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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 177 180 it is the complementary color RGB 41 78 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 177 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 177 180 shade: RGB 219 177 175, RGB 236 195 194, RGB 253 213 213, RGB 255 231 232 and RGB 255 249 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 177 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 177 180 shade: RGB 214 177 180, RGB 197 159 161, RGB 180 141 142, RGB 163 123 123 and RGB 146 105 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 177 180 shade: RGB 214 178 181 and RGB 214 178 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 177 180 shade: RGB 214 178 181, RGB 214 178 190, RGB 214 178 200, RGB 214 178 210 and RGB 208 178 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 177 180 shade matches the following richer shades: RGB 214 178 181, RGB 224 168 173, RGB 233 159 165, RGB 243 149 157 and RGB 252 140 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 177 180 shade: RGB 214 178 181, RGB 205 187 189, RGB 195 197 197, RGB 186 206 204 and RGB 176 216 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 177 180 shade: RGB 214 178 200, RGB 214 178 190, RGB 214 178 181, RGB 214 184 178 and RGB 214 194 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 177 180 shade: RGB 186 124 129, RGB 200 151 155, RGB 214 178 181, RGB 228 205 207 and RGB 243 232 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 177 180 shade: RGB 214 177 180, RGB 210 214 178 and RGB 178 195 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 177 180 shade: RGB 214 177 180, RGB 181 214 178 and RGB 178 181 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 177 180 shade: RGB 214 177 180, RGB 210 214 178, RGB 178 214 211 and RGB 182 178 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 177 180 shade: RGB 214 177 180, RGB 199 214 178, RGB 178 214 211 and RGB 193 178 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 16 / 16

HEX #D6B1B4

RGB 214 177 180

HSL 355.14, 0.31%, 0.77%

LAB 75.47, 13.85, 3.49

 

Complementary color

CMYK 47 / 0 / 4 / 69

HEX #294E4B

RGB 41 78 75

HSL 175.14, 0.31%, 0.23%

LAB 30.47, -14.09, -2.37

 

CMYK 0 / 19 / 20 / 14

HEX #DBB1AF

RGB 219 177 175

HSL 2.73, 0.38%, 0.77%

LAB 75.82, 14.91, 6.79

 

CMYK 0 / 17 / 18 / 7

HEX #ECC3C2

RGB 236 195 194

HSL 1.43, 0.53%, 0.84%

LAB 82.25, 14.41, 5.97

 

CMYK 0 / 16 / 16 / 1

HEX #FDD5D5

RGB 253 213 213

HSL 0, 0.91%, 0.91%

LAB 88.58, 13.95, 5.21

 

CMYK 0 / 9 / 9 / 0

HEX #FFE7E8

RGB 255 231 232

HSL 357.5, 1%, 0.95%

LAB 93.55, 8.34, 2.48

 

CMYK 0 / 2 / 2 / 0

HEX #FFF9FB

RGB 255 249 251

HSL 340, 1%, 0.99%

LAB 98.42, 2.34, -0.26

 

CMYK 0 / 17 / 16 / 16

HEX #D6B1B4

RGB 214 177 180

HSL 355.14, 0.31%, 0.77%

LAB 75.47, 13.85, 3.49

 

CMYK 0 / 19 / 18 / 23

HEX #C59FA1

RGB 197 159 161

HSL 356.84, 0.25%, 0.7%

LAB 68.92, 14.35, 4.28

 

CMYK 0 / 22 / 21 / 29

HEX #B48D8E

RGB 180 141 142

HSL 358.46, 0.21%, 0.63%

LAB 62.26, 14.91, 5.13

 

CMYK 0 / 25 / 25 / 36

HEX #A37B7B

RGB 163 123 123

HSL 0, 0.18%, 0.56%

LAB 55.46, 15.55, 6.04

 

CMYK 0 / 28 / 29 / 43

HEX #926968

RGB 146 105 104

HSL 1.43, 0.17%, 0.49%

LAB 48.53, 16.27, 7.06

 

CMYK 0 / 17 / 15 / 16

HEX #D6B2B5

RGB 214 178 181

HSL 355, 0.31%, 0.77%

LAB 75.74, 13.47, 3.34

 

CMYK 0 / 17 / 17 / 16

HEX #D6B2B2

RGB 214 178 178

HSL 0, 0.31%, 0.77%

LAB 75.67, 12.99, 4.87

 

CMYK 0 / 17 / 15 / 16

HEX #D6B2B5

RGB 214 178 181

HSL 355, 0.31%, 0.77%

LAB 75.74, 13.47, 3.34

 

CMYK 0 / 17 / 11 / 16

HEX #D6B2BE

RGB 214 178 190

HSL 340, 0.31%, 0.77%

LAB 75.98, 14.94, -1.22

 

CMYK 0 / 17 / 7 / 16

HEX #D6B2C8

RGB 214 178 200

HSL 323.33, 0.31%, 0.77%

LAB 76.26, 16.65, -6.26

 

CMYK 0 / 17 / 2 / 16

HEX #D6B2D2

RGB 214 178 210

HSL 306.67, 0.31%, 0.77%

LAB 76.55, 18.44, -11.27

 

CMYK 3 / 17 / 0 / 16

HEX #D0B2D6

RGB 208 178 214

HSL 290, 0.31%, 0.77%

LAB 76.13, 17.17, -14.12

 

CMYK 0 / 17 / 15 / 16

HEX #D6B2B5

RGB 214 178 181

HSL 355, 0.31%, 0.77%

LAB 75.74, 13.47, 3.34

 

CMYK 0 / 25 / 23 / 12

HEX #E0A8AD

RGB 224 168 173

HSL 354.64, 0.47%, 0.77%

LAB 74.11, 21.3, 5.47

 

CMYK 0 / 32 / 29 / 9

HEX #E99FA5

RGB 233 159 165

HSL 355.14, 0.63%, 0.77%

LAB 72.78, 28.32, 8.1

 

CMYK 0 / 39 / 35 / 5

HEX #F3959D

RGB 243 149 157

HSL 354.89, 0.8%, 0.77%

LAB 71.54, 36.25, 10.92

 

CMYK 0 / 44 / 41 / 1

HEX #FC8C95

RGB 252 140 149

HSL 355.18, 0.95%, 0.77%

LAB 70.61, 43.21, 14.21

 

CMYK 0 / 17 / 15 / 16

HEX #D6B2B5

RGB 214 178 181

HSL 355, 0.31%, 0.77%

LAB 75.74, 13.47, 3.34

 

CMYK 0 / 9 / 8 / 20

HEX #CDBBBD

RGB 205 187 189

HSL 353.33, 0.15%, 0.77%

LAB 77.4, 6.71, 1.29

 

CMYK 1 / 0 / 0 / 23

HEX #C3C5C5

RGB 195 197 197

HSL 180, 0.02%, 0.77%

LAB 79.37, -0.69, -0.25

 

CMYK 10 / 0 / 1 / 19

HEX #BACECC

RGB 186 206 204

HSL 174, 0.17%, 0.77%

LAB 81.26, -7.11, -1.31

 

CMYK 19 / 0 / 2 / 15

HEX #B0D8D4

RGB 176 216 212

HSL 174, 0.34%, 0.77%

LAB 83.49, -13.85, -2.38

 

CMYK 0 / 17 / 7 / 16

HEX #D6B2C8

RGB 214 178 200

HSL 323.33, 0.31%, 0.77%

LAB 76.26, 16.65, -6.26

 

CMYK 0 / 17 / 11 / 16

HEX #D6B2BE

RGB 214 178 190

HSL 340, 0.31%, 0.77%

LAB 75.98, 14.94, -1.22

 

CMYK 0 / 17 / 15 / 16

HEX #D6B2B5

RGB 214 178 181

HSL 355, 0.31%, 0.77%

LAB 75.74, 13.47, 3.34

 

CMYK 0 / 14 / 17 / 16

HEX #D6B8B2

RGB 214 184 178

HSL 10, 0.31%, 0.77%

LAB 77.16, 9.77, 7.01

 

CMYK 0 / 9 / 17 / 16

HEX #D6C2B2

RGB 214 194 178

HSL 26.67, 0.31%, 0.77%

LAB 79.67, 4.45, 10.6

 

CMYK 0 / 33 / 31 / 27

HEX #BA7C81

RGB 186 124 129

HSL 355.16, 0.31%, 0.61%

LAB 58.45, 24.81, 7.19

 

CMYK 0 / 25 / 23 / 22

HEX #C8979B

RGB 200 151 155

HSL 355.1, 0.31%, 0.69%

LAB 67.11, 18.95, 5.05

 

CMYK 0 / 17 / 15 / 16

HEX #D6B2B5

RGB 214 178 181

HSL 355, 0.31%, 0.77%

LAB 75.74, 13.47, 3.34

 

CMYK 0 / 10 / 9 / 11

HEX #E4CDCF

RGB 228 205 207

HSL 354.78, 0.3%, 0.85%

LAB 84.31, 8.35, 1.92

 

CMYK 0 / 5 / 4 / 5

HEX #F3E8E9

RGB 243 232 233

HSL 354.55, 0.31%, 0.93%

LAB 92.86, 3.89, 0.83

 

CMYK 0 / 17 / 16 / 16

HEX #D6B1B4

RGB 214 177 180

HSL 355.14, 0.31%, 0.77%

LAB 75.47, 13.85, 3.49

 

CMYK 2 / 0 / 17 / 16

HEX #D2D6B2

RGB 210 214 178

HSL 66.67, 0.31%, 0.77%

LAB 84.49, -7.44, 17.35

 

CMYK 17 / 9 / 0 / 16

HEX #B2C3D6

RGB 178 195 214

HSL 211.67, 0.31%, 0.77%

LAB 78.08, -1.86, -11.45

 

CMYK 0 / 17 / 16 / 16

HEX #D6B1B4

RGB 214 177 180

HSL 355.14, 0.31%, 0.77%

LAB 75.47, 13.85, 3.49

 

CMYK 15 / 0 / 17 / 16

HEX #B5D6B2

RGB 181 214 178

HSL 115, 0.31%, 0.77%

LAB 82.45, -17.68, 14.19

 

CMYK 17 / 15 / 0 / 16

HEX #B2B5D6

RGB 178 181 214

HSL 235, 0.31%, 0.77%

LAB 74.42, 5.69, -16.94

 

CMYK 0 / 17 / 16 / 16

HEX #D6B1B4

RGB 214 177 180

HSL 355.14, 0.31%, 0.77%

LAB 75.47, 13.85, 3.49

 

CMYK 2 / 0 / 17 / 16

HEX #D2D6B2

RGB 210 214 178

HSL 66.67, 0.31%, 0.77%

LAB 84.49, -7.44, 17.35

 

CMYK 17 / 0 / 1 / 16

HEX #B2D6D3

RGB 178 214 211

HSL 175, 0.31%, 0.77%

LAB 83.05, -12.41, -2.48

 

CMYK 15 / 17 / 0 / 16

HEX #B6B2D6

RGB 182 178 214

HSL 246.67, 0.31%, 0.77%

LAB 73.96, 8.61, -17.61

 

CMYK 0 / 17 / 16 / 16

HEX #D6B1B4

RGB 214 177 180

HSL 355.14, 0.31%, 0.77%

LAB 75.47, 13.85, 3.49

 

CMYK 7 / 0 / 17 / 16

HEX #C7D6B2

RGB 199 214 178

HSL 85, 0.31%, 0.77%

LAB 83.68, -11.39, 16.1

 

CMYK 17 / 0 / 1 / 16

HEX #B2D6D3

RGB 178 214 211

HSL 175, 0.31%, 0.77%

LAB 83.05, -12.41, -2.48

 

CMYK 10 / 17 / 0 / 16

HEX #C1B2D6

RGB 193 178 214

HSL 265, 0.31%, 0.77%

LAB 74.85, 12.19, -16.19

 

Description

Color code: RGB 214 177 180 | qconv.com Color code: RGB 214 177 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 177 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 177 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 16 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 16% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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