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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 150 216 it is the complementary color RGB 42 105 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 150 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 150 216 shade: RGB 218 150 211, RGB 235 168 230, RGB 252 186 249, RGB 255 204 255 and RGB 255 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 150 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 150 216 shade: RGB 213 150 216, RGB 196 132 197, RGB 179 114 178, RGB 162 96 159 and RGB 145 78 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 150 216 shade: RGB 213 150 216, RGB 216 150 201, RGB 216 150 184, RGB 216 150 166 and RGB 216 150 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 150 216 shade: RGB 213 150 216, RGB 195 150 216, RGB 178 150 216, RGB 160 150 216 and RGB 150 150 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 150 216 shade matches the following richer shades: RGB 213 150 216, RGB 223 139 227, RGB 234 127 239 and RGB 244 116 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 150 216 shade: RGB 213 150 216, RGB 202 162 204, RGB 192 173 193, RGB 181 185 181 and RGB 171 196 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 150 216 shade: RGB 178 150 216, RGB 195 150 216, RGB 213 150 216, RGB 216 150 202 and RGB 216 150 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 150 216 shade: RGB 189 90 194, RGB 201 120 205, RGB 213 150 216, RGB 225 180 227 and RGB 237 210 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 150 216 shade: RGB 213 150 216, RGB 216 160 150 and RGB 150 216 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 150 216 shade: RGB 213 150 216, RGB 216 213 150 and RGB 150 216 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 150 216 shade: RGB 213 150 216, RGB 216 160 150, RGB 154 216 150 and RGB 150 206 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 150 216 shade: RGB 213 150 216, RGB 216 180 150, RGB 154 216 150 and RGB 150 186 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

Complementary color

CMYK 60 / 0 / 63 / 59

HEX #2A6927

RGB 42 105 39

HSL 117.27, 0.46%, 0.28%

LAB 39.14, -34.56, 30.54

 

CMYK 0 / 31 / 3 / 15

HEX #DA96D3

RGB 218 150 211

HSL 306.18, 0.48%, 0.72%

LAB 70.47, 35.11, -20.94

 

CMYK 0 / 29 / 2 / 8

HEX #EBA8E6

RGB 235 168 230

HSL 304.48, 0.63%, 0.79%

LAB 76.91, 34.43, -21.39

 

CMYK 0 / 26 / 1 / 1

HEX #FCBAF9

RGB 252 186 249

HSL 302.73, 0.92%, 0.86%

LAB 83.26, 33.79, -21.82

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 1 / 33 / 0 / 23

HEX #C484C5

RGB 196 132 197

HSL 299.08, 0.36%, 0.65%

LAB 63.57, 35.13, -23.9

 

CMYK 0 / 36 / 1 / 30

HEX #B372B2

RGB 179 114 178

HSL 300.92, 0.3%, 0.57%

LAB 56.91, 35.88, -23.48

 

CMYK 0 / 41 / 2 / 36

HEX #A2609F

RGB 162 96 159

HSL 302.73, 0.26%, 0.51%

LAB 50.16, 36.65, -23

 

CMYK 0 / 46 / 3 / 43

HEX #914E8C

RGB 145 78 140

HSL 304.48, 0.3%, 0.44%

LAB 43.3, 37.43, -22.44

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 0 / 31 / 7 / 15

HEX #D896C9

RGB 216 150 201

HSL 313.64, 0.46%, 0.72%

LAB 69.91, 32.68, -16.27

 

CMYK 0 / 31 / 15 / 15

HEX #D896B8

RGB 216 150 184

HSL 329.09, 0.46%, 0.72%

LAB 69.38, 29.82, -7.63

 

CMYK 0 / 31 / 23 / 15

HEX #D896A6

RGB 216 150 166

HSL 345.45, 0.46%, 0.72%

LAB 68.87, 27.05, 1.66

 

CMYK 0 / 31 / 31 / 15

HEX #D89696

RGB 216 150 150

HSL 0, 0.46%, 0.72%

LAB 68.47, 24.82, 10.02

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 10 / 31 / 0 / 15

HEX #C396D8

RGB 195 150 216

HSL 280.91, 0.46%, 0.72%

LAB 68.29, 28.67, -27.24

 

CMYK 18 / 31 / 0 / 15

HEX #B296D8

RGB 178 150 216

HSL 265.45, 0.46%, 0.72%

LAB 66.7, 23.35, -29.83

 

CMYK 26 / 31 / 0 / 15

HEX #A096D8

RGB 160 150 216

HSL 249.09, 0.46%, 0.72%

LAB 65.16, 17.88, -32.35

 

CMYK 31 / 31 / 0 / 15

HEX #9696D8

RGB 150 150 216

HSL 240, 0.46%, 0.72%

LAB 64.37, 14.95, -33.63

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 2 / 39 / 0 / 11

HEX #DF8BE3

RGB 223 139 227

HSL 297.27, 0.61%, 0.72%

LAB 69.25, 45.43, -31.59

 

CMYK 2 / 47 / 0 / 6

HEX #EA7FEF

RGB 234 127 239

HSL 297.32, 0.78%, 0.72%

LAB 68.68, 56.89, -38.99

 

CMYK 3 / 54 / 0 / 2

HEX #F474FB

RGB 244 116 251

HSL 296.89, 0.94%, 0.72%

LAB 68.53, 66.87, -45.73

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 1 / 21 / 0 / 20

HEX #CAA2CC

RGB 202 162 204

HSL 297.14, 0.29%, 0.72%

LAB 71.39, 21.98, -15.84

 

CMYK 1 / 10 / 0 / 24

HEX #C0ADC1

RGB 192 173 193

HSL 297, 0.14%, 0.72%

LAB 72.85, 10.44, -7.69

 

CMYK 2 / 0 / 2 / 27

HEX #B5B9B5

RGB 181 185 181

HSL 120, 0.03%, 0.72%

LAB 74.74, -2.14, 1.53

 

CMYK 13 / 0 / 13 / 23

HEX #ABC4AA

RGB 171 196 170

HSL 117.69, 0.18%, 0.72%

LAB 76.7, -13.41, 10.23

 

CMYK 18 / 31 / 0 / 15

HEX #B296D8

RGB 178 150 216

HSL 265.45, 0.46%, 0.72%

LAB 66.7, 23.35, -29.83

 

CMYK 10 / 31 / 0 / 15

HEX #C396D8

RGB 195 150 216

HSL 280.91, 0.46%, 0.72%

LAB 68.29, 28.67, -27.24

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 0 / 31 / 6 / 15

HEX #D896CA

RGB 216 150 202

HSL 312.73, 0.46%, 0.72%

LAB 69.95, 32.85, -16.78

 

CMYK 0 / 31 / 15 / 15

HEX #D896B8

RGB 216 150 184

HSL 329.09, 0.46%, 0.72%

LAB 69.38, 29.82, -7.63

 

CMYK 3 / 54 / 0 / 24

HEX #BD5AC2

RGB 189 90 194

HSL 297.12, 0.46%, 0.56%

LAB 54.05, 54.29, -37.01

 

CMYK 2 / 41 / 0 / 20

HEX #C978CD

RGB 201 120 205

HSL 297.18, 0.46%, 0.64%

LAB 61.88, 44.63, -30.96

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 1 / 21 / 0 / 11

HEX #E1B4E3

RGB 225 180 227

HSL 297.45, 0.46%, 0.8%

LAB 78.58, 24.19, -17.34

 

CMYK 0 / 12 / 0 / 7

HEX #EDD2EE

RGB 237 210 238

HSL 297.86, 0.45%, 0.88%

LAB 87.13, 14.21, -10.29

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 0 / 26 / 31 / 15

HEX #D8A096

RGB 216 160 150

HSL 9.09, 0.46%, 0.72%

LAB 70.83, 19.41, 13.35

 

CMYK 31 / 0 / 14 / 15

HEX #96D8BA

RGB 150 216 186

HSL 152.73, 0.46%, 0.72%

LAB 81.37, -27.14, 8.17

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 0 / 1 / 31 / 15

HEX #D8D596

RGB 216 213 150

HSL 57.27, 0.46%, 0.72%

LAB 84.17, -8.59, 31.59

 

CMYK 31 / 0 / 1 / 15

HEX #96D8D5

RGB 150 216 213

HSL 177.27, 0.46%, 0.72%

LAB 82.06, -21.34, -5.2

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 0 / 26 / 31 / 15

HEX #D8A096

RGB 216 160 150

HSL 9.09, 0.46%, 0.72%

LAB 70.83, 19.41, 13.35

 

CMYK 29 / 0 / 31 / 15

HEX #9AD896

RGB 154 216 150

HSL 116.36, 0.46%, 0.72%

LAB 80.84, -32.43, 26.41

 

CMYK 31 / 5 / 0 / 15

HEX #96CED8

RGB 150 206 216

HSL 189.09, 0.46%, 0.72%

LAB 79.38, -15.6, -10.77

 

CMYK 1 / 31 / 0 / 15

HEX #D596D8

RGB 213 150 216

HSL 297.27, 0.46%, 0.72%

LAB 70.12, 34.42, -24.29

 

CMYK 0 / 17 / 31 / 15

HEX #D8B496

RGB 216 180 150

HSL 27.27, 0.46%, 0.72%

LAB 75.73, 8.65, 20.17

 

CMYK 29 / 0 / 31 / 15

HEX #9AD896

RGB 154 216 150

HSL 116.36, 0.46%, 0.72%

LAB 80.84, -32.43, 26.41

 

CMYK 31 / 14 / 0 / 15

HEX #96BAD8

RGB 150 186 216

HSL 207.27, 0.46%, 0.72%

LAB 73.91, -5.09, -19

 

Description

Color code: RGB 213 150 216 | qconv.com Color code: RGB 213 150 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 150 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 150 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 31 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 31% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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