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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 54 158 it is the complementary color RGB 42 201 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 54 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 54 158 shade: RGB 218 54 153, RGB 235 72 172, RGB 252 90 191, RGB 255 108 210 and RGB 255 126 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 54 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 54 158 shade: RGB 213 54 158, RGB 196 36 139, RGB 179 18 120, RGB 162 0 101 and RGB 145 0 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 54 158 shade: RGB 212 53 157, RGB 212 53 114, RGB 212 53 71 and RGB 212 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 54 158 shade: RGB 212 53 157, RGB 212 53 200, RGB 181 53 212, RGB 138 53 212 and RGB 95 53 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 54 158 shade matches the following richer shades: RGB 212 53 157, RGB 231 33 163 and RGB 251 13 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 54 158 shade: RGB 212 53 157, RGB 192 72 151, RGB 172 92 144, RGB 152 112 138 and RGB 132 132 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 54 158 shade: RGB 180 53 212, RGB 212 53 201, RGB 212 53 159, RGB 212 53 116 and RGB 212 53 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 54 158 shade: RGB 150 31 109, RGB 184 39 134, RGB 212 53 157, RGB 219 87 173 and RGB 226 121 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 54 158 shade: RGB 213 54 158, RGB 212 137 53 and RGB 53 212 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 54 158 shade: RGB 213 54 158, RGB 159 212 53 and RGB 53 159 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 54 158 shade: RGB 213 54 158, RGB 212 137 53, RGB 53 212 106 and RGB 53 127 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 54 158 shade: RGB 213 54 158, RGB 212 185 53, RGB 53 212 106 and RGB 53 79 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 26 / 16

HEX #D5369E

RGB 213 54 158

HSL 320.75, 0.65%, 0.52%

LAB 50.98, 69.43, -20.5

 

Complementary color

CMYK 79 / 0 / 52 / 21

HEX #2AC961

RGB 42 201 97

HSL 140.75, 0.65%, 0.48%

LAB 71.64, -61.74, 40.6

 

CMYK 0 / 75 / 30 / 15

HEX #DA3699

RGB 218 54 153

HSL 323.78, 0.69%, 0.53%

LAB 51.66, 70.07, -16.41

 

CMYK 0 / 69 / 27 / 8

HEX #EB48AC

RGB 235 72 172

HSL 323.19, 0.8%, 0.6%

LAB 57.34, 70.73, -18.66

 

CMYK 0 / 64 / 24 / 1

HEX #FC5ABF

RGB 252 90 191

HSL 322.59, 0.96%, 0.67%

LAB 63.15, 70.9, -20.48

 

CMYK 0 / 58 / 18 / 0

HEX #FF6CD2

RGB 255 108 210

HSL 318.37, 1%, 0.71%

LAB 67, 66.89, -25.27

 

CMYK 0 / 51 / 10 / 0

HEX #FF7EE5

RGB 255 126 229

HSL 312.09, 1%, 0.75%

LAB 70.76, 61.63, -30.05

 

CMYK 0 / 75 / 26 / 16

HEX #D5369E

RGB 213 54 158

HSL 320.75, 0.65%, 0.52%

LAB 50.98, 69.43, -20.5

 

CMYK 0 / 82 / 29 / 23

HEX #C4248B

RGB 196 36 139

HSL 321.38, 0.69%, 0.45%

LAB 45.44, 68.07, -17.85

 

CMYK 0 / 90 / 33 / 30

HEX #B31278

RGB 179 18 120

HSL 321.99, 0.82%, 0.39%

LAB 40.2, 65.66, -14.46

 

CMYK 0 / 100 / 38 / 36

HEX #A20065

RGB 162 0 101

HSL 322.59, 1%, 0.32%

LAB 35.24, 62.2, -10.3

 

CMYK 0 / 100 / 43 / 43

HEX #910052

RGB 145 0 82

HSL 326.07, 1%, 0.28%

LAB 30.95, 56.57, -4.76

 

CMYK 0 / 75 / 26 / 17

HEX #D4359D

RGB 212 53 157

HSL 320.75, 0.65%, 0.52%

LAB 50.66, 69.37, -20.41

 

CMYK 0 / 75 / 46 / 17

HEX #D43572

RGB 212 53 114

HSL 336.98, 0.65%, 0.52%

LAB 49.2, 64.83, 3.29

 

CMYK 0 / 75 / 67 / 17

HEX #D43547

RGB 212 53 71

HSL 353.21, 0.65%, 0.52%

LAB 48.26, 61.79, 28.14

 

CMYK 0 / 75 / 75 / 17

HEX #D43535

RGB 212 53 53

HSL 0, 0.65%, 0.52%

LAB 48.01, 60.97, 38.36

 

CMYK 0 / 75 / 26 / 17

HEX #D4359D

RGB 212 53 157

HSL 320.75, 0.65%, 0.52%

LAB 50.66, 69.37, -20.41

 

CMYK 0 / 75 / 6 / 17

HEX #D435C8

RGB 212 53 200

HSL 304.53, 0.65%, 0.52%

LAB 52.63, 75.23, -42.47

 

CMYK 15 / 75 / 0 / 17

HEX #B535D4

RGB 181 53 212

HSL 288.3, 0.65%, 0.52%

LAB 48.42, 70.95, -56.38

 

CMYK 35 / 75 / 0 / 17

HEX #8A35D4

RGB 138 53 212

HSL 272.08, 0.65%, 0.52%

LAB 42.31, 63.09, -66.55

 

CMYK 55 / 75 / 0 / 17

HEX #5F35D4

RGB 95 53 212

HSL 255.85, 0.65%, 0.52%

LAB 37.36, 56.48, -74.86

 

CMYK 0 / 75 / 26 / 17

HEX #D4359D

RGB 212 53 157

HSL 320.75, 0.65%, 0.52%

LAB 50.66, 69.37, -20.41

 

CMYK 0 / 86 / 29 / 9

HEX #E721A3

RGB 231 33 163

HSL 320.61, 0.8%, 0.52%

LAB 52.64, 79.16, -20.63

 

CMYK 0 / 95 / 33 / 2

HEX #FB0DA9

RGB 251 13 169

HSL 320.67, 0.97%, 0.52%

LAB 55.75, 86.38, -19.08

 

CMYK 0 / 75 / 26 / 17

HEX #D4359D

RGB 212 53 157

HSL 320.75, 0.65%, 0.52%

LAB 50.66, 69.37, -20.41

 

CMYK 0 / 63 / 21 / 25

HEX #C04897

RGB 192 72 151

HSL 320.5, 0.49%, 0.52%

LAB 49.59, 56.37, -18.78

 

CMYK 0 / 47 / 16 / 33

HEX #AC5C90

RGB 172 92 144

HSL 321, 0.33%, 0.52%

LAB 50.02, 39.47, -14.22

 

CMYK 0 / 26 / 9 / 40

HEX #98708A

RGB 152 112 138

HSL 321, 0.16%, 0.52%

LAB 51.95, 20.18, -8.02

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 15 / 75 / 0 / 17

HEX #B435D4

RGB 180 53 212

HSL 287.92, 0.65%, 0.52%

LAB 48.26, 70.76, -56.63

 

CMYK 0 / 75 / 5 / 17

HEX #D435C9

RGB 212 53 201

HSL 304.15, 0.65%, 0.52%

LAB 52.69, 75.38, -42.96

 

CMYK 0 / 75 / 25 / 17

HEX #D4359F

RGB 212 53 159

HSL 320, 0.65%, 0.52%

LAB 50.74, 69.62, -21.47

 

CMYK 0 / 75 / 45 / 17

HEX #D43574

RGB 212 53 116

HSL 336.23, 0.65%, 0.52%

LAB 49.26, 65.01, 2.15

 

CMYK 0 / 75 / 65 / 17

HEX #D4354A

RGB 212 53 74

HSL 352.08, 0.65%, 0.52%

LAB 48.31, 61.96, 26.4

 

CMYK 0 / 79 / 27 / 41

HEX #961F6D

RGB 150 31 109

HSL 320.67, 0.66%, 0.35%

LAB 35.14, 54.66, -15.78

 

CMYK 0 / 79 / 27 / 28

HEX #B82786

RGB 184 39 134

HSL 320.69, 0.65%, 0.44%

LAB 43.3, 63.86, -18.27

 

CMYK 0 / 75 / 26 / 17

HEX #D4359D

RGB 212 53 157

HSL 320.75, 0.65%, 0.52%

LAB 50.66, 69.37, -20.41

 

CMYK 0 / 60 / 21 / 14

HEX #DB57AD

RGB 219 87 173

HSL 320.91, 0.65%, 0.6%

LAB 56.97, 60.67, -20.03

 

CMYK 0 / 46 / 16 / 11

HEX #E279BE

RGB 226 121 190

HSL 320.57, 0.64%, 0.68%

LAB 64.61, 49.3, -18.03

 

CMYK 0 / 75 / 26 / 16

HEX #D5369E

RGB 213 54 158

HSL 320.75, 0.65%, 0.52%

LAB 50.98, 69.43, -20.5

 

CMYK 0 / 35 / 75 / 17

HEX #D48935

RGB 212 137 53

HSL 31.7, 0.65%, 0.52%

LAB 63.46, 21.71, 54.53

 

CMYK 75 / 0 / 5 / 17

HEX #35D4C9

RGB 53 212 201

HSL 175.85, 0.65%, 0.52%

LAB 77.32, -41.97, -6.15

 

CMYK 0 / 75 / 26 / 16

HEX #D5369E

RGB 213 54 158

HSL 320.75, 0.65%, 0.52%

LAB 50.98, 69.43, -20.5

 

CMYK 25 / 0 / 75 / 17

HEX #9FD435

RGB 159 212 53

HSL 80, 0.65%, 0.52%

LAB 78.88, -39.05, 67.96

 

CMYK 75 / 25 / 0 / 17

HEX #359FD4

RGB 53 159 212

HSL 200, 0.65%, 0.52%

LAB 61.92, -12.32, -35.58

 

CMYK 0 / 75 / 26 / 16

HEX #D5369E

RGB 213 54 158

HSL 320.75, 0.65%, 0.52%

LAB 50.98, 69.43, -20.5

 

CMYK 0 / 35 / 75 / 17

HEX #D48935

RGB 212 137 53

HSL 31.7, 0.65%, 0.52%

LAB 63.46, 21.71, 54.53

 

CMYK 75 / 0 / 50 / 17

HEX #35D46A

RGB 53 212 106

HSL 140, 0.65%, 0.52%

LAB 75.38, -62.72, 40.88

 

CMYK 75 / 40 / 0 / 17

HEX #357FD4

RGB 53 127 212

HSL 212.08, 0.65%, 0.52%

LAB 52.61, 6.27, -50.27

 

CMYK 0 / 75 / 26 / 16

HEX #D5369E

RGB 213 54 158

HSL 320.75, 0.65%, 0.52%

LAB 50.98, 69.43, -20.5

 

CMYK 0 / 13 / 75 / 17

HEX #D4B935

RGB 212 185 53

HSL 49.81, 0.65%, 0.52%

LAB 75.42, -3.95, 66.09

 

CMYK 75 / 0 / 50 / 17

HEX #35D46A

RGB 53 212 106

HSL 140, 0.65%, 0.52%

LAB 75.38, -62.72, 40.88

 

CMYK 75 / 63 / 0 / 17

HEX #354FD4

RGB 53 79 212

HSL 230.19, 0.65%, 0.52%

LAB 39.75, 36.61, -71.04

 

Description

Color code: RGB 213 54 158 | qconv.com Color code: RGB 213 54 158 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 54 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 54 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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