68 165, RGB 253 86 184, RGB 255 104 203 and RGB 255 122 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 50 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 50 151 shade: RGB 214 50 151, RGB 197 32 132, RGB 180 14 113, RGB 163 0 94 and RGB 146 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 50 151 shade: RGB 214 50 151, RGB 214 50 107, RGB 214 50 63 and RGB 214 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 50 151 shade: RGB 214 50 151, RGB 214 50 195, RGB 189 50 214, RGB 144 50 214 and RGB 100 50 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 50 151 shade matches the following richer shades: RGB 214 50 151, RGB 234 30 156 and RGB 254 10 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 50 151 shade: RGB 214 50 151, RGB 194 70 147, RGB 174 90 142, RGB 155 110 137 and RGB 135 129 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 50 151 shade: RGB 190 50 214, RGB 214 50 195, RGB 214 50 151, RGB 214 50 107 and RGB 214 50 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 50 151 shade: RGB 152 30 105, RGB 186 36 129, RGB 214 50 151, RGB 221 85 169 and RGB 228 119 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 50 151 shade: RGB 214 50 151, RGB 214 146 50 and RGB 50 214 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 50 151 shade: RGB 214 50 151, RGB 151 214 50 and RGB 50 151 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 50 151 shade: RGB 214 50 151, RGB 214 146 50, RGB 50 214 113 and RGB 50 118 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 50 151 shade: RGB 214 50 151, RGB 214 195 50, RGB 50 214 113 and RGB 50 69 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

Complementary color

CMYK 80 / 0 / 49 / 20

HEX #29CD68

RGB 41 205 104

HSL 143.05, 0.67%, 0.48%

LAB 72.98, -62.13, 38.83

 

CMYK 0 / 77 / 33 / 14

HEX #DB3292

RGB 219 50 146

HSL 325.92, 0.7%, 0.53%

LAB 51.17, 70.69, -12.97

 

CMYK 0 / 71 / 30 / 7

HEX #EC44A5

RGB 236 68 165

HSL 325.36, 0.82%, 0.6%

LAB 56.77, 71.53, -15.44

 

CMYK 0 / 66 / 27 / 1

HEX #FD56B8

RGB 253 86 184

HSL 324.79, 0.98%, 0.66%

LAB 62.51, 71.82, -17.45

 

CMYK 0 / 59 / 20 / 0

HEX #FF68CB

RGB 255 104 203

HSL 320.66, 1%, 0.7%

LAB 66.11, 67.63, -22.7

 

CMYK 0 / 52 / 13 / 0

HEX #FF7ADE

RGB 255 122 222

HSL 314.89, 1%, 0.74%

LAB 69.79, 62.4, -27.67

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 0 / 84 / 33 / 23

HEX #C52084

RGB 197 32 132

HSL 323.64, 0.72%, 0.45%

LAB 45.04, 68.43, -14.19

 

CMYK 0 / 92 / 37 / 29

HEX #B40E71

RGB 180 14 113

HSL 324.22, 0.86%, 0.38%

LAB 39.93, 65.73, -10.47

 

CMYK 0 / 100 / 42 / 36

HEX #A3005E

RGB 163 0 94

HSL 325.4, 1%, 0.32%

LAB 35.19, 61.75, -5.85

 

CMYK 0 / 100 / 49 / 43

HEX #92004B

RGB 146 0 75

HSL 329.18, 1%, 0.29%

LAB 30.92, 56.18, -0.13

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 0 / 77 / 50 / 16

HEX #D6326B

RGB 214 50 107

HSL 339.15, 0.67%, 0.52%

LAB 49.06, 65.7, 7.39

 

CMYK 0 / 77 / 71 / 16

HEX #D6323F

RGB 214 50 63

HSL 355.24, 0.67%, 0.52%

LAB 48.18, 62.92, 32.88

 

CMYK 0 / 77 / 77 / 16

HEX #D63232

RGB 214 50 50

HSL 0, 0.67%, 0.52%

LAB 48.02, 62.4, 40.17

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 0 / 77 / 9 / 16

HEX #D632C3

RGB 214 50 195

HSL 306.95, 0.67%, 0.52%

LAB 52.42, 75.76, -39.91

 

CMYK 12 / 77 / 0 / 16

HEX #BD32D6

RGB 189 50 214

HSL 290.85, 0.67%, 0.52%

LAB 49.44, 73.78, -55.81

 

CMYK 33 / 77 / 0 / 16

HEX #9032D6

RGB 144 50 214

HSL 274.39, 0.67%, 0.52%

LAB 42.86, 65.7, -66.77

 

CMYK 53 / 77 / 0 / 16

HEX #6432D6

RGB 100 50 214

HSL 258.29, 0.67%, 0.52%

LAB 37.56, 59.06, -75.65

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 0 / 87 / 33 / 8

HEX #EA1E9C

RGB 234 30 156

HSL 322.94, 0.83%, 0.52%

LAB 52.75, 79.58, -16.27

 

CMYK 0 / 96 / 37 / 0

HEX #FE0AA0

RGB 254 10 160

HSL 323.11, 0.99%, 0.52%

LAB 55.91, 86.33, -13.49

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 0 / 64 / 24 / 24

HEX #C24693

RGB 194 70 147

HSL 322.74, 0.5%, 0.52%

LAB 49.44, 57.23, -16.59

 

CMYK 0 / 48 / 18 / 32

HEX #AE5A8E

RGB 174 90 142

HSL 322.86, 0.34%, 0.52%

LAB 49.81, 40.87, -13.32

 

CMYK 0 / 29 / 12 / 39

HEX #9B6E89

RGB 155 110 137

HSL 324, 0.18%, 0.52%

LAB 51.75, 22.26, -7.69

 

CMYK 0 / 4 / 1 / 47

HEX #878185

RGB 135 129 133

HSL 320, 0.02%, 0.52%

LAB 54.6, 3.03, -1.36

 

CMYK 11 / 77 / 0 / 16

HEX #BE32D6

RGB 190 50 214

HSL 291.22, 0.67%, 0.52%

LAB 49.6, 73.97, -55.55

 

CMYK 0 / 77 / 9 / 16

HEX #D632C3

RGB 214 50 195

HSL 306.95, 0.67%, 0.52%

LAB 52.42, 75.76, -39.91

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 0 / 77 / 50 / 16

HEX #D6326B

RGB 214 50 107

HSL 339.15, 0.67%, 0.52%

LAB 49.06, 65.7, 7.39

 

CMYK 0 / 77 / 70 / 16

HEX #D63240

RGB 214 50 64

HSL 354.88, 0.67%, 0.52%

LAB 48.19, 62.97, 32.31

 

CMYK 0 / 80 / 31 / 40

HEX #981E69

RGB 152 30 105

HSL 323.11, 0.67%, 0.36%

LAB 35.25, 54.96, -13.03

 

CMYK 0 / 81 / 31 / 27

HEX #BA2481

RGB 186 36 129

HSL 322.8, 0.68%, 0.44%

LAB 43.19, 64.55, -15.35

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 0 / 62 / 24 / 13

HEX #DD55A9

RGB 221 85 169

HSL 322.94, 0.67%, 0.6%

LAB 56.82, 61.55, -17.92

 

CMYK 0 / 48 / 18 / 11

HEX #E477BA

RGB 228 119 186

HSL 323.12, 0.67%, 0.68%

LAB 64.35, 50.33, -16.14

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 0 / 32 / 77 / 16

HEX #D69232

RGB 214 146 50

HSL 35.12, 0.67%, 0.52%

LAB 65.81, 17.58, 58.15

 

CMYK 77 / 0 / 1 / 16

HEX #32D6D3

RGB 50 214 211

HSL 178.9, 0.67%, 0.52%

LAB 78.15, -40.36, -10.27

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 29 / 0 / 77 / 16

HEX #97D632

RGB 151 214 50

HSL 83.05, 0.67%, 0.52%

LAB 78.99, -43.08, 68.83

 

CMYK 77 / 29 / 0 / 16

HEX #3297D6

RGB 50 151 214

HSL 203.05, 0.67%, 0.52%

LAB 59.59, -7.51, -40.35

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 0 / 32 / 77 / 16

HEX #D69232

RGB 214 146 50

HSL 35.12, 0.67%, 0.52%

LAB 65.81, 17.58, 58.15

 

CMYK 77 / 0 / 47 / 16

HEX #32D671

RGB 50 214 113

HSL 143.05, 0.67%, 0.52%

LAB 76.05, -62.71, 38.27

 

CMYK 77 / 45 / 0 / 16

HEX #3276D6

RGB 50 118 214

HSL 215.12, 0.67%, 0.52%

LAB 50.09, 12.21, -55.44

 

CMYK 0 / 77 / 29 / 16

HEX #D63297

RGB 214 50 151

HSL 323.05, 0.67%, 0.52%

LAB 50.47, 70.03, -17.11

 

CMYK 0 / 9 / 77 / 16

HEX #D6C332

RGB 214 195 50

HSL 53.05, 0.67%, 0.52%

LAB 78.2, -8.36, 69.74

 

CMYK 77 / 0 / 47 / 16

HEX #32D671

RGB 50 214 113

HSL 143.05, 0.67%, 0.52%

LAB 76.05, -62.71, 38.27

 

CMYK 77 / 68 / 0 / 16

HEX #3245D6

RGB 50 69 214

HSL 233.05, 0.67%, 0.52%

LAB 37.46, 43.21, -75.96

 

Description

Color code: RGB 214 50 151 | qconv.com Color code: RGB 214 50 151 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 50 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 50 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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