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Color name
RGB 214 154 243

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 154 243 it is the complementary color RGB 41 101 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 154 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 154 243 shade: RGB 219 154 238, RGB 236 172 255, RGB 253 190 255, RGB 255 208 255 and RGB 255 226 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 154 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 154 243 shade: RGB 214 154 243, RGB 197 136 224, RGB 180 118 205, RGB 163 100 186 and RGB 146 82 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 154 243 shade: RGB 214 154 243, RGB 238 154 243, RGB 243 154 224, RGB 243 154 200 and RGB 243 154 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 154 243 shade: RGB 214 154 243, RGB 190 154 243, RGB 166 154 243 and RGB 154 154 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 154 243 shade matches the following richer shades: RGB 214 154 243 and RGB 217 145 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 154 243 shade: RGB 214 154 243, RGB 211 163 234, RGB 208 172 225, RGB 204 181 215 and RGB 201 190 206

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 154 243 shade: RGB 166 154 243, RGB 190 154 243, RGB 213 154 243, RGB 237 154 243 and RGB 243 154 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 154 243 shade: RGB 184 80 234, RGB 199 117 238, RGB 214 154 243, RGB 229 191 247 and RGB 244 228 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 154 243 shade: RGB 214 154 243, RGB 243 154 166 and RGB 154 243 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 154 243 shade: RGB 214 154 243, RGB 243 213 154 and RGB 154 243 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 154 243 shade: RGB 214 154 243, RGB 243 154 166, RGB 184 243 154 and RGB 154 243 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 154 243 shade: RGB 214 154 243, RGB 243 169 154, RGB 184 243 154 and RGB 154 228 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

Complementary color

CMYK 59 / 0 / 88 / 60

HEX #29650C

RGB 41 101 12

HSL 100.45, 0.79%, 0.22%

LAB 37.49, -35.61, 39.96

 

CMYK 8 / 35 / 0 / 7

HEX #DB9AEE

RGB 219 154 238

HSL 286.43, 0.71%, 0.77%

LAB 72.46, 38.38, -32.71

 

CMYK 7 / 33 / 0 / 0

HEX #ECACFF

RGB 236 172 255

HSL 286.27, 1%, 0.84%

LAB 78.79, 37.3, -32

 

CMYK 1 / 25 / 0 / 0

HEX #FDBEFF

RGB 253 190 255

HSL 298.15, 1%, 0.87%

LAB 84.45, 33.09, -23.2

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

CMYK 12 / 39 / 0 / 12

HEX #C588E0

RGB 197 136 224

HSL 281.59, 0.59%, 0.71%

LAB 65.64, 38.62, -35.76

 

CMYK 12 / 42 / 0 / 20

HEX #B476CD

RGB 180 118 205

HSL 282.76, 0.47%, 0.63%

LAB 59.04, 39.4, -35.56

 

CMYK 12 / 46 / 0 / 27

HEX #A364BA

RGB 163 100 186

HSL 283.95, 0.38%, 0.56%

LAB 52.34, 40.2, -35.33

 

CMYK 13 / 51 / 0 / 35

HEX #9252A7

RGB 146 82 167

HSL 285.18, 0.34%, 0.49%

LAB 45.55, 41, -35.06

 

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

CMYK 2 / 37 / 0 / 5

HEX #EE9AF3

RGB 238 154 243

HSL 296.63, 0.79%, 0.78%

LAB 74.67, 45.1, -31.84

 

CMYK 0 / 37 / 8 / 5

HEX #F39AE0

RGB 243 154 224

HSL 312.81, 0.79%, 0.78%

LAB 74.54, 43.31, -21.65

 

CMYK 0 / 37 / 18 / 5

HEX #F39AC8

RGB 243 154 200

HSL 328.99, 0.79%, 0.78%

LAB 73.76, 39.47, -9.64

 

CMYK 0 / 37 / 28 / 5

HEX #F39AB0

RGB 243 154 176

HSL 345.17, 0.79%, 0.78%

LAB 73.09, 36.04, 2.62

 

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

CMYK 22 / 37 / 0 / 5

HEX #BE9AF3

RGB 190 154 243

HSL 264.27, 0.79%, 0.78%

LAB 69.84, 30.81, -39.71

 

CMYK 32 / 37 / 0 / 5

HEX #A69AF3

RGB 166 154 243

HSL 248.09, 0.79%, 0.78%

LAB 67.79, 24.03, -43.08

 

CMYK 37 / 37 / 0 / 5

HEX #9A9AF3

RGB 154 154 243

HSL 240, 0.79%, 0.78%

LAB 66.86, 20.8, -44.6

 

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

CMYK 14 / 42 / 0 / 1

HEX #D991FC

RGB 217 145 252

HSL 280.37, 0.95%, 0.78%

LAB 70.89, 45.41, -42.79

 

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

CMYK 10 / 30 / 0 / 8

HEX #D3A3EA

RGB 211 163 234

HSL 280.56, 0.63%, 0.78%

LAB 73.54, 30.26, -28.93

 

CMYK 8 / 24 / 0 / 12

HEX #D0ACE1

RGB 208 172 225

HSL 280.75, 0.47%, 0.78%

LAB 75.05, 22.58, -21.75

 

CMYK 5 / 16 / 0 / 16

HEX #CCB5D7

RGB 204 181 215

HSL 280.59, 0.3%, 0.78%

LAB 76.55, 14.39, -14.07

 

CMYK 2 / 8 / 0 / 19

HEX #C9BECE

RGB 201 190 206

HSL 281.25, 0.14%, 0.78%

LAB 78.29, 6.79, -6.64

 

CMYK 32 / 37 / 0 / 5

HEX #A69AF3

RGB 166 154 243

HSL 248.09, 0.79%, 0.78%

LAB 67.79, 24.03, -43.08

 

CMYK 22 / 37 / 0 / 5

HEX #BE9AF3

RGB 190 154 243

HSL 264.27, 0.79%, 0.78%

LAB 69.84, 30.81, -39.71

 

CMYK 12 / 37 / 0 / 5

HEX #D59AF3

RGB 213 154 243

HSL 279.78, 0.79%, 0.78%

LAB 72.05, 37.58, -36.12

 

CMYK 2 / 37 / 0 / 5

HEX #ED9AF3

RGB 237 154 243

HSL 295.96, 0.79%, 0.78%

LAB 74.56, 44.8, -32.02

 

CMYK 0 / 37 / 7 / 5

HEX #F39AE1

RGB 243 154 225

HSL 312.13, 0.79%, 0.78%

LAB 74.57, 43.48, -22.14

 

CMYK 21 / 66 / 0 / 8

HEX #B850EA

RGB 184 80 234

HSL 280.52, 0.79%, 0.62%

LAB 53.89, 65.44, -60.04

 

CMYK 16 / 51 / 0 / 7

HEX #C775EE

RGB 199 117 238

HSL 280.66, 0.78%, 0.7%

LAB 62.54, 52.17, -48.37

 

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

CMYK 7 / 23 / 0 / 3

HEX #E5BFF7

RGB 229 191 247

HSL 280.71, 0.78%, 0.86%

LAB 82.18, 23.41, -22.59

 

CMYK 3 / 9 / 0 / 2

HEX #F4E4FB

RGB 244 228 251

HSL 281.74, 0.74%, 0.94%

LAB 92.44, 9.49, -9.17

 

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

CMYK 0 / 37 / 32 / 5

HEX #F39AA6

RGB 243 154 166

HSL 351.91, 0.79%, 0.78%

LAB 72.84, 34.74, 7.78

 

CMYK 37 / 0 / 27 / 5

HEX #9AF3B2

RGB 154 243 178

HSL 136.18, 0.79%, 0.78%

LAB 89.01, -40.02, 23.11

 

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

CMYK 0 / 12 / 37 / 5

HEX #F3D59A

RGB 243 213 154

HSL 39.78, 0.79%, 0.78%

LAB 86.49, 2.3, 33.02

 

CMYK 37 / 0 / 12 / 5

HEX #9AF3D5

RGB 154 243 213

HSL 159.78, 0.79%, 0.78%

LAB 89.75, -33.24, 6.06

 

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

CMYK 0 / 37 / 32 / 5

HEX #F39AA6

RGB 243 154 166

HSL 351.91, 0.79%, 0.78%

LAB 72.84, 34.74, 7.78

 

CMYK 24 / 0 / 37 / 5

HEX #B8F39A

RGB 184 243 154

HSL 99.78, 0.79%, 0.78%

LAB 90.15, -34.29, 37.05

 

CMYK 37 / 0 / 5 / 5

HEX #9AF3E7

RGB 154 243 231

HSL 171.91, 0.79%, 0.78%

LAB 90.2, -29.33, -2.67

 

CMYK 12 / 37 / 0 / 5

HEX #D69AF3

RGB 214 154 243

HSL 280.45, 0.79%, 0.78%

LAB 72.15, 37.88, -35.96

 

CMYK 0 / 30 / 37 / 5

HEX #F3A99A

RGB 243 169 154

HSL 10.11, 0.79%, 0.78%

LAB 75.92, 25.38, 18.71

 

CMYK 24 / 0 / 37 / 5

HEX #B8F39A

RGB 184 243 154

HSL 99.78, 0.79%, 0.78%

LAB 90.15, -34.29, 37.05

 

CMYK 37 / 6 / 0 / 5

HEX #9AE4F3

RGB 154 228 243

HSL 190.11, 0.79%, 0.78%

LAB 86.42, -19.2, -14.57

 

Description

Color code: RGB 214 154 243 | qconv.com Color code: RGB 214 154 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 154 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 154 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 37 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 37% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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