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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 58 15 it is the complementary color RGB 42 197 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 58 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 58 15 shade: RGB 218 58 10, RGB 235 76 29, RGB 252 94 48, RGB 255 112 67 and RGB 255 130 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 58 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 58 15 shade: RGB 213 58 15, RGB 196 40 0, RGB 179 22 0, RGB 162 4 0 and RGB 145 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 58 15 shade: RGB 214 58 14 and RGB 214 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 58 15 shade: RGB 214 58 14, RGB 214 112 14, RGB 214 165 14, RGB 209 214 14 and RGB 155 214 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 58 15 shade matches the following richer shades: RGB 214 58 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 58 15 shade: RGB 214 58 14, RGB 196 68 33, RGB 177 79 52, RGB 158 89 70 and RGB 140 100 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 58 15 shade: RGB 214 14 78, RGB 214 14 24, RGB 214 58 14, RGB 214 111 14 and RGB 214 164 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 58 15 shade: RGB 137 37 9, RGB 176 47 12, RGB 214 58 14, RGB 239 76 31 and RGB 242 107 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 58 15 shade: RGB 213 58 15, RGB 131 214 14 and RGB 14 51 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 58 15 shade: RGB 213 58 15, RGB 14 214 58 and RGB 58 14 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 58 15 shade: RGB 213 58 15, RGB 131 214 14, RGB 14 171 214 and RGB 98 14 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 58 15 shade: RGB 213 58 15, RGB 71 214 14, RGB 14 171 214 and RGB 158 14 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 93 / 16

HEX #D53A0F

RGB 213 58 15

HSL 13.03, 0.87%, 0.45%

LAB 48.52, 58.66, 56.42

 

Complementary color

CMYK 83 / 18 / 0 / 6

HEX #2AC5F0

RGB 42 197 240

HSL 193.03, 0.87%, 0.55%

LAB 74.01, -24.04, -32.18

 

CMYK 0 / 73 / 95 / 15

HEX #DA3A0A

RGB 218 58 10

HSL 13.85, 0.91%, 0.45%

LAB 49.44, 60.18, 58.8

 

CMYK 0 / 68 / 88 / 8

HEX #EB4C1D

RGB 235 76 29

HSL 13.69, 0.84%, 0.52%

LAB 54.99, 59.31, 58.01

 

CMYK 0 / 63 / 81 / 1

HEX #FC5E30

RGB 252 94 48

HSL 13.53, 0.97%, 0.59%

LAB 60.71, 58.15, 56.05

 

CMYK 0 / 56 / 74 / 0

HEX #FF7043

RGB 255 112 67

HSL 14.36, 1%, 0.63%

LAB 64.37, 51.9, 50.81

 

CMYK 0 / 49 / 66 / 0

HEX #FF8256

RGB 255 130 86

HSL 15.62, 1%, 0.67%

LAB 67.94, 44.21, 45.16

 

CMYK 0 / 73 / 93 / 16

HEX #D53A0F

RGB 213 58 15

HSL 13.03, 0.87%, 0.45%

LAB 48.52, 58.66, 56.42

 

CMYK 0 / 80 / 100 / 23

HEX #C42800

RGB 196 40 0

HSL 12.24, 1%, 0.38%

LAB 43.14, 59, 56.04

 

CMYK 0 / 88 / 100 / 30

HEX #B31600

RGB 179 22 0

HSL 7.37, 1%, 0.35%

LAB 38.12, 58.43, 51.92

 

CMYK 0 / 98 / 100 / 36

HEX #A20400

RGB 162 4 0

HSL 1.48, 1%, 0.32%

LAB 33.5, 56.52, 47.57

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 73 / 93 / 16

HEX #D63A0E

RGB 214 58 14

HSL 13.2, 0.88%, 0.45%

LAB 48.7, 58.96, 56.92

 

CMYK 0 / 93 / 93 / 16

HEX #D60E0E

RGB 214 14 14

HSL 0, 0.88%, 0.45%

LAB 45.14, 69.03, 54.77

 

CMYK 0 / 73 / 93 / 16

HEX #D63A0E

RGB 214 58 14

HSL 13.2, 0.88%, 0.45%

LAB 48.7, 58.96, 56.92

 

CMYK 0 / 48 / 93 / 16

HEX #D6700E

RGB 214 112 14

HSL 29.4, 0.88%, 0.45%

LAB 57.96, 34.77, 63.05

 

CMYK 0 / 23 / 93 / 16

HEX #D6A50E

RGB 214 165 14

HSL 45.3, 0.88%, 0.45%

LAB 70.34, 6.44, 71.92

 

CMYK 2 / 0 / 93 / 16

HEX #D1D60E

RGB 209 214 14

HSL 61.5, 0.88%, 0.45%

LAB 82.74, -20.86, 81.04

 

CMYK 28 / 0 / 93 / 16

HEX #9BD60E

RGB 155 214 14

HSL 77.7, 0.88%, 0.45%

LAB 79.1, -42.71, 76.62

 

CMYK 0 / 73 / 93 / 16

HEX #D63A0E

RGB 214 58 14

HSL 13.2, 0.88%, 0.45%

LAB 48.7, 58.96, 56.92

 

CMYK 0 / 73 / 93 / 16

HEX #D63A0E

RGB 214 58 14

HSL 13.2, 0.88%, 0.45%

LAB 48.7, 58.96, 56.92

 

CMYK 0 / 65 / 83 / 23

HEX #C44421

RGB 196 68 33

HSL 12.88, 0.71%, 0.45%

LAB 46.95, 49.49, 46.81

 

CMYK 0 / 55 / 71 / 31

HEX #B14F34

RGB 177 79 52

HSL 12.96, 0.55%, 0.45%

LAB 45.89, 38.11, 34.87

 

CMYK 0 / 44 / 56 / 38

HEX #9E5946

RGB 158 89 70

HSL 12.95, 0.39%, 0.45%

LAB 45.44, 26.4, 23.32

 

CMYK 0 / 29 / 36 / 45

HEX #8C6459

RGB 140 100 89

HSL 12.94, 0.22%, 0.45%

LAB 46.19, 14.61, 12.63

 

CMYK 0 / 93 / 64 / 16

HEX #D60E4E

RGB 214 14 78

HSL 340.8, 0.88%, 0.45%

LAB 45.85, 71.02, 20.86

 

CMYK 0 / 93 / 89 / 16

HEX #D60E18

RGB 214 14 24

HSL 357, 0.88%, 0.45%

LAB 45.19, 69.17, 50.87

 

CMYK 0 / 73 / 93 / 16

HEX #D63A0E

RGB 214 58 14

HSL 13.2, 0.88%, 0.45%

LAB 48.7, 58.96, 56.92

 

CMYK 0 / 48 / 93 / 16

HEX #D66F0E

RGB 214 111 14

HSL 29.1, 0.88%, 0.45%

LAB 57.75, 35.29, 62.9

 

CMYK 0 / 23 / 93 / 16

HEX #D6A40E

RGB 214 164 14

HSL 45, 0.88%, 0.45%

LAB 70.09, 6.97, 71.74

 

CMYK 0 / 73 / 93 / 46

HEX #892509

RGB 137 37 9

HSL 13.13, 0.88%, 0.29%

LAB 31.02, 41.18, 39.71

 

CMYK 0 / 73 / 93 / 31

HEX #B02F0C

RGB 176 47 12

HSL 12.8, 0.87%, 0.37%

LAB 40.06, 50.63, 48.44

 

CMYK 0 / 73 / 93 / 16

HEX #D63A0E

RGB 214 58 14

HSL 13.2, 0.88%, 0.45%

LAB 48.7, 58.96, 56.92

 

CMYK 0 / 68 / 87 / 6

HEX #EF4C1F

RGB 239 76 31

HSL 12.98, 0.87%, 0.53%

LAB 55.7, 60.65, 58.1

 

CMYK 0 / 56 / 71 / 5

HEX #F26B45

RGB 242 107 69

HSL 13.18, 0.87%, 0.61%

LAB 61.5, 49.63, 46.11

 

CMYK 0 / 73 / 93 / 16

HEX #D53A0F

RGB 213 58 15

HSL 13.03, 0.87%, 0.45%

LAB 48.52, 58.66, 56.42

 

CMYK 39 / 0 / 93 / 16

HEX #83D60E

RGB 131 214 14

HSL 84.9, 0.88%, 0.45%

LAB 77.85, -51.37, 75.1

 

CMYK 93 / 76 / 0 / 16

HEX #0E33D6

RGB 14 51 214

HSL 228.9, 0.88%, 0.45%

LAB 32.52, 51.77, -84.16

 

CMYK 0 / 73 / 93 / 16

HEX #D53A0F

RGB 213 58 15

HSL 13.03, 0.87%, 0.45%

LAB 48.52, 58.66, 56.42

 

CMYK 93 / 0 / 73 / 16

HEX #0ED63A

RGB 14 214 58

HSL 133.2, 0.88%, 0.45%

LAB 75.13, -72.5, 61.12

 

CMYK 73 / 93 / 0 / 16

HEX #3A0ED6

RGB 58 14 214

HSL 253.2, 0.88%, 0.45%

LAB 29.59, 67.82, -88.98

 

CMYK 0 / 73 / 93 / 16

HEX #D53A0F

RGB 213 58 15

HSL 13.03, 0.87%, 0.45%

LAB 48.52, 58.66, 56.42

 

CMYK 39 / 0 / 93 / 16

HEX #83D60E

RGB 131 214 14

HSL 84.9, 0.88%, 0.45%

LAB 77.85, -51.37, 75.1

 

CMYK 93 / 20 / 0 / 16

HEX #0EABD6

RGB 14 171 214

HSL 192.9, 0.88%, 0.45%

LAB 65.02, -21.03, -31.91

 

CMYK 54 / 93 / 0 / 16

HEX #620ED6

RGB 98 14 214

HSL 265.2, 0.88%, 0.45%

LAB 33.49, 70.21, -82.38

 

CMYK 0 / 73 / 93 / 16

HEX #D53A0F

RGB 213 58 15

HSL 13.03, 0.87%, 0.45%

LAB 48.52, 58.66, 56.42

 

CMYK 67 / 0 / 93 / 16

HEX #47D60E

RGB 71 214 14

HSL 102.9, 0.88%, 0.45%

LAB 75.74, -67.87, 72.51

 

CMYK 93 / 20 / 0 / 16

HEX #0EABD6

RGB 14 171 214

HSL 192.9, 0.88%, 0.45%

LAB 65.02, -21.03, -31.91

 

CMYK 26 / 93 / 0 / 16

HEX #9E0ED6

RGB 158 14 214

HSL 283.2, 0.88%, 0.45%

LAB 41.9, 76.62, -68.25

 

Description

Color code: RGB 213 58 15 | qconv.com Color code: RGB 213 58 15 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 58 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 58 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 93% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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