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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 25 148 it is the complementary color RGB 41 230 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 25 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 25 148 shade: RGB 219 25 143, RGB 236 43 162, RGB 253 61 181, RGB 255 79 200 and RGB 255 97 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 25 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 25 148 shade: RGB 214 25 148, RGB 197 7 129, RGB 180 0 110, RGB 163 0 91 and RGB 146 0 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 25 148 shade: RGB 214 25 148, RGB 214 25 97, RGB 214 25 46 and RGB 214 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 25 148 shade: RGB 214 25 148, RGB 214 25 199, RGB 178 25 214, RGB 127 25 214 and RGB 76 25 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 25 148 shade matches the following richer shades: RGB 214 25 148 and RGB 233 5 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 25 148 shade: RGB 214 25 148, RGB 195 44 142, RGB 175 63 136, RGB 156 83 130 and RGB 136 102 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 25 148 shade: RGB 176 25 214, RGB 214 25 201, RGB 214 25 151, RGB 214 25 100 and RGB 214 25 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 25 148 shade: RGB 140 16 97, RGB 177 20 122, RGB 214 25 148, RGB 230 50 167 and RGB 235 86 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 25 148 shade: RGB 214 25 148, RGB 214 126 25 and RGB 25 214 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 25 148 shade: RGB 214 25 148, RGB 151 214 25 and RGB 25 151 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 25 148 shade: RGB 214 25 148, RGB 214 126 25, RGB 25 214 88 and RGB 25 113 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 25 148 shade: RGB 214 25 148, RGB 214 182 25, RGB 25 214 88 and RGB 25 56 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

Complementary color

CMYK 82 / 0 / 53 / 10

HEX #29E66B

RGB 41 230 107

HSL 140.95, 0.79%, 0.53%

LAB 80.81, -69.93, 47.03

 

CMYK 0 / 89 / 35 / 14

HEX #DB198F

RGB 219 25 143

HSL 323.51, 0.8%, 0.48%

LAB 49.18, 75.8, -14.19

 

CMYK 0 / 82 / 31 / 7

HEX #EC2BA2

RGB 236 43 162

HSL 323.01, 0.84%, 0.55%

LAB 54.21, 78.16, -17.57

 

CMYK 0 / 76 / 28 / 1

HEX #FD3DB5

RGB 253 61 181

HSL 322.5, 0.98%, 0.62%

LAB 59.49, 79.64, -20.33

 

CMYK 0 / 69 / 22 / 0

HEX #FF4FC8

RGB 255 79 200

HSL 318.75, 1%, 0.65%

LAB 62.53, 76.82, -26.51

 

CMYK 0 / 62 / 14 / 0

HEX #FF61DB

RGB 255 97 219

HSL 313.67, 1%, 0.69%

LAB 65.69, 72.72, -32.33

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 0 / 96 / 35 / 23

HEX #C50781

RGB 197 7 129

HSL 321.47, 0.93%, 0.4%

LAB 43.66, 71.77, -14.43

 

CMYK 0 / 100 / 39 / 29

HEX #B4006E

RGB 180 0 110

HSL 323.33, 1%, 0.35%

LAB 39.29, 66.97, -9.55

 

CMYK 0 / 100 / 44 / 36

HEX #A3005B

RGB 163 0 91

HSL 326.5, 1%, 0.32%

LAB 35.09, 61.47, -4.07

 

CMYK 0 / 100 / 51 / 43

HEX #920048

RGB 146 0 72

HSL 330.41, 1%, 0.29%

LAB 30.83, 55.93, 1.72

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 0 / 88 / 55 / 16

HEX #D61961

RGB 214 25 97

HSL 337.14, 0.79%, 0.47%

LAB 46.78, 70.71, 10.33

 

CMYK 0 / 88 / 79 / 16

HEX #D6192E

RGB 214 25 46

HSL 353.33, 0.79%, 0.47%

LAB 45.89, 68.17, 40.17

 

CMYK 0 / 88 / 88 / 16

HEX #D61919

RGB 214 25 25

HSL 0, 0.79%, 0.47%

LAB 45.72, 67.67, 50.82

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 0 / 88 / 7 / 16

HEX #D619C7

RGB 214 25 199

HSL 304.76, 0.79%, 0.47%

LAB 50.82, 81.57, -44.74

 

CMYK 17 / 88 / 0 / 16

HEX #B219D6

RGB 178 25 214

HSL 288.57, 0.79%, 0.47%

LAB 45.66, 77.85, -62.01

 

CMYK 41 / 88 / 0 / 16

HEX #7F19D6

RGB 127 25 214

HSL 272.38, 0.79%, 0.47%

LAB 37.95, 70.85, -74.89

 

CMYK 64 / 88 / 0 / 16

HEX #4C19D6

RGB 76 25 214

HSL 256.19, 0.79%, 0.47%

LAB 32, 66.06, -84.92

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 0 / 98 / 34 / 9

HEX #E9059A

RGB 233 5 154

HSL 320.79, 0.96%, 0.47%

LAB 51.57, 81.85, -16.89

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 0 / 77 / 27 / 24

HEX #C32C8E

RGB 195 44 142

HSL 321.06, 0.63%, 0.47%

LAB 46.12, 66.08, -18.65

 

CMYK 0 / 64 / 22 / 31

HEX #AF3F88

RGB 175 63 136

HSL 320.89, 0.47%, 0.47%

LAB 44.87, 53.24, -17.23

 

CMYK 0 / 47 / 17 / 39

HEX #9C5382

RGB 156 83 130

HSL 321.37, 0.31%, 0.47%

LAB 45.45, 36.6, -12.97

 

CMYK 0 / 25 / 8 / 47

HEX #88667D

RGB 136 102 125

HSL 319.41, 0.14%, 0.47%

LAB 47.26, 17.65, -7.49

 

CMYK 18 / 88 / 0 / 16

HEX #B019D6

RGB 176 25 214

HSL 287.94, 0.79%, 0.47%

LAB 45.33, 77.54, -62.54

 

CMYK 0 / 88 / 6 / 16

HEX #D619C9

RGB 214 25 201

HSL 304.13, 0.79%, 0.47%

LAB 50.93, 81.85, -45.73

 

CMYK 0 / 88 / 29 / 16

HEX #D61997

RGB 214 25 151

HSL 320, 0.79%, 0.47%

LAB 48.54, 75.56, -20.05

 

CMYK 0 / 88 / 53 / 16

HEX #D61964

RGB 214 25 100

HSL 336.19, 0.79%, 0.47%

LAB 46.86, 70.92, 8.58

 

CMYK 0 / 88 / 77 / 16

HEX #D61932

RGB 214 25 50

HSL 352.06, 0.79%, 0.47%

LAB 45.94, 68.3, 37.92

 

CMYK 0 / 89 / 31 / 45

HEX #8C1061

RGB 140 16 97

HSL 320.81, 0.79%, 0.31%

LAB 31.37, 54.48, -14.03

 

CMYK 0 / 89 / 31 / 31

HEX #B1147A

RGB 177 20 122

HSL 321.02, 0.8%, 0.39%

LAB 40, 65.11, -16.04

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 0 / 78 / 27 / 10

HEX #E632A7

RGB 230 50 167

HSL 321, 0.78%, 0.55%

LAB 53.91, 75.66, -21.05

 

CMYK 0 / 63 / 22 / 8

HEX #EB56B7

RGB 235 86 183

HSL 320.94, 0.79%, 0.63%

LAB 59.65, 66.87, -21.49

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 0 / 41 / 88 / 16

HEX #D67E19

RGB 214 126 25

HSL 32.06, 0.79%, 0.47%

LAB 61.03, 27.59, 62.62

 

CMYK 88 / 0 / 6 / 16

HEX #19D6C9

RGB 25 214 201

HSL 175.87, 0.79%, 0.47%

LAB 77.59, -45.05, -5.78

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 29 / 0 / 88 / 16

HEX #97D619

RGB 151 214 25

HSL 80, 0.79%, 0.47%

LAB 78.89, -43.99, 74.79

 

CMYK 88 / 29 / 0 / 16

HEX #1997D6

RGB 25 151 214

HSL 200, 0.79%, 0.47%

LAB 59.15, -9.65, -41.06

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 0 / 41 / 88 / 16

HEX #D67E19

RGB 214 126 25

HSL 32.06, 0.79%, 0.47%

LAB 61.03, 27.59, 62.62

 

CMYK 88 / 0 / 59 / 16

HEX #19D658

RGB 25 214 88

HSL 140, 0.79%, 0.47%

LAB 75.45, -68.76, 49.33

 

CMYK 88 / 47 / 0 / 16

HEX #1971D6

RGB 25 113 214

HSL 212.06, 0.79%, 0.47%

LAB 48.1, 13.19, -58.66

 

CMYK 0 / 88 / 31 / 16

HEX #D61994

RGB 214 25 148

HSL 320.95, 0.79%, 0.47%

LAB 48.42, 75.24, -18.43

 

CMYK 0 / 15 / 88 / 16

HEX #D6B619

RGB 214 182 25

HSL 49.84, 0.79%, 0.47%

LAB 74.71, -2.36, 73.35

 

CMYK 88 / 0 / 59 / 16

HEX #19D658

RGB 25 214 88

HSL 140, 0.79%, 0.47%

LAB 75.45, -68.76, 49.33

 

CMYK 88 / 74 / 0 / 16

HEX #1938D6

RGB 25 56 214

HSL 230.16, 0.79%, 0.47%

LAB 33.75, 49.31, -82.11

 

Description

Color code: RGB 214 25 148 | qconv.com Color code: RGB 214 25 148 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 25 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 25 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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