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Color name
RGB 214 122 14

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 122 14 it is the complementary color RGB 41 133 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 122 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 122 14 shade: RGB 219 122 9, RGB 236 140 28, RGB 253 158 47, RGB 255 176 66 and RGB 255 194 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 122 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 122 14 shade: RGB 214 122 14, RGB 197 104 0, RGB 180 86 0, RGB 163 68 0 and RGB 146 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 122 14 shade: RGB 215 122 13, RGB 215 68 13, RGB 215 13 13 and RGB 215 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 122 14 shade: RGB 215 122 13, RGB 215 177 13, RGB 199 215 13, RGB 145 215 13 and RGB 90 215 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 122 14 shade matches the following richer shades: RGB 215 122 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 122 14 shade: RGB 215 122 13, RGB 197 121 32, RGB 178 119 50, RGB 160 118 69 and RGB 141 116 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 122 14 shade: RGB 215 13 13, RGB 215 67 13, RGB 215 121 13, RGB 215 175 13 and RGB 202 215 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 122 14 shade: RGB 138 78 8, RGB 176 100 11, RGB 215 122 13, RGB 240 143 30 and RGB 243 162 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 122 14 shade: RGB 214 122 14, RGB 67 215 13 and RGB 40 13 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 122 14 shade: RGB 214 122 14, RGB 13 215 121 and RGB 121 13 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 122 14 shade: RGB 214 122 14, RGB 67 215 13, RGB 13 108 215 and RGB 161 13 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 122 14 shade: RGB 214 122 14, RGB 13 215 20, RGB 13 108 215 and RGB 215 13 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 93 / 16

HEX #D67A0E

RGB 214 122 14

HSL 32.4, 0.88%, 0.45%

LAB 60.11, 29.53, 64.55

 

Complementary color

CMYK 83 / 45 / 0 / 5

HEX #2985F1

RGB 41 133 241

HSL 212.4, 0.88%, 0.55%

LAB 55.68, 12.15, -61.6

 

CMYK 0 / 44 / 96 / 14

HEX #DB7A09

RGB 219 122 9

HSL 32.29, 0.92%, 0.45%

LAB 60.78, 31.56, 66.19

 

CMYK 0 / 41 / 88 / 7

HEX #EC8C1C

RGB 236 140 28

HSL 32.31, 0.85%, 0.52%

LAB 67.03, 29.42, 67.69

 

CMYK 0 / 38 / 81 / 1

HEX #FD9E2F

RGB 253 158 47

HSL 32.33, 0.98%, 0.59%

LAB 73.25, 27.5, 67.82

 

CMYK 0 / 31 / 74 / 0

HEX #FFB042

RGB 255 176 66

HSL 34.92, 1%, 0.63%

LAB 77.7, 19.61, 64.91

 

CMYK 0 / 24 / 67 / 0

HEX #FFC255

RGB 255 194 85

HSL 38.47, 1%, 0.67%

LAB 82.11, 11.15, 61.47

 

CMYK 0 / 43 / 93 / 16

HEX #D67A0E

RGB 214 122 14

HSL 32.4, 0.88%, 0.45%

LAB 60.11, 29.53, 64.55

 

CMYK 0 / 47 / 100 / 23

HEX #C56800

RGB 197 104 0

HSL 31.68, 1%, 0.39%

LAB 53.78, 31.81, 61.8

 

CMYK 0 / 52 / 100 / 29

HEX #B45600

RGB 180 86 0

HSL 28.67, 1%, 0.35%

LAB 47.44, 34.24, 56.7

 

CMYK 0 / 58 / 100 / 36

HEX #A34400

RGB 163 68 0

HSL 25.03, 1%, 0.32%

LAB 41.09, 36.58, 51.62

 

CMYK 0 / 66 / 100 / 43

HEX #923200

RGB 146 50 0

HSL 20.55, 1%, 0.29%

LAB 34.79, 38.67, 46.6

 

CMYK 0 / 43 / 94 / 16

HEX #D77A0D

RGB 215 122 13

HSL 32.38, 0.89%, 0.45%

LAB 60.24, 29.94, 64.89

 

CMYK 0 / 68 / 94 / 16

HEX #D7440D

RGB 215 68 13

HSL 16.34, 0.89%, 0.45%

LAB 50.23, 55.59, 58.24

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 43 / 94 / 16

HEX #D77A0D

RGB 215 122 13

HSL 32.38, 0.89%, 0.45%

LAB 60.24, 29.94, 64.89

 

CMYK 0 / 18 / 94 / 16

HEX #D7B10D

RGB 215 177 13

HSL 48.71, 0.89%, 0.45%

LAB 73.49, 0.51, 74.43

 

CMYK 7 / 0 / 94 / 16

HEX #C7D70D

RGB 199 215 13

HSL 64.75, 0.89%, 0.45%

LAB 82.26, -25.55, 80.44

 

CMYK 33 / 0 / 94 / 16

HEX #91D70D

RGB 145 215 13

HSL 80.79, 0.89%, 0.45%

LAB 78.84, -46.86, 76.3

 

CMYK 58 / 0 / 94 / 16

HEX #5AD70D

RGB 90 215 13

HSL 97.13, 0.89%, 0.45%

LAB 76.56, -63.95, 73.51

 

CMYK 0 / 43 / 94 / 16

HEX #D77A0D

RGB 215 122 13

HSL 32.38, 0.89%, 0.45%

LAB 60.24, 29.94, 64.89

 

CMYK 0 / 43 / 94 / 16

HEX #D77A0D

RGB 215 122 13

HSL 32.38, 0.89%, 0.45%

LAB 60.24, 29.94, 64.89

 

CMYK 0 / 39 / 84 / 23

HEX #C57920

RGB 197 121 32

HSL 32.36, 0.72%, 0.45%

LAB 57.7, 23.22, 56.77

 

CMYK 0 / 33 / 72 / 30

HEX #B27732

RGB 178 119 50

HSL 32.34, 0.56%, 0.45%

LAB 54.96, 16.77, 45.86

 

CMYK 0 / 26 / 57 / 37

HEX #A07645

RGB 160 118 69

HSL 32.31, 0.4%, 0.45%

LAB 52.8, 10.69, 33.16

 

CMYK 0 / 18 / 38 / 45

HEX #8D7458

RGB 141 116 88

HSL 31.7, 0.23%, 0.45%

LAB 50.52, 5.58, 19.14

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 69 / 94 / 16

HEX #D7430D

RGB 215 67 13

HSL 16.04, 0.89%, 0.45%

LAB 50.09, 55.97, 58.15

 

CMYK 0 / 44 / 94 / 16

HEX #D7790D

RGB 215 121 13

HSL 32.08, 0.89%, 0.45%

LAB 60.02, 30.46, 64.74

 

CMYK 0 / 19 / 94 / 16

HEX #D7AF0D

RGB 215 175 13

HSL 48.12, 0.89%, 0.45%

LAB 72.98, 1.56, 74.05

 

CMYK 6 / 0 / 94 / 16

HEX #CAD70D

RGB 202 215 13

HSL 63.86, 0.89%, 0.45%

LAB 82.48, -24.3, 80.71

 

CMYK 0 / 43 / 94 / 46

HEX #8A4E08

RGB 138 78 8

HSL 32.31, 0.89%, 0.29%

LAB 39.36, 20.63, 46.16

 

CMYK 0 / 43 / 94 / 31

HEX #B0640B

RGB 176 100 11

HSL 32.36, 0.88%, 0.37%

LAB 49.94, 25.18, 55.55

 

CMYK 0 / 43 / 94 / 16

HEX #D77A0D

RGB 215 122 13

HSL 32.38, 0.89%, 0.45%

LAB 60.24, 29.94, 64.89

 

CMYK 0 / 40 / 88 / 6

HEX #F08F1E

RGB 240 143 30

HSL 32.29, 0.88%, 0.53%

LAB 68.21, 29.55, 68.3

 

CMYK 0 / 33 / 72 / 5

HEX #F3A244

RGB 243 162 68

HSL 32.23, 0.88%, 0.61%

LAB 73.1, 22.06, 58.99

 

CMYK 0 / 43 / 93 / 16

HEX #D67A0E

RGB 214 122 14

HSL 32.4, 0.88%, 0.45%

LAB 60.11, 29.53, 64.55

 

CMYK 69 / 0 / 94 / 16

HEX #43D70D

RGB 67 215 13

HSL 103.96, 0.89%, 0.45%

LAB 75.96, -68.97, 72.77

 

CMYK 81 / 94 / 0 / 16

HEX #280DD7

RGB 40 13 215

HSL 248.02, 0.89%, 0.45%

LAB 28.5, 67.68, -91.4

 

CMYK 0 / 43 / 93 / 16

HEX #D67A0E

RGB 214 122 14

HSL 32.4, 0.88%, 0.45%

LAB 60.11, 29.53, 64.55

 

CMYK 94 / 0 / 44 / 16

HEX #0DD779

RGB 13 215 121

HSL 152.08, 0.89%, 0.45%

LAB 76.11, -64.66, 34.28

 

CMYK 44 / 94 / 0 / 16

HEX #790DD7

RGB 121 13 215

HSL 272.08, 0.89%, 0.45%

LAB 36.48, 72.65, -77.93

 

CMYK 0 / 43 / 93 / 16

HEX #D67A0E

RGB 214 122 14

HSL 32.4, 0.88%, 0.45%

LAB 60.11, 29.53, 64.55

 

CMYK 69 / 0 / 94 / 16

HEX #43D70D

RGB 67 215 13

HSL 103.96, 0.89%, 0.45%

LAB 75.96, -68.97, 72.77

 

CMYK 94 / 50 / 0 / 16

HEX #0D6CD7

RGB 13 108 215

HSL 211.78, 0.89%, 0.45%

LAB 46.6, 16.2, -61.66

 

CMYK 25 / 94 / 0 / 16

HEX #A10DD7

RGB 161 13 215

HSL 283.96, 0.89%, 0.45%

LAB 42.42, 77.32, -67.97

 

CMYK 0 / 43 / 93 / 16

HEX #D67A0E

RGB 214 122 14

HSL 32.4, 0.88%, 0.45%

LAB 60.11, 29.53, 64.55

 

CMYK 94 / 0 / 91 / 16

HEX #0DD714

RGB 13 215 20

HSL 122.08, 0.89%, 0.45%

LAB 75.29, -74.87, 71.01

 

CMYK 94 / 50 / 0 / 16

HEX #0D6CD7

RGB 13 108 215

HSL 211.78, 0.89%, 0.45%

LAB 46.6, 16.2, -61.66

 

CMYK 0 / 94 / 3 / 16

HEX #D70DD0

RGB 215 13 208

HSL 302.08, 0.89%, 0.45%

LAB 51.02, 84.4, -49.6

 

Description

Color code: RGB 214 122 14 | qconv.com Color code: RGB 214 122 14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 122 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 122 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 93% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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