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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 58 214 it is the complementary color RGB 43 197 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 58 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 58 214 shade: RGB 217 58 209, RGB 234 76 228, RGB 251 94 247, RGB 255 112 255 and RGB 255 130 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 58 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 58 214 shade: RGB 212 58 214, RGB 195 40 195, RGB 178 22 176, RGB 161 4 157 and RGB 144 0 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 58 214 shade: RGB 212 56 214, RGB 214 56 173, RGB 214 56 130, RGB 214 56 88 and RGB 214 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 58 214 shade: RGB 212 56 214, RGB 169 56 214, RGB 126 56 214, RGB 84 56 214 and RGB 56 56 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 58 214 shade matches the following richer shades: RGB 212 56 214, RGB 231 36 233 and RGB 250 17 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 58 214 shade: RGB 212 56 214, RGB 193 75 194, RGB 174 94 175, RGB 155 114 156 and RGB 136 133 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 58 214 shade: RGB 127 56 214, RGB 169 56 214, RGB 211 56 214, RGB 214 56 174 and RGB 214 56 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 58 214 shade: RGB 154 31 155, RGB 188 38 190, RGB 212 56 214, RGB 219 90 221 and RGB 226 124 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 58 214 shade: RGB 212 58 214, RGB 214 85 56 and RGB 56 214 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 58 214 shade: RGB 212 58 214, RGB 214 211 56 and RGB 56 214 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 58 214 shade: RGB 212 58 214, RGB 214 85 56, RGB 58 214 56 and RGB 56 185 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 58 214 shade: RGB 212 58 214, RGB 214 132 56, RGB 58 214 56 and RGB 56 137 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 73 / 0 / 16

HEX #D43AD6

RGB 212 58 214

HSL 299.23, 0.66%, 0.53%

LAB 53.9, 75.9, -48.48

 

Complementary color

CMYK 78 / 0 / 79 / 23

HEX #2BC529

RGB 43 197 41

HSL 119.23, 0.66%, 0.47%

LAB 69.9, -66.25, 61.6

 

CMYK 0 / 73 / 4 / 15

HEX #D93AD1

RGB 217 58 209

HSL 303.02, 0.68%, 0.54%

LAB 54.43, 76.16, -44.74

 

CMYK 0 / 68 / 3 / 8

HEX #EA4CE4

RGB 234 76 228

HSL 302.28, 0.79%, 0.61%

LAB 60.13, 76.89, -46.31

 

CMYK 0 / 63 / 2 / 2

HEX #FB5EF7

RGB 251 94 247

HSL 301.53, 0.95%, 0.68%

LAB 65.93, 77.15, -47.55

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 1 / 73 / 0 / 16

HEX #D43AD6

RGB 212 58 214

HSL 299.23, 0.66%, 0.53%

LAB 53.9, 75.9, -48.48

 

CMYK 0 / 79 / 0 / 24

HEX #C328C3

RGB 195 40 195

HSL 300, 0.66%, 0.46%

LAB 48.34, 74.52, -46.58

 

CMYK 0 / 88 / 1 / 30

HEX #B216B0

RGB 178 22 176

HSL 300.77, 0.78%, 0.39%

LAB 43.02, 72.16, -44.08

 

CMYK 0 / 98 / 2 / 37

HEX #A1049D

RGB 161 4 157

HSL 301.53, 0.95%, 0.32%

LAB 38.02, 68.6, -40.87

 

CMYK 0 / 100 / 4 / 44

HEX #90008A

RGB 144 0 138

HSL 302.5, 1%, 0.28%

LAB 33.49, 63.28, -36.65

 

CMYK 1 / 74 / 0 / 16

HEX #D438D6

RGB 212 56 214

HSL 299.24, 0.66%, 0.53%

LAB 53.69, 76.51, -48.82

 

CMYK 0 / 74 / 19 / 16

HEX #D638AD

RGB 214 56 173

HSL 315.57, 0.66%, 0.53%

LAB 52, 70.97, -27.76

 

CMYK 0 / 74 / 39 / 16

HEX #D63882

RGB 214 56 130

HSL 331.9, 0.66%, 0.53%

LAB 50.38, 65.93, -4.65

 

CMYK 0 / 74 / 59 / 16

HEX #D63858

RGB 214 56 88

HSL 347.85, 0.66%, 0.53%

LAB 49.29, 62.42, 19.29

 

CMYK 0 / 74 / 74 / 16

HEX #D63838

RGB 214 56 56

HSL 0, 0.66%, 0.53%

LAB 48.77, 60.71, 37.62

 

CMYK 1 / 74 / 0 / 16

HEX #D438D6

RGB 212 56 214

HSL 299.24, 0.66%, 0.53%

LAB 53.69, 76.51, -48.82

 

CMYK 21 / 74 / 0 / 16

HEX #A938D6

RGB 169 56 214

HSL 282.91, 0.66%, 0.53%

LAB 47.13, 68, -59.69

 

CMYK 41 / 74 / 0 / 16

HEX #7E38D6

RGB 126 56 214

HSL 266.58, 0.66%, 0.53%

LAB 41.4, 60.29, -69.25

 

CMYK 61 / 74 / 0 / 16

HEX #5438D6

RGB 84 56 214

HSL 250.63, 0.66%, 0.53%

LAB 37.06, 54.17, -76.54

 

CMYK 74 / 74 / 0 / 16

HEX #3838D6

RGB 56 56 214

HSL 240, 0.66%, 0.53%

LAB 35.05, 51.24, -79.92

 

CMYK 1 / 74 / 0 / 16

HEX #D438D6

RGB 212 56 214

HSL 299.24, 0.66%, 0.53%

LAB 53.69, 76.51, -48.82

 

CMYK 1 / 85 / 0 / 9

HEX #E724E9

RGB 231 36 233

HSL 299.39, 0.82%, 0.53%

LAB 56.22, 87.68, -55.35

 

CMYK 1 / 93 / 0 / 1

HEX #FA11FD

RGB 250 17 253

HSL 299.24, 0.98%, 0.53%

LAB 59.72, 96.13, -60.74

 

CMYK 1 / 74 / 0 / 16

HEX #D438D6

RGB 212 56 214

HSL 299.24, 0.66%, 0.53%

LAB 53.69, 76.51, -48.82

 

CMYK 1 / 61 / 0 / 24

HEX #C14BC2

RGB 193 75 194

HSL 299.5, 0.49%, 0.53%

LAB 52.14, 62.1, -40

 

CMYK 1 / 46 / 0 / 31

HEX #AE5EAF

RGB 174 94 175

HSL 299.26, 0.34%, 0.53%

LAB 51.95, 44.48, -29.46

 

CMYK 1 / 27 / 0 / 39

HEX #9B729C

RGB 155 114 156

HSL 298.57, 0.18%, 0.53%

LAB 53.39, 23.54, -16.37

 

CMYK 0 / 2 / 0 / 47

HEX #888588

RGB 136 133 136

HSL 300, 0.01%, 0.53%

LAB 55.87, 1.71, -1.22

 

CMYK 41 / 74 / 0 / 16

HEX #7F38D6

RGB 127 56 214

HSL 266.96, 0.66%, 0.53%

LAB 41.53, 60.45, -69.05

 

CMYK 21 / 74 / 0 / 16

HEX #A938D6

RGB 169 56 214

HSL 282.91, 0.66%, 0.53%

LAB 47.13, 68, -59.69

 

CMYK 1 / 74 / 0 / 16

HEX #D338D6

RGB 211 56 214

HSL 298.86, 0.66%, 0.53%

LAB 53.53, 76.3, -49.08

 

CMYK 0 / 74 / 19 / 16

HEX #D638AE

RGB 214 56 174

HSL 315.19, 0.66%, 0.53%

LAB 52.04, 71.1, -28.28

 

CMYK 0 / 74 / 38 / 16

HEX #D63884

RGB 214 56 132

HSL 331.14, 0.66%, 0.53%

LAB 50.44, 66.14, -5.76

 

CMYK 1 / 80 / 0 / 39

HEX #9A1F9B

RGB 154 31 155

HSL 299.52, 0.67%, 0.36%

LAB 38.23, 62.32, -39.39

 

CMYK 1 / 80 / 0 / 25

HEX #BC26BE

RGB 188 38 190

HSL 299.21, 0.67%, 0.45%

LAB 46.7, 72.88, -46.34

 

CMYK 1 / 74 / 0 / 16

HEX #D438D6

RGB 212 56 214

HSL 299.24, 0.66%, 0.53%

LAB 53.69, 76.51, -48.82

 

CMYK 1 / 59 / 0 / 13

HEX #DB5ADD

RGB 219 90 221

HSL 299.08, 0.66%, 0.61%

LAB 59.52, 66.82, -43.48

 

CMYK 1 / 46 / 0 / 11

HEX #E27CE4

RGB 226 124 228

HSL 298.85, 0.66%, 0.69%

LAB 66.66, 54.14, -36.14

 

CMYK 1 / 73 / 0 / 16

HEX #D43AD6

RGB 212 58 214

HSL 299.23, 0.66%, 0.53%

LAB 53.9, 75.9, -48.48

 

CMYK 0 / 60 / 74 / 16

HEX #D65538

RGB 214 85 56

HSL 11.01, 0.66%, 0.53%

LAB 53.04, 49.16, 42.33

 

CMYK 74 / 0 / 31 / 16

HEX #38D694

RGB 56 214 148

HSL 154.94, 0.66%, 0.53%

LAB 76.72, -55.41, 21.26

 

CMYK 1 / 73 / 0 / 16

HEX #D43AD6

RGB 212 58 214

HSL 299.23, 0.66%, 0.53%

LAB 53.9, 75.9, -48.48

 

CMYK 0 / 1 / 74 / 16

HEX #D6D338

RGB 214 211 56

HSL 58.86, 0.66%, 0.53%

LAB 82.47, -16.19, 71.75

 

CMYK 74 / 0 / 1 / 16

HEX #38D6D3

RGB 56 214 211

HSL 178.86, 0.66%, 0.53%

LAB 78.25, -39.74, -10.12

 

CMYK 1 / 73 / 0 / 16

HEX #D43AD6

RGB 212 58 214

HSL 299.23, 0.66%, 0.53%

LAB 53.9, 75.9, -48.48

 

CMYK 0 / 60 / 74 / 16

HEX #D65538

RGB 214 85 56

HSL 11.01, 0.66%, 0.53%

LAB 53.04, 49.16, 42.33

 

CMYK 73 / 0 / 74 / 16

HEX #3AD638

RGB 58 214 56

HSL 119.24, 0.66%, 0.53%

LAB 75.62, -68.27, 62.47

 

CMYK 74 / 14 / 0 / 16

HEX #38B9D6

RGB 56 185 214

HSL 191.01, 0.66%, 0.53%

LAB 69.75, -25, -24.59

 

CMYK 1 / 73 / 0 / 16

HEX #D43AD6

RGB 212 58 214

HSL 299.23, 0.66%, 0.53%

LAB 53.9, 75.9, -48.48

 

CMYK 0 / 38 / 74 / 16

HEX #D68438

RGB 214 132 56

HSL 28.86, 0.66%, 0.53%

LAB 62.58, 25.38, 52.39

 

CMYK 73 / 0 / 74 / 16

HEX #3AD638

RGB 58 214 56

HSL 119.24, 0.66%, 0.53%

LAB 75.62, -68.27, 62.47

 

CMYK 74 / 36 / 0 / 16

HEX #3889D6

RGB 56 137 214

HSL 209.24, 0.66%, 0.53%

LAB 55.67, 1.35, -46.52

 

Description

Color code: RGB 212 58 214 | qconv.com Color code: RGB 212 58 214 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 58 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 58 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 73 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 73% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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