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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 48 181 it is the complementary color RGB 41 207 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 48 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 48 181 shade: RGB 219 48 176, RGB 236 66 195, RGB 253 84 214, RGB 255 102 233 and RGB 255 120 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 48 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 48 181 shade: RGB 214 48 181, RGB 197 30 162, RGB 180 12 143, RGB 163 0 124 and RGB 146 0 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 48 181 shade: RGB 213 46 180, RGB 213 46 135, RGB 213 46 90 and RGB 213 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 48 181 shade: RGB 213 46 180, RGB 201 46 213, RGB 156 46 213, RGB 111 46 213 and RGB 66 46 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 48 181 shade matches the following richer shades: RGB 213 46 180, RGB 233 26 192 and RGB 254 5 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 48 181 shade: RGB 213 46 180, RGB 193 66 168, RGB 173 86 156, RGB 153 106 143 and RGB 132 127 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 48 181 shade: RGB 155 46 213, RGB 199 46 213, RGB 213 46 183, RGB 213 46 138 and RGB 213 46 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 48 181 shade: RGB 148 29 124, RGB 182 36 153, RGB 213 46 180, RGB 220 80 192 and RGB 227 115 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 48 181 shade: RGB 214 48 181, RGB 213 110 46 and RGB 46 213 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 48 181 shade: RGB 214 48 181, RGB 183 213 46 and RGB 46 183 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 48 181 shade: RGB 214 48 181, RGB 213 110 46, RGB 46 213 77 and RGB 46 149 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 48 181 shade: RGB 214 48 181, RGB 213 160 46, RGB 46 213 77 and RGB 46 99 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 15 / 16

HEX #D630B5

RGB 214 48 181

HSL 311.93, 0.67%, 0.51%

LAB 51.55, 74.35, -33.14

 

Complementary color

CMYK 80 / 0 / 64 / 19

HEX #29CF4A

RGB 41 207 74

HSL 131.93, 0.67%, 0.49%

LAB 73.28, -66.78, 53.01

 

CMYK 0 / 78 / 20 / 14

HEX #DB30B0

RGB 219 48 176

HSL 315.09, 0.7%, 0.52%

LAB 52.18, 74.79, -29.16

 

CMYK 0 / 72 / 17 / 7

HEX #EC42C3

RGB 236 66 195

HSL 314.47, 0.82%, 0.59%

LAB 57.72, 75.9, -31.34

 

CMYK 0 / 67 / 15 / 1

HEX #FD54D6

RGB 253 84 214

HSL 313.85, 0.98%, 0.66%

LAB 63.41, 76.43, -33.09

 

CMYK 0 / 60 / 9 / 0

HEX #FF66E9

RGB 255 102 233

HSL 308.63, 1%, 0.7%

LAB 67.01, 72.77, -38.07

 

CMYK 0 / 53 / 1 / 0

HEX #FF78FC

RGB 255 120 252

HSL 301.33, 1%, 0.74%

LAB 70.68, 68.09, -42.79

 

CMYK 0 / 78 / 15 / 16

HEX #D630B5

RGB 214 48 181

HSL 311.93, 0.67%, 0.51%

LAB 51.55, 74.35, -33.14

 

CMYK 0 / 85 / 18 / 23

HEX #C51EA2

RGB 197 30 162

HSL 312.57, 0.74%, 0.45%

LAB 46.19, 72.43, -30.53

 

CMYK 0 / 93 / 21 / 29

HEX #B40C8F

RGB 180 12 143

HSL 313.21, 0.88%, 0.38%

LAB 41.14, 69.37, -27.19

 

CMYK 0 / 100 / 24 / 36

HEX #A3007C

RGB 163 0 124

HSL 314.36, 1%, 0.32%

LAB 36.45, 64.97, -23.01

 

CMYK 0 / 100 / 28 / 43

HEX #920069

RGB 146 0 105

HSL 316.85, 1%, 0.29%

LAB 32.1, 59.23, -17.97

 

CMYK 0 / 78 / 15 / 16

HEX #D52EB4

RGB 213 46 180

HSL 311.86, 0.67%, 0.51%

LAB 51.15, 74.52, -33.2

 

CMYK 0 / 78 / 37 / 16

HEX #D52E87

RGB 213 46 135

HSL 328.02, 0.67%, 0.51%

LAB 49.31, 69.16, -9.27

 

CMYK 0 / 78 / 58 / 16

HEX #D52E5A

RGB 213 46 90

HSL 344.19, 0.67%, 0.51%

LAB 48.06, 65.32, 16.38

 

CMYK 0 / 78 / 78 / 16

HEX #D52E2E

RGB 213 46 46

HSL 0, 0.67%, 0.51%

LAB 47.36, 63.15, 41.63

 

CMYK 0 / 78 / 15 / 16

HEX #D52EB4

RGB 213 46 180

HSL 311.86, 0.67%, 0.51%

LAB 51.15, 74.52, -33.2

 

CMYK 6 / 78 / 0 / 16

HEX #C92ED5

RGB 201 46 213

HSL 295.69, 0.67%, 0.51%

LAB 50.89, 77, -52.81

 

CMYK 27 / 78 / 0 / 16

HEX #9C2ED5

RGB 156 46 213

HSL 279.52, 0.67%, 0.51%

LAB 43.98, 68.91, -64.3

 

CMYK 48 / 78 / 0 / 16

HEX #6F2ED5

RGB 111 46 213

HSL 263.35, 0.67%, 0.51%

LAB 38.09, 61.97, -74.17

 

CMYK 69 / 78 / 0 / 16

HEX #422ED5

RGB 66 46 213

HSL 247.19, 0.67%, 0.51%

LAB 33.81, 56.91, -81.37

 

CMYK 0 / 78 / 15 / 16

HEX #D52EB4

RGB 213 46 180

HSL 311.86, 0.67%, 0.51%

LAB 51.15, 74.52, -33.2

 

CMYK 0 / 89 / 18 / 9

HEX #E91AC0

RGB 233 26 192

HSL 311.88, 0.82%, 0.51%

LAB 53.89, 84.05, -35.63

 

CMYK 0 / 98 / 20 / 0

HEX #FE05CC

RGB 254 5 204

HSL 312.05, 0.99%, 0.51%

LAB 57.6, 91.26, -36.46

 

CMYK 0 / 78 / 15 / 16

HEX #D52EB4

RGB 213 46 180

HSL 311.86, 0.67%, 0.51%

LAB 51.15, 74.52, -33.2

 

CMYK 0 / 66 / 13 / 24

HEX #C142A8

RGB 193 66 168

HSL 311.81, 0.51%, 0.51%

LAB 49.57, 61.58, -28.86

 

CMYK 0 / 50 / 10 / 32

HEX #AD569C

RGB 173 86 156

HSL 311.72, 0.35%, 0.51%

LAB 49.42, 44.9, -22.24

 

CMYK 0 / 31 / 7 / 40

HEX #996A8F

RGB 153 106 143

HSL 312.77, 0.19%, 0.51%

LAB 50.76, 24.93, -12.74

 

CMYK 0 / 4 / 1 / 48

HEX #847F83

RGB 132 127 131

HSL 312, 0.02%, 0.51%

LAB 53.73, 2.67, -1.5

 

CMYK 27 / 78 / 0 / 16

HEX #9B2ED5

RGB 155 46 213

HSL 279.16, 0.67%, 0.51%

LAB 43.84, 68.74, -64.54

 

CMYK 7 / 78 / 0 / 16

HEX #C72ED5

RGB 199 46 213

HSL 294.97, 0.67%, 0.51%

LAB 50.57, 76.62, -53.34

 

CMYK 0 / 78 / 14 / 16

HEX #D52EB7

RGB 213 46 183

HSL 310.78, 0.67%, 0.51%

LAB 51.29, 74.93, -34.73

 

CMYK 0 / 78 / 35 / 16

HEX #D52E8A

RGB 213 46 138

HSL 326.95, 0.67%, 0.51%

LAB 49.42, 69.47, -10.92

 

CMYK 0 / 78 / 56 / 16

HEX #D52E5D

RGB 213 46 93

HSL 343.11, 0.67%, 0.51%

LAB 48.12, 65.53, 14.63

 

CMYK 0 / 80 / 16 / 42

HEX #941D7C

RGB 148 29 124

HSL 312.1, 0.67%, 0.35%

LAB 35.26, 56.78, -25.07

 

CMYK 0 / 80 / 16 / 29

HEX #B62499

RGB 182 36 153

HSL 311.92, 0.67%, 0.43%

LAB 43.52, 66.67, -29.51

 

CMYK 0 / 78 / 15 / 16

HEX #D52EB4

RGB 213 46 180

HSL 311.86, 0.67%, 0.51%

LAB 51.15, 74.52, -33.2

 

CMYK 0 / 64 / 13 / 14

HEX #DC50C0

RGB 220 80 192

HSL 312, 0.67%, 0.59%

LAB 56.84, 66.57, -31.18

 

CMYK 0 / 49 / 10 / 11

HEX #E373CD

RGB 227 115 205

HSL 311.79, 0.67%, 0.67%

LAB 64.16, 54.93, -27.16

 

CMYK 0 / 78 / 15 / 16

HEX #D630B5

RGB 214 48 181

HSL 311.93, 0.67%, 0.51%

LAB 51.55, 74.35, -33.14

 

CMYK 0 / 48 / 78 / 16

HEX #D56E2E

RGB 213 110 46

HSL 22.99, 0.67%, 0.51%

LAB 57.55, 36.17, 51.83

 

CMYK 78 / 0 / 17 / 16

HEX #2ED5B1

RGB 46 213 177

HSL 167.07, 0.67%, 0.51%

LAB 76.89, -49.46, 6.08

 

CMYK 0 / 78 / 15 / 16

HEX #D630B5

RGB 214 48 181

HSL 311.93, 0.67%, 0.51%

LAB 51.55, 74.35, -33.14

 

CMYK 14 / 0 / 78 / 16

HEX #B7D52E

RGB 183 213 46

HSL 70.78, 0.67%, 0.51%

LAB 80.66, -30.38, 72.27

 

CMYK 78 / 14 / 0 / 16

HEX #2EB7D5

RGB 46 183 213

HSL 190.78, 0.67%, 0.51%

LAB 68.93, -25.39, -25.3

 

CMYK 0 / 78 / 15 / 16

HEX #D630B5

RGB 214 48 181

HSL 311.93, 0.67%, 0.51%

LAB 51.55, 74.35, -33.14

 

CMYK 0 / 48 / 78 / 16

HEX #D56E2E

RGB 213 110 46

HSL 22.99, 0.67%, 0.51%

LAB 57.55, 36.17, 51.83

 

CMYK 78 / 0 / 64 / 16

HEX #2ED54D

RGB 46 213 77

HSL 131.14, 0.67%, 0.51%

LAB 75.27, -67.74, 53.98

 

CMYK 78 / 30 / 0 / 16

HEX #2E95D5

RGB 46 149 213

HSL 202.99, 0.67%, 0.51%

LAB 58.86, -7.16, -40.94

 

CMYK 0 / 78 / 15 / 16

HEX #D630B5

RGB 214 48 181

HSL 311.93, 0.67%, 0.51%

LAB 51.55, 74.35, -33.14

 

CMYK 0 / 25 / 78 / 16

HEX #D5A02E

RGB 213 160 46

HSL 40.96, 0.67%, 0.51%

LAB 69.1, 9.45, 62.71

 

CMYK 78 / 0 / 64 / 16

HEX #2ED54D

RGB 46 213 77

HSL 131.14, 0.67%, 0.51%

LAB 75.27, -67.74, 53.98

 

CMYK 78 / 54 / 0 / 16

HEX #2E63D5

RGB 46 99 213

HSL 220.96, 0.67%, 0.51%

LAB 44.67, 23.46, -63.61

 

Description

Color code: RGB 214 48 181 | qconv.com Color code: RGB 214 48 181 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 48 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 48 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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