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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 47 242 it is the complementary color RGB 42 208 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 47 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 47 242 shade: RGB 218 47 237, RGB 235 65 255, RGB 252 83 255, RGB 255 101 255 and RGB 255 119 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 47 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 47 242 shade: RGB 213 47 242, RGB 196 29 223, RGB 179 11 204, RGB 162 0 185 and RGB 145 0 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 47 242 shade: RGB 213 48 241, RGB 241 48 218, RGB 241 48 166, RGB 241 48 114 and RGB 241 48 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 47 242 shade: RGB 213 48 241, RGB 161 48 241, RGB 109 48 241, RGB 57 48 241 and RGB 48 48 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 47 242 shade matches the following richer shades: RGB 213 48 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 47 242 shade: RGB 213 48 241, RGB 200 66 224, RGB 188 84 206, RGB 175 102 188 and RGB 163 119 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 47 242 shade: RGB 109 48 241, RGB 161 48 241, RGB 212 48 241, RGB 241 48 219 and RGB 241 48 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 47 242 shade: RGB 168 12 195, RGB 201 14 234, RGB 213 48 241, RGB 221 87 244 and RGB 228 126 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 47 242 shade: RGB 213 47 242, RGB 241 58 48 and RGB 48 241 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 47 242 shade: RGB 213 47 242, RGB 241 212 48 and RGB 48 241 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 47 242 shade: RGB 213 47 242, RGB 241 58 48, RGB 77 241 48 and RGB 48 232 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 47 242 shade: RGB 213 47 242, RGB 241 116 48, RGB 77 241 48 and RGB 48 174 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 81 / 0 / 5

HEX #D52FF2

RGB 213 47 242

HSL 291.08, 0.88%, 0.57%

LAB 54.65, 83.69, -63.08

 

Complementary color

CMYK 80 / 0 / 94 / 18

HEX #2AD00D

RGB 42 208 13

HSL 111.08, 0.88%, 0.43%

LAB 73.31, -70.75, 70.4

 

CMYK 8 / 80 / 0 / 7

HEX #DA2FED

RGB 218 47 237

HSL 294, 0.84%, 0.56%

LAB 55.13, 83.74, -59.47

 

CMYK 8 / 75 / 0 / 0

HEX #EB41FF

RGB 235 65 255

HSL 293.68, 1%, 0.63%

LAB 60.48, 84.96, -60.76

 

CMYK 1 / 67 / 0 / 0

HEX #FC53FF

RGB 252 83 255

HSL 298.95, 1%, 0.66%

LAB 65.04, 82.64, -53.34

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 12 / 81 / 0 / 5

HEX #D52FF2

RGB 213 47 242

HSL 291.08, 0.88%, 0.57%

LAB 54.65, 83.69, -63.08

 

CMYK 12 / 87 / 0 / 13

HEX #C41DDF

RGB 196 29 223

HSL 291.65, 0.77%, 0.49%

LAB 49.43, 81.5, -60.91

 

CMYK 12 / 95 / 0 / 20

HEX #B30BCC

RGB 179 11 204

HSL 292.23, 0.9%, 0.42%

LAB 44.49, 78.2, -58.11

 

CMYK 12 / 100 / 0 / 27

HEX #A200B9

RGB 162 0 185

HSL 292.54, 1%, 0.36%

LAB 39.89, 73.62, -54.59

 

CMYK 13 / 100 / 0 / 35

HEX #9100A6

RGB 145 0 166

HSL 292.41, 1%, 0.33%

LAB 35.54, 67.91, -50.43

 

CMYK 12 / 80 / 0 / 5

HEX #D530F1

RGB 213 48 241

HSL 291.3, 0.87%, 0.57%

LAB 54.67, 83.28, -62.49

 

CMYK 0 / 80 / 10 / 5

HEX #F130DA

RGB 241 48 218

HSL 307.15, 0.87%, 0.57%

LAB 57.92, 84.97, -44.08

 

CMYK 0 / 80 / 31 / 5

HEX #F130A6

RGB 241 48 166

HSL 323.32, 0.87%, 0.57%

LAB 55.65, 78.57, -17.64

 

CMYK 0 / 80 / 53 / 5

HEX #F13072

RGB 241 48 114

HSL 339.48, 0.87%, 0.57%

LAB 54.06, 73.87, 10.94

 

CMYK 0 / 80 / 74 / 5

HEX #F1303E

RGB 241 48 62

HSL 355.65, 0.87%, 0.57%

LAB 53.13, 71.03, 40.51

 

CMYK 12 / 80 / 0 / 5

HEX #D530F1

RGB 213 48 241

HSL 291.3, 0.87%, 0.57%

LAB 54.67, 83.28, -62.49

 

CMYK 33 / 80 / 0 / 5

HEX #A130F1

RGB 161 48 241

HSL 275.13, 0.87%, 0.57%

LAB 47.03, 74.82, -75.23

 

CMYK 55 / 80 / 0 / 5

HEX #6D30F1

RGB 109 48 241

HSL 258.96, 0.87%, 0.57%

LAB 40.76, 68, -85.75

 

CMYK 76 / 80 / 0 / 5

HEX #3930F1

RGB 57 48 241

HSL 242.8, 0.87%, 0.57%

LAB 36.62, 63.59, -92.73

 

CMYK 80 / 80 / 0 / 5

HEX #3030F1

RGB 48 48 241

HSL 240, 0.87%, 0.57%

LAB 36.16, 63.1, -93.51

 

CMYK 12 / 80 / 0 / 5

HEX #D530F1

RGB 213 48 241

HSL 291.3, 0.87%, 0.57%

LAB 54.67, 83.28, -62.49

 

CMYK 12 / 80 / 0 / 5

HEX #D530F1

RGB 213 48 241

HSL 291.3, 0.87%, 0.57%

LAB 54.67, 83.28, -62.49

 

CMYK 11 / 71 / 0 / 12

HEX #C842E0

RGB 200 66 224

HSL 290.89, 0.72%, 0.57%

LAB 53.55, 72.45, -54.82

 

CMYK 9 / 59 / 0 / 19

HEX #BC54CE

RGB 188 84 206

HSL 291.15, 0.55%, 0.57%

LAB 53.48, 59.07, -44.8

 

CMYK 7 / 46 / 0 / 26

HEX #AF66BC

RGB 175 102 188

HSL 290.93, 0.39%, 0.57%

LAB 54.29, 43.07, -33.33

 

CMYK 4 / 30 / 0 / 33

HEX #A377AA

RGB 163 119 170

HSL 291.76, 0.23%, 0.57%

LAB 55.97, 26.22, -20.47

 

CMYK 55 / 80 / 0 / 5

HEX #6D30F1

RGB 109 48 241

HSL 258.96, 0.87%, 0.57%

LAB 40.76, 68, -85.75

 

CMYK 33 / 80 / 0 / 5

HEX #A130F1

RGB 161 48 241

HSL 275.13, 0.87%, 0.57%

LAB 47.03, 74.82, -75.23

 

CMYK 12 / 80 / 0 / 5

HEX #D430F1

RGB 212 48 241

HSL 290.98, 0.87%, 0.57%

LAB 54.51, 83.1, -62.75

 

CMYK 0 / 80 / 9 / 5

HEX #F130DB

RGB 241 48 219

HSL 306.84, 0.87%, 0.57%

LAB 57.97, 85.11, -44.57

 

CMYK 0 / 80 / 31 / 5

HEX #F130A7

RGB 241 48 167

HSL 323.01, 0.87%, 0.57%

LAB 55.69, 78.68, -18.17

 

CMYK 14 / 94 / 0 / 24

HEX #A80CC3

RGB 168 12 195

HSL 291.15, 0.88%, 0.41%

LAB 42.04, 74.93, -56.93

 

CMYK 14 / 94 / 0 / 8

HEX #C90EEA

RGB 201 14 234

HSL 291, 0.89%, 0.49%

LAB 50.3, 86.07, -65.69

 

CMYK 12 / 80 / 0 / 5

HEX #D530F1

RGB 213 48 241

HSL 291.3, 0.87%, 0.57%

LAB 54.67, 83.28, -62.49

 

CMYK 9 / 64 / 0 / 4

HEX #DD57F4

RGB 221 87 244

HSL 291.21, 0.88%, 0.65%

LAB 60.53, 72.54, -54.71

 

CMYK 7 / 49 / 0 / 4

HEX #E47EF6

RGB 228 126 246

HSL 291, 0.87%, 0.73%

LAB 68.07, 57.01, -43.84

 

CMYK 12 / 81 / 0 / 5

HEX #D52FF2

RGB 213 47 242

HSL 291.08, 0.88%, 0.57%

LAB 54.65, 83.69, -63.08

 

CMYK 0 / 76 / 80 / 5

HEX #F13A30

RGB 241 58 48

HSL 3.11, 0.87%, 0.57%

LAB 53.96, 67.81, 48.95

 

CMYK 80 / 0 / 44 / 5

HEX #30F187

RGB 48 241 135

HSL 147.05, 0.87%, 0.57%

LAB 84.63, -68.52, 38.39

 

CMYK 12 / 81 / 0 / 5

HEX #D52FF2

RGB 213 47 242

HSL 291.08, 0.88%, 0.57%

LAB 54.65, 83.69, -63.08

 

CMYK 0 / 12 / 80 / 5

HEX #F1D430

RGB 241 212 48

HSL 50.98, 0.87%, 0.57%

LAB 85, -5.58, 77.31

 

CMYK 80 / 0 / 12 / 5

HEX #30F1D4

RGB 48 241 212

HSL 170.98, 0.87%, 0.57%

LAB 86.15, -51.89, 0.98

 

CMYK 12 / 81 / 0 / 5

HEX #D52FF2

RGB 213 47 242

HSL 291.08, 0.88%, 0.57%

LAB 54.65, 83.69, -63.08

 

CMYK 0 / 76 / 80 / 5

HEX #F13A30

RGB 241 58 48

HSL 3.11, 0.87%, 0.57%

LAB 53.96, 67.81, 48.95

 

CMYK 68 / 0 / 80 / 5

HEX #4DF130

RGB 77 241 48

HSL 110.98, 0.87%, 0.57%

LAB 84.33, -73.91, 73.41

 

CMYK 80 / 4 / 0 / 5

HEX #30E8F1

RGB 48 232 241

HSL 182.8, 0.87%, 0.57%

LAB 84.33, -40.01, -16.98

 

CMYK 12 / 81 / 0 / 5

HEX #D52FF2

RGB 213 47 242

HSL 291.08, 0.88%, 0.57%

LAB 54.65, 83.69, -63.08

 

CMYK 0 / 52 / 80 / 5

HEX #F17430

RGB 241 116 48

HSL 21.14, 0.87%, 0.57%

LAB 62.85, 44.14, 57.42

 

CMYK 68 / 0 / 80 / 5

HEX #4DF130

RGB 77 241 48

HSL 110.98, 0.87%, 0.57%

LAB 84.33, -73.91, 73.41

 

CMYK 80 / 28 / 0 / 5

HEX #30AEF1

RGB 48 174 241

HSL 200.83, 0.87%, 0.57%

LAB 67.47, -11.09, -42.89

 

Description

Color code: RGB 213 47 242 | qconv.com Color code: RGB 213 47 242 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 47 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 47 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 81 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 81% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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