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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 211 170 it is the complementary color RGB 43 44 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 211 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 211 170 shade: RGB 217 211 165, RGB 234 229 184, RGB 251 247 203, RGB 255 255 222 and RGB 255 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 211 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 211 170 shade: RGB 212 211 170, RGB 195 193 151, RGB 178 175 132, RGB 161 157 113 and RGB 144 139 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 211 170 shade: RGB 212 211 170, RGB 212 199 170, RGB 212 188 170, RGB 212 177 170 and RGB 212 170 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 211 170 shade: RGB 212 211 170, RGB 201 212 170, RGB 190 212 170, RGB 179 212 170 and RGB 170 212 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 211 170 shade matches the following richer shades: RGB 212 211 170, RGB 222 221 159, RGB 232 230 149, RGB 243 240 139 and RGB 253 250 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 211 170 shade: RGB 212 211 170, RGB 201 201 180, RGB 191 191 190, RGB 181 181 201 and RGB 171 171 211

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 211 170 shade: RGB 212 188 170, RGB 212 199 170, RGB 212 210 170, RGB 202 212 170 and RGB 191 212 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 211 170 shade: RGB 184 182 115, RGB 198 197 142, RGB 212 211 170, RGB 226 225 197 and RGB 239 239 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 211 170 shade: RGB 212 211 170, RGB 170 212 177 and RGB 194 170 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 211 170 shade: RGB 212 211 170, RGB 170 212 210 and RGB 210 170 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 211 170 shade: RGB 212 211 170, RGB 170 212 177, RGB 170 171 212 and RGB 212 170 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 211 170 shade: RGB 212 211 170, RGB 170 212 189, RGB 170 171 212 and RGB 212 170 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

Complementary color

CMYK 49 / 48 / 0 / 67

HEX #2B2C55

RGB 43 44 85

HSL 238.57, 0.33%, 0.25%

LAB 19.93, 12.07, -25.12

 

CMYK 0 / 3 / 24 / 15

HEX #D9D3A5

RGB 217 211 165

HSL 53.08, 0.41%, 0.75%

LAB 84, -5.21, 23.58

 

CMYK 0 / 2 / 21 / 8

HEX #EAE5B8

RGB 234 229 184

HSL 54, 0.54%, 0.82%

LAB 90.32, -5.44, 22.6

 

CMYK 0 / 2 / 19 / 2

HEX #FBF7CB

RGB 251 247 203

HSL 55, 0.86%, 0.89%

LAB 96.55, -5.64, 21.68

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

CMYK 0 / 1 / 23 / 24

HEX #C3C197

RGB 195 193 151

HSL 57.27, 0.27%, 0.68%

LAB 77.27, -6.17, 21.46

 

CMYK 0 / 2 / 26 / 30

HEX #B2AF84

RGB 178 175 132

HSL 56.09, 0.23%, 0.61%

LAB 70.73, -5.95, 22.5

 

CMYK 0 / 2 / 30 / 37

HEX #A19D71

RGB 161 157 113

HSL 55, 0.2%, 0.54%

LAB 64.07, -5.68, 23.6

 

CMYK 0 / 3 / 35 / 44

HEX #908B5E

RGB 144 139 94

HSL 54, 0.21%, 0.47%

LAB 57.27, -5.36, 24.78

 

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

CMYK 0 / 6 / 20 / 17

HEX #D4C7AA

RGB 212 199 170

HSL 41.43, 0.33%, 0.75%

LAB 80.6, -0.14, 16.17

 

CMYK 0 / 11 / 20 / 17

HEX #D4BCAA

RGB 212 188 170

HSL 25.71, 0.33%, 0.75%

LAB 77.8, 5.67, 12.22

 

CMYK 0 / 17 / 20 / 17

HEX #D4B1AA

RGB 212 177 170

HSL 10, 0.33%, 0.75%

LAB 75.04, 11.56, 8.3

 

CMYK 0 / 20 / 20 / 17

HEX #D4AAAA

RGB 212 170 170

HSL 0, 0.33%, 0.75%

LAB 73.32, 15.34, 5.83

 

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

CMYK 5 / 0 / 20 / 17

HEX #C9D4AA

RGB 201 212 170

HSL 75.71, 0.33%, 0.75%

LAB 83.13, -10.91, 19.57

 

CMYK 10 / 0 / 20 / 17

HEX #BED4AA

RGB 190 212 170

HSL 91.43, 0.33%, 0.75%

LAB 82.34, -14.87, 18.36

 

CMYK 16 / 0 / 20 / 17

HEX #B3D4AA

RGB 179 212 170

HSL 107.14, 0.33%, 0.75%

LAB 81.61, -18.74, 17.21

 

CMYK 20 / 0 / 19 / 17

HEX #AAD4AC

RGB 170 212 172

HSL 122.86, 0.33%, 0.75%

LAB 81.08, -21.47, 15.33

 

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

CMYK 0 / 0 / 28 / 13

HEX #DEDD9F

RGB 222 221 159

HSL 59.05, 0.49%, 0.75%

LAB 86.87, -9.23, 30.65

 

CMYK 0 / 1 / 36 / 9

HEX #E8E695

RGB 232 230 149

HSL 58.55, 0.64%, 0.75%

LAB 89.82, -11.14, 39.74

 

CMYK 0 / 1 / 43 / 5

HEX #F3F08B

RGB 243 240 139

HSL 58.27, 0.81%, 0.75%

LAB 93.12, -12.9, 49

 

CMYK 0 / 1 / 49 / 1

HEX #FDFA80

RGB 253 250 128

HSL 58.56, 0.97%, 0.75%

LAB 96.33, -14.9, 58.25

 

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

CMYK 0 / 0 / 10 / 21

HEX #C9C9B4

RGB 201 201 180

HSL 60, 0.16%, 0.75%

LAB 80.45, -3.65, 10.5

 

CMYK 0 / 0 / 1 / 25

HEX #BFBFBE

RGB 191 191 190

HSL 60, 0.01%, 0.75%

LAB 77.31, -0.18, 0.49

 

CMYK 10 / 10 / 0 / 21

HEX #B5B5C9

RGB 181 181 201

HSL 240, 0.16%, 0.75%

LAB 74.25, 3.92, -10.1

 

CMYK 19 / 19 / 0 / 17

HEX #ABABD3

RGB 171 171 211

HSL 240, 0.31%, 0.75%

LAB 71.21, 8.29, -20.23

 

CMYK 0 / 11 / 20 / 17

HEX #D4BCAA

RGB 212 188 170

HSL 25.71, 0.33%, 0.75%

LAB 77.8, 5.67, 12.22

 

CMYK 0 / 6 / 20 / 17

HEX #D4C7AA

RGB 212 199 170

HSL 41.43, 0.33%, 0.75%

LAB 80.6, -0.14, 16.17

 

CMYK 0 / 1 / 20 / 17

HEX #D4D2AA

RGB 212 210 170

HSL 57.14, 0.33%, 0.75%

LAB 83.44, -5.85, 20.12

 

CMYK 5 / 0 / 20 / 17

HEX #CAD4AA

RGB 202 212 170

HSL 74.29, 0.33%, 0.75%

LAB 83.2, -10.55, 19.68

 

CMYK 10 / 0 / 20 / 17

HEX #BFD4AA

RGB 191 212 170

HSL 90, 0.33%, 0.75%

LAB 82.41, -14.51, 18.46

 

CMYK 0 / 1 / 38 / 28

HEX #B8B673

RGB 184 182 115

HSL 58.26, 0.33%, 0.59%

LAB 72.82, -9.42, 34.37

 

CMYK 0 / 1 / 28 / 22

HEX #C6C58E

RGB 198 197 142

HSL 58.93, 0.33%, 0.67%

LAB 78.4, -8.34, 27.8

 

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

CMYK 0 / 0 / 13 / 11

HEX #E2E1C5

RGB 226 225 197

HSL 57.93, 0.33%, 0.83%

LAB 88.95, -4.36, 13.83

 

CMYK 0 / 0 / 6 / 6

HEX #EFEFE1

RGB 239 239 225

HSL 60, 0.3%, 0.91%

LAB 94.11, -2.41, 6.76

 

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

CMYK 20 / 0 / 17 / 17

HEX #AAD4B1

RGB 170 212 177

HSL 130, 0.33%, 0.75%

LAB 81.19, -20.57, 12.84

 

CMYK 8 / 20 / 0 / 17

HEX #C2AAD4

RGB 194 170 212

HSL 274.29, 0.33%, 0.75%

LAB 72.87, 16.49, -18.07

 

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

CMYK 20 / 0 / 1 / 17

HEX #AAD4D2

RGB 170 212 210

HSL 177.14, 0.33%, 0.75%

LAB 81.99, -14.09, -3.56

 

CMYK 1 / 20 / 0 / 17

HEX #D2AAD4

RGB 210 170 212

HSL 297.14, 0.33%, 0.75%

LAB 74.32, 21.81, -15.74

 

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

CMYK 20 / 0 / 17 / 17

HEX #AAD4B1

RGB 170 212 177

HSL 130, 0.33%, 0.75%

LAB 81.19, -20.57, 12.84

 

CMYK 20 / 19 / 0 / 17

HEX #AAABD4

RGB 170 171 212

HSL 238.57, 0.33%, 0.75%

LAB 71.16, 8.21, -20.85

 

CMYK 0 / 20 / 3 / 17

HEX #D4AACD

RGB 212 170 205

HSL 310, 0.33%, 0.75%

LAB 74.29, 21.19, -11.94

 

CMYK 0 / 0 / 20 / 17

HEX #D4D3AA

RGB 212 211 170

HSL 58.57, 0.33%, 0.75%

LAB 83.7, -6.37, 20.48

 

CMYK 20 / 0 / 11 / 17

HEX #AAD4BD

RGB 170 212 189

HSL 147.14, 0.33%, 0.75%

LAB 81.46, -18.33, 6.85

 

CMYK 20 / 19 / 0 / 17

HEX #AAABD4

RGB 170 171 212

HSL 238.57, 0.33%, 0.75%

LAB 71.16, 8.21, -20.85

 

CMYK 0 / 20 / 9 / 17

HEX #D4AAC0

RGB 212 170 192

HSL 328.57, 0.33%, 0.75%

LAB 73.9, 18.9, -5.39

 

Description

Color code: RGB 212 211 170 | qconv.com Color code: RGB 212 211 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 211 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 211 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 20 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 20% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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