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Color name
RGB 214 40 212

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 40 212 it is the complementary color RGB 41 215 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 40 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 40 212 shade: RGB 219 40 207, RGB 236 58 226, RGB 253 76 245, RGB 255 94 255 and RGB 255 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 40 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 40 212 shade: RGB 214 40 212, RGB 197 22 193, RGB 180 4 174, RGB 163 0 155 and RGB 146 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 40 212 shade: RGB 215 39 213, RGB 215 39 166, RGB 215 39 118, RGB 215 39 71 and RGB 215 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 40 212 shade: RGB 215 39 213, RGB 170 39 215, RGB 122 39 215, RGB 75 39 215 and RGB 39 39 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 40 212 shade matches the following richer shades: RGB 215 39 213 and RGB 236 18 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 40 212 shade: RGB 215 39 213, RGB 194 60 193, RGB 174 80 173, RGB 153 101 152 and RGB 132 122 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 40 212 shade: RGB 121 39 215, RGB 168 39 215, RGB 215 39 215, RGB 215 39 168 and RGB 215 39 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 40 212 shade: RGB 145 26 144, RGB 180 33 178, RGB 215 39 213, RGB 221 74 220 and RGB 228 109 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 40 212 shade: RGB 214 40 212, RGB 215 74 39 and RGB 39 215 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 40 212 shade: RGB 214 40 212, RGB 215 215 39 and RGB 39 215 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 40 212 shade: RGB 214 40 212, RGB 215 74 39, RGB 39 215 39 and RGB 39 180 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 40 212 shade: RGB 214 40 212, RGB 215 127 39, RGB 39 215 39 and RGB 39 127 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 1 / 16

HEX #D628D4

RGB 214 40 212

HSL 300.69, 0.69%, 0.5%

LAB 52.47, 80.72, -49.59

 

Complementary color

CMYK 81 / 0 / 80 / 16

HEX #29D72B

RGB 41 215 43

HSL 120.69, 0.69%, 0.5%

LAB 75.6, -71.73, 66.4

 

CMYK 0 / 82 / 5 / 14

HEX #DB28CF

RGB 219 40 207

HSL 304.02, 0.71%, 0.51%

LAB 53.04, 80.93, -45.77

 

CMYK 0 / 75 / 4 / 7

HEX #EC3AE2

RGB 236 58 226

HSL 303.37, 0.82%, 0.58%

LAB 58.37, 82.63, -47.95

 

CMYK 0 / 70 / 3 / 1

HEX #FD4CF5

RGB 253 76 245

HSL 302.71, 0.98%, 0.65%

LAB 63.87, 83.63, -49.67

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 81 / 1 / 16

HEX #D628D4

RGB 214 40 212

HSL 300.69, 0.69%, 0.5%

LAB 52.47, 80.72, -49.59

 

CMYK 0 / 89 / 2 / 23

HEX #C516C1

RGB 197 22 193

HSL 301.37, 0.8%, 0.43%

LAB 47.36, 78.11, -46.95

 

CMYK 0 / 98 / 3 / 29

HEX #B404AE

RGB 180 4 174

HSL 302.05, 0.96%, 0.36%

LAB 42.53, 74.38, -43.66

 

CMYK 0 / 100 / 5 / 36

HEX #A3009B

RGB 163 0 155

HSL 302.94, 1%, 0.32%

LAB 38.12, 69.11, -39.48

 

CMYK 0 / 100 / 7 / 43

HEX #920088

RGB 146 0 136

HSL 304.11, 1%, 0.29%

LAB 33.75, 63.34, -34.96

 

CMYK 0 / 82 / 1 / 16

HEX #D727D5

RGB 215 39 213

HSL 300.68, 0.69%, 0.5%

LAB 52.62, 81.27, -49.91

 

CMYK 0 / 82 / 23 / 16

HEX #D727A6

RGB 215 39 166

HSL 316.7, 0.69%, 0.5%

LAB 50.28, 74.85, -26.29

 

CMYK 0 / 82 / 45 / 16

HEX #D72776

RGB 215 39 118

HSL 333.07, 0.69%, 0.5%

LAB 48.52, 69.81, -0.08

 

CMYK 0 / 82 / 67 / 16

HEX #D72747

RGB 215 39 71

HSL 349.09, 0.69%, 0.5%

LAB 47.43, 66.58, 27.23

 

CMYK 0 / 82 / 82 / 16

HEX #D72727

RGB 215 39 39

HSL 0, 0.69%, 0.5%

LAB 47.03, 65.36, 45.2

 

CMYK 0 / 82 / 1 / 16

HEX #D727D5

RGB 215 39 213

HSL 300.68, 0.69%, 0.5%

LAB 52.62, 81.27, -49.91

 

CMYK 21 / 82 / 0 / 16

HEX #AA27D7

RGB 170 39 215

HSL 284.66, 0.69%, 0.5%

LAB 45.5, 73.7, -62.89

 

CMYK 43 / 82 / 0 / 16

HEX #7A27D7

RGB 122 39 215

HSL 268.3, 0.69%, 0.5%

LAB 38.72, 66.51, -74.24

 

CMYK 65 / 82 / 0 / 16

HEX #4B27D7

RGB 75 39 215

HSL 252.27, 0.69%, 0.5%

LAB 33.68, 61.34, -82.73

 

CMYK 82 / 82 / 0 / 16

HEX #2727D7

RGB 39 39 215

HSL 240, 0.69%, 0.5%

LAB 31.32, 59, -86.7

 

CMYK 0 / 82 / 1 / 16

HEX #D727D5

RGB 215 39 213

HSL 300.68, 0.69%, 0.5%

LAB 52.62, 81.27, -49.91

 

CMYK 0 / 92 / 1 / 7

HEX #EC12E9

RGB 236 18 233

HSL 300.83, 0.86%, 0.5%

LAB 56.24, 90.96, -55.28

 

CMYK 0 / 82 / 1 / 16

HEX #D727D5

RGB 215 39 213

HSL 300.68, 0.69%, 0.5%

LAB 52.62, 81.27, -49.91

 

CMYK 0 / 69 / 1 / 24

HEX #C23CC1

RGB 194 60 193

HSL 300.45, 0.53%, 0.5%

LAB 50.16, 67.99, -42.53

 

CMYK 0 / 54 / 1 / 32

HEX #AE50AD

RGB 174 80 173

HSL 300.64, 0.37%, 0.5%

LAB 49.2, 51.15, -32.59

 

CMYK 0 / 34 / 1 / 40

HEX #996598

RGB 153 101 152

HSL 301.15, 0.2%, 0.5%

LAB 49.91, 29.52, -19.34

 

CMYK 0 / 8 / 0 / 48

HEX #847A84

RGB 132 122 132

HSL 300, 0.04%, 0.5%

LAB 52.39, 5.76, -4.06

 

CMYK 44 / 82 / 0 / 16

HEX #7927D7

RGB 121 39 215

HSL 267.95, 0.69%, 0.5%

LAB 38.59, 66.38, -74.46

 

CMYK 22 / 82 / 0 / 16

HEX #A827D7

RGB 168 39 215

HSL 283.98, 0.69%, 0.5%

LAB 45.2, 73.37, -63.4

 

CMYK 0 / 82 / 0 / 16

HEX #D727D7

RGB 215 39 215

HSL 300, 0.69%, 0.5%

LAB 52.73, 81.57, -50.88

 

CMYK 0 / 82 / 22 / 16

HEX #D727A8

RGB 215 39 168

HSL 316.02, 0.69%, 0.5%

LAB 50.36, 75.1, -27.34

 

CMYK 0 / 82 / 44 / 16

HEX #D72779

RGB 215 39 121

HSL 332.05, 0.69%, 0.5%

LAB 48.61, 70.07, -1.77

 

CMYK 0 / 82 / 1 / 43

HEX #911A90

RGB 145 26 144

HSL 300.5, 0.7%, 0.34%

LAB 35.54, 59.99, -37.06

 

CMYK 0 / 82 / 1 / 29

HEX #B421B2

RGB 180 33 178

HSL 300.82, 0.69%, 0.42%

LAB 44.24, 70.65, -43.3

 

CMYK 0 / 82 / 1 / 16

HEX #D727D5

RGB 215 39 213

HSL 300.68, 0.69%, 0.5%

LAB 52.62, 81.27, -49.91

 

CMYK 0 / 67 / 0 / 13

HEX #DD4ADC

RGB 221 74 220

HSL 300.41, 0.68%, 0.58%

LAB 57.5, 73.43, -46.09

 

CMYK 0 / 52 / 1 / 11

HEX #E46DE2

RGB 228 109 226

HSL 301.01, 0.69%, 0.66%

LAB 64.1, 61.56, -39.01

 

CMYK 0 / 81 / 1 / 16

HEX #D628D4

RGB 214 40 212

HSL 300.69, 0.69%, 0.5%

LAB 52.47, 80.72, -49.59

 

CMYK 0 / 66 / 82 / 16

HEX #D74A27

RGB 215 74 39

HSL 11.93, 0.69%, 0.5%

LAB 51.26, 53.68, 49.16

 

CMYK 82 / 0 / 33 / 16

HEX #27D791

RGB 39 215 145

HSL 156.14, 0.69%, 0.5%

LAB 76.73, -58.31, 22.8

 

CMYK 0 / 81 / 1 / 16

HEX #D628D4

RGB 214 40 212

HSL 300.69, 0.69%, 0.5%

LAB 52.47, 80.72, -49.59

 

CMYK 0 / 0 / 82 / 16

HEX #D7D727

RGB 215 215 39

HSL 60, 0.69%, 0.5%

LAB 83.54, -18.33, 77.53

 

CMYK 82 / 0 / 0 / 16

HEX #27D7D7

RGB 39 215 215

HSL 180, 0.69%, 0.5%

LAB 78.43, -40.61, -12.03

 

CMYK 0 / 81 / 1 / 16

HEX #D628D4

RGB 214 40 212

HSL 300.69, 0.69%, 0.5%

LAB 52.47, 80.72, -49.59

 

CMYK 0 / 66 / 82 / 16

HEX #D74A27

RGB 215 74 39

HSL 11.93, 0.69%, 0.5%

LAB 51.26, 53.68, 49.16

 

CMYK 82 / 0 / 82 / 16

HEX #27D727

RGB 39 215 39

HSL 120, 0.69%, 0.5%

LAB 75.56, -72.17, 67.43

 

CMYK 82 / 16 / 0 / 16

HEX #27B4D7

RGB 39 180 215

HSL 191.93, 0.69%, 0.5%

LAB 68.01, -23.86, -27.83

 

CMYK 0 / 81 / 1 / 16

HEX #D628D4

RGB 214 40 212

HSL 300.69, 0.69%, 0.5%

LAB 52.47, 80.72, -49.59

 

CMYK 0 / 41 / 82 / 16

HEX #D77F27

RGB 215 127 39

HSL 30, 0.69%, 0.5%

LAB 61.46, 27.83, 58.43

 

CMYK 82 / 0 / 82 / 16

HEX #27D727

RGB 39 215 39

HSL 120, 0.69%, 0.5%

LAB 75.56, -72.17, 67.43

 

CMYK 82 / 41 / 0 / 16

HEX #277FD7

RGB 39 127 215

HSL 210, 0.69%, 0.5%

LAB 52.42, 5.89, -52.29

 

Description

Color code: RGB 214 40 212 | qconv.com Color code: RGB 214 40 212 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 40 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 40 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 1 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 1% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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