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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 91 27 it is the complementary color RGB 43 164 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 91 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 91 27 shade: RGB 217 91 22, RGB 234 109 41, RGB 251 127 60, RGB 255 145 79 and RGB 255 163 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 91 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 91 27 shade: RGB 212 91 27, RGB 195 73 8, RGB 178 55 0, RGB 161 37 0 and RGB 144 19 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 91 27 shade: RGB 212 91 27, RGB 212 41 27 and RGB 212 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 91 27 shade: RGB 212 91 27, RGB 212 141 27, RGB 212 190 27, RGB 183 212 27 and RGB 133 212 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 91 27 shade matches the following richer shades: RGB 212 91 27 and RGB 231 85 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 91 27 shade: RGB 212 91 27, RGB 192 97 46, RGB 173 103 66, RGB 153 109 85 and RGB 134 115 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 91 27 shade: RGB 212 27 64, RGB 212 39 27, RGB 212 89 27, RGB 212 138 27 and RGB 212 187 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 91 27 shade: RGB 139 59 18, RGB 175 75 22, RGB 212 91 27, RGB 228 113 52 and RGB 233 138 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 91 27 shade: RGB 212 91 27, RGB 113 212 27 and RGB 27 39 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 91 27 shade: RGB 212 91 27, RGB 27 212 89 and RGB 89 27 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 91 27 shade: RGB 212 91 27, RGB 113 212 27, RGB 27 150 212 and RGB 126 27 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 91 27 shade: RGB 212 91 27, RGB 58 212 27, RGB 27 150 212 and RGB 181 27 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

Complementary color

CMYK 81 / 28 / 0 / 11

HEX #2BA4E4

RGB 43 164 228

HSL 200.76, 0.77%, 0.53%

LAB 63.89, -10.57, -41.38

 

CMYK 0 / 58 / 90 / 15

HEX #D95B16

RGB 217 91 22

HSL 21.23, 0.82%, 0.47%

LAB 54.34, 46.47, 58.61

 

CMYK 0 / 53 / 82 / 8

HEX #EA6D29

RGB 234 109 41

HSL 21.14, 0.82%, 0.54%

LAB 60.42, 44.68, 57.74

 

CMYK 0 / 49 / 76 / 2

HEX #FB7F3C

RGB 251 127 60

HSL 21.05, 0.96%, 0.61%

LAB 66.53, 42.96, 56.2

 

CMYK 0 / 43 / 69 / 0

HEX #FF914F

RGB 255 145 79

HSL 22.5, 1%, 0.65%

LAB 70.92, 36.3, 52.05

 

CMYK 0 / 36 / 62 / 0

HEX #FFA362

RGB 255 163 98

HSL 24.84, 1%, 0.69%

LAB 75.04, 28.12, 47.39

 

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

CMYK 0 / 63 / 96 / 24

HEX #C34908

RGB 195 73 8

HSL 20.86, 0.92%, 0.4%

LAB 47.48, 46.47, 55.99

 

CMYK 0 / 69 / 100 / 30

HEX #B23700

RGB 178 55 0

HSL 18.54, 1%, 0.35%

LAB 41.53, 48.07, 53.3

 

CMYK 0 / 77 / 100 / 37

HEX #A12500

RGB 161 37 0

HSL 13.79, 1%, 0.32%

LAB 35.79, 49.1, 48.72

 

CMYK 0 / 87 / 100 / 44

HEX #901300

RGB 144 19 0

HSL 7.92, 1%, 0.28%

LAB 30.39, 49.02, 43.58

 

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

CMYK 0 / 81 / 87 / 17

HEX #D4291B

RGB 212 41 27

HSL 4.54, 0.77%, 0.47%

LAB 46.53, 63.74, 50.39

 

CMYK 0 / 87 / 87 / 17

HEX #D41B1B

RGB 212 27 27

HSL 0, 0.77%, 0.47%

LAB 45.44, 66.83, 49.52

 

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

CMYK 0 / 33 / 87 / 17

HEX #D48D1B

RGB 212 141 27

HSL 36.97, 0.77%, 0.47%

LAB 64.26, 18.71, 64.51

 

CMYK 0 / 10 / 87 / 17

HEX #D4BE1B

RGB 212 190 27

HSL 52.86, 0.77%, 0.47%

LAB 76.62, -7.34, 74.38

 

CMYK 14 / 0 / 87 / 17

HEX #B7D41B

RGB 183 212 27

HSL 69.41, 0.77%, 0.47%

LAB 80.31, -30.49, 76.41

 

CMYK 37 / 0 / 87 / 17

HEX #85D41B

RGB 133 212 27

HSL 85.62, 0.77%, 0.47%

LAB 77.37, -49.58, 72.77

 

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

CMYK 0 / 63 / 97 / 9

HEX #E75508

RGB 231 85 8

HSL 20.72, 0.93%, 0.47%

LAB 55.59, 54.02, 64

 

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

CMYK 0 / 49 / 76 / 25

HEX #C0612E

RGB 192 97 46

HSL 20.96, 0.61%, 0.47%

LAB 51.78, 34.49, 45.06

 

CMYK 0 / 40 / 62 / 32

HEX #AD6742

RGB 173 103 66

HSL 20.75, 0.45%, 0.47%

LAB 50.66, 24.55, 32.58

 

CMYK 0 / 29 / 44 / 40

HEX #996D55

RGB 153 109 85

HSL 21.18, 0.29%, 0.47%

LAB 49.94, 14.4, 20.33

 

CMYK 0 / 14 / 22 / 47

HEX #867369

RGB 134 115 105

HSL 20.69, 0.12%, 0.47%

LAB 49.92, 5.7, 8.26

 

CMYK 0 / 87 / 70 / 17

HEX #D41B40

RGB 212 27 64

HSL 348, 0.77%, 0.47%

LAB 45.84, 67.99, 29.37

 

CMYK 0 / 82 / 87 / 17

HEX #D4271B

RGB 212 39 27

HSL 3.89, 0.77%, 0.47%

LAB 46.35, 64.25, 50.24

 

CMYK 0 / 58 / 87 / 17

HEX #D4591B

RGB 212 89 27

HSL 20.11, 0.77%, 0.47%

LAB 53.19, 45.65, 55.68

 

CMYK 0 / 35 / 87 / 17

HEX #D48A1B

RGB 212 138 27

HSL 36, 0.77%, 0.47%

LAB 63.55, 20.33, 63.94

 

CMYK 0 / 12 / 87 / 17

HEX #D4BB1B

RGB 212 187 27

HSL 51.89, 0.77%, 0.47%

LAB 75.83, -5.79, 73.75

 

CMYK 0 / 58 / 87 / 45

HEX #8B3B12

RGB 139 59 18

HSL 20.33, 0.77%, 0.31%

LAB 35.32, 31.83, 39.56

 

CMYK 0 / 57 / 87 / 31

HEX #AF4B16

RGB 175 75 22

HSL 20.78, 0.78%, 0.39%

LAB 44.52, 38.19, 48.05

 

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

CMYK 0 / 50 / 77 / 11

HEX #E47134

RGB 228 113 52

HSL 20.8, 0.77%, 0.55%

LAB 60.38, 40.77, 52.62

 

CMYK 0 / 41 / 62 / 9

HEX #E98A58

RGB 233 138 88

HSL 20.69, 0.77%, 0.63%

LAB 66.68, 31.75, 41.89

 

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

CMYK 47 / 0 / 87 / 17

HEX #71D41B

RGB 113 212 27

HSL 92.11, 0.77%, 0.47%

LAB 76.48, -56.13, 71.66

 

CMYK 87 / 82 / 0 / 17

HEX #1B27D4

RGB 27 39 212

HSL 236.11, 0.77%, 0.47%

LAB 30.49, 57.63, -86.36

 

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

CMYK 87 / 0 / 58 / 17

HEX #1BD459

RGB 27 212 89

HSL 140.11, 0.77%, 0.47%

LAB 74.85, -67.86, 48.18

 

CMYK 58 / 87 / 0 / 17

HEX #591BD4

RGB 89 27 212

HSL 260.11, 0.77%, 0.47%

LAB 33.27, 65.98, -81.63

 

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

CMYK 47 / 0 / 87 / 17

HEX #71D41B

RGB 113 212 27

HSL 92.11, 0.77%, 0.47%

LAB 76.48, -56.13, 71.66

 

CMYK 87 / 29 / 0 / 17

HEX #1B96D4

RGB 27 150 212

HSL 200.11, 0.77%, 0.47%

LAB 58.79, -9.7, -40.52

 

CMYK 41 / 87 / 0 / 17

HEX #7E1BD4

RGB 126 27 212

HSL 272.11, 0.77%, 0.47%

LAB 37.79, 69.82, -74.01

 

CMYK 0 / 57 / 87 / 17

HEX #D45B1B

RGB 212 91 27

HSL 20.76, 0.77%, 0.47%

LAB 53.56, 44.7, 55.97

 

CMYK 73 / 0 / 87 / 17

HEX #3AD41B

RGB 58 212 27

HSL 109.95, 0.77%, 0.47%

LAB 74.87, -69.24, 69.64

 

CMYK 87 / 29 / 0 / 17

HEX #1B96D4

RGB 27 150 212

HSL 200.11, 0.77%, 0.47%

LAB 58.79, -9.7, -40.52

 

CMYK 15 / 87 / 0 / 17

HEX #B51BD4

RGB 181 27 212

HSL 289.95, 0.77%, 0.47%

LAB 46.12, 77.62, -60.07

 

Description

Color code: RGB 212 91 27 | qconv.com Color code: RGB 212 91 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 91 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 91 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 87 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 87% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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