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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 251 250 it is the complementary color RGB 41 4 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 251 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 251 250 shade: RGB 219 251 245, RGB 236 255 255 and RGB 253 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 251 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 251 250 shade: RGB 214 251 250, RGB 197 233 231, RGB 180 215 212, RGB 163 197 193 and RGB 146 179 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 251 250 shade: RGB 213 250 249, RGB 213 250 239, RGB 213 250 229, RGB 213 250 219 and RGB 217 250 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 251 250 shade: RGB 213 250 249, RGB 213 241 250, RGB 213 231 250, RGB 213 221 250 and RGB 213 213 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 251 250 shade matches the following richer shades: RGB 213 250 249 and RGB 209 254 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 251 250 shade: RGB 213 250 249, RGB 216 247 246, RGB 220 243 242, RGB 224 239 239 and RGB 228 236 235

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 251 250 shade: RGB 213 250 229, RGB 213 250 239, RGB 213 250 249, RGB 213 242 250 and RGB 213 232 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 251 250 shade: RGB 138 243 240, RGB 175 247 245, RGB 213 250 249 and RGB 250 254 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 251 250 shade: RGB 214 251 250, RGB 219 213 250 and RGB 250 234 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 251 250 shade: RGB 214 251 250, RGB 249 213 250 and RGB 250 249 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 251 250 shade: RGB 214 251 250, RGB 219 213 250, RGB 250 213 214 and RGB 244 250 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 251 250 shade: RGB 214 251 250, RGB 230 213 250, RGB 250 213 214 and RGB 233 250 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 0 / 2

HEX #D6FBFA

RGB 214 251 250

HSL 178.38, 0.82%, 0.91%

LAB 96.08, -12.02, -3.52

 

Complementary color

CMYK 0 / 90 / 88 / 84

HEX #290405

RGB 41 4 5

HSL 358.38, 0.82%, 0.09%

LAB 5.14, 17.89, 5.98

 

CMYK 13 / 0 / 2 / 2

HEX #DBFBF5

RGB 219 251 245

HSL 168.75, 0.8%, 0.92%

LAB 96.26, -11.44, -0.62

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 15 / 0 / 0 / 2

HEX #D6FBFA

RGB 214 251 250

HSL 178.38, 0.82%, 0.91%

LAB 96.08, -12.02, -3.52

 

CMYK 15 / 0 / 1 / 9

HEX #C5E9E7

RGB 197 233 231

HSL 176.67, 0.45%, 0.84%

LAB 89.82, -12.05, -2.96

 

CMYK 16 / 0 / 1 / 16

HEX #B4D7D4

RGB 180 215 212

HSL 174.86, 0.3%, 0.77%

LAB 83.47, -12.09, -2.38

 

CMYK 17 / 0 / 2 / 23

HEX #A3C5C1

RGB 163 197 193

HSL 172.94, 0.23%, 0.71%

LAB 77.02, -12.14, -1.79

 

CMYK 18 / 0 / 3 / 30

HEX #92B3AE

RGB 146 179 174

HSL 170.91, 0.18%, 0.64%

LAB 70.46, -12.21, -1.17

 

CMYK 15 / 0 / 0 / 2

HEX #D5FAF9

RGB 213 250 249

HSL 178.38, 0.79%, 0.91%

LAB 95.73, -12.03, -3.52

 

CMYK 15 / 0 / 4 / 2

HEX #D5FAEF

RGB 213 250 239

HSL 162.16, 0.79%, 0.91%

LAB 95.48, -13.97, 1.28

 

CMYK 15 / 0 / 8 / 2

HEX #D5FAE5

RGB 213 250 229

HSL 145.95, 0.79%, 0.91%

LAB 95.23, -15.85, 6.09

 

CMYK 15 / 0 / 12 / 2

HEX #D5FADB

RGB 213 250 219

HSL 129.73, 0.79%, 0.91%

LAB 95.01, -17.64, 10.91

 

CMYK 13 / 0 / 15 / 2

HEX #D9FAD5

RGB 217 250 213

HSL 113.51, 0.79%, 0.91%

LAB 95.13, -17.36, 14.21

 

CMYK 15 / 0 / 0 / 2

HEX #D5FAF9

RGB 213 250 249

HSL 178.38, 0.79%, 0.91%

LAB 95.73, -12.03, -3.52

 

CMYK 15 / 4 / 0 / 2

HEX #D5F1FA

RGB 213 241 250

HSL 194.59, 0.79%, 0.91%

LAB 93.43, -7.3, -7.42

 

CMYK 15 / 8 / 0 / 2

HEX #D5E7FA

RGB 213 231 250

HSL 210.81, 0.79%, 0.91%

LAB 90.87, -2.19, -11.22

 

CMYK 15 / 12 / 0 / 2

HEX #D5DDFA

RGB 213 221 250

HSL 227.03, 0.79%, 0.91%

LAB 88.33, 3, -15.02

 

CMYK 15 / 15 / 0 / 2

HEX #D5D5FA

RGB 213 213 250

HSL 240, 0.79%, 0.91%

LAB 86.32, 7.21, -18.04

 

CMYK 15 / 0 / 0 / 2

HEX #D5FAF9

RGB 213 250 249

HSL 178.38, 0.79%, 0.91%

LAB 95.73, -12.03, -3.52

 

CMYK 18 / 0 / 0 / 0

HEX #D1FEFD

RGB 209 254 253

HSL 178.67, 0.96%, 0.91%

LAB 96.63, -14.43, -4.29

 

CMYK 15 / 0 / 0 / 2

HEX #D5FAF9

RGB 213 250 249

HSL 178.38, 0.79%, 0.91%

LAB 95.73, -12.03, -3.52

 

CMYK 13 / 0 / 0 / 3

HEX #D8F7F6

RGB 216 247 246

HSL 178.06, 0.66%, 0.91%

LAB 95.07, -10.19, -2.92

 

CMYK 9 / 0 / 0 / 5

HEX #DCF3F2

RGB 220 243 242

HSL 177.39, 0.49%, 0.91%

LAB 94.2, -7.68, -2.09

 

CMYK 6 / 0 / 0 / 6

HEX #E0EFEF

RGB 224 239 239

HSL 180, 0.32%, 0.91%

LAB 93.37, -4.93, -1.72

 

CMYK 3 / 0 / 0 / 7

HEX #E4ECEB

RGB 228 236 235

HSL 172.5, 0.17%, 0.91%

LAB 92.79, -2.83, -0.45

 

CMYK 15 / 0 / 8 / 2

HEX #D5FAE5

RGB 213 250 229

HSL 145.95, 0.79%, 0.91%

LAB 95.23, -15.85, 6.09

 

CMYK 15 / 0 / 4 / 2

HEX #D5FAEF

RGB 213 250 239

HSL 162.16, 0.79%, 0.91%

LAB 95.48, -13.97, 1.28

 

CMYK 15 / 0 / 0 / 2

HEX #D5FAF9

RGB 213 250 249

HSL 178.38, 0.79%, 0.91%

LAB 95.73, -12.03, -3.52

 

CMYK 15 / 3 / 0 / 2

HEX #D5F2FA

RGB 213 242 250

HSL 192.97, 0.79%, 0.91%

LAB 93.69, -7.81, -7.04

 

CMYK 15 / 7 / 0 / 2

HEX #D5E8FA

RGB 213 232 250

HSL 209.19, 0.79%, 0.91%

LAB 91.13, -2.7, -10.84

 

CMYK 43 / 0 / 1 / 5

HEX #8AF3F0

RGB 138 243 240

HSL 178.29, 0.81%, 0.75%

LAB 89.76, -31.15, -8.08

 

CMYK 29 / 0 / 1 / 3

HEX #AFF7F5

RGB 175 247 245

HSL 178.33, 0.82%, 0.83%

LAB 92.68, -22.51, -6.19

 

CMYK 15 / 0 / 0 / 2

HEX #D5FAF9

RGB 213 250 249

HSL 178.38, 0.79%, 0.91%

LAB 95.73, -12.03, -3.52

 

CMYK 2 / 0 / 0 / 0

HEX #FAFEFE

RGB 250 254 254

HSL 180, 0.67%, 0.99%

LAB 99.36, -1.31, -0.47

 

CMYK 15 / 0 / 0 / 2

HEX #D6FBFA

RGB 214 251 250

HSL 178.38, 0.82%, 0.91%

LAB 96.08, -12.02, -3.52

 

CMYK 12 / 15 / 0 / 2

HEX #DBD5FA

RGB 219 213 250

HSL 249.73, 0.79%, 0.91%

LAB 86.78, 9.1, -17.31

 

CMYK 0 / 6 / 15 / 2

HEX #FAEAD5

RGB 250 234 213

HSL 34.05, 0.79%, 0.91%

LAB 93.44, 2.05, 12.14

 

CMYK 15 / 0 / 0 / 2

HEX #D6FBFA

RGB 214 251 250

HSL 178.38, 0.82%, 0.91%

LAB 96.08, -12.02, -3.52

 

CMYK 0 / 15 / 0 / 2

HEX #F9D5FA

RGB 249 213 250

HSL 298.38, 0.79%, 0.91%

LAB 89.22, 18.78, -13.4

 

CMYK 0 / 0 / 15 / 2

HEX #FAF9D5

RGB 250 249 213

HSL 58.38, 0.79%, 0.91%

LAB 97.18, -5.53, 17.43

 

CMYK 15 / 0 / 0 / 2

HEX #D6FBFA

RGB 214 251 250

HSL 178.38, 0.82%, 0.91%

LAB 96.08, -12.02, -3.52

 

CMYK 12 / 15 / 0 / 2

HEX #DBD5FA

RGB 219 213 250

HSL 249.73, 0.79%, 0.91%

LAB 86.78, 9.1, -17.31

 

CMYK 0 / 15 / 14 / 2

HEX #FAD5D6

RGB 250 213 214

HSL 358.38, 0.79%, 0.91%

LAB 88.34, 13.04, 4.29

 

CMYK 2 / 0 / 15 / 2

HEX #F4FAD5

RGB 244 250 213

HSL 69.73, 0.79%, 0.91%

LAB 96.99, -8.13, 17.09

 

CMYK 15 / 0 / 0 / 2

HEX #D6FBFA

RGB 214 251 250

HSL 178.38, 0.82%, 0.91%

LAB 96.08, -12.02, -3.52

 

CMYK 8 / 15 / 0 / 2

HEX #E6D5FA

RGB 230 213 250

HSL 267.57, 0.79%, 0.91%

LAB 87.64, 12.6, -15.93

 

CMYK 0 / 15 / 14 / 2

HEX #FAD5D6

RGB 250 213 214

HSL 358.38, 0.79%, 0.91%

LAB 88.34, 13.04, 4.29

 

CMYK 7 / 0 / 15 / 2

HEX #E9FAD5

RGB 233 250 213

HSL 87.57, 0.79%, 0.91%

LAB 96.2, -11.94, 15.88

 

Description

Color code: RGB 214 251 250 | qconv.com Color code: RGB 214 251 250 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 251 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 251 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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