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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 154 89 it is the complementary color RGB 41 101 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 154 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 154 89 shade: RGB 219 154 84, RGB 236 172 103, RGB 253 190 122, RGB 255 208 141 and RGB 255 226 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 154 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 154 89 shade: RGB 214 154 89, RGB 197 136 70, RGB 180 118 51, RGB 163 100 32 and RGB 146 82 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 154 89 shade: RGB 213 152 87, RGB 213 119 87 and RGB 213 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 154 89 shade: RGB 213 152 87, RGB 213 186 87, RGB 205 213 87, RGB 171 213 87 and RGB 138 213 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 154 89 shade matches the following richer shades: RGB 213 152 87, RGB 230 153 70 and RGB 247 154 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 154 89 shade: RGB 213 152 87, RGB 196 152 104, RGB 179 151 121, RGB 162 150 138 and RGB 145 150 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 154 89 shade: RGB 213 87 89, RGB 213 119 87, RGB 213 152 87, RGB 213 185 87 and RGB 206 213 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 154 89 shade: RGB 174 111 43, RGB 204 132 54, RGB 213 152 87, RGB 221 173 120 and RGB 229 193 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 154 89 shade: RGB 214 154 89, RGB 123 213 87 and RGB 102 87 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 154 89 shade: RGB 214 154 89, RGB 87 213 152 and RGB 152 87 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 154 89 shade: RGB 214 154 89, RGB 123 213 87, RGB 87 148 213 and RGB 177 87 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 154 89 shade: RGB 214 154 89, RGB 87 213 89, RGB 87 148 213 and RGB 213 87 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 58 / 16

HEX #D69A59

RGB 214 154 89

HSL 31.2, 0.6%, 0.59%

LAB 68.12, 15.5, 42.55

 

Complementary color

CMYK 75 / 39 / 0 / 35

HEX #2965A6

RGB 41 101 166

HSL 211.2, 0.6%, 0.41%

LAB 42.05, 3.72, -40.53

 

CMYK 0 / 30 / 62 / 14

HEX #DB9A54

RGB 219 154 84

HSL 31.11, 0.65%, 0.59%

LAB 68.61, 17.23, 45.8

 

CMYK 0 / 27 / 56 / 7

HEX #ECAC67

RGB 236 172 103

HSL 31.13, 0.78%, 0.66%

LAB 75.02, 16.05, 44.34

 

CMYK 0 / 25 / 52 / 1

HEX #FDBE7A

RGB 253 190 122

HSL 31.15, 0.97%, 0.74%

LAB 81.35, 15.01, 42.93

 

CMYK 0 / 18 / 45 / 0

HEX #FFD08D

RGB 255 208 141

HSL 35.26, 1%, 0.78%

LAB 86.15, 8.19, 39.43

 

CMYK 0 / 11 / 37 / 0

HEX #FFE2A0

RGB 255 226 160

HSL 41.68, 1%, 0.81%

LAB 90.87, 0.96, 35.93

 

CMYK 0 / 28 / 58 / 16

HEX #D69A59

RGB 214 154 89

HSL 31.2, 0.6%, 0.59%

LAB 68.12, 15.5, 42.55

 

CMYK 0 / 31 / 64 / 23

HEX #C58846

RGB 197 136 70

HSL 31.18, 0.52%, 0.52%

LAB 61.59, 16.77, 44.04

 

CMYK 0 / 34 / 72 / 29

HEX #B47633

RGB 180 118 51

HSL 31.16, 0.56%, 0.45%

LAB 54.97, 18.25, 45.47

 

CMYK 0 / 39 / 80 / 36

HEX #A36420

RGB 163 100 32

HSL 31.15, 0.67%, 0.38%

LAB 48.27, 20, 46.62

 

CMYK 0 / 44 / 91 / 43

HEX #92520D

RGB 146 82 13

HSL 31.13, 0.84%, 0.31%

LAB 41.49, 22.05, 46.86

 

CMYK 0 / 29 / 59 / 16

HEX #D59857

RGB 213 152 87

HSL 30.95, 0.6%, 0.59%

LAB 67.49, 16.02, 42.8

 

CMYK 0 / 44 / 59 / 16

HEX #D57757

RGB 213 119 87

HSL 15.24, 0.6%, 0.59%

LAB 59.91, 33.73, 33.57

 

CMYK 0 / 59 / 59 / 16

HEX #D55757

RGB 213 87 87

HSL 0, 0.6%, 0.59%

LAB 53.65, 49.65, 25.61

 

CMYK 0 / 29 / 59 / 16

HEX #D59857

RGB 213 152 87

HSL 30.95, 0.6%, 0.59%

LAB 67.49, 16.02, 42.8

 

CMYK 0 / 13 / 59 / 16

HEX #D5BA57

RGB 213 186 87

HSL 47.14, 0.6%, 0.59%

LAB 76.04, -2.12, 52.72

 

CMYK 4 / 0 / 59 / 16

HEX #CDD557

RGB 205 213 87

HSL 63.81, 0.6%, 0.59%

LAB 82.52, -19.16, 59.75

 

CMYK 20 / 0 / 59 / 16

HEX #ABD557

RGB 171 213 87

HSL 80, 0.6%, 0.59%

LAB 80.14, -32.64, 56.45

 

CMYK 35 / 0 / 59 / 16

HEX #8AD557

RGB 138 213 87

HSL 95.71, 0.6%, 0.59%

LAB 78.27, -44.61, 53.84

 

CMYK 0 / 29 / 59 / 16

HEX #D59857

RGB 213 152 87

HSL 30.95, 0.6%, 0.59%

LAB 67.49, 16.02, 42.8

 

CMYK 0 / 33 / 70 / 10

HEX #E69946

RGB 230 153 70

HSL 31.13, 0.76%, 0.59%

LAB 69.5, 21.52, 53.86

 

CMYK 0 / 38 / 79 / 3

HEX #F79A35

RGB 247 154 53

HSL 31.24, 0.92%, 0.59%

LAB 71.65, 27.31, 63.9

 

CMYK 0 / 29 / 59 / 16

HEX #D59857

RGB 213 152 87

HSL 30.95, 0.6%, 0.59%

LAB 67.49, 16.02, 42.8

 

CMYK 0 / 22 / 47 / 23

HEX #C49868

RGB 196 152 104

HSL 31.3, 0.44%, 0.59%

LAB 65.9, 10.4, 31.51

 

CMYK 0 / 16 / 32 / 30

HEX #B39779

RGB 179 151 121

HSL 31.03, 0.28%, 0.59%

LAB 64.24, 5.94, 19.7

 

CMYK 0 / 7 / 15 / 36

HEX #A2968A

RGB 162 150 138

HSL 30, 0.11%, 0.59%

LAB 62.78, 2.33, 7.91

 

CMYK 6 / 3 / 0 / 39

HEX #91969B

RGB 145 150 155

HSL 210, 0.05%, 0.59%

LAB 61.83, -0.79, -3.26

 

CMYK 0 / 59 / 58 / 16

HEX #D55759

RGB 213 87 89

HSL 359.05, 0.6%, 0.59%

LAB 53.69, 49.79, 24.49

 

CMYK 0 / 44 / 59 / 16

HEX #D57757

RGB 213 119 87

HSL 15.24, 0.6%, 0.59%

LAB 59.91, 33.73, 33.57

 

CMYK 0 / 29 / 59 / 16

HEX #D59857

RGB 213 152 87

HSL 30.95, 0.6%, 0.59%

LAB 67.49, 16.02, 42.8

 

CMYK 0 / 13 / 59 / 16

HEX #D5B957

RGB 213 185 87

HSL 46.67, 0.6%, 0.59%

LAB 75.78, -1.6, 52.43

 

CMYK 3 / 0 / 59 / 16

HEX #CED557

RGB 206 213 87

HSL 63.33, 0.6%, 0.59%

LAB 82.59, -18.75, 59.85

 

CMYK 0 / 36 / 75 / 32

HEX #AE6F2B

RGB 174 111 43

HSL 31.15, 0.6%, 0.43%

LAB 52.44, 19.14, 46.35

 

CMYK 0 / 35 / 74 / 20

HEX #CC8436

RGB 204 132 54

HSL 31.2, 0.6%, 0.51%

LAB 61.31, 21.06, 51.6

 

CMYK 0 / 29 / 59 / 16

HEX #D59857

RGB 213 152 87

HSL 30.95, 0.6%, 0.59%

LAB 67.49, 16.02, 42.8

 

CMYK 0 / 22 / 46 / 13

HEX #DDAD78

RGB 221 173 120

HSL 31.49, 0.6%, 0.67%

LAB 73.94, 10.91, 33.88

 

CMYK 0 / 16 / 33 / 10

HEX #E5C199

RGB 229 193 153

HSL 31.58, 0.59%, 0.75%

LAB 80.23, 7.17, 24.93

 

CMYK 0 / 28 / 58 / 16

HEX #D69A59

RGB 214 154 89

HSL 31.2, 0.6%, 0.59%

LAB 68.12, 15.5, 42.55

 

CMYK 42 / 0 / 59 / 16

HEX #7BD557

RGB 123 213 87

HSL 102.86, 0.6%, 0.59%

LAB 77.57, -49.5, 52.85

 

CMYK 52 / 59 / 0 / 16

HEX #6657D5

RGB 102 87 213

HSL 247.14, 0.6%, 0.59%

LAB 44.86, 39.43, -63.15

 

CMYK 0 / 28 / 58 / 16

HEX #D69A59

RGB 214 154 89

HSL 31.2, 0.6%, 0.59%

LAB 68.12, 15.5, 42.55

 

CMYK 59 / 0 / 29 / 16

HEX #57D598

RGB 87 213 152

HSL 150.95, 0.6%, 0.59%

LAB 77.21, -48.96, 19.95

 

CMYK 29 / 59 / 0 / 16

HEX #9857D5

RGB 152 87 213

HSL 270.95, 0.6%, 0.59%

LAB 49.85, 50.29, -54.85

 

CMYK 0 / 28 / 58 / 16

HEX #D69A59

RGB 214 154 89

HSL 31.2, 0.6%, 0.59%

LAB 68.12, 15.5, 42.55

 

CMYK 42 / 0 / 59 / 16

HEX #7BD557

RGB 123 213 87

HSL 102.86, 0.6%, 0.59%

LAB 77.57, -49.5, 52.85

 

CMYK 59 / 31 / 0 / 16

HEX #5794D5

RGB 87 148 213

HSL 210.95, 0.6%, 0.59%

LAB 59.9, -0.38, -39.22

 

CMYK 17 / 59 / 0 / 16

HEX #B157D5

RGB 177 87 213

HSL 282.86, 0.6%, 0.59%

LAB 52.91, 56.32, -49.78

 

CMYK 0 / 28 / 58 / 16

HEX #D69A59

RGB 214 154 89

HSL 31.2, 0.6%, 0.59%

LAB 68.12, 15.5, 42.55

 

CMYK 59 / 0 / 58 / 16

HEX #57D559

RGB 87 213 89

HSL 120.95, 0.6%, 0.59%

LAB 76.28, -59.1, 50.13

 

CMYK 59 / 31 / 0 / 16

HEX #5794D5

RGB 87 148 213

HSL 210.95, 0.6%, 0.59%

LAB 59.9, -0.38, -39.22

 

CMYK 0 / 59 / 1 / 16

HEX #D557D3

RGB 213 87 211

HSL 300.95, 0.6%, 0.59%

LAB 57.72, 64.91, -40.73

 

Description

Color code: RGB 214 154 89 | qconv.com Color code: RGB 214 154 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 154 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 154 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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