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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 32 177 it is the complementary color RGB 41 223 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 32 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 32 177 shade: RGB 219 32 172, RGB 236 50 191, RGB 253 68 210, RGB 255 86 229 and RGB 255 104 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 32 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 32 177 shade: RGB 214 32 177, RGB 197 14 158, RGB 180 0 139, RGB 163 0 120 and RGB 146 0 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 32 177 shade: RGB 212 31 176, RGB 212 31 127, RGB 212 31 78 and RGB 212 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 32 177 shade: RGB 212 31 176, RGB 200 31 212, RGB 152 31 212, RGB 103 31 212 and RGB 54 31 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 32 177 shade matches the following richer shades: RGB 212 31 176 and RGB 232 12 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 32 177 shade: RGB 212 31 176, RGB 193 51 164, RGB 173 71 152, RGB 153 91 140 and RGB 133 111 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 32 177 shade: RGB 152 31 212, RGB 200 31 212, RGB 212 31 176, RGB 212 31 128 and RGB 212 31 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 32 177 shade: RGB 141 21 116, RGB 177 26 146, RGB 212 31 176, RGB 225 60 192 and RGB 231 96 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 32 177 shade: RGB 214 32 177, RGB 212 104 31 and RGB 31 212 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 32 177 shade: RGB 214 32 177, RGB 176 212 31 and RGB 31 176 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 32 177 shade: RGB 214 32 177, RGB 212 104 31, RGB 31 212 68 and RGB 31 140 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 32 177 shade: RGB 214 32 177, RGB 212 158 31, RGB 31 212 68 and RGB 31 86 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 17 / 16

HEX #D620B1

RGB 214 32 177

HSL 312.2, 0.74%, 0.48%

LAB 50.1, 77.46, -33.06

 

Complementary color

CMYK 82 / 0 / 65 / 13

HEX #29DF4E

RGB 41 223 78

HSL 132.2, 0.74%, 0.52%

LAB 78.34, -71.3, 56.94

 

CMYK 0 / 85 / 21 / 14

HEX #DB20AC

RGB 219 32 172

HSL 315.08, 0.75%, 0.49%

LAB 50.77, 77.86, -29.01

 

CMYK 0 / 79 / 19 / 7

HEX #EC32BF

RGB 236 50 191

HSL 314.52, 0.83%, 0.56%

LAB 55.96, 79.91, -31.77

 

CMYK 0 / 73 / 17 / 1

HEX #FD44D2

RGB 253 68 210

HSL 313.95, 0.98%, 0.63%

LAB 61.37, 81.16, -34

 

CMYK 0 / 66 / 10 / 0

HEX #FF56E5

RGB 255 86 229

HSL 309.23, 1%, 0.67%

LAB 64.62, 78.31, -39.58

 

CMYK 0 / 59 / 3 / 0

HEX #FF68F8

RGB 255 104 248

HSL 302.78, 1%, 0.7%

LAB 67.97, 74.3, -44.84

 

CMYK 0 / 85 / 17 / 16

HEX #D620B1

RGB 214 32 177

HSL 312.2, 0.74%, 0.48%

LAB 50.1, 77.46, -33.06

 

CMYK 0 / 93 / 20 / 23

HEX #C50E9E

RGB 197 14 158

HSL 312.79, 0.87%, 0.41%

LAB 45.16, 74.37, -29.75

 

CMYK 0 / 100 / 23 / 29

HEX #B4008B

RGB 180 0 139

HSL 313.67, 1%, 0.35%

LAB 40.52, 70.12, -25.7

 

CMYK 0 / 100 / 26 / 36

HEX #A30078

RGB 163 0 120

HSL 315.83, 1%, 0.32%

LAB 36.26, 64.49, -20.79

 

CMYK 0 / 100 / 31 / 43

HEX #920065

RGB 146 0 101

HSL 318.49, 1%, 0.29%

LAB 31.92, 58.77, -15.67

 

CMYK 0 / 85 / 17 / 17

HEX #D41FB0

RGB 212 31 176

HSL 311.93, 0.74%, 0.48%

LAB 49.63, 77.11, -33.24

 

CMYK 0 / 85 / 40 / 17

HEX #D41F7F

RGB 212 31 127

HSL 328.18, 0.74%, 0.48%

LAB 47.64, 71.62, -6.94

 

CMYK 0 / 85 / 63 / 17

HEX #D41F4E

RGB 212 31 78

HSL 344.42, 0.74%, 0.48%

LAB 46.35, 67.93, 21.44

 

CMYK 0 / 85 / 85 / 17

HEX #D41F1F

RGB 212 31 31

HSL 0, 0.74%, 0.48%

LAB 45.74, 66.14, 47.86

 

CMYK 0 / 85 / 17 / 17

HEX #D41FB0

RGB 212 31 176

HSL 311.93, 0.74%, 0.48%

LAB 49.63, 77.11, -33.24

 

CMYK 6 / 85 / 0 / 17

HEX #C81FD4

RGB 200 31 212

HSL 296.02, 0.74%, 0.48%

LAB 49.51, 80.03, -54.46

 

CMYK 28 / 85 / 0 / 17

HEX #981FD4

RGB 152 31 212

HSL 280.11, 0.74%, 0.48%

LAB 41.86, 72.34, -67.21

 

CMYK 51 / 85 / 0 / 17

HEX #671FD4

RGB 103 31 212

HSL 263.87, 0.74%, 0.48%

LAB 35.24, 66.11, -78.32

 

CMYK 75 / 85 / 0 / 17

HEX #361FD4

RGB 54 31 212

HSL 247.62, 0.74%, 0.48%

LAB 30.68, 62.18, -86

 

CMYK 0 / 85 / 17 / 17

HEX #D41FB0

RGB 212 31 176

HSL 311.93, 0.74%, 0.48%

LAB 49.63, 77.11, -33.24

 

CMYK 0 / 95 / 19 / 9

HEX #E80CBB

RGB 232 12 187

HSL 312.27, 0.9%, 0.48%

LAB 52.96, 84.76, -34.2

 

CMYK 0 / 85 / 17 / 17

HEX #D41FB0

RGB 212 31 176

HSL 311.93, 0.74%, 0.48%

LAB 49.63, 77.11, -33.24

 

CMYK 0 / 74 / 15 / 24

HEX #C133A4

RGB 193 51 164

HSL 312.25, 0.58%, 0.48%

LAB 47.48, 66.36, -29.76

 

CMYK 0 / 59 / 12 / 32

HEX #AD4798

RGB 173 71 152

HSL 312.35, 0.42%, 0.48%

LAB 46.52, 51.52, -24.34

 

CMYK 0 / 41 / 8 / 40

HEX #995B8C

RGB 153 91 140

HSL 312.58, 0.25%, 0.48%

LAB 47.17, 32.9, -16.41

 

CMYK 0 / 17 / 3 / 48

HEX #856F81

RGB 133 111 129

HSL 310.91, 0.09%, 0.48%

LAB 49.42, 11.99, -6.68

 

CMYK 28 / 85 / 0 / 17

HEX #981FD4

RGB 152 31 212

HSL 280.11, 0.74%, 0.48%

LAB 41.86, 72.34, -67.21

 

CMYK 6 / 85 / 0 / 17

HEX #C81FD4

RGB 200 31 212

HSL 296.02, 0.74%, 0.48%

LAB 49.51, 80.03, -54.46

 

CMYK 0 / 85 / 17 / 17

HEX #D41FB0

RGB 212 31 176

HSL 311.93, 0.74%, 0.48%

LAB 49.63, 77.11, -33.24

 

CMYK 0 / 85 / 40 / 17

HEX #D41F80

RGB 212 31 128

HSL 327.85, 0.74%, 0.48%

LAB 47.67, 71.72, -7.5

 

CMYK 0 / 85 / 62 / 17

HEX #D41F50

RGB 212 31 80

HSL 343.76, 0.74%, 0.48%

LAB 46.39, 68.04, 20.25

 

CMYK 0 / 85 / 18 / 45

HEX #8D1574

RGB 141 21 116

HSL 312.5, 0.74%, 0.32%

LAB 32.83, 56.1, -23.93

 

CMYK 0 / 85 / 18 / 31

HEX #B11A92

RGB 177 26 146

HSL 312.32, 0.74%, 0.4%

LAB 41.47, 66.94, -28.54

 

CMYK 0 / 85 / 17 / 17

HEX #D41FB0

RGB 212 31 176

HSL 311.93, 0.74%, 0.48%

LAB 49.63, 77.11, -33.24

 

CMYK 0 / 73 / 15 / 12

HEX #E13CC0

RGB 225 60 192

HSL 312, 0.73%, 0.56%

LAB 55.12, 74.84, -33.81

 

CMYK 0 / 58 / 12 / 9

HEX #E760CB

RGB 231 96 203

HSL 312.44, 0.74%, 0.64%

LAB 61.37, 64.47, -30.31

 

CMYK 0 / 85 / 17 / 16

HEX #D620B1

RGB 214 32 177

HSL 312.2, 0.74%, 0.48%

LAB 50.1, 77.46, -33.06

 

CMYK 0 / 51 / 85 / 17

HEX #D4681F

RGB 212 104 31

HSL 24.2, 0.74%, 0.48%

LAB 56.08, 38.39, 56.58

 

CMYK 85 / 0 / 17 / 17

HEX #1FD4B0

RGB 31 212 176

HSL 168.07, 0.74%, 0.48%

LAB 76.38, -50.57, 5.87

 

CMYK 0 / 85 / 17 / 16

HEX #D620B1

RGB 214 32 177

HSL 312.2, 0.74%, 0.48%

LAB 50.1, 77.46, -33.06

 

CMYK 17 / 0 / 85 / 17

HEX #B0D41F

RGB 176 212 31

HSL 71.93, 0.74%, 0.48%

LAB 79.85, -33.23, 75.06

 

CMYK 85 / 17 / 0 / 17

HEX #1FB0D4

RGB 31 176 212

HSL 191.93, 0.74%, 0.48%

LAB 66.59, -23.41, -28.37

 

CMYK 0 / 85 / 17 / 16

HEX #D620B1

RGB 214 32 177

HSL 312.2, 0.74%, 0.48%

LAB 50.1, 77.46, -33.06

 

CMYK 0 / 51 / 85 / 17

HEX #D4681F

RGB 212 104 31

HSL 24.2, 0.74%, 0.48%

LAB 56.08, 38.39, 56.58

 

CMYK 85 / 0 / 68 / 17

HEX #1FD444

RGB 31 212 68

HSL 132.27, 0.74%, 0.48%

LAB 74.7, -69.92, 56.97

 

CMYK 85 / 34 / 0 / 17

HEX #1F8CD4

RGB 31 140 212

HSL 203.87, 0.74%, 0.48%

LAB 55.89, -3.67, -45.09

 

CMYK 0 / 85 / 17 / 16

HEX #D620B1

RGB 214 32 177

HSL 312.2, 0.74%, 0.48%

LAB 50.1, 77.46, -33.06

 

CMYK 0 / 25 / 85 / 17

HEX #D49E1F

RGB 212 158 31

HSL 42.1, 0.74%, 0.48%

LAB 68.42, 9.63, 66.8

 

CMYK 85 / 0 / 68 / 17

HEX #1FD444

RGB 31 212 68

HSL 132.27, 0.74%, 0.48%

LAB 74.7, -69.92, 56.97

 

CMYK 85 / 59 / 0 / 17

HEX #1F56D4

RGB 31 86 212

HSL 221.77, 0.74%, 0.48%

LAB 40.74, 30.23, -69.46

 

Description

Color code: RGB 214 32 177 | qconv.com Color code: RGB 214 32 177 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 32 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 32 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 17 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 17% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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