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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 9 217 it is the complementary color RGB 42 246 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 9 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 9 217 shade: RGB 218 9 212, RGB 235 27 231, RGB 252 45 250, RGB 255 63 255 and RGB 255 81 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 9 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 9 217 shade: RGB 213 9 217, RGB 196 0 198, RGB 179 0 179, RGB 162 0 160 and RGB 145 0 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 9 217 shade: RGB 211 8 215, RGB 215 8 163, RGB 215 8 108, RGB 215 8 52 and RGB 215 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 9 217 shade: RGB 211 8 215, RGB 155 8 215, RGB 100 8 215, RGB 44 8 215 and RGB 8 8 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 9 217 shade matches the following richer shades: RGB 211 8 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 9 217 shade: RGB 211 8 215, RGB 194 27 197, RGB 176 45 179, RGB 159 63 160 and RGB 141 81 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 9 217 shade: RGB 98 8 215, RGB 153 8 215, RGB 208 8 215, RGB 215 8 167 and RGB 215 8 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 9 217 shade: RGB 133 5 136, RGB 172 7 175, RGB 211 8 215, RGB 240 20 245 and RGB 243 60 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 9 217 shade: RGB 213 9 217, RGB 215 43 8 and RGB 8 215 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 9 217 shade: RGB 213 9 217, RGB 215 208 8 and RGB 8 215 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 9 217 shade: RGB 213 9 217, RGB 215 43 8, RGB 15 215 8 and RGB 8 181 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 9 217 shade: RGB 213 9 217, RGB 215 105 8, RGB 15 215 8 and RGB 8 119 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 96 / 0 / 15

HEX #D509D9

RGB 213 9 217

HSL 298.85, 0.92%, 0.44%

LAB 51.1, 85.68, -54.66

 

Complementary color

CMYK 83 / 0 / 85 / 4

HEX #2AF626

RGB 42 246 38

HSL 118.85, 0.92%, 0.56%

LAB 85.27, -80.68, 76.45

 

CMYK 0 / 96 / 3 / 15

HEX #DA09D4

RGB 218 9 212

HSL 301.72, 0.92%, 0.45%

LAB 51.67, 85.78, -50.83

 

CMYK 0 / 89 / 2 / 8

HEX #EB1BE7

RGB 235 27 231

HSL 301.15, 0.84%, 0.51%

LAB 56.3, 89.48, -54.06

 

CMYK 0 / 82 / 1 / 1

HEX #FC2DFA

RGB 252 45 250

HSL 300.58, 0.97%, 0.58%

LAB 61.2, 92.17, -56.7

 

CMYK 0 / 75 / 0 / 0

HEX #FF3FFF

RGB 255 63 255

HSL 300, 1%, 0.62%

LAB 63.37, 89.33, -55.97

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 2 / 96 / 0 / 15

HEX #D509D9

RGB 213 9 217

HSL 298.85, 0.92%, 0.44%

LAB 51.1, 85.68, -54.66

 

CMYK 1 / 100 / 0 / 22

HEX #C400C6

RGB 196 0 198

HSL 299.39, 1%, 0.39%

LAB 46.73, 80.89, -50.88

 

CMYK 0 / 100 / 0 / 30

HEX #B300B3

RGB 179 0 179

HSL 300, 1%, 0.35%

LAB 42.52, 75.34, -46.65

 

CMYK 0 / 100 / 1 / 36

HEX #A200A0

RGB 162 0 160

HSL 300.74, 1%, 0.32%

LAB 38.23, 69.68, -42.33

 

CMYK 0 / 100 / 3 / 43

HEX #91008D

RGB 145 0 141

HSL 301.66, 1%, 0.28%

LAB 33.86, 63.91, -37.89

 

CMYK 2 / 96 / 0 / 16

HEX #D308D7

RGB 211 8 215

HSL 298.84, 0.93%, 0.44%

LAB 50.6, 85.15, -54.32

 

CMYK 0 / 96 / 24 / 16

HEX #D708A3

RGB 215 8 163

HSL 315.07, 0.93%, 0.44%

LAB 48.59, 79.02, -27.13

 

CMYK 0 / 96 / 50 / 16

HEX #D7086C

RGB 215 8 108

HSL 331.01, 0.93%, 0.44%

LAB 46.58, 73.74, 3.26

 

CMYK 0 / 96 / 76 / 16

HEX #D70834

RGB 215 8 52

HSL 347.25, 0.93%, 0.44%

LAB 45.45, 70.68, 36.28

 

CMYK 0 / 96 / 96 / 16

HEX #D70808

RGB 215 8 8

HSL 0, 0.93%, 0.44%

LAB 45.13, 69.79, 56.71

 

CMYK 2 / 96 / 0 / 16

HEX #D308D7

RGB 211 8 215

HSL 298.84, 0.93%, 0.44%

LAB 50.6, 85.15, -54.32

 

CMYK 28 / 96 / 0 / 16

HEX #9B08D7

RGB 155 8 215

HSL 282.61, 0.93%, 0.44%

LAB 41.29, 77.08, -69.84

 

CMYK 53 / 96 / 0 / 16

HEX #6408D7

RGB 100 8 215

HSL 266.67, 0.93%, 0.44%

LAB 33.54, 71.5, -82.87

 

CMYK 80 / 96 / 0 / 16

HEX #2C08D7

RGB 44 8 215

HSL 250.43, 0.93%, 0.44%

LAB 28.42, 68.71, -91.53

 

CMYK 96 / 96 / 0 / 16

HEX #0808D7

RGB 8 8 215

HSL 240, 0.93%, 0.44%

LAB 27.11, 68.14, -93.76

 

CMYK 2 / 96 / 0 / 16

HEX #D308D7

RGB 211 8 215

HSL 298.84, 0.93%, 0.44%

LAB 50.6, 85.15, -54.32

 

CMYK 2 / 96 / 0 / 16

HEX #D308D7

RGB 211 8 215

HSL 298.84, 0.93%, 0.44%

LAB 50.6, 85.15, -54.32

 

CMYK 2 / 86 / 0 / 23

HEX #C21BC5

RGB 194 27 197

HSL 298.94, 0.76%, 0.44%

LAB 47.35, 77.38, -49.33

 

CMYK 2 / 75 / 0 / 30

HEX #B02DB3

RGB 176 45 179

HSL 298.66, 0.6%, 0.44%

LAB 44.75, 66.76, -43.12

 

CMYK 1 / 61 / 0 / 37

HEX #9F3FA0

RGB 159 63 160

HSL 299.38, 0.43%, 0.44%

LAB 43.45, 52.67, -34.07

 

CMYK 1 / 43 / 0 / 44

HEX #8D518E

RGB 141 81 142

HSL 299.02, 0.27%, 0.44%

LAB 43.51, 34.87, -23.37

 

CMYK 54 / 96 / 0 / 16

HEX #6208D7

RGB 98 8 215

HSL 266.09, 0.93%, 0.44%

LAB 33.3, 71.35, -83.28

 

CMYK 29 / 96 / 0 / 16

HEX #9908D7

RGB 153 8 215

HSL 282.03, 0.93%, 0.44%

LAB 40.98, 76.83, -70.36

 

CMYK 3 / 96 / 0 / 16

HEX #D008D7

RGB 208 8 215

HSL 297.97, 0.93%, 0.44%

LAB 50.08, 84.67, -55.18

 

CMYK 0 / 96 / 22 / 16

HEX #D708A7

RGB 215 8 167

HSL 313.91, 0.93%, 0.44%

LAB 48.77, 79.48, -29.22

 

CMYK 0 / 96 / 48 / 16

HEX #D70870

RGB 215 8 112

HSL 329.86, 0.93%, 0.44%

LAB 46.7, 74.05, 0.96

 

CMYK 2 / 96 / 0 / 47

HEX #850588

RGB 133 5 136

HSL 298.63, 0.93%, 0.28%

LAB 31.52, 60.32, -38.68

 

CMYK 2 / 96 / 0 / 31

HEX #AC07AF

RGB 172 7 175

HSL 298.93, 0.92%, 0.36%

LAB 41.24, 72.88, -46.39

 

CMYK 2 / 96 / 0 / 16

HEX #D308D7

RGB 211 8 215

HSL 298.84, 0.93%, 0.44%

LAB 50.6, 85.15, -54.32

 

CMYK 2 / 92 / 0 / 4

HEX #F014F5

RGB 240 20 245

HSL 298.67, 0.92%, 0.52%

LAB 57.67, 93.12, -59.67

 

CMYK 1 / 76 / 0 / 4

HEX #F33CF6

RGB 243 60 246

HSL 299.03, 0.91%, 0.6%

LAB 60.73, 86.46, -55.31

 

CMYK 2 / 96 / 0 / 15

HEX #D509D9

RGB 213 9 217

HSL 298.85, 0.92%, 0.44%

LAB 51.1, 85.68, -54.66

 

CMYK 0 / 80 / 96 / 16

HEX #D72B08

RGB 215 43 8

HSL 10.14, 0.93%, 0.44%

LAB 47.23, 63.82, 57.78

 

CMYK 96 / 0 / 42 / 16

HEX #08D77D

RGB 8 215 125

HSL 153.91, 0.93%, 0.44%

LAB 76.15, -64.11, 32.31

 

CMYK 2 / 96 / 0 / 15

HEX #D509D9

RGB 213 9 217

HSL 298.85, 0.92%, 0.44%

LAB 51.1, 85.68, -54.66

 

CMYK 0 / 3 / 96 / 16

HEX #D7D008

RGB 215 208 8

HSL 57.97, 0.93%, 0.44%

LAB 81.61, -15.42, 80.97

 

CMYK 96 / 0 / 3 / 16

HEX #08D7D0

RGB 8 215 208

HSL 177.97, 0.93%, 0.44%

LAB 78, -44.11, -8.94

 

CMYK 2 / 96 / 0 / 15

HEX #D509D9

RGB 213 9 217

HSL 298.85, 0.92%, 0.44%

LAB 51.1, 85.68, -54.66

 

CMYK 0 / 80 / 96 / 16

HEX #D72B08

RGB 215 43 8

HSL 10.14, 0.93%, 0.44%

LAB 47.23, 63.82, 57.78

 

CMYK 93 / 0 / 96 / 16

HEX #0FD708

RGB 15 215 8

HSL 117.97, 0.93%, 0.44%

LAB 75.28, -75.05, 72.44

 

CMYK 96 / 16 / 0 / 16

HEX #08B5D7

RGB 8 181 215

HSL 189.86, 0.93%, 0.44%

LAB 68.02, -26, -27.83

 

CMYK 2 / 96 / 0 / 15

HEX #D509D9

RGB 213 9 217

HSL 298.85, 0.92%, 0.44%

LAB 51.1, 85.68, -54.66

 

CMYK 0 / 51 / 96 / 16

HEX #D76908

RGB 215 105 8

HSL 28.12, 0.93%, 0.44%

LAB 56.65, 38.69, 63.37

 

CMYK 93 / 0 / 96 / 16

HEX #0FD708

RGB 15 215 8

HSL 117.97, 0.93%, 0.44%

LAB 75.28, -75.05, 72.44

 

CMYK 96 / 45 / 0 / 16

HEX #0877D7

RGB 8 119 215

HSL 207.83, 0.93%, 0.44%

LAB 49.68, 9.06, -56.7

 

Description

Color code: RGB 213 9 217 | qconv.com Color code: RGB 213 9 217 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 9 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 9 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 96 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 96% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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