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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 93 129 it is the complementary color RGB 43 162 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 93 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 93 129 shade: RGB 217 93 124, RGB 234 111 143, RGB 251 129 162, RGB 255 147 181 and RGB 255 165 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 93 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 93 129 shade: RGB 212 93 129, RGB 195 75 110, RGB 178 57 91, RGB 161 39 72 and RGB 144 21 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 93 129 shade: RGB 212 93 129, RGB 212 93 97 and RGB 212 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 93 129 shade: RGB 212 93 129, RGB 212 93 161, RGB 212 93 193, RGB 198 93 212 and RGB 167 93 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 93 129 shade matches the following richer shades: RGB 212 93 129, RGB 228 77 123 and RGB 245 60 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 93 129 shade: RGB 212 93 129, RGB 195 110 136, RGB 179 126 142, RGB 162 143 149 and RGB 146 159 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 93 129 shade: RGB 212 93 194, RGB 212 93 162, RGB 212 93 131, RGB 212 93 99 and RGB 212 119 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 93 129 shade: RGB 176 46 86, RGB 203 61 104, RGB 212 93 129, RGB 220 126 154 and RGB 229 159 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 93 129 shade: RGB 212 93 129, RGB 212 198 93 and RGB 93 178 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 93 129 shade: RGB 212 93 129, RGB 131 212 93 and RGB 93 131 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 93 129 shade: RGB 212 93 129, RGB 212 198 93, RGB 93 212 174 and RGB 93 107 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 93 129 shade: RGB 212 93 129, RGB 190 212 93, RGB 93 212 174 and RGB 115 93 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

Complementary color

CMYK 73 / 0 / 22 / 36

HEX #2BA27E

RGB 43 162 126

HSL 161.85, 0.58%, 0.4%

LAB 59.76, -41.13, 9.5

 

CMYK 0 / 57 / 43 / 15

HEX #D95D7C

RGB 217 93 124

HSL 345, 0.62%, 0.61%

LAB 56.12, 51.45, 7.34

 

CMYK 0 / 53 / 39 / 8

HEX #EA6F8F

RGB 234 111 143

HSL 344.39, 0.75%, 0.68%

LAB 62.38, 50.64, 5.58

 

CMYK 0 / 49 / 35 / 2

HEX #FB81A2

RGB 251 129 162

HSL 343.77, 0.94%, 0.75%

LAB 68.62, 49.77, 4.08

 

CMYK 0 / 42 / 29 / 0

HEX #FF93B5

RGB 255 147 181

HSL 341.11, 1%, 0.79%

LAB 73.2, 44.49, 0.18

 

CMYK 0 / 35 / 22 / 0

HEX #FFA5C8

RGB 255 165 200

HSL 336.67, 1%, 0.82%

LAB 77.48, 37.84, -3.98

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 0 / 62 / 44 / 24

HEX #C34B6E

RGB 195 75 110

HSL 342.5, 0.5%, 0.53%

LAB 49.2, 50.99, 5.34

 

CMYK 0 / 68 / 49 / 30

HEX #B2395B

RGB 178 57 91

HSL 343.14, 0.51%, 0.46%

LAB 42.98, 51.41, 7.73

 

CMYK 0 / 76 / 55 / 37

HEX #A12748

RGB 161 39 72

HSL 343.77, 0.61%, 0.39%

LAB 36.92, 51.33, 10.79

 

CMYK 0 / 85 / 63 / 44

HEX #901535

RGB 144 21 53

HSL 344.39, 0.75%, 0.32%

LAB 31.17, 50.37, 14.77

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 0 / 56 / 54 / 17

HEX #D45D61

RGB 212 93 97

HSL 357.98, 0.58%, 0.6%

LAB 54.75, 47.25, 21.19

 

CMYK 0 / 56 / 56 / 17

HEX #D45D5D

RGB 212 93 93

HSL 0, 0.58%, 0.6%

LAB 54.67, 46.94, 23.42

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 0 / 56 / 24 / 17

HEX #D45DA1

RGB 212 93 161

HSL 325.71, 0.58%, 0.6%

LAB 56.49, 54.28, -13.9

 

CMYK 0 / 56 / 9 / 17

HEX #D45DC1

RGB 212 93 193

HSL 309.58, 0.58%, 0.6%

LAB 57.73, 59.05, -30.47

 

CMYK 7 / 56 / 0 / 17

HEX #C65DD4

RGB 198 93 212

HSL 292.94, 0.58%, 0.6%

LAB 56.67, 58.58, -43.08

 

CMYK 21 / 56 / 0 / 17

HEX #A75DD4

RGB 167 93 212

HSL 277.31, 0.58%, 0.6%

LAB 52.73, 50.63, -49.59

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 0 / 66 / 46 / 11

HEX #E44D7B

RGB 228 77 123

HSL 341.72, 0.74%, 0.6%

LAB 55.31, 61.69, 7.01

 

CMYK 0 / 76 / 53 / 4

HEX #F53C74

RGB 245 60 116

HSL 341.84, 0.9%, 0.6%

LAB 55.99, 71.8, 12.56

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 0 / 44 / 30 / 24

HEX #C36E88

RGB 195 110 136

HSL 341.65, 0.41%, 0.6%

LAB 56.62, 36.73, 0.62

 

CMYK 0 / 30 / 21 / 30

HEX #B37E8E

RGB 179 126 142

HSL 341.89, 0.26%, 0.6%

LAB 58.47, 22.94, -0.38

 

CMYK 0 / 12 / 8 / 36

HEX #A28F95

RGB 162 143 149

HSL 341.05, 0.09%, 0.6%

LAB 61.22, 8.16, -0.58

 

CMYK 8 / 0 / 3 / 38

HEX #929F9B

RGB 146 159 155

HSL 161.54, 0.06%, 0.6%

LAB 64.38, -5.41, 0.49

 

CMYK 0 / 56 / 8 / 17

HEX #D45DC2

RGB 212 93 194

HSL 309.08, 0.58%, 0.6%

LAB 57.77, 59.21, -30.97

 

CMYK 0 / 56 / 24 / 17

HEX #D45DA2

RGB 212 93 162

HSL 325.21, 0.58%, 0.6%

LAB 56.52, 54.42, -14.43

 

CMYK 0 / 56 / 38 / 17

HEX #D45D83

RGB 212 93 131

HSL 340.84, 0.58%, 0.6%

LAB 55.55, 50.54, 2.3

 

CMYK 0 / 56 / 53 / 17

HEX #D45D63

RGB 212 93 99

HSL 356.97, 0.58%, 0.6%

LAB 54.79, 47.42, 20.07

 

CMYK 0 / 44 / 56 / 17

HEX #D4775D

RGB 212 119 93

HSL 13.11, 0.58%, 0.6%

LAB 59.87, 33.8, 30.17

 

CMYK 0 / 74 / 51 / 31

HEX #B02E56

RGB 176 46 86

HSL 341.54, 0.59%, 0.44%

LAB 40.99, 54.52, 7.99

 

CMYK 0 / 70 / 49 / 20

HEX #CB3D68

RGB 203 61 104

HSL 341.83, 0.58%, 0.52%

LAB 48.3, 58.65, 7.88

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 0 / 43 / 30 / 14

HEX #DC7E9A

RGB 220 126 154

HSL 342.13, 0.57%, 0.68%

LAB 63.73, 39.6, 1.01

 

CMYK 0 / 31 / 21 / 10

HEX #E59FB4

RGB 229 159 180

HSL 342, 0.57%, 0.76%

LAB 72.73, 28.97, -0.32

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 0 / 7 / 56 / 17

HEX #D4C65D

RGB 212 198 93

HSL 52.94, 0.58%, 0.6%

LAB 79.14, -8.3, 53.45

 

CMYK 56 / 16 / 0 / 17

HEX #5DB2D4

RGB 93 178 212

HSL 197.14, 0.58%, 0.6%

LAB 68.69, -16.08, -25.01

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 38 / 0 / 56 / 17

HEX #83D45D

RGB 131 212 93

HSL 100.84, 0.58%, 0.6%

LAB 77.7, -45.91, 50.4

 

CMYK 56 / 38 / 0 / 17

HEX #5D83D4

RGB 93 131 212

HSL 220.84, 0.58%, 0.6%

LAB 55.39, 10.54, -45.74

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 0 / 7 / 56 / 17

HEX #D4C65D

RGB 212 198 93

HSL 52.94, 0.58%, 0.6%

LAB 79.14, -8.3, 53.45

 

CMYK 56 / 0 / 18 / 17

HEX #5DD4AE

RGB 93 212 174

HSL 160.84, 0.58%, 0.6%

LAB 77.56, -42.53, 8.79

 

CMYK 56 / 50 / 0 / 17

HEX #5D6BD4

RGB 93 107 212

HSL 232.94, 0.58%, 0.6%

LAB 49, 25.2, -55.93

 

CMYK 0 / 56 / 39 / 17

HEX #D45D81

RGB 212 93 129

HSL 341.85, 0.58%, 0.6%

LAB 55.49, 50.32, 3.4

 

CMYK 10 / 0 / 56 / 17

HEX #BED45D

RGB 190 212 93

HSL 71.09, 0.58%, 0.6%

LAB 81.19, -24.25, 55.34

 

CMYK 56 / 0 / 18 / 17

HEX #5DD4AE

RGB 93 212 174

HSL 160.84, 0.58%, 0.6%

LAB 77.56, -42.53, 8.79

 

CMYK 46 / 56 / 0 / 17

HEX #735DD4

RGB 115 93 212

HSL 251.09, 0.58%, 0.6%

LAB 47.27, 38.26, -58.63

 

Description

Color code: RGB 212 93 129 | qconv.com Color code: RGB 212 93 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 93 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 93 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 39 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 39% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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