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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 67 194 it is the complementary color RGB 42 188 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 67 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 67 194 shade: RGB 218 67 189, RGB 235 85 208, RGB 252 103 227, RGB 255 121 246 and RGB 255 139 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 67 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 67 194 shade: RGB 213 67 194, RGB 196 49 175, RGB 179 31 156, RGB 162 13 137 and RGB 145 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 67 194 shade: RGB 212 67 193, RGB 212 67 154, RGB 212 67 115, RGB 212 67 76 and RGB 212 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 67 194 shade: RGB 212 67 193, RGB 192 67 212, RGB 153 67 212, RGB 114 67 212 and RGB 75 67 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 67 194 shade matches the following richer shades: RGB 212 67 193, RGB 231 49 207 and RGB 249 30 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 67 194 shade: RGB 212 67 193, RGB 193 86 179, RGB 175 105 166, RGB 156 123 152 and RGB 138 142 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 67 194 shade: RGB 152 67 212, RGB 190 67 212, RGB 212 67 195, RGB 212 67 157 and RGB 212 67 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 67 194 shade: RGB 161 36 145, RGB 194 44 175, RGB 212 67 193, RGB 220 101 204 and RGB 227 135 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 67 194 shade: RGB 213 67 194, RGB 212 113 67 and RGB 67 212 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 67 194 shade: RGB 213 67 194, RGB 195 212 67 and RGB 67 195 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 67 194 shade: RGB 213 67 194, RGB 212 113 67, RGB 67 212 84 and RGB 67 166 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 67 194 shade: RGB 213 67 194, RGB 212 157 67, RGB 67 212 84 and RGB 67 123 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 9 / 16

HEX #D543C2

RGB 213 67 194

HSL 307.81, 0.63%, 0.55%

LAB 54.09, 70.04, -36.72

 

Complementary color

CMYK 78 / 0 / 68 / 26

HEX #2ABC3D

RGB 42 188 61

HSL 127.81, 0.63%, 0.45%

LAB 67.12, -61.99, 51.68

 

CMYK 0 / 69 / 13 / 15

HEX #DA43BD

RGB 218 67 189

HSL 311.52, 0.67%, 0.56%

LAB 54.65, 70.49, -32.89

 

CMYK 0 / 64 / 11 / 8

HEX #EB55D0

RGB 235 85 208

HSL 310.8, 0.79%, 0.63%

LAB 60.53, 70.77, -34.39

 

CMYK 0 / 59 / 10 / 1

HEX #FC67E3

RGB 252 103 227

HSL 310.07, 0.96%, 0.7%

LAB 66.48, 70.69, -35.61

 

CMYK 0 / 53 / 4 / 0

HEX #FF79F6

RGB 255 121 246

HSL 304.03, 1%, 0.74%

LAB 70.59, 66.65, -39.66

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 69 / 9 / 16

HEX #D543C2

RGB 213 67 194

HSL 307.81, 0.63%, 0.55%

LAB 54.09, 70.04, -36.72

 

CMYK 0 / 75 / 11 / 23

HEX #C431AF

RGB 196 49 175

HSL 308.57, 0.6%, 0.48%

LAB 48.29, 69.25, -34.94

 

CMYK 0 / 83 / 13 / 30

HEX #B31F9C

RGB 179 31 156

HSL 309.32, 0.7%, 0.41%

LAB 42.71, 67.65, -32.62

 

CMYK 0 / 92 / 15 / 36

HEX #A20D89

RGB 162 13 137

HSL 310.07, 0.85%, 0.34%

LAB 37.44, 64.87, -29.55

 

CMYK 0 / 100 / 19 / 43

HEX #910076

RGB 145 0 118

HSL 311.17, 1%, 0.28%

LAB 32.54, 60.65, -25.6

 

CMYK 0 / 68 / 9 / 17

HEX #D443C1

RGB 212 67 193

HSL 307.86, 0.63%, 0.55%

LAB 53.88, 69.65, -36.47

 

CMYK 0 / 68 / 27 / 17

HEX #D4439A

RGB 212 67 154

HSL 324, 0.63%, 0.55%

LAB 52.22, 64.28, -16.24

 

CMYK 0 / 68 / 46 / 17

HEX #D44373

RGB 212 67 115

HSL 340.14, 0.63%, 0.55%

LAB 50.98, 60.05, 5.24

 

CMYK 0 / 68 / 64 / 17

HEX #D4434C

RGB 212 67 76

HSL 356.28, 0.63%, 0.55%

LAB 50.14, 57.1, 27.53

 

CMYK 0 / 68 / 68 / 17

HEX #D44343

RGB 212 67 67

HSL 0, 0.63%, 0.55%

LAB 50, 56.61, 32.63

 

CMYK 0 / 68 / 9 / 17

HEX #D443C1

RGB 212 67 193

HSL 307.86, 0.63%, 0.55%

LAB 53.88, 69.65, -36.47

 

CMYK 9 / 68 / 0 / 17

HEX #C043D4

RGB 192 67 212

HSL 291.72, 0.63%, 0.55%

LAB 51.81, 68.24, -50.85

 

CMYK 28 / 68 / 0 / 17

HEX #9943D4

RGB 153 67 212

HSL 275.59, 0.63%, 0.55%

LAB 46.37, 59.98, -59.89

 

CMYK 46 / 68 / 0 / 17

HEX #7243D4

RGB 114 67 212

HSL 259.45, 0.63%, 0.55%

LAB 41.76, 52.49, -67.57

 

CMYK 65 / 68 / 0 / 17

HEX #4B43D4

RGB 75 67 212

HSL 243.31, 0.63%, 0.55%

LAB 38.31, 46.46, -73.35

 

CMYK 0 / 68 / 9 / 17

HEX #D443C1

RGB 212 67 193

HSL 307.86, 0.63%, 0.55%

LAB 53.88, 69.65, -36.47

 

CMYK 0 / 79 / 10 / 9

HEX #E731CF

RGB 231 49 207

HSL 307.91, 0.79%, 0.55%

LAB 55.78, 81.23, -41.32

 

CMYK 0 / 88 / 11 / 2

HEX #F91EDD

RGB 249 30 221

HSL 307.67, 0.95%, 0.55%

LAB 58.31, 90.16, -45.07

 

CMYK 0 / 68 / 9 / 17

HEX #D443C1

RGB 212 67 193

HSL 307.86, 0.63%, 0.55%

LAB 53.88, 69.65, -36.47

 

CMYK 0 / 55 / 7 / 24

HEX #C156B3

RGB 193 86 179

HSL 307.85, 0.46%, 0.55%

LAB 53.22, 54.68, -29.62

 

CMYK 0 / 40 / 5 / 31

HEX #AF69A6

RGB 175 105 166

HSL 307.71, 0.3%, 0.55%

LAB 54, 37.26, -21.06

 

CMYK 0 / 21 / 3 / 39

HEX #9C7B98

RGB 156 123 152

HSL 307.27, 0.14%, 0.55%

LAB 55.58, 17.93, -10.71

 

CMYK 3 / 0 / 3 / 44

HEX #8A8E8A

RGB 138 142 138

HSL 120, 0.02%, 0.55%

LAB 58.59, -2.25, 1.61

 

CMYK 28 / 68 / 0 / 17

HEX #9843D4

RGB 152 67 212

HSL 275.17, 0.63%, 0.55%

LAB 46.24, 59.78, -60.1

 

CMYK 10 / 68 / 0 / 17

HEX #BE43D4

RGB 190 67 212

HSL 290.9, 0.63%, 0.55%

LAB 51.51, 67.81, -51.34

 

CMYK 0 / 68 / 8 / 17

HEX #D443C3

RGB 212 67 195

HSL 307.03, 0.63%, 0.55%

LAB 53.98, 69.96, -37.48

 

CMYK 0 / 68 / 26 / 17

HEX #D4439D

RGB 212 67 157

HSL 322.76, 0.63%, 0.55%

LAB 52.34, 64.66, -17.85

 

CMYK 0 / 68 / 44 / 17

HEX #D44376

RGB 212 67 118

HSL 338.9, 0.63%, 0.55%

LAB 51.06, 60.33, 3.54

 

CMYK 0 / 78 / 10 / 37

HEX #A12491

RGB 161 36 145

HSL 307.68, 0.63%, 0.39%

LAB 39.38, 60.84, -31.41

 

CMYK 0 / 77 / 10 / 24

HEX #C22CAF

RGB 194 44 175

HSL 307.6, 0.63%, 0.47%

LAB 47.45, 70.26, -36.29

 

CMYK 0 / 68 / 9 / 17

HEX #D443C1

RGB 212 67 193

HSL 307.86, 0.63%, 0.55%

LAB 53.88, 69.65, -36.47

 

CMYK 0 / 54 / 7 / 14

HEX #DC65CC

RGB 220 101 204

HSL 308.07, 0.63%, 0.63%

LAB 60.68, 59.39, -32.06

 

CMYK 0 / 41 / 5 / 11

HEX #E387D7

RGB 227 135 215

HSL 307.83, 0.62%, 0.71%

LAB 68.44, 46.58, -26.18

 

CMYK 0 / 69 / 9 / 16

HEX #D543C2

RGB 213 67 194

HSL 307.81, 0.63%, 0.55%

LAB 54.09, 70.04, -36.72

 

CMYK 0 / 47 / 68 / 17

HEX #D47143

RGB 212 113 67

HSL 19.03, 0.63%, 0.55%

LAB 58.24, 35.19, 42.27

 

CMYK 68 / 0 / 19 / 17

HEX #43D4AB

RGB 67 212 171

HSL 163.03, 0.63%, 0.55%

LAB 76.81, -47.89, 9.23

 

CMYK 0 / 69 / 9 / 16

HEX #D543C2

RGB 213 67 194

HSL 307.81, 0.63%, 0.55%

LAB 54.09, 70.04, -36.72

 

CMYK 8 / 0 / 68 / 17

HEX #C3D443

RGB 195 212 67

HSL 67.03, 0.63%, 0.55%

LAB 81.34, -24.02, 66.32

 

CMYK 68 / 8 / 0 / 17

HEX #43C3D4

RGB 67 195 212

HSL 187.03, 0.63%, 0.55%

LAB 72.88, -29.15, -18.71

 

CMYK 0 / 69 / 9 / 16

HEX #D543C2

RGB 213 67 194

HSL 307.81, 0.63%, 0.55%

LAB 54.09, 70.04, -36.72

 

CMYK 0 / 47 / 68 / 17

HEX #D47143

RGB 212 113 67

HSL 19.03, 0.63%, 0.55%

LAB 58.24, 35.19, 42.27

 

CMYK 68 / 0 / 60 / 17

HEX #43D454

RGB 67 212 84

HSL 127.03, 0.63%, 0.55%

LAB 75.4, -63.44, 51.21

 

CMYK 68 / 22 / 0 / 17

HEX #43A6D4

RGB 67 166 212

HSL 199.03, 0.63%, 0.55%

LAB 64.34, -14.25, -31.79

 

CMYK 0 / 69 / 9 / 16

HEX #D543C2

RGB 213 67 194

HSL 307.81, 0.63%, 0.55%

LAB 54.09, 70.04, -36.72

 

CMYK 0 / 26 / 68 / 17

HEX #D49D43

RGB 212 157 67

HSL 37.24, 0.63%, 0.55%

LAB 68.4, 11.59, 53.44

 

CMYK 68 / 0 / 60 / 17

HEX #43D454

RGB 67 212 84

HSL 127.03, 0.63%, 0.55%

LAB 75.4, -63.44, 51.21

 

CMYK 68 / 42 / 0 / 17

HEX #437BD4

RGB 67 123 212

HSL 216.83, 0.63%, 0.55%

LAB 51.96, 10.67, -51.26

 

Description

Color code: RGB 213 67 194 | qconv.com Color code: RGB 213 67 194 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 67 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 67 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 9 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 9% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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