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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 123 182 it is the complementary color RGB 42 132 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 123 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 123 182 shade: RGB 218 123 177, RGB 235 141 196, RGB 252 159 215, RGB 255 177 234 and RGB 255 195 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 123 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 123 182 shade: RGB 213 123 182, RGB 196 105 163, RGB 179 87 144, RGB 162 69 125 and RGB 145 51 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 123 182 shade: RGB 213 123 182, RGB 213 123 158, RGB 213 123 133 and RGB 213 123 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 123 182 shade: RGB 213 123 182, RGB 213 123 206, RGB 195 123 213, RGB 171 123 213 and RGB 147 123 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 123 182 shade matches the following richer shades: RGB 213 123 182, RGB 227 109 186 and RGB 241 95 191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 123 182 shade: RGB 213 123 182, RGB 199 137 177, RGB 185 151 173, RGB 171 165 169 and RGB 157 179 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 123 182 shade: RGB 195 123 213, RGB 213 123 207, RGB 213 123 183, RGB 213 123 159 and RGB 213 123 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 123 182 shade: RGB 193 60 147, RGB 203 91 165, RGB 213 123 182, RGB 223 154 199 and RGB 233 185 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 123 182 shade: RGB 213 123 182, RGB 213 171 123 and RGB 123 213 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 123 182 shade: RGB 213 123 182, RGB 183 213 123 and RGB 123 183 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 123 182 shade: RGB 213 123 182, RGB 213 171 123, RGB 123 213 153 and RGB 123 165 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 123 182 shade: RGB 213 123 182, RGB 213 198 123, RGB 123 213 153 and RGB 123 138 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

Complementary color

CMYK 68 / 0 / 45 / 48

HEX #2A8449

RGB 42 132 73

HSL 140.67, 0.52%, 0.34%

LAB 48.85, -40.33, 24.29

 

CMYK 0 / 44 / 19 / 15

HEX #DA7BB1

RGB 218 123 177

HSL 325.89, 0.56%, 0.67%

LAB 63.55, 43.72, -12.38

 

CMYK 0 / 40 / 17 / 8

HEX #EB8DC4

RGB 235 141 196

HSL 324.89, 0.7%, 0.74%

LAB 69.96, 42.94, -13.21

 

CMYK 0 / 37 / 15 / 1

HEX #FC9FD7

RGB 252 159 215

HSL 323.87, 0.94%, 0.81%

LAB 76.31, 42.18, -13.95

 

CMYK 0 / 31 / 8 / 0

HEX #FFB1EA

RGB 255 177 234

HSL 316.15, 1%, 0.85%

LAB 81.1, 36.88, -17.02

 

CMYK 0 / 24 / 1 / 0

HEX #FFC3FD

RGB 255 195 253

HSL 302, 1%, 0.88%

LAB 85.7, 30.74, -20.23

 

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

CMYK 0 / 46 / 17 / 23

HEX #C469A3

RGB 196 105 163

HSL 321.76, 0.44%, 0.59%

LAB 56.57, 43.62, -15.15

 

CMYK 0 / 51 / 20 / 30

HEX #B35790

RGB 179 87 144

HSL 322.83, 0.38%, 0.52%

LAB 49.99, 44.36, -14.18

 

CMYK 0 / 57 / 23 / 36

HEX #A2457D

RGB 162 69 125

HSL 323.87, 0.4%, 0.45%

LAB 43.39, 44.99, -12.98

 

CMYK 0 / 65 / 27 / 43

HEX #91336A

RGB 145 51 106

HSL 324.89, 0.48%, 0.38%

LAB 36.8, 45.38, -11.43

 

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

CMYK 0 / 42 / 26 / 16

HEX #D57B9E

RGB 213 123 158

HSL 336.67, 0.52%, 0.66%

LAB 62.32, 39.26, -3.44

 

CMYK 0 / 42 / 38 / 16

HEX #D57B85

RGB 213 123 133

HSL 353.33, 0.52%, 0.66%

LAB 61.66, 36.04, 9.91

 

CMYK 0 / 42 / 42 / 16

HEX #D57B7B

RGB 213 123 123

HSL 0, 0.52%, 0.66%

LAB 61.43, 34.91, 15.31

 

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

CMYK 0 / 42 / 3 / 16

HEX #D57BCE

RGB 213 123 206

HSL 304.67, 0.52%, 0.66%

LAB 63.97, 46.9, -28.16

 

CMYK 8 / 42 / 0 / 16

HEX #C37BD5

RGB 195 123 213

HSL 288, 0.52%, 0.66%

LAB 62.14, 42.79, -35.09

 

CMYK 20 / 42 / 0 / 16

HEX #AB7BD5

RGB 171 123 213

HSL 272, 0.52%, 0.66%

LAB 59.55, 35.74, -39.34

 

CMYK 31 / 42 / 0 / 16

HEX #937BD5

RGB 147 123 213

HSL 256, 0.52%, 0.66%

LAB 57.24, 28.93, -43.12

 

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

CMYK 0 / 52 / 18 / 11

HEX #E36DBA

RGB 227 109 186

HSL 320.85, 0.68%, 0.66%

LAB 62.35, 54.88, -19.19

 

CMYK 0 / 61 / 21 / 5

HEX #F15FBF

RGB 241 95 191

HSL 320.55, 0.84%, 0.66%

LAB 62.21, 65.91, -22.07

 

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

CMYK 0 / 31 / 11 / 22

HEX #C789B1

RGB 199 137 177

HSL 321.29, 0.36%, 0.66%

LAB 64.33, 29.8, -11.44

 

CMYK 0 / 18 / 6 / 27

HEX #B997AD

RGB 185 151 173

HSL 321.18, 0.2%, 0.66%

LAB 66.11, 16.41, -6.68

 

CMYK 0 / 4 / 1 / 33

HEX #ABA5A9

RGB 171 165 169

HSL 320, 0.03%, 0.66%

LAB 68.34, 2.9, -1.3

 

CMYK 12 / 0 / 8 / 30

HEX #9DB3A4

RGB 157 179 164

HSL 139.09, 0.13%, 0.66%

LAB 70.93, -10.53, 5.1

 

CMYK 8 / 42 / 0 / 16

HEX #C37BD5

RGB 195 123 213

HSL 288, 0.52%, 0.66%

LAB 62.14, 42.79, -35.09

 

CMYK 0 / 42 / 3 / 16

HEX #D57BCF

RGB 213 123 207

HSL 304, 0.52%, 0.66%

LAB 64.01, 47.07, -28.66

 

CMYK 0 / 42 / 14 / 16

HEX #D57BB7

RGB 213 123 183

HSL 320, 0.52%, 0.66%

LAB 63.12, 43.01, -16.49

 

CMYK 0 / 42 / 25 / 16

HEX #D57B9F

RGB 213 123 159

HSL 336, 0.52%, 0.66%

LAB 62.35, 39.4, -3.97

 

CMYK 0 / 42 / 37 / 16

HEX #D57B87

RGB 213 123 135

HSL 352, 0.52%, 0.66%

LAB 61.71, 36.27, 8.83

 

CMYK 0 / 69 / 24 / 24

HEX #C13C93

RGB 193 60 147

HSL 320.75, 0.53%, 0.5%

LAB 47.85, 60.91, -19.04

 

CMYK 0 / 55 / 19 / 20

HEX #CB5BA5

RGB 203 91 165

HSL 320.36, 0.52%, 0.58%

LAB 54.96, 53.05, -18.66

 

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

CMYK 0 / 31 / 11 / 13

HEX #DF9AC7

RGB 223 154 199

HSL 320.87, 0.52%, 0.74%

LAB 71.5, 32.55, -12.7

 

CMYK 0 / 21 / 7 / 9

HEX #E9B9D8

RGB 233 185 216

HSL 321.25, 0.52%, 0.82%

LAB 80.17, 22.23, -8.94

 

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

CMYK 0 / 20 / 42 / 16

HEX #D5AB7B

RGB 213 171 123

HSL 32, 0.52%, 0.66%

LAB 72.7, 9.05, 30.51

 

CMYK 42 / 0 / 3 / 16

HEX #7BD5CF

RGB 123 213 207

HSL 176, 0.52%, 0.66%

LAB 79.79, -28.37, -5.49

 

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

CMYK 14 / 0 / 42 / 16

HEX #B7D57B

RGB 183 213 123

HSL 80, 0.52%, 0.66%

LAB 81.34, -24.46, 41.14

 

CMYK 42 / 14 / 0 / 16

HEX #7BB7D5

RGB 123 183 213

HSL 200, 0.52%, 0.66%

LAB 71.47, -11.6, -21.19

 

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

CMYK 0 / 20 / 42 / 16

HEX #D5AB7B

RGB 213 171 123

HSL 32, 0.52%, 0.66%

LAB 72.7, 9.05, 30.51

 

CMYK 42 / 0 / 28 / 16

HEX #7BD599

RGB 123 213 153

HSL 140, 0.52%, 0.66%

LAB 78.52, -40, 21.43

 

CMYK 42 / 23 / 0 / 16

HEX #7BA5D5

RGB 123 165 213

HSL 212, 0.52%, 0.66%

LAB 66.46, -1.79, -28.87

 

CMYK 0 / 42 / 15 / 16

HEX #D57BB6

RGB 213 123 182

HSL 320.67, 0.52%, 0.66%

LAB 63.09, 42.85, -15.97

 

CMYK 0 / 7 / 42 / 16

HEX #D5C67B

RGB 213 198 123

HSL 50, 0.52%, 0.66%

LAB 79.59, -5.18, 39.41

 

CMYK 42 / 0 / 28 / 16

HEX #7BD599

RGB 123 213 153

HSL 140, 0.52%, 0.66%

LAB 78.52, -40, 21.43

 

CMYK 42 / 35 / 0 / 16

HEX #7B8AD5

RGB 123 138 213

HSL 230, 0.52%, 0.66%

LAB 59.15, 13.71, -40.25

 

Description

Color code: RGB 213 123 182 | qconv.com Color code: RGB 213 123 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 123 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 123 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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