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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 56 102 it is the complementary color RGB 43 199 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 56 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 56 102 shade: RGB 217 56 97, RGB 234 74 116, RGB 251 92 135, RGB 255 110 154 and RGB 255 128 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 56 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 56 102 shade: RGB 212 56 102, RGB 195 38 83, RGB 178 20 64, RGB 161 2 45 and RGB 144 0 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 56 102 shade: RGB 211 58 103, RGB 211 58 62 and RGB 211 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 56 102 shade: RGB 211 58 103, RGB 211 58 145, RGB 211 58 186, RGB 195 58 211 and RGB 154 58 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 56 102 shade matches the following richer shades: RGB 211 58 103, RGB 231 39 95 and RGB 250 19 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 56 102 shade: RGB 211 58 103, RGB 192 77 111, RGB 173 97 119, RGB 153 116 127 and RGB 134 136 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 56 102 shade: RGB 211 58 186, RGB 211 58 145, RGB 211 58 104, RGB 211 58 63 and RGB 211 94 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 56 102 shade: RGB 153 33 69, RGB 187 41 84, RGB 211 58 103, RGB 219 92 129 and RGB 226 126 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 56 102 shade: RGB 212 56 102, RGB 211 196 58 and RGB 58 165 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 56 102 shade: RGB 212 56 102, RGB 104 211 58 and RGB 58 104 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 56 102 shade: RGB 212 56 102, RGB 211 196 58, RGB 58 211 165 and RGB 58 73 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 56 102 shade: RGB 212 56 102, RGB 181 211 58, RGB 58 211 165 and RGB 89 58 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 52 / 17

HEX #D43866

RGB 212 56 102

HSL 342.31, 0.64%, 0.53%

LAB 49.23, 62.86, 10.64

 

Complementary color

CMYK 78 / 0 / 23 / 22

HEX #2BC799

RGB 43 199 153

HSL 162.31, 0.64%, 0.47%

LAB 72, -49.94, 11.99

 

CMYK 0 / 74 / 55 / 15

HEX #D93861

RGB 217 56 97

HSL 344.72, 0.68%, 0.54%

LAB 50.03, 63.9, 14.93

 

CMYK 0 / 68 / 50 / 8

HEX #EA4A74

RGB 234 74 116

HSL 344.25, 0.79%, 0.6%

LAB 55.74, 64.02, 11.91

 

CMYK 0 / 63 / 46 / 2

HEX #FB5C87

RGB 251 92 135

HSL 343.77, 0.95%, 0.67%

LAB 61.58, 63.74, 9.41

 

CMYK 0 / 57 / 40 / 0

HEX #FF6E9A

RGB 255 110 154

HSL 341.79, 1%, 0.72%

LAB 65.55, 59.13, 4.25

 

CMYK 0 / 50 / 32 / 0

HEX #FF80AD

RGB 255 128 173

HSL 338.74, 1%, 0.75%

LAB 69.27, 52.89, -1.1

 

CMYK 0 / 74 / 52 / 17

HEX #D43866

RGB 212 56 102

HSL 342.31, 0.64%, 0.53%

LAB 49.23, 62.86, 10.64

 

CMYK 0 / 81 / 57 / 24

HEX #C32653

RGB 195 38 83

HSL 342.8, 0.67%, 0.46%

LAB 43.67, 62.12, 14.16

 

CMYK 0 / 89 / 64 / 30

HEX #B21440

RGB 178 20 64

HSL 343.29, 0.8%, 0.39%

LAB 38.44, 60.43, 18.54

 

CMYK 0 / 99 / 72 / 37

HEX #A1022D

RGB 161 2 45

HSL 343.77, 0.98%, 0.32%

LAB 33.58, 57.63, 23.84

 

CMYK 0 / 100 / 82 / 44

HEX #90001A

RGB 144 0 26

HSL 349.17, 1%, 0.28%

LAB 29.42, 52.85, 30.16

 

CMYK 0 / 73 / 51 / 17

HEX #D33A67

RGB 211 58 103

HSL 342.35, 0.63%, 0.53%

LAB 49.32, 61.98, 10.13

 

CMYK 0 / 73 / 71 / 17

HEX #D33A3E

RGB 211 58 62

HSL 358.43, 0.63%, 0.53%

LAB 48.54, 59.37, 33.76

 

CMYK 0 / 73 / 73 / 17

HEX #D33A3A

RGB 211 58 58

HSL 0, 0.63%, 0.53%

LAB 48.49, 59.19, 36

 

CMYK 0 / 73 / 51 / 17

HEX #D33A67

RGB 211 58 103

HSL 342.35, 0.63%, 0.53%

LAB 49.32, 61.98, 10.13

 

CMYK 0 / 73 / 31 / 17

HEX #D33A91

RGB 211 58 145

HSL 325.88, 0.63%, 0.53%

LAB 50.59, 66.11, -13.38

 

CMYK 0 / 73 / 12 / 17

HEX #D33ABA

RGB 211 58 186

HSL 309.8, 0.63%, 0.53%

LAB 52.31, 71.43, -34.9

 

CMYK 8 / 73 / 0 / 17

HEX #C33AD3

RGB 195 58 211

HSL 293.73, 0.63%, 0.53%

LAB 51.07, 71.91, -51.43

 

CMYK 27 / 73 / 0 / 17

HEX #9A3AD3

RGB 154 58 211

HSL 277.65, 0.63%, 0.53%

LAB 45.08, 63.76, -61.38

 

CMYK 0 / 73 / 51 / 17

HEX #D33A67

RGB 211 58 103

HSL 342.35, 0.63%, 0.53%

LAB 49.32, 61.98, 10.13

 

CMYK 0 / 83 / 59 / 9

HEX #E7275F

RGB 231 39 95

HSL 342.5, 0.8%, 0.53%

LAB 51, 72.13, 17.89

 

CMYK 0 / 92 / 65 / 2

HEX #FA1357

RGB 250 19 87

HSL 342.34, 0.96%, 0.53%

LAB 53.47, 79.51, 26.68

 

CMYK 0 / 73 / 51 / 17

HEX #D33A67

RGB 211 58 103

HSL 342.35, 0.63%, 0.53%

LAB 49.32, 61.98, 10.13

 

CMYK 0 / 60 / 42 / 25

HEX #C04D6F

RGB 192 77 111

HSL 342.26, 0.48%, 0.53%

LAB 49.08, 49.21, 4.49

 

CMYK 0 / 44 / 31 / 32

HEX #AD6177

RGB 173 97 119

HSL 342.63, 0.32%, 0.53%

LAB 50.41, 33.41, 1.26

 

CMYK 0 / 24 / 17 / 40

HEX #99747F

RGB 153 116 127

HSL 342.16, 0.15%, 0.53%

LAB 52.72, 16.31, -0.39

 

CMYK 1 / 0 / 1 / 47

HEX #868887

RGB 134 136 135

HSL 150, 0.01%, 0.53%

LAB 56.51, -0.93, 0.27

 

CMYK 0 / 73 / 12 / 17

HEX #D33ABA

RGB 211 58 186

HSL 309.8, 0.63%, 0.53%

LAB 52.31, 71.43, -34.9

 

CMYK 0 / 73 / 31 / 17

HEX #D33A91

RGB 211 58 145

HSL 325.88, 0.63%, 0.53%

LAB 50.59, 66.11, -13.38

 

CMYK 0 / 73 / 51 / 17

HEX #D33A68

RGB 211 58 104

HSL 341.96, 0.63%, 0.53%

LAB 49.34, 62.06, 9.55

 

CMYK 0 / 73 / 70 / 17

HEX #D33A3F

RGB 211 58 63

HSL 358.04, 0.63%, 0.53%

LAB 48.55, 59.42, 33.19

 

CMYK 0 / 55 / 73 / 17

HEX #D35E3A

RGB 211 94 58

HSL 14.12, 0.63%, 0.53%

LAB 54.2, 43.92, 42.41

 

CMYK 0 / 78 / 55 / 40

HEX #992145

RGB 153 33 69

HSL 342, 0.65%, 0.36%

LAB 34.58, 50.71, 9.23

 

CMYK 0 / 78 / 55 / 27

HEX #BB2954

RGB 187 41 84

HSL 342.33, 0.64%, 0.45%

LAB 42.45, 59.14, 11.6

 

CMYK 0 / 73 / 51 / 17

HEX #D33A67

RGB 211 58 103

HSL 342.35, 0.63%, 0.53%

LAB 49.32, 61.98, 10.13

 

CMYK 0 / 58 / 41 / 14

HEX #DB5C81

RGB 219 92 129

HSL 342.52, 0.64%, 0.61%

LAB 56.39, 53.08, 4.82

 

CMYK 0 / 44 / 31 / 11

HEX #E27E9B

RGB 226 126 155

HSL 342.6, 0.63%, 0.69%

LAB 64.53, 41.84, 1.7

 

CMYK 0 / 74 / 52 / 17

HEX #D43866

RGB 212 56 102

HSL 342.31, 0.64%, 0.53%

LAB 49.23, 62.86, 10.64

 

CMYK 0 / 7 / 73 / 17

HEX #D3C43A

RGB 211 196 58

HSL 54.12, 0.63%, 0.53%

LAB 78.25, -9.83, 66.98

 

CMYK 73 / 22 / 0 / 17

HEX #3AA5D3

RGB 58 165 211

HSL 198.04, 0.63%, 0.53%

LAB 63.76, -15.3, -32.15

 

CMYK 0 / 74 / 52 / 17

HEX #D43866

RGB 212 56 102

HSL 342.31, 0.64%, 0.53%

LAB 49.23, 62.86, 10.64

 

CMYK 51 / 0 / 73 / 17

HEX #68D33A

RGB 104 211 58

HSL 101.96, 0.63%, 0.53%

LAB 75.97, -56.87, 62.54

 

CMYK 73 / 51 / 0 / 17

HEX #3A68D3

RGB 58 104 211

HSL 221.96, 0.63%, 0.53%

LAB 46.32, 20.92, -59.78

 

CMYK 0 / 74 / 52 / 17

HEX #D43866

RGB 212 56 102

HSL 342.31, 0.64%, 0.53%

LAB 49.23, 62.86, 10.64

 

CMYK 0 / 7 / 73 / 17

HEX #D3C43A

RGB 211 196 58

HSL 54.12, 0.63%, 0.53%

LAB 78.25, -9.83, 66.98

 

CMYK 73 / 0 / 22 / 17

HEX #3AD3A5

RGB 58 211 165

HSL 161.96, 0.63%, 0.53%

LAB 76.19, -50.17, 11.53

 

CMYK 73 / 65 / 0 / 17

HEX #3A49D3

RGB 58 73 211

HSL 234.12, 0.63%, 0.53%

LAB 38.49, 40.53, -72.52

 

CMYK 0 / 74 / 52 / 17

HEX #D43866

RGB 212 56 102

HSL 342.31, 0.64%, 0.53%

LAB 49.23, 62.86, 10.64

 

CMYK 14 / 0 / 73 / 17

HEX #B5D33A

RGB 181 211 58

HSL 71.76, 0.63%, 0.53%

LAB 80.02, -29.71, 67.89

 

CMYK 73 / 0 / 22 / 17

HEX #3AD3A5

RGB 58 211 165

HSL 161.96, 0.63%, 0.53%

LAB 76.19, -50.17, 11.53

 

CMYK 58 / 73 / 0 / 17

HEX #593AD3

RGB 89 58 211

HSL 252.16, 0.63%, 0.53%

LAB 37.58, 52.92, -73.94

 

Description

Color code: RGB 212 56 102 | qconv.com Color code: RGB 212 56 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 56 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 56 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 52 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 52% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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