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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 67 6 it is the complementary color RGB 43 188 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 67 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 67 6 shade: RGB 217 67 1, RGB 234 85 20, RGB 251 103 39, RGB 255 121 58 and RGB 255 139 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 67 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 67 6 shade: RGB 212 67 6, RGB 195 49 0, RGB 178 31 0, RGB 161 13 0 and RGB 144 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 67 6 shade: RGB 212 67 6, RGB 212 12 6 and RGB 212 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 67 6 shade: RGB 212 67 6, RGB 212 123 6, RGB 212 178 6, RGB 191 212 6 and RGB 135 212 6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 67 6 shade matches the following richer shades: RGB 212 67 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 67 6 shade: RGB 212 67 6, RGB 194 74 24, RGB 177 82 42, RGB 159 89 59 and RGB 141 96 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 67 6 shade: RGB 212 6 58, RGB 212 10 6, RGB 212 64 6, RGB 212 119 6 and RGB 212 174 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 67 6 shade: RGB 132 42 4, RGB 172 54 5, RGB 212 67 6, RGB 247 82 13 and RGB 248 111 53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 67 6 shade: RGB 212 67 6, RGB 113 212 6 and RGB 6 30 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 67 6 shade: RGB 212 67 6, RGB 6 212 64 and RGB 64 6 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 67 6 shade: RGB 212 67 6, RGB 113 212 6, RGB 6 154 212 and RGB 106 6 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 67 6 shade: RGB 212 67 6, RGB 51 212 6, RGB 6 154 212 and RGB 168 6 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

Complementary color

CMYK 83 / 24 / 0 / 2

HEX #2BBCF9

RGB 43 188 249

HSL 197.77, 0.94%, 0.57%

LAB 71.77, -16.3, -40.5

 

CMYK 0 / 69 / 100 / 15

HEX #D94301

RGB 217 67 1

HSL 18.33, 0.99%, 0.43%

LAB 50.41, 56.52, 61.41

 

CMYK 0 / 64 / 91 / 8

HEX #EA5514

RGB 234 85 20

HSL 18.22, 0.84%, 0.5%

LAB 56.13, 55.19, 61.78

 

CMYK 0 / 59 / 84 / 2

HEX #FB6727

RGB 251 103 39

HSL 18.11, 0.96%, 0.57%

LAB 61.96, 53.66, 60.9

 

CMYK 0 / 53 / 77 / 0

HEX #FF793A

RGB 255 121 58

HSL 19.19, 1%, 0.61%

LAB 65.94, 47.32, 56.7

 

CMYK 0 / 45 / 70 / 0

HEX #FF8B4D

RGB 255 139 77

HSL 20.9, 1%, 0.65%

LAB 69.66, 39.24, 51.63

 

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

CMYK 0 / 75 / 100 / 24

HEX #C33100

RGB 195 49 0

HSL 15.08, 1%, 0.38%

LAB 43.94, 55.91, 56.28

 

CMYK 0 / 83 / 100 / 30

HEX #B21F00

RGB 178 31 0

HSL 10.45, 1%, 0.35%

LAB 38.63, 56.11, 51.99

 

CMYK 0 / 92 / 100 / 37

HEX #A10D00

RGB 161 13 0

HSL 4.84, 1%, 0.32%

LAB 33.7, 55.02, 47.58

 

CMYK 0 / 100 / 100 / 44

HEX #900000

RGB 144 0 0

HSL 0, 1%, 0.28%

LAB 29.23, 52.34, 42.7

 

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

CMYK 0 / 94 / 97 / 17

HEX #D40C06

RGB 212 12 6

HSL 1.75, 0.94%, 0.43%

LAB 44.62, 68.66, 56.71

 

CMYK 0 / 97 / 97 / 17

HEX #D40606

RGB 212 6 6

HSL 0, 0.94%, 0.43%

LAB 44.43, 69.2, 56.62

 

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

CMYK 0 / 42 / 97 / 17

HEX #D47B06

RGB 212 123 6

HSL 34.08, 0.94%, 0.43%

LAB 60.05, 28.07, 65.73

 

CMYK 0 / 16 / 97 / 17

HEX #D4B206

RGB 212 178 6

HSL 50.1, 0.94%, 0.43%

LAB 73.45, -1.41, 75.06

 

CMYK 10 / 0 / 97 / 17

HEX #BFD406

RGB 191 212 6

HSL 66.12, 0.94%, 0.43%

LAB 80.84, -27.52, 79.75

 

CMYK 36 / 0 / 97 / 17

HEX #87D406

RGB 135 212 6

HSL 82.43, 0.94%, 0.43%

LAB 77.43, -49.29, 75.65

 

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

CMYK 0 / 62 / 88 / 24

HEX #C24A18

RGB 194 74 24

HSL 17.65, 0.78%, 0.43%

LAB 47.54, 45.9, 51.04

 

CMYK 0 / 54 / 76 / 31

HEX #B1522A

RGB 177 82 42

HSL 17.78, 0.62%, 0.43%

LAB 46.38, 36.1, 40.76

 

CMYK 0 / 44 / 63 / 38

HEX #9F593B

RGB 159 89 59

HSL 18, 0.46%, 0.43%

LAB 45.4, 25.93, 29.69

 

CMYK 0 / 32 / 45 / 45

HEX #8D604D

RGB 141 96 77

HSL 17.81, 0.29%, 0.43%

LAB 45.03, 15.9, 18.23

 

CMYK 0 / 97 / 73 / 17

HEX #D4063A

RGB 212 6 58

HSL 344.85, 0.94%, 0.43%

LAB 44.85, 70.34, 31.82

 

CMYK 0 / 95 / 97 / 17

HEX #D40A06

RGB 212 10 6

HSL 1.17, 0.94%, 0.43%

LAB 44.56, 68.85, 56.68

 

CMYK 0 / 70 / 97 / 17

HEX #D44006

RGB 212 64 6

HSL 16.89, 0.94%, 0.43%

LAB 49.1, 56.06, 59

 

CMYK 0 / 44 / 97 / 17

HEX #D47706

RGB 212 119 6

HSL 32.91, 0.94%, 0.43%

LAB 59.16, 30.2, 65.15

 

CMYK 0 / 18 / 97 / 17

HEX #D4AE06

RGB 212 174 6

HSL 48.93, 0.94%, 0.43%

LAB 72.42, 0.7, 74.32

 

CMYK 0 / 68 / 97 / 48

HEX #842A04

RGB 132 42 4

HSL 17.81, 0.94%, 0.27%

LAB 30.81, 37.13, 41.15

 

CMYK 0 / 69 / 97 / 33

HEX #AC3605

RGB 172 54 5

HSL 17.6, 0.94%, 0.35%

LAB 40.28, 46.45, 50.4

 

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

CMYK 0 / 67 / 95 / 3

HEX #F7520D

RGB 247 82 13

HSL 17.69, 0.94%, 0.51%

LAB 57.88, 60.7, 65.77

 

CMYK 0 / 55 / 79 / 3

HEX #F86F35

RGB 248 111 53

HSL 17.85, 0.93%, 0.59%

LAB 63, 49.31, 55.74

 

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

CMYK 47 / 0 / 97 / 17

HEX #71D406

RGB 113 212 6

HSL 88.83, 0.94%, 0.43%

LAB 76.44, -56.57, 74.45

 

CMYK 97 / 86 / 0 / 17

HEX #061ED4

RGB 6 30 212

HSL 233.01, 0.94%, 0.43%

LAB 28.7, 61.09, -89.36

 

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

CMYK 97 / 0 / 70 / 17

HEX #06D440

RGB 6 212 64

HSL 136.89, 0.94%, 0.43%

LAB 74.51, -71.71, 58.26

 

CMYK 70 / 97 / 0 / 17

HEX #4006D4

RGB 64 6 212

HSL 256.89, 0.94%, 0.43%

LAB 29.35, 69, -88.21

 

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

CMYK 47 / 0 / 97 / 17

HEX #71D406

RGB 113 212 6

HSL 88.83, 0.94%, 0.43%

LAB 76.44, -56.57, 74.45

 

CMYK 97 / 27 / 0 / 17

HEX #069AD4

RGB 6 154 212

HSL 196.89, 0.94%, 0.43%

LAB 59.8, -12.85, -38.94

 

CMYK 50 / 97 / 0 / 17

HEX #6A06D4

RGB 106 6 212

HSL 269.13, 0.94%, 0.43%

LAB 33.87, 71.59, -80.56

 

CMYK 0 / 68 / 97 / 17

HEX #D44306

RGB 212 67 6

HSL 17.77, 0.94%, 0.43%

LAB 49.53, 54.91, 59.23

 

CMYK 76 / 0 / 97 / 17

HEX #33D406

RGB 51 212 6

HSL 106.89, 0.94%, 0.43%

LAB 74.7, -70.84, 72.32

 

CMYK 97 / 27 / 0 / 17

HEX #069AD4

RGB 6 154 212

HSL 196.89, 0.94%, 0.43%

LAB 59.8, -12.85, -38.94

 

CMYK 21 / 97 / 0 / 17

HEX #A806D4

RGB 168 6 212

HSL 287.18, 0.94%, 0.43%

LAB 43.08, 78.44, -65.12

 

Description

Color code: RGB 212 67 6 | qconv.com Color code: RGB 212 67 6 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 67 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 67 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 97 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 97% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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