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Color name
RGB 213 167 20

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 167 20 it is the complementary color RGB 42 88 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 167 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 167 20 shade: RGB 218 167 15, RGB 235 185 34, RGB 252 203 53, RGB 255 221 72 and RGB 255 239 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 167 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 167 20 shade: RGB 213 167 20, RGB 196 149 1, RGB 179 131 0, RGB 162 113 0 and RGB 145 95 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 167 20 shade: RGB 214 168 19, RGB 214 115 19, RGB 214 63 19 and RGB 214 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 167 20 shade: RGB 214 168 19, RGB 208 214 19, RGB 156 214 19, RGB 103 214 19 and RGB 51 214 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 167 20 shade matches the following richer shades: RGB 214 168 19 and RGB 233 178 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 167 20 shade: RGB 214 168 19, RGB 195 158 38, RGB 176 148 57, RGB 157 138 76 and RGB 138 128 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 167 20 shade: RGB 214 62 19, RGB 214 114 19, RGB 214 165 19, RGB 211 214 19 and RGB 159 214 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 167 20 shade: RGB 139 109 12, RGB 176 138 16, RGB 214 168 19, RGB 235 188 40 and RGB 238 200 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 167 20 shade: RGB 213 167 20, RGB 29 214 19 and RGB 88 19 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 167 20 shade: RGB 213 167 20, RGB 19 214 165 and RGB 165 19 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 167 20 shade: RGB 213 167 20, RGB 29 214 19, RGB 19 68 214 and RGB 204 19 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 167 20 shade: RGB 213 167 20, RGB 19 214 68, RGB 19 68 214 and RGB 214 19 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 91 / 16

HEX #D5A714

RGB 213 167 20

HSL 45.7, 0.83%, 0.46%

LAB 70.76, 5.02, 71.19

 

Complementary color

CMYK 82 / 63 / 0 / 8

HEX #2A58EB

RGB 42 88 235

HSL 225.7, 0.83%, 0.54%

LAB 43.46, 38.29, -78.08

 

CMYK 0 / 23 / 93 / 15

HEX #DAA70F

RGB 218 167 15

HSL 44.93, 0.87%, 0.46%

LAB 71.27, 7.14, 72.64

 

CMYK 0 / 21 / 86 / 8

HEX #EBB922

RGB 235 185 34

HSL 45.07, 0.83%, 0.53%

LAB 77.56, 5.38, 74.5

 

CMYK 0 / 19 / 79 / 1

HEX #FCCB35

RGB 252 203 53

HSL 45.23, 0.97%, 0.6%

LAB 83.79, 3.83, 75.16

 

CMYK 0 / 13 / 72 / 0

HEX #FFDD48

RGB 255 221 72

HSL 48.85, 1%, 0.64%

LAB 88.66, -3.34, 73.37

 

CMYK 0 / 6 / 64 / 0

HEX #FFEF5B

RGB 255 239 91

HSL 54.15, 1%, 0.68%

LAB 93.34, -11.33, 70.87

 

CMYK 0 / 22 / 91 / 16

HEX #D5A714

RGB 213 167 20

HSL 45.7, 0.83%, 0.46%

LAB 70.76, 5.02, 71.19

 

CMYK 0 / 24 / 99 / 23

HEX #C49501

RGB 196 149 1

HSL 45.54, 0.99%, 0.39%

LAB 64.35, 6.92, 68.49

 

CMYK 0 / 27 / 100 / 30

HEX #B38300

RGB 179 131 0

HSL 43.91, 1%, 0.35%

LAB 57.86, 9.12, 63.3

 

CMYK 0 / 30 / 100 / 36

HEX #A27100

RGB 162 113 0

HSL 41.85, 1%, 0.32%

LAB 51.26, 11.43, 57.89

 

CMYK 0 / 34 / 100 / 43

HEX #915F00

RGB 145 95 0

HSL 39.31, 1%, 0.28%

LAB 44.52, 13.86, 52.38

 

CMYK 0 / 21 / 91 / 16

HEX #D6A813

RGB 214 168 19

HSL 45.85, 0.84%, 0.46%

LAB 71.11, 4.91, 71.69

 

CMYK 0 / 46 / 91 / 16

HEX #D67313

RGB 214 115 19

HSL 29.54, 0.84%, 0.46%

LAB 58.61, 33.29, 62.37

 

CMYK 0 / 71 / 91 / 16

HEX #D63F13

RGB 214 63 19

HSL 13.54, 0.84%, 0.46%

LAB 49.37, 57.24, 55.8

 

CMYK 0 / 91 / 91 / 16

HEX #D61313

RGB 214 19 19

HSL 0, 0.84%, 0.46%

LAB 45.37, 68.49, 53.09

 

CMYK 0 / 21 / 91 / 16

HEX #D6A813

RGB 214 168 19

HSL 45.85, 0.84%, 0.46%

LAB 71.11, 4.91, 71.69

 

CMYK 3 / 0 / 91 / 16

HEX #D0D613

RGB 208 214 19

HSL 61.85, 0.84%, 0.46%

LAB 82.67, -21.22, 80.34

 

CMYK 27 / 0 / 91 / 16

HEX #9CD613

RGB 156 214 19

HSL 77.85, 0.84%, 0.46%

LAB 79.16, -42.24, 76.07

 

CMYK 52 / 0 / 91 / 16

HEX #67D613

RGB 103 214 19

HSL 94.15, 0.84%, 0.46%

LAB 76.69, -60.03, 73.03

 

CMYK 76 / 0 / 91 / 16

HEX #33D613

RGB 51 214 19

HSL 110.15, 0.84%, 0.46%

LAB 75.35, -71.16, 71.37

 

CMYK 0 / 21 / 91 / 16

HEX #D6A813

RGB 214 168 19

HSL 45.85, 0.84%, 0.46%

LAB 71.11, 4.91, 71.69

 

CMYK 0 / 24 / 100 / 9

HEX #E9B200

RGB 233 178 0

HSL 45.84, 1%, 0.46%

LAB 75.55, 7.72, 78.19

 

CMYK 0 / 21 / 91 / 16

HEX #D6A813

RGB 214 168 19

HSL 45.85, 0.84%, 0.46%

LAB 71.11, 4.91, 71.69

 

CMYK 0 / 19 / 81 / 24

HEX #C39E26

RGB 195 158 38

HSL 45.86, 0.67%, 0.46%

LAB 66.67, 2.33, 62.52

 

CMYK 0 / 16 / 68 / 31

HEX #B09439

RGB 176 148 57

HSL 45.88, 0.51%, 0.46%

LAB 62.26, 0.19, 50.27

 

CMYK 0 / 12 / 52 / 38

HEX #9D8A4C

RGB 157 138 76

HSL 45.93, 0.35%, 0.46%

LAB 57.91, -1.25, 35.57

 

CMYK 0 / 7 / 31 / 46

HEX #8A805F

RGB 138 128 95

HSL 46.05, 0.18%, 0.46%

LAB 53.67, -1.61, 19.32

 

CMYK 0 / 71 / 91 / 16

HEX #D63E13

RGB 214 62 19

HSL 13.23, 0.84%, 0.46%

LAB 49.24, 57.6, 55.7

 

CMYK 0 / 47 / 91 / 16

HEX #D67213

RGB 214 114 19

HSL 29.23, 0.84%, 0.46%

LAB 58.39, 33.81, 62.21

 

CMYK 0 / 23 / 91 / 16

HEX #D6A513

RGB 214 165 19

HSL 44.92, 0.84%, 0.46%

LAB 70.35, 6.51, 71.11

 

CMYK 1 / 0 / 91 / 16

HEX #D3D613

RGB 211 214 19

HSL 60.92, 0.84%, 0.46%

LAB 82.91, -19.95, 80.62

 

CMYK 26 / 0 / 91 / 16

HEX #9FD613

RGB 159 214 19

HSL 76.92, 0.84%, 0.46%

LAB 79.33, -41.1, 76.28

 

CMYK 0 / 22 / 91 / 45

HEX #8B6D0C

RGB 139 109 12

HSL 45.83, 0.84%, 0.3%

LAB 47.56, 3.14, 51.48

 

CMYK 0 / 22 / 91 / 31

HEX #B08A10

RGB 176 138 16

HSL 45.75, 0.83%, 0.38%

LAB 59.38, 4.11, 61.55

 

CMYK 0 / 21 / 91 / 16

HEX #D6A813

RGB 214 168 19

HSL 45.85, 0.84%, 0.46%

LAB 71.11, 4.91, 71.69

 

CMYK 0 / 20 / 83 / 8

HEX #EBBC28

RGB 235 188 40

HSL 45.54, 0.83%, 0.54%

LAB 78.33, 3.96, 73.58

 

CMYK 0 / 16 / 67 / 7

HEX #EEC84E

RGB 238 200 78

HSL 45.75, 0.82%, 0.62%

LAB 81.86, 0.56, 63.67

 

CMYK 0 / 22 / 91 / 16

HEX #D5A714

RGB 213 167 20

HSL 45.7, 0.83%, 0.46%

LAB 70.76, 5.02, 71.19

 

CMYK 86 / 0 / 91 / 16

HEX #1DD613

RGB 29 214 19

HSL 116.92, 0.84%, 0.46%

LAB 75.08, -73.63, 71.03

 

CMYK 59 / 91 / 0 / 16

HEX #5813D6

RGB 88 19 214

HSL 261.23, 0.84%, 0.46%

LAB 32.69, 68.46, -83.74

 

CMYK 0 / 22 / 91 / 16

HEX #D5A714

RGB 213 167 20

HSL 45.7, 0.83%, 0.46%

LAB 70.76, 5.02, 71.19

 

CMYK 91 / 0 / 23 / 16

HEX #13D6A5

RGB 19 214 165

HSL 164.92, 0.84%, 0.46%

LAB 76.65, -54.78, 12.11

 

CMYK 23 / 91 / 0 / 16

HEX #A513D6

RGB 165 19 214

HSL 284.92, 0.84%, 0.46%

LAB 43.24, 76.89, -66.02

 

CMYK 0 / 22 / 91 / 16

HEX #D5A714

RGB 213 167 20

HSL 45.7, 0.83%, 0.46%

LAB 70.76, 5.02, 71.19

 

CMYK 86 / 0 / 91 / 16

HEX #1DD613

RGB 29 214 19

HSL 116.92, 0.84%, 0.46%

LAB 75.08, -73.63, 71.03

 

CMYK 91 / 68 / 0 / 16

HEX #1344D6

RGB 19 68 214

HSL 224.92, 0.84%, 0.46%

LAB 36.23, 41.88, -78.02

 

CMYK 5 / 91 / 0 / 16

HEX #CC13D6

RGB 204 19 214

HSL 296.92, 0.84%, 0.46%

LAB 49.69, 82.84, -55.29

 

CMYK 0 / 22 / 91 / 16

HEX #D5A714

RGB 213 167 20

HSL 45.7, 0.83%, 0.46%

LAB 70.76, 5.02, 71.19

 

CMYK 91 / 0 / 68 / 16

HEX #13D644

RGB 19 214 68

HSL 135.08, 0.84%, 0.46%

LAB 75.23, -71.36, 57.51

 

CMYK 91 / 68 / 0 / 16

HEX #1344D6

RGB 19 68 214

HSL 224.92, 0.84%, 0.46%

LAB 36.23, 41.88, -78.02

 

CMYK 0 / 91 / 23 / 16

HEX #D613A5

RGB 214 19 165

HSL 315.08, 0.84%, 0.46%

LAB 48.86, 77.99, -27.92

 

Description

Color code: RGB 213 167 20 | qconv.com Color code: RGB 213 167 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 167 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 167 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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