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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 224 71 it is the complementary color RGB 42 31 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 224 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 224 71 shade: RGB 218 224 66, RGB 235 242 85, RGB 252 255 104, RGB 255 255 123 and RGB 255 255 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 224 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 224 71 shade: RGB 213 224 71, RGB 196 206 52, RGB 179 188 33, RGB 162 170 14 and RGB 145 152 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 224 71 shade: RGB 213 223 71, RGB 223 193 71, RGB 223 152 71, RGB 223 111 71 and RGB 223 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 224 71 shade: RGB 213 223 71, RGB 172 223 71, RGB 130 223 71, RGB 89 223 71 and RGB 71 223 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 224 71 shade matches the following richer shades: RGB 213 223 71 and RGB 227 241 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 224 71 shade: RGB 213 223 71, RGB 198 206 89, RGB 183 189 106, RGB 168 171 123 and RGB 153 154 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 224 71 shade: RGB 223 152 71, RGB 223 193 71, RGB 213 223 71, RGB 173 223 71 and RGB 132 223 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 224 71 shade: RGB 171 182 30, RGB 204 217 36, RGB 213 223 71, RGB 221 229 107 and RGB 229 235 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 224 71 shade: RGB 213 224 71, RGB 71 223 112 and RGB 173 71 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 224 71 shade: RGB 213 224 71, RGB 71 213 223 and RGB 223 71 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 224 71 shade: RGB 213 224 71, RGB 71 223 112, RGB 81 71 223 and RGB 223 71 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 224 71 shade: RGB 213 224 71, RGB 71 223 158, RGB 81 71 223 and RGB 223 71 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 68 / 12

HEX #D5E047

RGB 213 224 71

HSL 64.31, 0.71%, 0.58%

LAB 85.96, -22.25, 69.91

 

Complementary color

CMYK 77 / 83 / 0 / 28

HEX #2A1FB8

RGB 42 31 184

HSL 244.31, 0.71%, 0.42%

LAB 26.54, 53.43, -76.47

 

CMYK 3 / 0 / 71 / 12

HEX #DAE042

RGB 218 224 66

HSL 62.28, 0.72%, 0.57%

LAB 86.31, -20.45, 72.16

 

CMYK 3 / 0 / 65 / 5

HEX #EBF255

RGB 235 242 85

HSL 62.68, 0.86%, 0.64%

LAB 92.5, -21.23, 71.84

 

CMYK 1 / 0 / 59 / 0

HEX #FCFF68

RGB 252 255 104

HSL 61.19, 1%, 0.7%

LAB 97.31, -19.5, 69.79

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 5 / 0 / 68 / 12

HEX #D5E047

RGB 213 224 71

HSL 64.31, 0.71%, 0.58%

LAB 85.96, -22.25, 69.91

 

CMYK 5 / 0 / 75 / 19

HEX #C4CE34

RGB 196 206 52

HSL 63.9, 0.61%, 0.51%

LAB 79.69, -21.43, 69.93

 

CMYK 5 / 0 / 82 / 26

HEX #B3BC21

RGB 179 188 33

HSL 63.48, 0.7%, 0.43%

LAB 73.32, -20.44, 69.17

 

CMYK 5 / 0 / 92 / 33

HEX #A2AA0E

RGB 162 170 14

HSL 63.08, 0.85%, 0.36%

LAB 66.87, -19.23, 67.17

 

CMYK 5 / 0 / 100 / 40

HEX #919800

RGB 145 152 0

HSL 62.76, 1%, 0.3%

LAB 60.32, -17.8, 63.53

 

CMYK 4 / 0 / 68 / 13

HEX #D5DF47

RGB 213 223 71

HSL 63.95, 0.7%, 0.58%

LAB 85.69, -21.77, 69.64

 

CMYK 0 / 13 / 68 / 13

HEX #DFC147

RGB 223 193 71

HSL 48.16, 0.7%, 0.58%

LAB 78.63, -2.53, 62.76

 

CMYK 0 / 32 / 68 / 13

HEX #DF9847

RGB 223 152 71

HSL 31.97, 0.7%, 0.58%

LAB 68.46, 19.18, 52.03

 

CMYK 0 / 50 / 68 / 13

HEX #DF6F47

RGB 223 111 71

HSL 15.79, 0.7%, 0.58%

LAB 59.45, 40.72, 41.97

 

CMYK 0 / 68 / 68 / 13

HEX #DF4747

RGB 223 71 71

HSL 0, 0.7%, 0.58%

LAB 52.56, 58.78, 33.88

 

CMYK 4 / 0 / 68 / 13

HEX #D5DF47

RGB 213 223 71

HSL 63.95, 0.7%, 0.58%

LAB 85.69, -21.77, 69.64

 

CMYK 23 / 0 / 68 / 13

HEX #ACDF47

RGB 172 223 71

HSL 80.13, 0.7%, 0.58%

LAB 82.91, -37.99, 65.93

 

CMYK 42 / 0 / 68 / 13

HEX #82DF47

RGB 130 223 71

HSL 96.71, 0.7%, 0.58%

LAB 80.73, -52.72, 62.98

 

CMYK 60 / 0 / 68 / 13

HEX #59DF47

RGB 89 223 71

HSL 112.89, 0.7%, 0.58%

LAB 79.24, -63.99, 60.97

 

CMYK 68 / 0 / 58 / 13

HEX #47DF5E

RGB 71 223 94

HSL 129.08, 0.7%, 0.58%

LAB 79, -65.27, 50.94

 

CMYK 4 / 0 / 68 / 13

HEX #D5DF47

RGB 213 223 71

HSL 63.95, 0.7%, 0.58%

LAB 85.69, -21.77, 69.64

 

CMYK 6 / 0 / 78 / 5

HEX #E3F136

RGB 227 241 54

HSL 64.49, 0.87%, 0.58%

LAB 91.46, -25.42, 80.91

 

CMYK 4 / 0 / 68 / 13

HEX #D5DF47

RGB 213 223 71

HSL 63.95, 0.7%, 0.58%

LAB 85.69, -21.77, 69.64

 

CMYK 4 / 0 / 57 / 19

HEX #C6CE59

RGB 198 206 89

HSL 64.1, 0.54%, 0.58%

LAB 80.11, -18.41, 56.05

 

CMYK 3 / 0 / 44 / 26

HEX #B7BD6A

RGB 183 189 106

HSL 64.34, 0.39%, 0.58%

LAB 74.51, -14.42, 41.09

 

CMYK 2 / 0 / 28 / 33

HEX #A8AB7B

RGB 168 171 123

HSL 63.75, 0.22%, 0.58%

LAB 68.66, -9, 24.43

 

CMYK 1 / 0 / 8 / 40

HEX #999A8D

RGB 153 154 141

HSL 64.62, 0.06%, 0.58%

LAB 63.18, -2.77, 6.69

 

CMYK 0 / 32 / 68 / 13

HEX #DF9847

RGB 223 152 71

HSL 31.97, 0.7%, 0.58%

LAB 68.46, 19.18, 52.03

 

CMYK 0 / 13 / 68 / 13

HEX #DFC147

RGB 223 193 71

HSL 48.16, 0.7%, 0.58%

LAB 78.63, -2.53, 62.76

 

CMYK 4 / 0 / 68 / 13

HEX #D5DF47

RGB 213 223 71

HSL 63.95, 0.7%, 0.58%

LAB 85.69, -21.77, 69.64

 

CMYK 22 / 0 / 68 / 13

HEX #ADDF47

RGB 173 223 71

HSL 79.74, 0.7%, 0.58%

LAB 82.97, -37.61, 66.01

 

CMYK 41 / 0 / 68 / 13

HEX #84DF47

RGB 132 223 71

HSL 95.92, 0.7%, 0.58%

LAB 80.81, -52.09, 63.1

 

CMYK 6 / 0 / 84 / 29

HEX #ABB61E

RGB 171 182 30

HSL 64.34, 0.72%, 0.42%

LAB 71.01, -20.97, 67.69

 

CMYK 6 / 0 / 83 / 15

HEX #CCD924

RGB 204 217 36

HSL 64.31, 0.72%, 0.5%

LAB 83.23, -23.98, 77.61

 

CMYK 4 / 0 / 68 / 13

HEX #D5DF47

RGB 213 223 71

HSL 63.95, 0.7%, 0.58%

LAB 85.69, -21.77, 69.64

 

CMYK 3 / 0 / 53 / 10

HEX #DDE56B

RGB 221 229 107

HSL 63.93, 0.7%, 0.66%

LAB 88.2, -19.03, 57.65

 

CMYK 3 / 0 / 40 / 8

HEX #E5EB8E

RGB 229 235 142

HSL 63.87, 0.7%, 0.74%

LAB 90.79, -15.54, 44.4

 

CMYK 5 / 0 / 68 / 12

HEX #D5E047

RGB 213 224 71

HSL 64.31, 0.71%, 0.58%

LAB 85.96, -22.25, 69.91

 

CMYK 68 / 0 / 50 / 13

HEX #47DF70

RGB 71 223 112

HSL 136.18, 0.7%, 0.58%

LAB 79.21, -62.85, 42.8

 

CMYK 22 / 68 / 0 / 13

HEX #AD47DF

RGB 173 71 223

HSL 280.26, 0.7%, 0.58%

LAB 50.36, 64.71, -59.59

 

CMYK 5 / 0 / 68 / 12

HEX #D5E047

RGB 213 224 71

HSL 64.31, 0.71%, 0.58%

LAB 85.96, -22.25, 69.91

 

CMYK 68 / 4 / 0 / 13

HEX #47D5DF

RGB 71 213 223

HSL 183.95, 0.7%, 0.58%

LAB 78.61, -34.01, -15.98

 

CMYK 0 / 68 / 4 / 13

HEX #DF47D5

RGB 223 71 213

HSL 303.95, 0.7%, 0.58%

LAB 57.07, 73.84, -42.77

 

CMYK 5 / 0 / 68 / 12

HEX #D5E047

RGB 213 224 71

HSL 64.31, 0.71%, 0.58%

LAB 85.96, -22.25, 69.91

 

CMYK 68 / 0 / 50 / 13

HEX #47DF70

RGB 71 223 112

HSL 136.18, 0.7%, 0.58%

LAB 79.21, -62.85, 42.8

 

CMYK 64 / 68 / 0 / 13

HEX #5147DF

RGB 81 71 223

HSL 243.95, 0.7%, 0.58%

LAB 40.55, 48.44, -75.98

 

CMYK 0 / 68 / 18 / 13

HEX #DF47B7

RGB 223 71 183

HSL 315.79, 0.7%, 0.58%

LAB 55.7, 69.46, -27.73

 

CMYK 5 / 0 / 68 / 12

HEX #D5E047

RGB 213 224 71

HSL 64.31, 0.71%, 0.58%

LAB 85.96, -22.25, 69.91

 

CMYK 68 / 0 / 29 / 13

HEX #47DF9E

RGB 71 223 158

HSL 154.34, 0.7%, 0.58%

LAB 79.94, -54.64, 20.51

 

CMYK 64 / 68 / 0 / 13

HEX #5147DF

RGB 81 71 223

HSL 243.95, 0.7%, 0.58%

LAB 40.55, 48.44, -75.98

 

CMYK 0 / 68 / 39 / 13

HEX #DF4789

RGB 223 71 137

HSL 333.95, 0.7%, 0.58%

LAB 54.03, 63.9, -3.27

 

Description

Color code: RGB 213 224 71 | qconv.com Color code: RGB 213 224 71 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 224 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 224 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 68 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 68% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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