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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 223 42 it is the complementary color RGB 42 32 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 223 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 223 42 shade: RGB 218 223 37, RGB 235 241 56, RGB 252 255 75, RGB 255 255 94 and RGB 255 255 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 223 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 223 42 shade: RGB 213 223 42, RGB 196 205 23, RGB 179 187 4, RGB 162 169 0 and RGB 145 151 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 223 42 shade: RGB 213 223 42, RGB 223 184 42, RGB 223 135 42, RGB 223 86 42 and RGB 223 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 223 42 shade: RGB 213 223 42, RGB 164 223 42, RGB 115 223 42, RGB 66 223 42 and RGB 42 223 66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 223 42 shade matches the following richer shades: RGB 213 223 42 and RGB 230 242 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 223 42 shade: RGB 213 223 42, RGB 195 203 61, RGB 177 183 81, RGB 160 163 101 and RGB 142 143 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 223 42 shade: RGB 223 135 42, RGB 223 183 42, RGB 214 223 42, RGB 165 223 42 and RGB 117 223 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 223 42 shade: RGB 151 158 23, RGB 185 194 29, RGB 213 223 42, RGB 220 228 77 and RGB 227 233 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 223 42 shade: RGB 213 223 42, RGB 42 223 87 and RGB 159 42 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 223 42 shade: RGB 213 223 42, RGB 42 214 223 and RGB 223 42 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 223 42 shade: RGB 213 223 42, RGB 42 223 87, RGB 51 42 223 and RGB 223 42 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 223 42 shade: RGB 213 223 42, RGB 42 223 141, RGB 51 42 223 and RGB 223 42 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

Complementary color

CMYK 80 / 85 / 0 / 16

HEX #2A20D5

RGB 42 32 213

HSL 243.31, 0.74%, 0.48%

LAB 30.23, 61.5, -87.36

 

CMYK 2 / 0 / 83 / 13

HEX #DADF25

RGB 218 223 37

HSL 61.61, 0.74%, 0.51%

LAB 85.91, -21.03, 80.07

 

CMYK 2 / 0 / 77 / 5

HEX #EBF138

RGB 235 241 56

HSL 61.95, 0.87%, 0.58%

LAB 92.07, -22.09, 81.12

 

CMYK 1 / 0 / 71 / 0

HEX #FCFF4B

RGB 252 255 75

HSL 61, 1%, 0.65%

LAB 97.12, -21.1, 80.42

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

CMYK 4 / 0 / 89 / 20

HEX #C4CD17

RGB 196 205 23

HSL 62.97, 0.8%, 0.45%

LAB 79.31, -21.82, 76.7

 

CMYK 4 / 0 / 98 / 27

HEX #B3BB04

RGB 179 187 4

HSL 62.62, 0.96%, 0.37%

LAB 72.98, -20.49, 73.64

 

CMYK 4 / 0 / 100 / 34

HEX #A2A900

RGB 162 169 0

HSL 62.49, 1%, 0.33%

LAB 66.56, -18.93, 68.75

 

CMYK 4 / 0 / 100 / 41

HEX #919700

RGB 145 151 0

HSL 62.38, 1%, 0.3%

LAB 60.03, -17.29, 63.32

 

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

CMYK 0 / 17 / 81 / 13

HEX #DFB82A

RGB 223 184 42

HSL 47.07, 0.74%, 0.52%

LAB 76.15, 0.93, 70.68

 

CMYK 0 / 39 / 81 / 13

HEX #DF872A

RGB 223 135 42

HSL 30.83, 0.74%, 0.52%

LAB 64.31, 27.01, 60.25

 

CMYK 0 / 61 / 81 / 13

HEX #DF562A

RGB 223 86 42

HSL 14.59, 0.74%, 0.52%

LAB 54.56, 51.39, 51.34

 

CMYK 0 / 81 / 81 / 13

HEX #DF2A2A

RGB 223 42 42

HSL 0, 0.74%, 0.52%

LAB 48.9, 66.93, 45.96

 

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

CMYK 26 / 0 / 81 / 13

HEX #A4DF2A

RGB 164 223 42

HSL 79.56, 0.74%, 0.52%

LAB 82.29, -42.48, 74.35

 

CMYK 48 / 0 / 81 / 13

HEX #73DF2A

RGB 115 223 42

HSL 95.8, 0.74%, 0.52%

LAB 79.95, -59.06, 71.36

 

CMYK 70 / 0 / 81 / 13

HEX #42DF2A

RGB 66 223 42

HSL 112.04, 0.74%, 0.52%

LAB 78.52, -70.61, 69.53

 

CMYK 81 / 0 / 70 / 13

HEX #2ADF42

RGB 42 223 66

HSL 127.96, 0.74%, 0.52%

LAB 78.26, -72.33, 61.53

 

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

CMYK 5 / 0 / 91 / 5

HEX #E6F216

RGB 230 242 22

HSL 63.27, 0.89%, 0.52%

LAB 91.86, -25.45, 87.8

 

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

CMYK 4 / 0 / 70 / 20

HEX #C3CB3D

RGB 195 203 61

HSL 63.38, 0.58%, 0.52%

LAB 78.84, -19.95, 66.04

 

CMYK 3 / 0 / 56 / 28

HEX #B1B751

RGB 177 183 81

HSL 63.53, 0.41%, 0.52%

LAB 72.1, -16.14, 50.2

 

CMYK 2 / 0 / 38 / 36

HEX #A0A365

RGB 160 163 101

HSL 62.9, 0.25%, 0.52%

LAB 65.44, -10.82, 31.86

 

CMYK 1 / 0 / 15 / 44

HEX #8E8F79

RGB 142 143 121

HSL 62.73, 0.09%, 0.52%

LAB 58.77, -4.37, 11.6

 

CMYK 0 / 39 / 81 / 13

HEX #DF872A

RGB 223 135 42

HSL 30.83, 0.74%, 0.52%

LAB 64.31, 27.01, 60.25

 

CMYK 0 / 18 / 81 / 13

HEX #DFB72A

RGB 223 183 42

HSL 46.74, 0.74%, 0.52%

LAB 75.9, 1.46, 70.46

 

CMYK 4 / 0 / 81 / 13

HEX #D6DF2A

RGB 214 223 42

HSL 62.98, 0.74%, 0.52%

LAB 85.62, -22.55, 78.55

 

CMYK 26 / 0 / 81 / 13

HEX #A5DF2A

RGB 165 223 42

HSL 79.23, 0.74%, 0.52%

LAB 82.35, -42.1, 74.42

 

CMYK 48 / 0 / 81 / 13

HEX #75DF2A

RGB 117 223 42

HSL 95.14, 0.74%, 0.52%

LAB 80.02, -58.47, 71.46

 

CMYK 4 / 0 / 85 / 38

HEX #979E17

RGB 151 158 23

HSL 63.11, 0.75%, 0.35%

LAB 62.59, -17.77, 61.62

 

CMYK 5 / 0 / 85 / 24

HEX #B9C21D

RGB 185 194 29

HSL 63.27, 0.74%, 0.44%

LAB 75.44, -20.96, 72.07

 

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

CMYK 4 / 0 / 66 / 11

HEX #DCE44D

RGB 220 228 77

HSL 63.18, 0.74%, 0.6%

LAB 87.6, -21, 69.5

 

CMYK 3 / 0 / 52 / 9

HEX #E3E971

RGB 227 233 113

HSL 63, 0.73%, 0.68%

LAB 89.77, -18.11, 56.87

 

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

CMYK 81 / 0 / 61 / 13

HEX #2ADF57

RGB 42 223 87

HSL 134.92, 0.74%, 0.52%

LAB 78.44, -70.2, 53.26

 

CMYK 29 / 81 / 0 / 13

HEX #9F2ADF

RGB 159 42 223

HSL 278.78, 0.74%, 0.52%

LAB 44.74, 72.65, -68.78

 

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

CMYK 81 / 4 / 0 / 13

HEX #2AD6DF

RGB 42 214 223

HSL 182.98, 0.74%, 0.52%

LAB 78.41, -37.57, -16.33

 

CMYK 0 / 81 / 4 / 13

HEX #DF2AD6

RGB 223 42 214

HSL 302.98, 0.74%, 0.52%

LAB 54.24, 82.27, -47.83

 

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

CMYK 81 / 0 / 61 / 13

HEX #2ADF57

RGB 42 223 87

HSL 134.92, 0.74%, 0.52%

LAB 78.44, -70.2, 53.26

 

CMYK 77 / 81 / 0 / 13

HEX #332ADF

RGB 51 42 223

HSL 242.98, 0.74%, 0.52%

LAB 33.32, 60.64, -87.97

 

CMYK 0 / 81 / 21 / 13

HEX #DF2AB1

RGB 223 42 177

HSL 315.25, 0.74%, 0.52%

LAB 52.42, 77.26, -29.33

 

CMYK 4 / 0 / 81 / 13

HEX #D5DF2A

RGB 213 223 42

HSL 63.31, 0.74%, 0.52%

LAB 85.55, -22.97, 78.45

 

CMYK 81 / 0 / 37 / 13

HEX #2ADF8D

RGB 42 223 141

HSL 152.82, 0.74%, 0.52%

LAB 79.15, -61.75, 28.16

 

CMYK 77 / 81 / 0 / 13

HEX #332ADF

RGB 51 42 223

HSL 242.98, 0.74%, 0.52%

LAB 33.32, 60.64, -87.97

 

CMYK 0 / 81 / 45 / 13

HEX #DF2A7B

RGB 223 42 123

HSL 333.15, 0.74%, 0.52%

LAB 50.42, 71.52, -0.16

 

Description

Color code: RGB 213 223 42 | qconv.com Color code: RGB 213 223 42 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 223 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 223 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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