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Color name
RGB 214 120 247

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 120 247 it is the complementary color RGB 41 135 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 120 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 120 247 shade: RGB 219 120 242, RGB 236 138 255, RGB 253 156 255, RGB 255 174 255 and RGB 255 192 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 120 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 120 247 shade: RGB 214 120 247, RGB 197 102 228, RGB 180 84 209, RGB 163 66 190 and RGB 146 48 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 120 247 shade: RGB 214 120 247, RGB 247 120 245, RGB 247 120 211, RGB 247 120 177 and RGB 247 120 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 120 247 shade: RGB 214 120 247, RGB 179 120 247, RGB 145 120 247 and RGB 120 120 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 120 247 shade matches the following richer shades: RGB 214 120 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 120 247 shade: RGB 214 120 247, RGB 208 131 235, RGB 203 143 224, RGB 197 154 212 and RGB 191 166 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 120 247 shade: RGB 145 120 247, RGB 179 120 247, RGB 213 120 247, RGB 247 120 247 and RGB 247 120 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 120 247 shade: RGB 190 42 242, RGB 202 81 244, RGB 214 120 247, RGB 225 159 249 and RGB 237 198 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 120 247 shade: RGB 214 120 247, RGB 247 120 128 and RGB 120 247 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 120 247 shade: RGB 214 120 247, RGB 247 213 120 and RGB 120 247 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 120 247 shade: RGB 214 120 247, RGB 247 120 128, RGB 153 247 120 and RGB 120 247 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 120 247 shade: RGB 214 120 247, RGB 247 149 120, RGB 153 247 120 and RGB 120 217 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

Complementary color

CMYK 70 / 0 / 94 / 47

HEX #298708

RGB 41 135 8

HSL 104.41, 0.89%, 0.28%

LAB 49.27, -48.32, 51.07

 

CMYK 10 / 50 / 0 / 5

HEX #DB78F2

RGB 219 120 242

HSL 288.69, 0.82%, 0.71%

LAB 65.67, 56.78, -45.48

 

CMYK 7 / 46 / 0 / 0

HEX #EC8AFF

RGB 236 138 255

HSL 290.26, 1%, 0.77%

LAB 71.71, 54.94, -42.99

 

CMYK 1 / 39 / 0 / 0

HEX #FD9CFF

RGB 253 156 255

HSL 298.79, 1%, 0.81%

LAB 77.21, 50.73, -34.29

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

CMYK 14 / 55 / 0 / 11

HEX #C566E4

RGB 197 102 228

HSL 285.24, 0.7%, 0.65%

LAB 58.95, 57.11, -48.5

 

CMYK 14 / 60 / 0 / 18

HEX #B454D1

RGB 180 84 209

HSL 286.08, 0.58%, 0.57%

LAB 52.56, 57.67, -48.04

 

CMYK 14 / 65 / 0 / 25

HEX #A342BE

RGB 163 66 190

HSL 286.94, 0.49%, 0.5%

LAB 46.18, 58, -47.4

 

CMYK 15 / 72 / 0 / 33

HEX #9230AB

RGB 146 48 171

HSL 287.8, 0.56%, 0.43%

LAB 39.86, 57.92, -46.47

 

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

CMYK 0 / 51 / 1 / 3

HEX #F778F5

RGB 247 120 245

HSL 300.94, 0.89%, 0.72%

LAB 69.33, 64.81, -41.15

 

CMYK 0 / 51 / 15 / 3

HEX #F778D3

RGB 247 120 211

HSL 317.01, 0.89%, 0.72%

LAB 67.95, 59.36, -24.47

 

CMYK 0 / 51 / 28 / 3

HEX #F778B1

RGB 247 120 177

HSL 333.07, 0.89%, 0.72%

LAB 66.81, 54.63, -7.1

 

CMYK 0 / 51 / 42 / 3

HEX #F7788F

RGB 247 120 143

HSL 349.13, 0.89%, 0.72%

LAB 65.9, 50.71, 10.85

 

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

CMYK 28 / 51 / 0 / 3

HEX #B378F7

RGB 179 120 247

HSL 267.87, 0.89%, 0.72%

LAB 61.42, 47.41, -55.26

 

CMYK 41 / 51 / 0 / 3

HEX #9178F7

RGB 145 120 247

HSL 251.81, 0.89%, 0.72%

LAB 58.2, 39.19, -60.6

 

CMYK 51 / 51 / 0 / 3

HEX #7878F7

RGB 120 120 247

HSL 240, 0.89%, 0.72%

LAB 56.23, 33.77, -63.86

 

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

CMYK 11 / 44 / 0 / 8

HEX #D083EB

RGB 208 131 235

HSL 284.42, 0.72%, 0.72%

LAB 66.24, 46.75, -40.82

 

CMYK 9 / 36 / 0 / 12

HEX #CB8FE0

RGB 203 143 224

HSL 284.44, 0.57%, 0.72%

LAB 67.82, 36.63, -32.34

 

CMYK 7 / 27 / 0 / 17

HEX #C59AD4

RGB 197 154 212

HSL 284.48, 0.4%, 0.72%

LAB 69.28, 26.29, -23.51

 

CMYK 5 / 17 / 0 / 22

HEX #BFA6C8

RGB 191 166 200

HSL 284.12, 0.24%, 0.72%

LAB 71.23, 15.29, -13.99

 

CMYK 41 / 51 / 0 / 3

HEX #9178F7

RGB 145 120 247

HSL 251.81, 0.89%, 0.72%

LAB 58.2, 39.19, -60.6

 

CMYK 28 / 51 / 0 / 3

HEX #B378F7

RGB 179 120 247

HSL 267.87, 0.89%, 0.72%

LAB 61.42, 47.41, -55.26

 

CMYK 14 / 51 / 0 / 3

HEX #D578F7

RGB 213 120 247

HSL 283.94, 0.89%, 0.72%

LAB 65.2, 56.17, -49.04

 

CMYK 0 / 51 / 0 / 3

HEX #F778F7

RGB 247 120 247

HSL 300, 0.89%, 0.72%

LAB 69.41, 65.15, -42.11

 

CMYK 0 / 51 / 14 / 3

HEX #F778D5

RGB 247 120 213

HSL 316.06, 0.89%, 0.72%

LAB 68.03, 59.66, -25.47

 

CMYK 21 / 83 / 0 / 5

HEX #BE2AF2

RGB 190 42 242

HSL 284.4, 0.88%, 0.56%

LAB 50.7, 81.12, -69.63

 

CMYK 17 / 67 / 0 / 4

HEX #CA51F4

RGB 202 81 244

HSL 284.54, 0.88%, 0.64%

LAB 57.05, 70.83, -60.43

 

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

CMYK 10 / 36 / 0 / 2

HEX #E19FF9

RGB 225 159 249

HSL 284, 0.88%, 0.8%

LAB 74.6, 39.71, -35.32

 

CMYK 6 / 21 / 0 / 2

HEX #EDC6FB

RGB 237 198 251

HSL 284.15, 0.87%, 0.88%

LAB 84.67, 23, -20.88

 

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

CMYK 0 / 51 / 48 / 3

HEX #F77880

RGB 247 120 128

HSL 356.22, 0.89%, 0.72%

LAB 65.57, 49.26, 18.9

 

CMYK 51 / 0 / 34 / 3

HEX #78F7A2

RGB 120 247 162

HSL 139.84, 0.89%, 0.72%

LAB 88.51, -53.6, 30.34

 

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

CMYK 0 / 14 / 51 / 3

HEX #F7D578

RGB 247 213 120

HSL 43.94, 0.89%, 0.72%

LAB 86.36, 0.51, 49.95

 

CMYK 51 / 0 / 14 / 3

HEX #78F7D5

RGB 120 247 213

HSL 163.94, 0.89%, 0.72%

LAB 89.54, -43.34, 5.58

 

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

CMYK 0 / 51 / 48 / 3

HEX #F77880

RGB 247 120 128

HSL 356.22, 0.89%, 0.72%

LAB 65.57, 49.26, 18.9

 

CMYK 38 / 0 / 51 / 3

HEX #99F778

RGB 153 247 120

HSL 104.41, 0.89%, 0.72%

LAB 89.23, -50.52, 51.94

 

CMYK 51 / 0 / 4 / 3

HEX #78F7EE

RGB 120 247 238

HSL 175.75, 0.89%, 0.72%

LAB 90.18, -37.4, -6.5

 

CMYK 13 / 51 / 0 / 3

HEX #D678F7

RGB 214 120 247

HSL 284.41, 0.89%, 0.72%

LAB 65.31, 56.44, -48.84

 

CMYK 0 / 40 / 51 / 3

HEX #F79578

RGB 247 149 120

HSL 13.7, 0.89%, 0.72%

LAB 71.3, 33.94, 31.01

 

CMYK 38 / 0 / 51 / 3

HEX #99F778

RGB 153 247 120

HSL 104.41, 0.89%, 0.72%

LAB 89.23, -50.52, 51.94

 

CMYK 51 / 12 / 0 / 3

HEX #78D9F7

RGB 120 217 247

HSL 194.17, 0.89%, 0.72%

LAB 82.02, -20.64, -23.47

 

Description

Color code: RGB 214 120 247 | qconv.com Color code: RGB 214 120 247 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 120 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 120 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 51 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 51% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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