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Color name
RGB 213 120 26

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 120 26 it is the complementary color RGB 42 135 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 120 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 120 26 shade: RGB 218 120 21, RGB 235 138 40, RGB 252 156 59, RGB 255 174 78 and RGB 255 192 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 120 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 120 26 shade: RGB 213 120 26, RGB 196 102 7, RGB 179 84 0, RGB 162 66 0 and RGB 145 48 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 120 26 shade: RGB 213 120 26, RGB 213 69 26 and RGB 213 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 120 26 shade: RGB 213 120 26, RGB 213 170 26, RGB 205 213 26, RGB 155 213 26 and RGB 104 213 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 120 26 shade matches the following richer shades: RGB 213 120 26 and RGB 232 120 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 120 26 shade: RGB 213 120 26, RGB 193 120 45, RGB 174 120 65, RGB 155 120 84 and RGB 135 119 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 120 26 shade: RGB 213 26 32, RGB 213 69 26, RGB 213 119 26, RGB 213 169 26 and RGB 207 213 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 120 26 shade: RGB 139 78 17, RGB 176 99 21, RGB 213 120 26, RGB 229 140 51 and RGB 234 161 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 120 26 shade: RGB 213 120 26, RGB 82 213 26 and RGB 45 26 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 120 26 shade: RGB 213 120 26, RGB 26 213 119 and RGB 119 26 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 120 26 shade: RGB 213 120 26, RGB 82 213 26, RGB 26 119 213 and RGB 157 26 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 120 26 shade: RGB 213 120 26, RGB 26 213 26, RGB 26 119 213 and RGB 213 26 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

Complementary color

CMYK 82 / 41 / 0 / 10

HEX #2A87E5

RGB 42 135 229

HSL 210.16, 0.78%, 0.53%

LAB 55.56, 6.53, -55.12

 

CMYK 0 / 45 / 90 / 15

HEX #DA7815

RGB 218 120 21

HSL 30.15, 0.82%, 0.47%

LAB 60.24, 32.35, 63.32

 

CMYK 0 / 41 / 83 / 8

HEX #EB8A28

RGB 235 138 40

HSL 30.15, 0.83%, 0.54%

LAB 66.51, 30.34, 63.5

 

CMYK 0 / 38 / 77 / 1

HEX #FC9C3B

RGB 252 156 59

HSL 30.16, 0.97%, 0.61%

LAB 72.75, 28.53, 62.79

 

CMYK 0 / 32 / 69 / 0

HEX #FFAE4E

RGB 255 174 78

HSL 32.54, 1%, 0.65%

LAB 77.33, 21.21, 59.45

 

CMYK 0 / 25 / 62 / 0

HEX #FFC061

RGB 255 192 97

HSL 36.08, 1%, 0.69%

LAB 81.74, 12.91, 55.64

 

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

CMYK 0 / 48 / 96 / 23

HEX #C46607

RGB 196 102 7

HSL 30.16, 0.93%, 0.4%

LAB 53.23, 32.53, 59.97

 

CMYK 0 / 53 / 100 / 30

HEX #B35400

RGB 179 84 0

HSL 28.16, 1%, 0.35%

LAB 46.88, 34.86, 56.29

 

CMYK 0 / 59 / 100 / 36

HEX #A24200

RGB 162 66 0

HSL 24.44, 1%, 0.32%

LAB 40.54, 37.18, 51.23

 

CMYK 0 / 67 / 100 / 43

HEX #913000

RGB 145 48 0

HSL 19.86, 1%, 0.28%

LAB 34.26, 39.21, 46.21

 

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

CMYK 0 / 68 / 88 / 16

HEX #D5451A

RGB 213 69 26

HSL 13.8, 0.78%, 0.47%

LAB 50.07, 54.72, 53.67

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

CMYK 0 / 20 / 88 / 16

HEX #D5AA1A

RGB 213 170 26

HSL 46.2, 0.78%, 0.47%

LAB 71.53, 3.54, 70.58

 

CMYK 4 / 0 / 88 / 16

HEX #CDD51A

RGB 205 213 26

HSL 62.57, 0.78%, 0.47%

LAB 82.19, -21.87, 78.78

 

CMYK 27 / 0 / 88 / 16

HEX #9BD51A

RGB 155 213 26

HSL 78.61, 0.78%, 0.47%

LAB 78.83, -42.03, 74.65

 

CMYK 51 / 0 / 88 / 16

HEX #68D51A

RGB 104 213 26

HSL 94.97, 0.78%, 0.47%

LAB 76.44, -59.19, 71.68

 

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

CMYK 0 / 48 / 97 / 9

HEX #E87806

RGB 232 120 6

HSL 30.27, 0.95%, 0.47%

LAB 62.17, 37.84, 68.46

 

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

CMYK 0 / 38 / 77 / 24

HEX #C1782D

RGB 193 120 45

HSL 30.41, 0.62%, 0.47%

LAB 57.04, 22.5, 50.84

 

CMYK 0 / 31 / 63 / 32

HEX #AE7841

RGB 174 120 65

HSL 30.28, 0.46%, 0.47%

LAB 54.88, 15.38, 38.16

 

CMYK 0 / 23 / 46 / 39

HEX #9B7854

RGB 155 120 84

HSL 30.42, 0.3%, 0.47%

LAB 52.99, 8.83, 24.97

 

CMYK 0 / 12 / 24 / 47

HEX #877767

RGB 135 119 103

HSL 30, 0.13%, 0.47%

LAB 51.06, 3.47, 11.07

 

CMYK 0 / 88 / 85 / 16

HEX #D51A20

RGB 213 26 32

HSL 358.07, 0.78%, 0.47%

LAB 45.62, 67.37, 47.35

 

CMYK 0 / 68 / 88 / 16

HEX #D5451A

RGB 213 69 26

HSL 13.8, 0.78%, 0.47%

LAB 50.07, 54.72, 53.67

 

CMYK 0 / 44 / 88 / 16

HEX #D5771A

RGB 213 119 26

HSL 29.84, 0.78%, 0.47%

LAB 59.36, 30.9, 60.96

 

CMYK 0 / 21 / 88 / 16

HEX #D5A91A

RGB 213 169 26

HSL 45.88, 0.78%, 0.47%

LAB 71.28, 4.07, 70.38

 

CMYK 3 / 0 / 88 / 16

HEX #CFD51A

RGB 207 213 26

HSL 61.93, 0.78%, 0.47%

LAB 82.34, -21.03, 78.96

 

CMYK 0 / 44 / 88 / 45

HEX #8B4E11

RGB 139 78 17

HSL 30, 0.78%, 0.31%

LAB 39.54, 21.29, 43.54

 

CMYK 0 / 44 / 88 / 31

HEX #B06315

RGB 176 99 21

HSL 30.19, 0.79%, 0.39%

LAB 49.75, 25.92, 52.7

 

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

CMYK 0 / 39 / 78 / 10

HEX #E58C33

RGB 229 140 51

HSL 30, 0.77%, 0.55%

LAB 66.25, 27.17, 58.81

 

CMYK 0 / 31 / 63 / 8

HEX #EAA157

RGB 234 161 87

HSL 30.2, 0.78%, 0.63%

LAB 72.01, 19.92, 48.68

 

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

CMYK 62 / 0 / 88 / 16

HEX #52D51A

RGB 82 213 26

HSL 102.03, 0.78%, 0.47%

LAB 75.73, -64.87, 70.8

 

CMYK 79 / 88 / 0 / 16

HEX #2D1AD5

RGB 45 26 213

HSL 246.1, 0.78%, 0.47%

LAB 29.67, 63.8, -88.29

 

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

CMYK 88 / 0 / 44 / 16

HEX #1AD577

RGB 26 213 119

HSL 149.84, 0.78%, 0.47%

LAB 75.54, -63.66, 34.57

 

CMYK 44 / 88 / 0 / 16

HEX #771AD5

RGB 119 26 213

HSL 269.84, 0.78%, 0.47%

LAB 36.86, 69.47, -76.15

 

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

CMYK 62 / 0 / 88 / 16

HEX #52D51A

RGB 82 213 26

HSL 102.03, 0.78%, 0.47%

LAB 75.73, -64.87, 70.8

 

CMYK 88 / 44 / 0 / 16

HEX #1A77D5

RGB 26 119 213

HSL 210.16, 0.78%, 0.47%

LAB 49.76, 9.08, -55.42

 

CMYK 26 / 88 / 0 / 16

HEX #9D1AD5

RGB 157 26 213

HSL 282.03, 0.78%, 0.47%

LAB 42.32, 74.35, -66.99

 

CMYK 0 / 44 / 88 / 16

HEX #D5781A

RGB 213 120 26

HSL 30.16, 0.78%, 0.47%

LAB 59.57, 30.38, 61.13

 

CMYK 88 / 0 / 88 / 16

HEX #1AD51A

RGB 26 213 26

HSL 120, 0.78%, 0.47%

LAB 74.75, -73.36, 69.56

 

CMYK 88 / 44 / 0 / 16

HEX #1A77D5

RGB 26 119 213

HSL 210.16, 0.78%, 0.47%

LAB 49.76, 9.08, -55.42

 

CMYK 0 / 88 / 0 / 16

HEX #D51AD5

RGB 213 26 213

HSL 300, 0.78%, 0.47%

LAB 51.48, 83.25, -51.75

 

Description

Color code: RGB 213 120 26 | qconv.com Color code: RGB 213 120 26 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 120 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 120 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 88 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 88% 16% C M Y K

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Provide designers and agencies with accurate color values.

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