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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 78 11 it is the complementary color RGB 43 177 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 78 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 78 11 shade: RGB 217 78 6, RGB 234 96 25, RGB 251 114 44, RGB 255 132 63 and RGB 255 150 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 78 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 78 11 shade: RGB 212 78 11, RGB 195 60 0, RGB 178 42 0, RGB 161 24 0 and RGB 144 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 78 11 shade: RGB 213 78 11, RGB 213 24 11 and RGB 213 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 78 11 shade: RGB 213 78 11, RGB 213 133 11, RGB 213 187 11, RGB 184 213 11 and RGB 129 213 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 78 11 shade matches the following richer shades: RGB 213 78 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 78 11 shade: RGB 213 78 11, RGB 195 84 29, RGB 176 90 47, RGB 158 96 65 and RGB 140 102 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 78 11 shade: RGB 213 11 51, RGB 213 24 11, RGB 213 78 11, RGB 213 132 11 and RGB 213 186 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 78 11 shade: RGB 134 49 7, RGB 173 64 9, RGB 213 78 11, RGB 242 96 22 and RGB 244 122 62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 78 11 shade: RGB 212 78 11, RGB 105 213 11 and RGB 11 24 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 78 11 shade: RGB 212 78 11, RGB 11 213 78 and RGB 78 11 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 78 11 shade: RGB 212 78 11, RGB 105 213 11, RGB 11 145 213 and RGB 118 11 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 78 11 shade: RGB 212 78 11, RGB 44 213 11, RGB 11 145 213 and RGB 179 11 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 95 / 17

HEX #D44E0B

RGB 212 78 11

HSL 20, 0.9%, 0.44%

LAB 51.23, 50.4, 59.1

 

Complementary color

CMYK 82 / 27 / 0 / 4

HEX #2BB1F4

RGB 43 177 244

HSL 200, 0.9%, 0.56%

LAB 68.38, -12.12, -43.1

 

CMYK 0 / 64 / 97 / 15

HEX #D94E06

RGB 217 78 6

HSL 20.47, 0.95%, 0.44%

LAB 52.08, 52.11, 61.14

 

CMYK 0 / 59 / 89 / 8

HEX #EA6019

RGB 234 96 25

HSL 20.38, 0.83%, 0.51%

LAB 57.97, 50.45, 61.57

 

CMYK 0 / 55 / 82 / 2

HEX #FB722C

RGB 251 114 44

HSL 20.29, 0.96%, 0.58%

LAB 63.94, 48.73, 60.63

 

CMYK 0 / 48 / 75 / 0

HEX #FF843F

RGB 255 132 63

HSL 21.56, 1%, 0.62%

LAB 68.11, 42.13, 56.61

 

CMYK 0 / 41 / 68 / 0

HEX #FF9652

RGB 255 150 82

HSL 23.58, 1%, 0.66%

LAB 72.02, 33.89, 51.81

 

CMYK 0 / 63 / 95 / 17

HEX #D44E0B

RGB 212 78 11

HSL 20, 0.9%, 0.44%

LAB 51.23, 50.4, 59.1

 

CMYK 0 / 69 / 100 / 24

HEX #C33C00

RGB 195 60 0

HSL 18.46, 1%, 0.38%

LAB 45.41, 51.88, 56.97

 

CMYK 0 / 76 / 100 / 30

HEX #B22A00

RGB 178 42 0

HSL 14.16, 1%, 0.35%

LAB 39.78, 52.87, 52.49

 

CMYK 0 / 85 / 100 / 37

HEX #A11800

RGB 161 24 0

HSL 8.94, 1%, 0.32%

LAB 34.46, 52.86, 48.01

 

CMYK 0 / 96 / 100 / 44

HEX #900600

RGB 144 6 0

HSL 2.5, 1%, 0.28%

LAB 29.56, 51.39, 42.96

 

CMYK 0 / 63 / 95 / 16

HEX #D54E0B

RGB 213 78 11

HSL 19.9, 0.9%, 0.44%

LAB 51.4, 50.75, 59.29

 

CMYK 0 / 89 / 95 / 16

HEX #D5180B

RGB 213 24 11

HSL 3.86, 0.9%, 0.44%

LAB 45.39, 67.39, 55.75

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 63 / 95 / 16

HEX #D54E0B

RGB 213 78 11

HSL 19.9, 0.9%, 0.44%

LAB 51.4, 50.75, 59.29

 

CMYK 0 / 38 / 95 / 16

HEX #D5850B

RGB 213 133 11

HSL 36.24, 0.9%, 0.44%

LAB 62.46, 23.19, 66.66

 

CMYK 0 / 12 / 95 / 16

HEX #D5BB0B

RGB 213 187 11

HSL 52.28, 0.9%, 0.44%

LAB 75.89, -5.6, 76.36

 

CMYK 14 / 0 / 95 / 16

HEX #B8D50B

RGB 184 213 11

HSL 68.61, 0.9%, 0.44%

LAB 80.63, -30.83, 78.92

 

CMYK 39 / 0 / 95 / 16

HEX #81D50B

RGB 129 213 11

HSL 84.95, 0.9%, 0.44%

LAB 77.45, -51.7, 75.06

 

CMYK 0 / 63 / 95 / 16

HEX #D54E0B

RGB 213 78 11

HSL 19.9, 0.9%, 0.44%

LAB 51.4, 50.75, 59.29

 

CMYK 0 / 63 / 95 / 16

HEX #D54E0B

RGB 213 78 11

HSL 19.9, 0.9%, 0.44%

LAB 51.4, 50.75, 59.29

 

CMYK 0 / 57 / 85 / 24

HEX #C3541D

RGB 195 84 29

HSL 19.88, 0.74%, 0.44%

LAB 49.53, 41.67, 50.77

 

CMYK 0 / 49 / 73 / 31

HEX #B05A2F

RGB 176 90 47

HSL 20, 0.58%, 0.44%

LAB 47.94, 31.73, 39.79

 

CMYK 0 / 39 / 59 / 38

HEX #9E6041

RGB 158 96 65

HSL 20, 0.42%, 0.44%

LAB 47, 22.03, 28.19

 

CMYK 0 / 27 / 41 / 45

HEX #8C6653

RGB 140 102 83

HSL 20, 0.26%, 0.44%

LAB 46.58, 12.67, 16.74

 

CMYK 0 / 95 / 76 / 16

HEX #D50B33

RGB 213 11 51

HSL 348.12, 0.9%, 0.44%

LAB 45.12, 69.89, 36.37

 

CMYK 0 / 89 / 95 / 16

HEX #D5180B

RGB 213 24 11

HSL 3.86, 0.9%, 0.44%

LAB 45.39, 67.39, 55.75

 

CMYK 0 / 63 / 95 / 16

HEX #D54E0B

RGB 213 78 11

HSL 19.9, 0.9%, 0.44%

LAB 51.4, 50.75, 59.29

 

CMYK 0 / 38 / 95 / 16

HEX #D5840B

RGB 213 132 11

HSL 35.94, 0.9%, 0.44%

LAB 62.23, 23.73, 66.49

 

CMYK 0 / 13 / 95 / 16

HEX #D5BA0B

RGB 213 186 11

HSL 51.98, 0.9%, 0.44%

LAB 75.63, -5.09, 76.16

 

CMYK 0 / 63 / 95 / 47

HEX #863107

RGB 134 49 7

HSL 19.84, 0.9%, 0.28%

LAB 32.44, 34.65, 41.24

 

CMYK 0 / 63 / 95 / 32

HEX #AD4009

RGB 173 64 9

HSL 20.12, 0.9%, 0.36%

LAB 42.11, 42.48, 50.42

 

CMYK 0 / 63 / 95 / 16

HEX #D54E0B

RGB 213 78 11

HSL 19.9, 0.9%, 0.44%

LAB 51.4, 50.75, 59.29

 

CMYK 0 / 60 / 91 / 5

HEX #F26016

RGB 242 96 22

HSL 20.18, 0.89%, 0.52%

LAB 59.25, 53.26, 63.98

 

CMYK 0 / 50 / 75 / 4

HEX #F47A3E

RGB 244 122 62

HSL 19.78, 0.89%, 0.6%

LAB 64.56, 42.84, 52.94

 

CMYK 0 / 63 / 95 / 17

HEX #D44E0B

RGB 212 78 11

HSL 20, 0.9%, 0.44%

LAB 51.23, 50.4, 59.1

 

CMYK 51 / 0 / 95 / 16

HEX #69D50B

RGB 105 213 11

HSL 92.08, 0.9%, 0.44%

LAB 76.45, -59.25, 73.84

 

CMYK 95 / 89 / 0 / 16

HEX #0B18D5

RGB 11 24 213

HSL 236.14, 0.9%, 0.44%

LAB 28.19, 63.62, -90.78

 

CMYK 0 / 63 / 95 / 17

HEX #D44E0B

RGB 212 78 11

HSL 20, 0.9%, 0.44%

LAB 51.23, 50.4, 59.1

 

CMYK 95 / 0 / 63 / 16

HEX #0BD54E

RGB 11 213 78

HSL 139.9, 0.9%, 0.44%

LAB 74.96, -70.39, 53.12

 

CMYK 63 / 95 / 0 / 16

HEX #4E0BD5

RGB 78 11 213

HSL 259.9, 0.9%, 0.44%

LAB 31.03, 69.12, -85.96

 

CMYK 0 / 63 / 95 / 17

HEX #D44E0B

RGB 212 78 11

HSL 20, 0.9%, 0.44%

LAB 51.23, 50.4, 59.1

 

CMYK 51 / 0 / 95 / 16

HEX #69D50B

RGB 105 213 11

HSL 92.08, 0.9%, 0.44%

LAB 76.45, -59.25, 73.84

 

CMYK 95 / 32 / 0 / 16

HEX #0B91D5

RGB 11 145 213

HSL 200.2, 0.9%, 0.44%

LAB 57.2, -7.25, -43.59

 

CMYK 45 / 95 / 0 / 16

HEX #760BD5

RGB 118 11 213

HSL 271.78, 0.9%, 0.44%

LAB 35.78, 72.21, -77.94

 

CMYK 0 / 63 / 95 / 17

HEX #D44E0B

RGB 212 78 11

HSL 20, 0.9%, 0.44%

LAB 51.23, 50.4, 59.1

 

CMYK 79 / 0 / 95 / 16

HEX #2CD50B

RGB 44 213 11

HSL 110.2, 0.9%, 0.44%

LAB 74.92, -71.99, 71.96

 

CMYK 95 / 32 / 0 / 16

HEX #0B91D5

RGB 11 145 213

HSL 200.2, 0.9%, 0.44%

LAB 57.2, -7.25, -43.59

 

CMYK 16 / 95 / 0 / 16

HEX #B30BD5

RGB 179 11 213

HSL 289.9, 0.9%, 0.44%

LAB 45.12, 79.69, -62.29

 

Description

Color code: RGB 212 78 11 | qconv.com Color code: RGB 212 78 11 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 78 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 78 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 95 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 95% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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