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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 236 216 it is the complementary color RGB 43 19 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 236 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 236 216 shade: RGB 217 236 211, RGB 234 254 230 and RGB 251 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 236 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 236 216 shade: RGB 212 236 216, RGB 195 218 197, RGB 178 200 178, RGB 161 182 159 and RGB 144 164 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 236 216 shade: RGB 212 236 216, RGB 214 236 212, RGB 221 236 212, RGB 227 236 212 and RGB 234 236 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 236 216 shade: RGB 212 236 216, RGB 212 236 222, RGB 212 236 229, RGB 212 236 235 and RGB 212 230 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 236 216 shade matches the following richer shades: RGB 212 236 216, RGB 207 241 213, RGB 202 246 209 and RGB 197 251 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 236 216 shade: RGB 212 236 216, RGB 217 231 219, RGB 222 226 223, RGB 227 221 226 and RGB 232 216 229

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 236 216 shade: RGB 221 236 212, RGB 214 236 212, RGB 212 236 216, RGB 212 236 222 and RGB 212 236 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 236 216 shade: RGB 155 211 164, RGB 183 223 190, RGB 212 236 216 and RGB 241 248 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 236 216 shade: RGB 212 236 216, RGB 212 227 236 and RGB 236 212 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 236 216 shade: RGB 212 236 216, RGB 216 212 236 and RGB 236 216 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 236 216 shade: RGB 212 236 216, RGB 212 227 236, RGB 236 212 232 and RGB 236 221 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 236 216 shade: RGB 212 236 216, RGB 212 220 236, RGB 236 212 232 and RGB 236 228 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

Complementary color

CMYK 0 / 56 / 9 / 83

HEX #2B1327

RGB 43 19 39

HSL 310, 0.39%, 0.12%

LAB 10, 15.96, -8.4

 

CMYK 8 / 0 / 11 / 7

HEX #D9ECD3

RGB 217 236 211

HSL 105.6, 0.4%, 0.88%

LAB 91.44, -10.76, 9.99

 

CMYK 8 / 0 / 9 / 0

HEX #EAFEE6

RGB 234 254 230

HSL 110, 0.92%, 0.95%

LAB 97.67, -10.78, 9.25

 

CMYK 2 / 0 / 2 / 0

HEX #FBFFF9

RGB 251 255 249

HSL 100, 1%, 0.99%

LAB 99.56, -2.36, 2.39

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 11 / 0 / 10 / 15

HEX #C3DAC5

RGB 195 218 197

HSL 125.22, 0.24%, 0.81%

LAB 84.88, -11.58, 7.74

 

CMYK 11 / 0 / 11 / 22

HEX #B2C8B2

RGB 178 200 178

HSL 120, 0.17%, 0.74%

LAB 78.45, -11.6, 8.49

 

CMYK 12 / 0 / 13 / 29

HEX #A1B69F

RGB 161 182 159

HSL 114.78, 0.14%, 0.67%

LAB 71.92, -11.64, 9.28

 

CMYK 12 / 0 / 15 / 36

HEX #90A48C

RGB 144 164 140

HSL 110, 0.12%, 0.6%

LAB 65.26, -11.68, 10.12

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 9 / 0 / 10 / 7

HEX #D6ECD4

RGB 214 236 212

HSL 115, 0.39%, 0.88%

LAB 91.25, -11.6, 9.18

 

CMYK 6 / 0 / 10 / 7

HEX #DDECD4

RGB 221 236 212

HSL 97.5, 0.39%, 0.88%

LAB 91.74, -9.23, 9.93

 

CMYK 4 / 0 / 10 / 7

HEX #E3ECD4

RGB 227 236 212

HSL 82.5, 0.39%, 0.88%

LAB 92.17, -7.17, 10.6

 

CMYK 1 / 0 / 10 / 7

HEX #EAECD4

RGB 234 236 212

HSL 65, 0.39%, 0.88%

LAB 92.68, -4.75, 11.41

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 10 / 0 / 6 / 7

HEX #D4ECDE

RGB 212 236 222

HSL 145, 0.39%, 0.88%

LAB 91.35, -10.48, 4.1

 

CMYK 10 / 0 / 3 / 7

HEX #D4ECE5

RGB 212 236 229

HSL 162.5, 0.39%, 0.88%

LAB 91.53, -9.18, 0.7

 

CMYK 10 / 0 / 0 / 7

HEX #D4ECEB

RGB 212 236 235

HSL 177.5, 0.39%, 0.88%

LAB 91.68, -8.04, -2.21

 

CMYK 10 / 3 / 0 / 7

HEX #D4E6EC

RGB 212 230 236

HSL 195, 0.39%, 0.88%

LAB 90.16, -4.79, -4.96

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 14 / 0 / 12 / 5

HEX #CFF1D5

RGB 207 241 213

HSL 130.59, 0.55%, 0.88%

LAB 92.12, -16.25, 9.84

 

CMYK 18 / 0 / 15 / 4

HEX #CAF6D1

RGB 202 246 209

HSL 129.55, 0.71%, 0.88%

LAB 93.05, -21.04, 13.18

 

CMYK 22 / 0 / 18 / 2

HEX #C5FBCE

RGB 197 251 206

HSL 130, 0.87%, 0.88%

LAB 94.02, -25.59, 16.06

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 6 / 0 / 5 / 9

HEX #D9E7DB

RGB 217 231 219

HSL 128.57, 0.23%, 0.88%

LAB 90.33, -6.83, 4.22

 

CMYK 2 / 0 / 1 / 11

HEX #DEE2DF

RGB 222 226 223

HSL 135, 0.06%, 0.88%

LAB 89.51, -1.88, 0.98

 

CMYK 0 / 3 / 0 / 11

HEX #E3DDE2

RGB 227 221 226

HSL 310, 0.1%, 0.88%

LAB 88.7, 2.93, -1.73

 

CMYK 0 / 7 / 1 / 9

HEX #E8D8E5

RGB 232 216 229

HSL 311.25, 0.26%, 0.88%

LAB 87.93, 7.76, -4.39

 

CMYK 6 / 0 / 10 / 7

HEX #DDECD4

RGB 221 236 212

HSL 97.5, 0.39%, 0.88%

LAB 91.74, -9.23, 9.93

 

CMYK 9 / 0 / 10 / 7

HEX #D6ECD4

RGB 214 236 212

HSL 115, 0.39%, 0.88%

LAB 91.25, -11.6, 9.18

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 10 / 0 / 6 / 7

HEX #D4ECDE

RGB 212 236 222

HSL 145, 0.39%, 0.88%

LAB 91.35, -10.48, 4.1

 

CMYK 10 / 0 / 3 / 7

HEX #D4ECE5

RGB 212 236 229

HSL 162.5, 0.39%, 0.88%

LAB 91.53, -9.18, 0.7

 

CMYK 27 / 0 / 22 / 17

HEX #9BD3A4

RGB 155 211 164

HSL 129.64, 0.39%, 0.72%

LAB 79.75, -27.35, 17.58

 

CMYK 18 / 0 / 15 / 13

HEX #B7DFBE

RGB 183 223 190

HSL 130.5, 0.38%, 0.8%

LAB 85.28, -19.37, 11.89

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 3 / 0 / 2 / 3

HEX #F1F8F2

RGB 241 248 242

HSL 128.57, 0.33%, 0.96%

LAB 96.92, -3.37, 2.06

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 10 / 4 / 0 / 7

HEX #D4E3EC

RGB 212 227 236

HSL 202.5, 0.39%, 0.88%

LAB 89.39, -3.24, -6.1

 

CMYK 0 / 10 / 8 / 7

HEX #ECD4DA

RGB 236 212 218

HSL 345, 0.39%, 0.88%

LAB 86.99, 9.31, 0.07

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 8 / 10 / 0 / 7

HEX #D8D4EC

RGB 216 212 236

HSL 250, 0.39%, 0.88%

LAB 85.88, 5.87, -11.28

 

CMYK 0 / 8 / 10 / 7

HEX #ECD8D4

RGB 236 216 212

HSL 10, 0.39%, 0.88%

LAB 87.82, 6.23, 4.45

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 10 / 4 / 0 / 7

HEX #D4E3EC

RGB 212 227 236

HSL 202.5, 0.39%, 0.88%

LAB 89.39, -3.24, -6.1

 

CMYK 0 / 10 / 2 / 7

HEX #ECD4E8

RGB 236 212 232

HSL 310, 0.39%, 0.88%

LAB 87.36, 11.74, -6.78

 

CMYK 0 / 6 / 10 / 7

HEX #ECDDD4

RGB 236 221 212

HSL 22.5, 0.39%, 0.88%

LAB 89.06, 3.63, 6.25

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECD8

RGB 212 236 216

HSL 130, 0.39%, 0.88%

LAB 91.21, -11.57, 7.02

 

CMYK 10 / 7 / 0 / 7

HEX #D4DCEC

RGB 212 220 236

HSL 220, 0.39%, 0.88%

LAB 87.6, 0.38, -8.75

 

CMYK 0 / 10 / 2 / 7

HEX #ECD4E8

RGB 236 212 232

HSL 310, 0.39%, 0.88%

LAB 87.36, 11.74, -6.78

 

CMYK 0 / 3 / 10 / 7

HEX #ECE4D4

RGB 236 228 212

HSL 40, 0.39%, 0.88%

LAB 90.81, 0.03, 8.76

 

Description

Color code: RGB 212 236 216 | qconv.com Color code: RGB 212 236 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 236 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 236 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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