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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 198 62 it is the complementary color RGB 43 57 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 198 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 198 62 shade: RGB 217 198 57, RGB 234 216 76, RGB 251 234 95, RGB 255 252 114 and RGB 255 255 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 198 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 198 62 shade: RGB 212 198 62, RGB 195 180 43, RGB 178 162 24, RGB 161 144 5 and RGB 144 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 198 62 shade: RGB 212 198 62, RGB 212 158 62, RGB 212 117 62, RGB 212 77 62 and RGB 212 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 198 62 shade: RGB 212 198 62, RGB 186 212 62, RGB 145 212 62, RGB 105 212 62 and RGB 64 212 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 198 62 shade matches the following richer shades: RGB 212 198 62, RGB 231 214 43 and RGB 250 229 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 198 62 shade: RGB 212 198 62, RGB 193 183 81, RGB 174 167 100, RGB 155 152 119 and RGB 136 137 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 198 62 shade: RGB 212 117 62, RGB 212 157 62, RGB 212 197 62, RGB 187 212 62 and RGB 147 212 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 198 62 shade: RGB 158 146 34, RGB 191 178 42, RGB 212 198 62, RGB 220 208 96 and RGB 227 218 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 198 62 shade: RGB 212 198 62, RGB 62 212 77 and RGB 137 62 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 198 62 shade: RGB 212 198 62, RGB 62 212 197 and RGB 197 62 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 198 62 shade: RGB 212 198 62, RGB 62 212 77, RGB 62 77 212 and RGB 212 62 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 198 62 shade: RGB 212 198 62, RGB 62 212 122, RGB 62 77 212 and RGB 212 62 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

Complementary color

CMYK 78 / 70 / 0 / 24

HEX #2B39C1

RGB 43 57 193

HSL 234.4, 0.64%, 0.46%

LAB 32.46, 42.55, -72

 

CMYK 0 / 9 / 74 / 15

HEX #D9C639

RGB 217 198 57

HSL 52.88, 0.68%, 0.54%

LAB 79.29, -8.33, 68.51

 

CMYK 0 / 8 / 68 / 8

HEX #EAD84C

RGB 234 216 76

HSL 53.16, 0.79%, 0.61%

LAB 85.57, -9.37, 68.18

 

CMYK 0 / 7 / 62 / 2

HEX #FBEA5F

RGB 251 234 95

HSL 53.46, 0.95%, 0.68%

LAB 91.77, -10.26, 67.48

 

CMYK 0 / 1 / 55 / 0

HEX #FFFC72

RGB 255 252 114

HSL 58.72, 1%, 0.72%

LAB 96.86, -16.18, 65.13

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

CMYK 0 / 8 / 78 / 24

HEX #C3B42B

RGB 195 180 43

HSL 54.08, 0.64%, 0.47%

LAB 72.51, -9.12, 66.16

 

CMYK 0 / 9 / 87 / 30

HEX #B2A218

RGB 178 162 24

HSL 53.77, 0.76%, 0.4%

LAB 66.04, -7.79, 65.19

 

CMYK 0 / 11 / 97 / 37

HEX #A19005

RGB 161 144 5

HSL 53.46, 0.94%, 0.33%

LAB 59.47, -6.22, 62.77

 

CMYK 0 / 13 / 100 / 44

HEX #907E00

RGB 144 126 0

HSL 52.5, 1%, 0.28%

LAB 52.79, -4.33, 58.02

 

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

CMYK 0 / 25 / 71 / 17

HEX #D49E3E

RGB 212 158 62

HSL 38.4, 0.64%, 0.54%

LAB 68.61, 10.79, 55.86

 

CMYK 0 / 45 / 71 / 17

HEX #D4753E

RGB 212 117 62

HSL 22, 0.64%, 0.54%

LAB 59.04, 32.83, 45.71

 

CMYK 0 / 64 / 71 / 17

HEX #D44D3E

RGB 212 77 62

HSL 6, 0.64%, 0.54%

LAB 51.44, 52.27, 37.19

 

CMYK 0 / 71 / 71 / 17

HEX #D43E3E

RGB 212 62 62

HSL 0, 0.64%, 0.54%

LAB 49.24, 58.25, 34.63

 

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

CMYK 12 / 0 / 71 / 17

HEX #BAD43E

RGB 186 212 62

HSL 70.4, 0.64%, 0.54%

LAB 80.67, -27.95, 67.25

 

CMYK 32 / 0 / 71 / 17

HEX #91D43E

RGB 145 212 62

HSL 86.8, 0.64%, 0.54%

LAB 78.14, -43.72, 63.9

 

CMYK 50 / 0 / 71 / 17

HEX #69D43E

RGB 105 212 62

HSL 102.8, 0.64%, 0.54%

LAB 76.34, -56.67, 61.49

 

CMYK 70 / 0 / 71 / 17

HEX #40D43E

RGB 64 212 62

HSL 119.2, 0.64%, 0.54%

LAB 75.15, -66.15, 59.89

 

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

CMYK 0 / 7 / 81 / 9

HEX #E7D62B

RGB 231 214 43

HSL 54.57, 0.8%, 0.54%

LAB 84.62, -10.97, 77.98

 

CMYK 0 / 8 / 90 / 2

HEX #FAE518

RGB 250 229 24

HSL 54.42, 0.96%, 0.54%

LAB 90.06, -10.81, 86.83

 

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

CMYK 0 / 5 / 58 / 24

HEX #C1B751

RGB 193 183 81

HSL 54.64, 0.47%, 0.54%

LAB 73.41, -9.43, 52.04

 

CMYK 0 / 4 / 43 / 32

HEX #AEA764

RGB 174 167 100

HSL 54.32, 0.31%, 0.54%

LAB 67.69, -7.29, 35.48

 

CMYK 0 / 2 / 23 / 39

HEX #9B9877

RGB 155 152 119

HSL 55, 0.15%, 0.54%

LAB 62.3, -4.52, 17.8

 

CMYK 1 / 1 / 0 / 46

HEX #88898A

RGB 136 137 138

HSL 210, 0.01%, 0.54%

LAB 57.04, -0.17, -0.67

 

CMYK 0 / 45 / 71 / 17

HEX #D4753E

RGB 212 117 62

HSL 22, 0.64%, 0.54%

LAB 59.04, 32.83, 45.71

 

CMYK 0 / 26 / 71 / 17

HEX #D49D3E

RGB 212 157 62

HSL 38, 0.64%, 0.54%

LAB 68.36, 11.33, 55.61

 

CMYK 0 / 7 / 71 / 17

HEX #D4C53E

RGB 212 197 62

HSL 54, 0.64%, 0.54%

LAB 78.62, -9.72, 65.93

 

CMYK 12 / 0 / 71 / 17

HEX #BBD43E

RGB 187 212 62

HSL 70, 0.64%, 0.54%

LAB 80.74, -27.55, 67.34

 

CMYK 31 / 0 / 71 / 17

HEX #93D43E

RGB 147 212 62

HSL 86, 0.64%, 0.54%

LAB 78.25, -43, 64.04

 

CMYK 0 / 8 / 78 / 38

HEX #9E9222

RGB 158 146 34

HSL 54.19, 0.65%, 0.38%

LAB 59.84, -7.95, 56.35

 

CMYK 0 / 7 / 78 / 25

HEX #BFB22A

RGB 191 178 42

HSL 54.77, 0.64%, 0.46%

LAB 71.61, -9.87, 65.53

 

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

CMYK 0 / 5 / 56 / 14

HEX #DCD060

RGB 220 208 96

HSL 54.19, 0.64%, 0.62%

LAB 82.47, -9.86, 56.05

 

CMYK 0 / 4 / 43 / 11

HEX #E3DA82

RGB 227 218 130

HSL 54.43, 0.63%, 0.7%

LAB 86.05, -9.1, 44.29

 

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

CMYK 71 / 0 / 64 / 17

HEX #3ED44D

RGB 62 212 77

HSL 126, 0.64%, 0.54%

LAB 75.23, -65.08, 54.01

 

CMYK 35 / 71 / 0 / 17

HEX #893ED4

RGB 137 62 212

HSL 270, 0.64%, 0.54%

LAB 43.53, 59.09, -64.57

 

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

CMYK 71 / 0 / 7 / 17

HEX #3ED4C5

RGB 62 212 197

HSL 174, 0.64%, 0.54%

LAB 77.37, -41.99, -3.91

 

CMYK 7 / 71 / 0 / 17

HEX #C53ED4

RGB 197 62 212

HSL 294, 0.64%, 0.54%

LAB 51.92, 71.13, -50.64

 

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

CMYK 71 / 0 / 64 / 17

HEX #3ED44D

RGB 62 212 77

HSL 126, 0.64%, 0.54%

LAB 75.23, -65.08, 54.01

 

CMYK 71 / 64 / 0 / 17

HEX #3E4DD4

RGB 62 77 212

HSL 234, 0.64%, 0.54%

LAB 39.72, 38.87, -71.07

 

CMYK 0 / 71 / 7 / 17

HEX #D43EC5

RGB 212 62 197

HSL 306, 0.64%, 0.54%

LAB 53.46, 71.98, -39.43

 

CMYK 0 / 7 / 71 / 17

HEX #D4C63E

RGB 212 198 62

HSL 54.4, 0.64%, 0.54%

LAB 78.89, -10.23, 66.19

 

CMYK 71 / 0 / 42 / 17

HEX #3ED47A

RGB 62 212 122

HSL 144, 0.64%, 0.54%

LAB 75.77, -58.79, 33.45

 

CMYK 71 / 64 / 0 / 17

HEX #3E4DD4

RGB 62 77 212

HSL 234, 0.64%, 0.54%

LAB 39.72, 38.87, -71.07

 

CMYK 0 / 71 / 28 / 17

HEX #D43E98

RGB 212 62 152

HSL 324, 0.64%, 0.54%

LAB 51.51, 65.83, -16.15

 

Description

Color code: RGB 212 198 62 | qconv.com Color code: RGB 212 198 62 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 198 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 198 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 71 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 71% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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