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Color name
RGB 213 140 43

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 140 43 it is the complementary color RGB 42 115 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 140 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 140 43 shade: RGB 218 140 38, RGB 235 158 57, RGB 252 176 76, RGB 255 194 95 and RGB 255 212 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 140 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 140 43 shade: RGB 213 140 43, RGB 196 122 24, RGB 179 104 5, RGB 162 86 0 and RGB 145 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 140 43 shade: RGB 212 139 42, RGB 212 93 42, RGB 212 47 42 and RGB 212 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 140 43 shade: RGB 212 139 42, RGB 212 185 42, RGB 194 212 42, RGB 148 212 42 and RGB 101 212 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 140 43 shade matches the following richer shades: RGB 212 139 42, RGB 233 142 21 and RGB 254 145 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 140 43 shade: RGB 212 139 42, RGB 192 136 62, RGB 171 133 83, RGB 151 130 103 and RGB 130 127 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 140 43 shade: RGB 212 47 42, RGB 212 93 42, RGB 212 138 42, RGB 212 184 42 and RGB 195 212 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 140 43 shade: RGB 144 94 28, RGB 178 116 35, RGB 212 139 42, RGB 219 158 76 and RGB 226 176 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 140 43 shade: RGB 213 140 43, RGB 81 212 42 and RGB 70 42 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 140 43 shade: RGB 213 140 43, RGB 42 212 138 and RGB 138 42 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 140 43 shade: RGB 213 140 43, RGB 81 212 42, RGB 42 116 212 and RGB 173 42 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 140 43 shade: RGB 213 140 43, RGB 42 212 53, RGB 42 116 212 and RGB 212 42 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 80 / 16

HEX #D58C2B

RGB 213 140 43

HSL 34.24, 0.67%, 0.5%

LAB 64.22, 20.13, 59.33

 

Complementary color

CMYK 80 / 46 / 0 / 17

HEX #2A73D4

RGB 42 115 212

HSL 214.24, 0.67%, 0.5%

LAB 48.89, 12.49, -56.23

 

CMYK 0 / 36 / 83 / 15

HEX #DA8C26

RGB 218 140 38

HSL 34, 0.71%, 0.5%

LAB 64.8, 22.11, 61.88

 

CMYK 0 / 33 / 76 / 8

HEX #EB9E39

RGB 235 158 57

HSL 34.04, 0.82%, 0.57%

LAB 71.15, 20.36, 61.35

 

CMYK 0 / 30 / 70 / 1

HEX #FCB04C

RGB 252 176 76

HSL 34.09, 0.97%, 0.64%

LAB 77.44, 18.82, 60.34

 

CMYK 0 / 24 / 63 / 0

HEX #FFC25F

RGB 255 194 95

HSL 37.13, 1%, 0.69%

LAB 82.2, 11.74, 57.09

 

CMYK 0 / 17 / 55 / 0

HEX #FFD472

RGB 255 212 114

HSL 41.7, 1%, 0.72%

LAB 86.78, 3.77, 53.49

 

CMYK 0 / 34 / 80 / 16

HEX #D58C2B

RGB 213 140 43

HSL 34.24, 0.67%, 0.5%

LAB 64.22, 20.13, 59.33

 

CMYK 0 / 38 / 88 / 23

HEX #C47A18

RGB 196 122 24

HSL 34.19, 0.78%, 0.43%

LAB 57.77, 22.03, 59.33

 

CMYK 0 / 42 / 97 / 30

HEX #B36805

RGB 179 104 5

HSL 34.14, 0.95%, 0.36%

LAB 51.26, 24.2, 57.9

 

CMYK 0 / 47 / 100 / 36

HEX #A25600

RGB 162 86 0

HSL 31.85, 1%, 0.32%

LAB 44.71, 26.65, 53.67

 

CMYK 0 / 53 / 100 / 43

HEX #914400

RGB 145 68 0

HSL 28.14, 1%, 0.28%

LAB 38.12, 29.18, 48.36

 

CMYK 0 / 34 / 80 / 17

HEX #D48B2A

RGB 212 139 42

HSL 34.24, 0.67%, 0.5%

LAB 63.86, 20.21, 59.33

 

CMYK 0 / 56 / 80 / 17

HEX #D45D2A

RGB 212 93 42

HSL 18, 0.67%, 0.5%

LAB 54.02, 44.15, 50.19

 

CMYK 0 / 78 / 80 / 17

HEX #D42F2A

RGB 212 47 42

HSL 1.76, 0.67%, 0.5%

LAB 47.23, 62.44, 43.6

 

CMYK 0 / 80 / 80 / 17

HEX #D42A2A

RGB 212 42 42

HSL 0, 0.67%, 0.5%

LAB 46.74, 63.84, 43.11

 

CMYK 0 / 34 / 80 / 17

HEX #D48B2A

RGB 212 139 42

HSL 34.24, 0.67%, 0.5%

LAB 63.86, 20.21, 59.33

 

CMYK 0 / 13 / 80 / 17

HEX #D4B92A

RGB 212 185 42

HSL 50.47, 0.67%, 0.5%

LAB 75.37, -4.35, 69.59

 

CMYK 8 / 0 / 80 / 17

HEX #C2D42A

RGB 194 212 42

HSL 66.35, 0.67%, 0.5%

LAB 81.14, -25.55, 74.08

 

CMYK 30 / 0 / 80 / 17

HEX #94D42A

RGB 148 212 42

HSL 82.59, 0.67%, 0.5%

LAB 78.2, -43.68, 70.35

 

CMYK 52 / 0 / 80 / 17

HEX #65D42A

RGB 101 212 42

HSL 99.18, 0.67%, 0.5%

LAB 76.08, -59.03, 67.63

 

CMYK 0 / 34 / 80 / 17

HEX #D48B2A

RGB 212 139 42

HSL 34.24, 0.67%, 0.5%

LAB 63.86, 20.21, 59.33

 

CMYK 0 / 39 / 91 / 9

HEX #E98E15

RGB 233 142 21

HSL 34.25, 0.83%, 0.5%

LAB 67.07, 27, 69.25

 

CMYK 0 / 43 / 100 / 0

HEX #FE9100

RGB 254 145 0

HSL 34.25, 1%, 0.5%

LAB 70.4, 33.88, 76

 

CMYK 0 / 34 / 80 / 17

HEX #D48B2A

RGB 212 139 42

HSL 34.24, 0.67%, 0.5%

LAB 63.86, 20.21, 59.33

 

CMYK 0 / 29 / 68 / 25

HEX #C0883E

RGB 192 136 62

HSL 34.15, 0.51%, 0.5%

LAB 60.92, 14.12, 47.05

 

CMYK 0 / 22 / 51 / 33

HEX #AB8553

RGB 171 133 83

HSL 34.09, 0.35%, 0.5%

LAB 58.09, 8.28, 32.38

 

CMYK 0 / 14 / 32 / 41

HEX #978267

RGB 151 130 103

HSL 33.75, 0.19%, 0.5%

LAB 55.61, 3.79, 17.59

 

CMYK 0 / 2 / 5 / 49

HEX #827F7C

RGB 130 127 124

HSL 30, 0.02%, 0.5%

LAB 53.36, 0.55, 2.02

 

CMYK 0 / 78 / 80 / 17

HEX #D42F2A

RGB 212 47 42

HSL 1.76, 0.67%, 0.5%

LAB 47.23, 62.44, 43.6

 

CMYK 0 / 56 / 80 / 17

HEX #D45D2A

RGB 212 93 42

HSL 18, 0.67%, 0.5%

LAB 54.02, 44.15, 50.19

 

CMYK 0 / 35 / 80 / 17

HEX #D48A2A

RGB 212 138 42

HSL 33.88, 0.67%, 0.5%

LAB 63.62, 20.75, 59.11

 

CMYK 0 / 13 / 80 / 17

HEX #D4B82A

RGB 212 184 42

HSL 50.12, 0.67%, 0.5%

LAB 75.1, -3.84, 69.36

 

CMYK 8 / 0 / 80 / 17

HEX #C3D42A

RGB 195 212 42

HSL 66, 0.67%, 0.5%

LAB 81.21, -25.13, 74.17

 

CMYK 0 / 35 / 81 / 44

HEX #905E1C

RGB 144 94 28

HSL 34.14, 0.67%, 0.34%

LAB 44.26, 14.68, 43.65

 

CMYK 0 / 35 / 80 / 30

HEX #B27423

RGB 178 116 35

HSL 33.99, 0.67%, 0.42%

LAB 54.11, 17.78, 51.53

 

CMYK 0 / 34 / 80 / 17

HEX #D48B2A

RGB 212 139 42

HSL 34.24, 0.67%, 0.5%

LAB 63.86, 20.21, 59.33

 

CMYK 0 / 28 / 65 / 14

HEX #DB9E4C

RGB 219 158 76

HSL 34.41, 0.67%, 0.58%

LAB 69.49, 14.56, 50.69

 

CMYK 0 / 22 / 51 / 11

HEX #E2B06E

RGB 226 176 110

HSL 34.14, 0.67%, 0.66%

LAB 75.04, 10.41, 40.57

 

CMYK 0 / 34 / 80 / 16

HEX #D58C2B

RGB 213 140 43

HSL 34.24, 0.67%, 0.5%

LAB 64.22, 20.13, 59.33

 

CMYK 62 / 0 / 80 / 17

HEX #51D42A

RGB 81 212 42

HSL 106.24, 0.67%, 0.5%

LAB 75.45, -64.08, 66.82

 

CMYK 67 / 80 / 0 / 17

HEX #462AD4

RGB 70 42 212

HSL 249.88, 0.67%, 0.5%

LAB 33.37, 58.8, -81.5

 

CMYK 0 / 34 / 80 / 16

HEX #D58C2B

RGB 213 140 43

HSL 34.24, 0.67%, 0.5%

LAB 64.22, 20.13, 59.33

 

CMYK 80 / 0 / 35 / 17

HEX #2AD48A

RGB 42 212 138

HSL 153.88, 0.67%, 0.5%

LAB 75.71, -58.36, 25.08

 

CMYK 35 / 80 / 0 / 17

HEX #8A2AD4

RGB 138 42 212

HSL 273.88, 0.67%, 0.5%

LAB 40.92, 67.12, -68.83

 

CMYK 0 / 34 / 80 / 16

HEX #D58C2B

RGB 213 140 43

HSL 34.24, 0.67%, 0.5%

LAB 64.22, 20.13, 59.33

 

CMYK 62 / 0 / 80 / 17

HEX #51D42A

RGB 81 212 42

HSL 106.24, 0.67%, 0.5%

LAB 75.45, -64.08, 66.82

 

CMYK 80 / 45 / 0 / 17

HEX #2A74D4

RGB 42 116 212

HSL 213.88, 0.67%, 0.5%

LAB 49.17, 11.86, -55.78

 

CMYK 18 / 80 / 0 / 17

HEX #AD2AD4

RGB 173 42 212

HSL 286.24, 0.67%, 0.5%

LAB 46.03, 72.84, -60.28

 

CMYK 0 / 34 / 80 / 16

HEX #D58C2B

RGB 213 140 43

HSL 34.24, 0.67%, 0.5%

LAB 64.22, 20.13, 59.33

 

CMYK 80 / 0 / 75 / 17

HEX #2AD435

RGB 42 212 53

HSL 123.88, 0.67%, 0.5%

LAB 74.72, -70.08, 62.49

 

CMYK 80 / 45 / 0 / 17

HEX #2A74D4

RGB 42 116 212

HSL 213.88, 0.67%, 0.5%

LAB 49.17, 11.86, -55.78

 

CMYK 0 / 80 / 5 / 17

HEX #D42AC9

RGB 212 42 201

HSL 303.88, 0.67%, 0.5%

LAB 51.69, 78.25, -44.54

 

Description

Color code: RGB 213 140 43 | qconv.com Color code: RGB 213 140 43 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 140 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 140 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 80 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 80% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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