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Color name
RGB 214 147 71

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 147 71 it is the complementary color RGB 41 108 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 147 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 147 71 shade: RGB 219 147 66, RGB 236 165 85, RGB 253 183 104, RGB 255 201 123 and RGB 255 219 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 147 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 147 71 shade: RGB 214 147 71, RGB 197 129 52, RGB 180 111 33, RGB 163 93 14 and RGB 146 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 147 71 shade: RGB 214 147 70, RGB 214 108 70 and RGB 214 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 147 71 shade: RGB 214 147 70, RGB 214 186 70, RGB 204 214 70, RGB 165 214 70 and RGB 126 214 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 147 71 shade matches the following richer shades: RGB 214 147 70, RGB 232 148 52 and RGB 250 149 34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 147 71 shade: RGB 214 147 70, RGB 196 146 89, RGB 178 145 107, RGB 160 143 125 and RGB 141 142 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 147 71 shade: RGB 214 70 73, RGB 214 106 70, RGB 214 145 70, RGB 214 183 70 and RGB 207 214 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 147 71 shade: RGB 166 105 36, RGB 200 127 43, RGB 214 147 70, RGB 222 167 104 and RGB 229 186 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 147 71 shade: RGB 214 147 71, RGB 111 214 70 and RGB 87 70 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 147 71 shade: RGB 214 147 71, RGB 70 214 145 and RGB 145 70 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 147 71 shade: RGB 214 147 71, RGB 111 214 70, RGB 70 140 214 and RGB 173 70 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 147 71 shade: RGB 214 147 71, RGB 70 214 73, RGB 70 140 214 and RGB 214 70 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 67 / 16

HEX #D69347

RGB 214 147 71

HSL 31.89, 0.64%, 0.56%

LAB 66.23, 18.08, 49.29

 

Complementary color

CMYK 78 / 41 / 0 / 28

HEX #296CB8

RGB 41 108 184

HSL 211.89, 0.64%, 0.44%

LAB 45.16, 6.15, -46.12

 

CMYK 0 / 33 / 70 / 14

HEX #DB9342

RGB 219 147 66

HSL 31.76, 0.68%, 0.56%

LAB 66.76, 19.91, 52.39

 

CMYK 0 / 30 / 64 / 7

HEX #ECA555

RGB 236 165 85

HSL 31.79, 0.8%, 0.63%

LAB 73.15, 18.5, 51.02

 

CMYK 0 / 28 / 59 / 1

HEX #FDB768

RGB 253 183 104

HSL 31.81, 0.97%, 0.7%

LAB 79.47, 17.26, 49.61

 

CMYK 0 / 21 / 52 / 0

HEX #FFC97B

RGB 255 201 123

HSL 35.45, 1%, 0.74%

LAB 84.21, 10.17, 46.01

 

CMYK 0 / 14 / 44 / 0

HEX #FFDB8E

RGB 255 219 142

HSL 40.88, 1%, 0.78%

LAB 88.86, 2.64, 42.4

 

CMYK 0 / 31 / 67 / 16

HEX #D69347

RGB 214 147 71

HSL 31.89, 0.64%, 0.56%

LAB 66.23, 18.08, 49.29

 

CMYK 0 / 35 / 74 / 23

HEX #C58134

RGB 197 129 52

HSL 31.86, 0.58%, 0.49%

LAB 59.72, 19.6, 50.6

 

CMYK 0 / 38 / 82 / 29

HEX #B46F21

RGB 180 111 33

HSL 31.84, 0.69%, 0.42%

LAB 53.15, 21.37, 51.53

 

CMYK 0 / 43 / 91 / 36

HEX #A35D0E

RGB 163 93 14

HSL 31.81, 0.84%, 0.35%

LAB 46.51, 23.42, 51.47

 

CMYK 0 / 49 / 100 / 43

HEX #924B00

RGB 146 75 0

HSL 30.82, 1%, 0.29%

LAB 39.82, 25.76, 49.46

 

CMYK 0 / 31 / 67 / 16

HEX #D69346

RGB 214 147 70

HSL 32.08, 0.64%, 0.56%

LAB 66.22, 18.02, 49.76

 

CMYK 0 / 50 / 67 / 16

HEX #D66C46

RGB 214 108 70

HSL 15.83, 0.64%, 0.56%

LAB 57.52, 38.71, 39.95

 

CMYK 0 / 67 / 67 / 16

HEX #D64646

RGB 214 70 70

HSL 0, 0.64%, 0.56%

LAB 50.83, 56.23, 31.98

 

CMYK 0 / 31 / 67 / 16

HEX #D69346

RGB 214 147 70

HSL 32.08, 0.64%, 0.56%

LAB 66.22, 18.02, 49.76

 

CMYK 0 / 13 / 67 / 16

HEX #D6BA46

RGB 214 186 70

HSL 48.33, 0.64%, 0.56%

LAB 75.98, -2.78, 60.18

 

CMYK 5 / 0 / 67 / 16

HEX #CCD646

RGB 204 214 70

HSL 64.17, 0.64%, 0.56%

LAB 82.58, -21.14, 66.66

 

CMYK 23 / 0 / 67 / 16

HEX #A5D646

RGB 165 214 70

HSL 80.42, 0.64%, 0.56%

LAB 79.92, -36.66, 63.09

 

CMYK 41 / 0 / 67 / 16

HEX #7ED646

RGB 126 214 70

HSL 96.67, 0.64%, 0.56%

LAB 77.86, -50.47, 60.31

 

CMYK 0 / 31 / 67 / 16

HEX #D69346

RGB 214 147 70

HSL 32.08, 0.64%, 0.56%

LAB 66.22, 18.02, 49.76

 

CMYK 0 / 36 / 78 / 9

HEX #E89434

RGB 232 148 52

HSL 32, 0.8%, 0.56%

LAB 68.45, 24.21, 60.62

 

CMYK 0 / 40 / 86 / 2

HEX #FA9522

RGB 250 149 34

HSL 31.94, 0.96%, 0.56%

LAB 70.83, 30.61, 69.78

 

CMYK 0 / 31 / 67 / 16

HEX #D69346

RGB 214 147 70

HSL 32.08, 0.64%, 0.56%

LAB 66.22, 18.02, 49.76

 

CMYK 0 / 26 / 55 / 23

HEX #C49259

RGB 196 146 89

HSL 31.96, 0.48%, 0.56%

LAB 64.17, 12.29, 37.31

 

CMYK 0 / 19 / 40 / 30

HEX #B2916B

RGB 178 145 107

HSL 32.11, 0.32%, 0.56%

LAB 62.32, 7.11, 24.84

 

CMYK 0 / 11 / 22 / 37

HEX #A08F7D

RGB 160 143 125

HSL 30.86, 0.16%, 0.56%

LAB 60.43, 3.35, 11.89

 

CMYK 1 / 1 / 0 / 44

HEX #8D8E8F

RGB 141 142 143

HSL 210, 0.01%, 0.56%

LAB 58.97, -0.17, -0.67

 

CMYK 0 / 67 / 66 / 16

HEX #D64649

RGB 214 70 73

HSL 358.75, 0.64%, 0.56%

LAB 50.87, 56.4, 30.29

 

CMYK 0 / 50 / 67 / 16

HEX #D66A46

RGB 214 106 70

HSL 15, 0.64%, 0.56%

LAB 57.12, 39.73, 39.48

 

CMYK 0 / 32 / 67 / 16

HEX #D69146

RGB 214 145 70

HSL 31.25, 0.64%, 0.56%

LAB 65.74, 19.1, 49.23

 

CMYK 0 / 14 / 67 / 16

HEX #D6B746

RGB 214 183 70

HSL 47.08, 0.64%, 0.56%

LAB 75.21, -1.22, 59.37

 

CMYK 3 / 0 / 67 / 16

HEX #CFD646

RGB 207 214 70

HSL 62.92, 0.64%, 0.56%

LAB 82.81, -19.9, 66.97

 

CMYK 0 / 37 / 78 / 35

HEX #A66924

RGB 166 105 36

HSL 31.85, 0.64%, 0.4%

LAB 49.9, 18.67, 46.61

 

CMYK 0 / 37 / 79 / 22

HEX #C87F2B

RGB 200 127 43

HSL 32.1, 0.65%, 0.48%

LAB 59.56, 21.6, 54.41

 

CMYK 0 / 31 / 67 / 16

HEX #D69346

RGB 214 147 70

HSL 32.08, 0.64%, 0.56%

LAB 66.22, 18.02, 49.76

 

CMYK 0 / 25 / 53 / 13

HEX #DEA768

RGB 222 167 104

HSL 32.03, 0.64%, 0.64%

LAB 72.34, 13.04, 40.21

 

CMYK 0 / 19 / 40 / 10

HEX #E5BA8A

RGB 229 186 138

HSL 31.65, 0.64%, 0.72%

LAB 78.23, 9.1, 30.17

 

CMYK 0 / 31 / 67 / 16

HEX #D69347

RGB 214 147 71

HSL 31.89, 0.64%, 0.56%

LAB 66.23, 18.08, 49.29

 

CMYK 48 / 0 / 67 / 16

HEX #6FD646

RGB 111 214 70

HSL 102.92, 0.64%, 0.56%

LAB 77.23, -55.08, 59.45

 

CMYK 59 / 67 / 0 / 16

HEX #5746D6

RGB 87 70 214

HSL 247.08, 0.64%, 0.56%

LAB 40.02, 47.04, -71.67

 

CMYK 0 / 31 / 67 / 16

HEX #D69347

RGB 214 147 71

HSL 31.89, 0.64%, 0.56%

LAB 66.23, 18.08, 49.29

 

CMYK 67 / 0 / 32 / 16

HEX #46D691

RGB 70 214 145

HSL 151.25, 0.64%, 0.56%

LAB 76.94, -53.94, 23.18

 

CMYK 32 / 67 / 0 / 16

HEX #9146D6

RGB 145 70 214

HSL 271.25, 0.64%, 0.56%

LAB 45.98, 57.43, -61.7

 

CMYK 0 / 31 / 67 / 16

HEX #D69347

RGB 214 147 71

HSL 31.89, 0.64%, 0.56%

LAB 66.23, 18.08, 49.29

 

CMYK 48 / 0 / 67 / 16

HEX #6FD646

RGB 111 214 70

HSL 102.92, 0.64%, 0.56%

LAB 77.23, -55.08, 59.45

 

CMYK 67 / 35 / 0 / 16

HEX #468CD6

RGB 70 140 214

HSL 210.83, 0.64%, 0.56%

LAB 56.99, 1.6, -44.4

 

CMYK 19 / 67 / 0 / 16

HEX #AD46D6

RGB 173 70 214

HSL 282.92, 0.64%, 0.56%

LAB 49.64, 63.3, -55.62

 

CMYK 0 / 31 / 67 / 16

HEX #D69347

RGB 214 147 71

HSL 31.89, 0.64%, 0.56%

LAB 66.23, 18.08, 49.29

 

CMYK 67 / 0 / 66 / 16

HEX #46D649

RGB 70 214 73

HSL 121.25, 0.64%, 0.56%

LAB 75.99, -64.72, 56.55

 

CMYK 67 / 35 / 0 / 16

HEX #468CD6

RGB 70 140 214

HSL 210.83, 0.64%, 0.56%

LAB 56.99, 1.6, -44.4

 

CMYK 0 / 67 / 1 / 16

HEX #D646D4

RGB 214 70 212

HSL 300.83, 0.64%, 0.56%

LAB 55.51, 72.01, -44.76

 

Description

Color code: RGB 214 147 71 | qconv.com Color code: RGB 214 147 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 147 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 147 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 67% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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