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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 240 240 it is the complementary color RGB 42 15 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 240 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 240 240 shade: RGB 218 240 235, RGB 235 255 254 and RGB 252 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 240 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 240 240 shade: RGB 213 240 240, RGB 196 222 221, RGB 179 204 202, RGB 162 186 183 and RGB 145 168 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 240 240 shade: RGB 213 240 240, RGB 213 240 233, RGB 213 240 225, RGB 213 240 218 and RGB 215 240 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 240 240 shade: RGB 213 240 240, RGB 213 233 240, RGB 213 225 240, RGB 213 218 240 and RGB 213 213 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 240 240 shade matches the following richer shades: RGB 213 240 240, RGB 209 244 244, RGB 204 249 249 and RGB 200 253 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 240 240 shade: RGB 213 240 240, RGB 218 235 235, RGB 222 231 231, RGB 227 226 226 and RGB 231 221 221

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 240 240 shade: RGB 213 240 226, RGB 213 240 233, RGB 213 240 240, RGB 213 233 240 and RGB 213 226 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 240 240 shade: RGB 153 218 218, RGB 183 229 229, RGB 213 240 240 and RGB 244 251 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 240 240 shade: RGB 213 240 240, RGB 219 213 240 and RGB 240 229 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 240 240 shade: RGB 213 240 240, RGB 240 213 240 and RGB 240 240 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 240 240 shade: RGB 213 240 240, RGB 219 213 240, RGB 240 213 213 and RGB 234 240 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 240 240 shade: RGB 213 240 240, RGB 226 213 240, RGB 240 213 213 and RGB 226 240 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

Complementary color

CMYK 0 / 64 / 64 / 84

HEX #2A0F0F

RGB 42 15 15

HSL 0, 0.47%, 0.11%

LAB 7.84, 14.03, 5.58

 

CMYK 9 / 0 / 2 / 6

HEX #DAF0EB

RGB 218 240 235

HSL 166.36, 0.42%, 0.9%

LAB 93.11, -8.13, -0.06

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFE

RGB 235 255 254

HSL 177, 1%, 0.96%

LAB 98.57, -6.66, -1.76

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 12 / 0 / 0 / 13

HEX #C4DEDD

RGB 196 222 221

HSL 177.69, 0.28%, 0.82%

LAB 86.6, -8.77, -2.43

 

CMYK 12 / 0 / 1 / 20

HEX #B3CCCA

RGB 179 204 202

HSL 175.2, 0.2%, 0.75%

LAB 80.2, -8.76, -1.85

 

CMYK 13 / 0 / 2 / 27

HEX #A2BAB7

RGB 162 186 183

HSL 172.5, 0.15%, 0.68%

LAB 73.69, -8.77, -1.26

 

CMYK 14 / 0 / 2 / 34

HEX #91A8A4

RGB 145 168 164

HSL 169.57, 0.12%, 0.61%

LAB 67.06, -8.79, -0.64

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 11 / 0 / 3 / 6

HEX #D5F0E9

RGB 213 240 233

HSL 164.44, 0.47%, 0.89%

LAB 92.73, -10.12, 0.38

 

CMYK 11 / 0 / 6 / 6

HEX #D5F0E1

RGB 213 240 225

HSL 146.67, 0.47%, 0.89%

LAB 92.53, -11.61, 4.25

 

CMYK 11 / 0 / 9 / 6

HEX #D5F0DA

RGB 213 240 218

HSL 131.11, 0.47%, 0.89%

LAB 92.37, -12.88, 7.65

 

CMYK 10 / 0 / 11 / 6

HEX #D7F0D5

RGB 215 240 213

HSL 115.56, 0.47%, 0.89%

LAB 92.39, -13.09, 10.29

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 11 / 3 / 0 / 6

HEX #D5E9F0

RGB 213 233 240

HSL 195.56, 0.47%, 0.89%

LAB 91.11, -5.22, -5.65

 

CMYK 11 / 6 / 0 / 6

HEX #D5E1F0

RGB 213 225 240

HSL 213.33, 0.47%, 0.89%

LAB 89.06, -1.1, -8.68

 

CMYK 11 / 9 / 0 / 6

HEX #D5DAF0

RGB 213 218 240

HSL 228.89, 0.47%, 0.89%

LAB 87.28, 2.54, -11.33

 

CMYK 11 / 11 / 0 / 6

HEX #D5D5F0

RGB 213 213 240

HSL 240, 0.47%, 0.89%

LAB 86.02, 5.17, -13.21

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 14 / 0 / 0 / 4

HEX #D1F4F4

RGB 209 244 244

HSL 180, 0.61%, 0.89%

LAB 93.79, -11.26, -3.81

 

CMYK 18 / 0 / 0 / 2

HEX #CCF9F9

RGB 204 249 249

HSL 180, 0.79%, 0.89%

LAB 94.92, -14.27, -4.77

 

CMYK 21 / 0 / 0 / 1

HEX #C8FDFD

RGB 200 253 253

HSL 180, 0.93%, 0.89%

LAB 95.84, -16.62, -5.51

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 7 / 0 / 0 / 8

HEX #DAEBEB

RGB 218 235 235

HSL 180, 0.3%, 0.89%

LAB 91.83, -5.6, -1.94

 

CMYK 4 / 0 / 0 / 9

HEX #DEE7E7

RGB 222 231 231

HSL 180, 0.16%, 0.89%

LAB 90.99, -2.99, -1.05

 

CMYK 0 / 0 / 0 / 11

HEX #E3E2E2

RGB 227 226 226

HSL 0, 0.02%, 0.89%

LAB 89.96, 0.34, 0.11

 

CMYK 0 / 4 / 4 / 9

HEX #E7DDDD

RGB 231 221 221

HSL 0, 0.17%, 0.89%

LAB 88.89, 3.41, 1.21

 

CMYK 11 / 0 / 6 / 6

HEX #D5F0E2

RGB 213 240 226

HSL 148.89, 0.47%, 0.89%

LAB 92.56, -11.43, 3.77

 

CMYK 11 / 0 / 3 / 6

HEX #D5F0E9

RGB 213 240 233

HSL 164.44, 0.47%, 0.89%

LAB 92.73, -10.12, 0.38

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 11 / 3 / 0 / 6

HEX #D5E9F0

RGB 213 233 240

HSL 195.56, 0.47%, 0.89%

LAB 91.11, -5.22, -5.65

 

CMYK 11 / 6 / 0 / 6

HEX #D5E2F0

RGB 213 226 240

HSL 211.11, 0.47%, 0.89%

LAB 89.31, -1.62, -8.3

 

CMYK 30 / 0 / 0 / 15

HEX #99DADA

RGB 153 218 218

HSL 180, 0.47%, 0.73%

LAB 82.9, -20.36, -6.59

 

CMYK 20 / 0 / 0 / 10

HEX #B7E5E5

RGB 183 229 229

HSL 180, 0.47%, 0.81%

LAB 87.85, -14.74, -4.9

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 3 / 0 / 0 / 2

HEX #F4FBFB

RGB 244 251 251

HSL 180, 0.47%, 0.97%

LAB 98.11, -2.29, -0.81

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 9 / 11 / 0 / 6

HEX #DBD5F0

RGB 219 213 240

HSL 253.33, 0.47%, 0.89%

LAB 86.47, 7.1, -12.48

 

CMYK 0 / 5 / 11 / 6

HEX #F0E5D5

RGB 240 229 213

HSL 35.56, 0.47%, 0.89%

LAB 91.4, 1.08, 9.12

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 0 / 11 / 0 / 6

HEX #F0D5F0

RGB 240 213 240

HSL 300, 0.47%, 0.89%

LAB 88.16, 14, -9.78

 

CMYK 0 / 0 / 11 / 6

HEX #F0F0D5

RGB 240 240 213

HSL 60, 0.47%, 0.89%

LAB 94.16, -4.52, 13.06

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 9 / 11 / 0 / 6

HEX #DBD5F0

RGB 219 213 240

HSL 253.33, 0.47%, 0.89%

LAB 86.47, 7.1, -12.48

 

CMYK 0 / 11 / 11 / 6

HEX #F0D5D5

RGB 240 213 213

HSL 0, 0.47%, 0.89%

LAB 87.45, 9.36, 3.42

 

CMYK 3 / 0 / 11 / 6

HEX #EAF0D5

RGB 234 240 213

HSL 73.33, 0.47%, 0.89%

LAB 93.72, -6.61, 12.37

 

CMYK 11 / 0 / 0 / 6

HEX #D5F0F0

RGB 213 240 240

HSL 180, 0.47%, 0.89%

LAB 92.91, -8.78, -3

 

CMYK 6 / 11 / 0 / 6

HEX #E2D5F0

RGB 226 213 240

HSL 268.89, 0.47%, 0.89%

LAB 87.02, 9.38, -11.61

 

CMYK 0 / 11 / 11 / 6

HEX #F0D5D5

RGB 240 213 213

HSL 0, 0.47%, 0.89%

LAB 87.45, 9.36, 3.42

 

CMYK 6 / 0 / 11 / 6

HEX #E2F0D5

RGB 226 240 213

HSL 91.11, 0.47%, 0.89%

LAB 93.14, -9.36, 11.47

 

Description

Color code: RGB 213 240 240 | qconv.com Color code: RGB 213 240 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 240 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 240 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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