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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 64 231 it is the complementary color RGB 43 191 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 64 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 64 231 shade: RGB 217 64 226, RGB 234 82 245, RGB 251 100 255, RGB 255 118 255 and RGB 255 136 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 64 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 64 231 shade: RGB 212 64 231, RGB 195 46 212, RGB 178 28 193, RGB 161 10 174 and RGB 144 0 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 64 231 shade: RGB 212 64 231, RGB 231 64 205, RGB 231 64 160, RGB 231 64 115 and RGB 231 64 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 64 231 shade: RGB 212 64 231, RGB 167 64 231, RGB 122 64 231, RGB 77 64 231 and RGB 64 64 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 64 231 shade matches the following richer shades: RGB 212 64 231 and RGB 225 47 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 64 231 shade: RGB 212 64 231, RGB 199 81 214, RGB 185 99 196, RGB 172 116 179 and RGB 158 133 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 64 231 shade: RGB 122 64 231, RGB 167 64 231, RGB 211 64 231, RGB 231 64 206 and RGB 231 64 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 64 231 shade: RGB 170 23 189, RGB 203 27 226, RGB 212 64 231, RGB 220 101 235 and RGB 228 137 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 64 231 shade: RGB 212 64 231, RGB 231 78 64 and RGB 64 231 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 64 231 shade: RGB 212 64 231, RGB 231 211 64 and RGB 64 231 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 64 231 shade: RGB 212 64 231, RGB 231 78 64, RGB 83 231 64 and RGB 64 217 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 64 231 shade: RGB 212 64 231, RGB 231 128 64, RGB 83 231 64 and RGB 64 167 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

Complementary color

CMYK 77 / 0 / 87 / 25

HEX #2BBF18

RGB 43 191 24

HSL 113.17, 0.78%, 0.42%

LAB 67.9, -65.29, 64.07

 

CMYK 4 / 72 / 0 / 11

HEX #D940E2

RGB 217 64 226

HSL 296.67, 0.74%, 0.57%

LAB 56, 76.97, -51.9

 

CMYK 4 / 67 / 0 / 4

HEX #EA52F5

RGB 234 82 245

HSL 295.95, 0.89%, 0.64%

LAB 61.76, 77.49, -53.2

 

CMYK 2 / 61 / 0 / 0

HEX #FB64FF

RGB 251 100 255

HSL 298.45, 1%, 0.7%

LAB 67.16, 76.09, -50.01

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 8 / 78 / 0 / 17

HEX #C32ED4

RGB 195 46 212

HSL 293.86, 0.66%, 0.51%

LAB 49.87, 75.71, -53.93

 

CMYK 8 / 85 / 0 / 24

HEX #B21CC1

RGB 178 28 193

HSL 294.55, 0.75%, 0.43%

LAB 44.44, 73.75, -51.81

 

CMYK 7 / 94 / 0 / 32

HEX #A10AAE

RGB 161 10 174

HSL 295.24, 0.89%, 0.36%

LAB 39.33, 70.58, -48.98

 

CMYK 7 / 100 / 0 / 39

HEX #90009B

RGB 144 0 155

HSL 295.74, 1%, 0.3%

LAB 34.59, 65.94, -45.32

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 0 / 72 / 11 / 9

HEX #E740CD

RGB 231 64 205

HSL 309.34, 0.78%, 0.58%

LAB 57.14, 76.77, -38.03

 

CMYK 0 / 72 / 31 / 9

HEX #E740A0

RGB 231 64 160

HSL 325.51, 0.78%, 0.58%

LAB 55.27, 71, -14.86

 

CMYK 0 / 72 / 50 / 9

HEX #E74073

RGB 231 64 115

HSL 341.68, 0.78%, 0.58%

LAB 53.91, 66.61, 9.87

 

CMYK 0 / 72 / 70 / 9

HEX #E74046

RGB 231 64 70

HSL 357.84, 0.78%, 0.58%

LAB 53.06, 63.75, 35.38

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 28 / 72 / 0 / 9

HEX #A740E7

RGB 167 64 231

HSL 277.01, 0.78%, 0.58%

LAB 49.07, 68.06, -66.23

 

CMYK 47 / 72 / 0 / 9

HEX #7A40E7

RGB 122 64 231

HSL 260.84, 0.78%, 0.58%

LAB 43.62, 60.3, -75.36

 

CMYK 67 / 72 / 0 / 9

HEX #4D40E7

RGB 77 64 231

HSL 244.67, 0.78%, 0.58%

LAB 39.6, 54.3, -82.09

 

CMYK 72 / 72 / 0 / 9

HEX #4040E7

RGB 64 64 231

HSL 240, 0.78%, 0.58%

LAB 38.77, 53.01, -83.49

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 9 / 81 / 0 / 3

HEX #E12FF8

RGB 225 47 248

HSL 293.13, 0.93%, 0.58%

LAB 56.9, 86.74, -62.71

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 7 / 62 / 0 / 16

HEX #C751D6

RGB 199 81 214

HSL 293.23, 0.62%, 0.58%

LAB 54.95, 64.56, -46.93

 

CMYK 6 / 49 / 0 / 23

HEX #B963C4

RGB 185 99 196

HSL 293.2, 0.45%, 0.58%

LAB 55.3, 49.1, -36.24

 

CMYK 4 / 35 / 0 / 30

HEX #AC74B3

RGB 172 116 179

HSL 293.33, 0.29%, 0.58%

LAB 56.6, 32.7, -24.6

 

CMYK 2 / 18 / 0 / 36

HEX #9E85A2

RGB 158 133 162

HSL 291.72, 0.13%, 0.58%

LAB 58.65, 14.87, -11.85

 

CMYK 47 / 72 / 0 / 9

HEX #7A40E7

RGB 122 64 231

HSL 260.84, 0.78%, 0.58%

LAB 43.62, 60.3, -75.36

 

CMYK 28 / 72 / 0 / 9

HEX #A740E7

RGB 167 64 231

HSL 277.01, 0.78%, 0.58%

LAB 49.07, 68.06, -66.23

 

CMYK 9 / 72 / 0 / 9

HEX #D340E7

RGB 211 64 231

HSL 292.81, 0.78%, 0.58%

LAB 55.36, 76.59, -55.78

 

CMYK 0 / 72 / 11 / 9

HEX #E740CE

RGB 231 64 206

HSL 308.98, 0.78%, 0.58%

LAB 57.18, 76.91, -38.53

 

CMYK 0 / 72 / 30 / 9

HEX #E740A1

RGB 231 64 161

HSL 325.15, 0.78%, 0.58%

LAB 55.31, 71.11, -15.39

 

CMYK 10 / 88 / 0 / 26

HEX #AA17BD

RGB 170 23 189

HSL 293.13, 0.78%, 0.42%

LAB 42.51, 72.66, -52.64

 

CMYK 10 / 88 / 0 / 11

HEX #CB1BE2

RGB 203 27 226

HSL 293.07, 0.79%, 0.5%

LAB 50.65, 83.44, -60.58

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 6 / 57 / 0 / 8

HEX #DC65EB

RGB 220 101 235

HSL 293.28, 0.77%, 0.66%

LAB 62.1, 64.72, -47.23

 

CMYK 5 / 43 / 0 / 6

HEX #E489F0

RGB 228 137 240

HSL 293.01, 0.77%, 0.74%

LAB 69.95, 50.36, -37.62

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 0 / 66 / 72 / 9

HEX #E74E40

RGB 231 78 64

HSL 5.03, 0.78%, 0.58%

LAB 54.87, 58.29, 40.86

 

CMYK 72 / 0 / 37 / 9

HEX #40E791

RGB 64 231 145

HSL 149.1, 0.78%, 0.58%

LAB 81.99, -61.29, 29.97

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 0 / 9 / 72 / 9

HEX #E7D340

RGB 231 211 64

HSL 52.81, 0.78%, 0.58%

LAB 83.94, -8.69, 70.93

 

CMYK 72 / 0 / 9 / 9

HEX #40E7D3

RGB 64 231 211

HSL 172.81, 0.78%, 0.58%

LAB 83.41, -46.32, -2.47

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 0 / 66 / 72 / 9

HEX #E74E40

RGB 231 78 64

HSL 5.03, 0.78%, 0.58%

LAB 54.87, 58.29, 40.86

 

CMYK 64 / 0 / 72 / 9

HEX #53E740

RGB 83 231 64

HSL 113.17, 0.78%, 0.58%

LAB 81.49, -68.55, 65.8

 

CMYK 72 / 6 / 0 / 9

HEX #40D9E7

RGB 64 217 231

HSL 185.03, 0.78%, 0.58%

LAB 79.89, -34.45, -18.34

 

CMYK 8 / 72 / 0 / 9

HEX #D440E7

RGB 212 64 231

HSL 293.17, 0.78%, 0.58%

LAB 55.52, 76.79, -55.53

 

CMYK 0 / 45 / 72 / 9

HEX #E78040

RGB 231 128 64

HSL 22.99, 0.78%, 0.58%

LAB 64, 34.81, 50.84

 

CMYK 64 / 0 / 72 / 9

HEX #53E740

RGB 83 231 64

HSL 113.17, 0.78%, 0.58%

LAB 81.49, -68.55, 65.8

 

CMYK 72 / 28 / 0 / 9

HEX #40A7E7

RGB 64 167 231

HSL 202.99, 0.78%, 0.58%

LAB 65.36, -8.89, -40.7

 

Description

Color code: RGB 212 64 231 | qconv.com Color code: RGB 212 64 231 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 64 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 64 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 72 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 72% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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