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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 150 180 it is the complementary color RGB 43 105 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 150 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 150 180 shade: RGB 217 150 175, RGB 234 168 194, RGB 251 186 213, RGB 255 204 232 and RGB 255 222 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 150 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 150 180 shade: RGB 212 150 180, RGB 195 132 161, RGB 178 114 142, RGB 161 96 123 and RGB 144 78 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 150 180 shade: RGB 212 149 180, RGB 212 149 163 and RGB 212 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 150 180 shade: RGB 212 149 180, RGB 212 149 196, RGB 210 149 212, RGB 193 149 212 and RGB 177 149 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 150 180 shade matches the following richer shades: RGB 212 149 180, RGB 224 138 179, RGB 236 126 179 and RGB 248 114 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 150 180 shade: RGB 212 149 180, RGB 200 161 180, RGB 188 173 180, RGB 176 185 181 and RGB 164 197 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 150 180 shade: RGB 210 149 212, RGB 212 149 197, RGB 212 149 181, RGB 212 149 164 and RGB 212 152 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 150 180 shade: RGB 188 91 138, RGB 200 120 159, RGB 212 149 180, RGB 224 179 200 and RGB 236 208 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 150 180 shade: RGB 212 150 180, RGB 212 193 149 and RGB 149 205 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 150 180 shade: RGB 212 150 180, RGB 181 212 149 and RGB 149 181 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 150 180 shade: RGB 212 150 180, RGB 212 193 149, RGB 149 212 181 and RGB 149 168 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 150 180 shade: RGB 212 150 180, RGB 212 212 149, RGB 149 212 181 and RGB 149 149 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 15 / 17

HEX #D496B4

RGB 212 150 180

HSL 330.97, 0.42%, 0.71%

LAB 68.83, 27.77, -6.26

 

Complementary color

CMYK 59 / 0 / 29 / 59

HEX #2B694B

RGB 43 105 75

HSL 150.97, 0.42%, 0.29%

LAB 39.79, -27.76, 10.99

 

CMYK 0 / 31 / 19 / 15

HEX #D996AF

RGB 217 150 175

HSL 337.61, 0.47%, 0.72%

LAB 69.23, 28.76, -2.83

 

CMYK 0 / 28 / 17 / 8

HEX #EAA8C2

RGB 234 168 194

HSL 336.36, 0.61%, 0.79%

LAB 75.7, 28.06, -3.59

 

CMYK 0 / 26 / 15 / 2

HEX #FBBAD5

RGB 251 186 213

HSL 335.08, 0.89%, 0.86%

LAB 82.07, 27.41, -4.31

 

CMYK 0 / 20 / 9 / 0

HEX #FFCCE8

RGB 255 204 232

HSL 327.06, 1%, 0.9%

LAB 87.13, 22.39, -6.94

 

CMYK 0 / 13 / 2 / 0

HEX #FFDEFB

RGB 255 222 251

HSL 307.27, 1%, 0.94%

LAB 91.89, 16.23, -9.88

 

CMYK 0 / 29 / 15 / 17

HEX #D496B4

RGB 212 150 180

HSL 330.97, 0.42%, 0.71%

LAB 68.83, 27.77, -6.26

 

CMYK 0 / 32 / 17 / 24

HEX #C384A1

RGB 195 132 161

HSL 332.38, 0.34%, 0.64%

LAB 62.23, 28.49, -5.53

 

CMYK 0 / 36 / 20 / 30

HEX #B2728E

RGB 178 114 142

HSL 333.75, 0.29%, 0.57%

LAB 55.54, 29.27, -4.71

 

CMYK 0 / 40 / 24 / 37

HEX #A1607B

RGB 161 96 123

HSL 335.08, 0.26%, 0.5%

LAB 48.73, 30.11, -3.79

 

CMYK 0 / 46 / 28 / 44

HEX #904E68

RGB 144 78 104

HSL 336.36, 0.3%, 0.44%

LAB 41.81, 31, -2.7

 

CMYK 0 / 30 / 15 / 17

HEX #D495B4

RGB 212 149 180

HSL 330.48, 0.42%, 0.71%

LAB 68.6, 28.31, -6.61

 

CMYK 0 / 30 / 23 / 17

HEX #D495A3

RGB 212 149 163

HSL 346.67, 0.42%, 0.71%

LAB 68.12, 25.69, 2.2

 

CMYK 0 / 30 / 30 / 17

HEX #D49595

RGB 212 149 149

HSL 0, 0.42%, 0.71%

LAB 67.77, 23.72, 9.52

 

CMYK 0 / 30 / 15 / 17

HEX #D495B4

RGB 212 149 180

HSL 330.48, 0.42%, 0.71%

LAB 68.6, 28.31, -6.61

 

CMYK 0 / 30 / 8 / 17

HEX #D495C4

RGB 212 149 196

HSL 315.24, 0.42%, 0.71%

LAB 69.1, 31, -14.77

 

CMYK 1 / 30 / 0 / 17

HEX #D295D4

RGB 210 149 212

HSL 298.1, 0.42%, 0.71%

LAB 69.43, 33.24, -23.15

 

CMYK 9 / 30 / 0 / 17

HEX #C195D4

RGB 193 149 212

HSL 281.9, 0.42%, 0.71%

LAB 67.71, 27.77, -25.94

 

CMYK 17 / 30 / 0 / 17

HEX #B195D4

RGB 177 149 212

HSL 266.67, 0.42%, 0.71%

LAB 66.21, 22.71, -28.38

 

CMYK 0 / 30 / 15 / 17

HEX #D495B4

RGB 212 149 180

HSL 330.48, 0.42%, 0.71%

LAB 68.6, 28.31, -6.61

 

CMYK 0 / 38 / 20 / 12

HEX #E08AB3

RGB 224 138 179

HSL 331.4, 0.58%, 0.71%

LAB 67.49, 38.22, -7.55

 

CMYK 0 / 47 / 24 / 7

HEX #EC7EB3

RGB 236 126 179

HSL 331.09, 0.74%, 0.71%

LAB 66.53, 48.42, -8.81

 

CMYK 0 / 54 / 28 / 3

HEX #F872B2

RGB 248 114 178

HSL 331.34, 0.91%, 0.71%

LAB 65.91, 57.88, -8.99

 

CMYK 0 / 30 / 15 / 17

HEX #D495B4

RGB 212 149 180

HSL 330.48, 0.42%, 0.71%

LAB 68.6, 28.31, -6.61

 

CMYK 0 / 20 / 10 / 22

HEX #C8A1B4

RGB 200 161 180

HSL 330.77, 0.26%, 0.71%

LAB 70.22, 17.48, -4.34

 

CMYK 0 / 8 / 4 / 26

HEX #BCADB4

RGB 188 173 180

HSL 332, 0.1%, 0.71%

LAB 72.14, 6.63, -1.64

 

CMYK 5 / 0 / 2 / 27

HEX #B0B9B5

RGB 176 185 181

HSL 153.33, 0.06%, 0.71%

LAB 74.36, -3.88, 0.94

 

CMYK 17 / 0 / 8 / 23

HEX #A4C5B5

RGB 164 197 181

HSL 150.91, 0.22%, 0.71%

LAB 76.78, -14.24, 4.34

 

CMYK 1 / 30 / 0 / 17

HEX #D295D4

RGB 210 149 212

HSL 298.1, 0.42%, 0.71%

LAB 69.43, 33.24, -23.15

 

CMYK 0 / 30 / 7 / 17

HEX #D495C5

RGB 212 149 197

HSL 314.29, 0.42%, 0.71%

LAB 69.13, 31.17, -15.28

 

CMYK 0 / 30 / 15 / 17

HEX #D495B5

RGB 212 149 181

HSL 329.52, 0.42%, 0.71%

LAB 68.63, 28.47, -7.12

 

CMYK 0 / 30 / 23 / 17

HEX #D495A4

RGB 212 149 164

HSL 345.71, 0.42%, 0.71%

LAB 68.15, 25.83, 1.68

 

CMYK 0 / 28 / 30 / 17

HEX #D49895

RGB 212 152 149

HSL 2.86, 0.42%, 0.71%

LAB 68.48, 22.09, 10.53

 

CMYK 0 / 52 / 27 / 26

HEX #BC5B8A

RGB 188 91 138

HSL 330.93, 0.42%, 0.55%

LAB 51.85, 44.43, -7.7

 

CMYK 0 / 40 / 21 / 22

HEX #C8789F

RGB 200 120 159

HSL 330.75, 0.42%, 0.63%

LAB 60.08, 36.46, -7.51

 

CMYK 0 / 30 / 15 / 17

HEX #D495B4

RGB 212 149 180

HSL 330.48, 0.42%, 0.71%

LAB 68.6, 28.31, -6.61

 

CMYK 0 / 20 / 11 / 12

HEX #E0B3C8

RGB 224 179 200

HSL 332, 0.42%, 0.79%

LAB 77.43, 19.62, -4.42

 

CMYK 0 / 12 / 6 / 7

HEX #ECD0DD

RGB 236 208 221

HSL 332.14, 0.42%, 0.87%

LAB 86.09, 11.92, -2.83

 

CMYK 0 / 29 / 15 / 17

HEX #D496B4

RGB 212 150 180

HSL 330.97, 0.42%, 0.71%

LAB 68.83, 27.77, -6.26

 

CMYK 0 / 9 / 30 / 17

HEX #D4C195

RGB 212 193 149

HSL 41.9, 0.42%, 0.71%

LAB 78.64, 0.08, 24.63

 

CMYK 30 / 3 / 0 / 17

HEX #95CDD4

RGB 149 205 212

HSL 186.67, 0.42%, 0.71%

LAB 78.93, -16.3, -9.3

 

CMYK 0 / 29 / 15 / 17

HEX #D496B4

RGB 212 150 180

HSL 330.97, 0.42%, 0.71%

LAB 68.83, 27.77, -6.26

 

CMYK 15 / 0 / 30 / 17

HEX #B5D495

RGB 181 212 149

HSL 89.52, 0.42%, 0.71%

LAB 81.34, -21.31, 27.87

 

CMYK 30 / 15 / 0 / 17

HEX #95B5D4

RGB 149 181 212

HSL 209.52, 0.42%, 0.71%

LAB 72.36, -3.66, -19.17

 

CMYK 0 / 29 / 15 / 17

HEX #D496B4

RGB 212 150 180

HSL 330.97, 0.42%, 0.71%

LAB 68.83, 27.77, -6.26

 

CMYK 0 / 9 / 30 / 17

HEX #D4C195

RGB 212 193 149

HSL 41.9, 0.42%, 0.71%

LAB 78.64, 0.08, 24.63

 

CMYK 30 / 0 / 15 / 17

HEX #95D4B5

RGB 149 212 181

HSL 150.48, 0.42%, 0.71%

LAB 80.07, -26.51, 8.97

 

CMYK 30 / 21 / 0 / 17

HEX #95A8D4

RGB 149 168 212

HSL 221.9, 0.42%, 0.71%

LAB 68.86, 3.48, -24.5

 

CMYK 0 / 29 / 15 / 17

HEX #D496B4

RGB 212 150 180

HSL 330.97, 0.42%, 0.71%

LAB 68.83, 27.77, -6.26

 

CMYK 0 / 0 / 30 / 17

HEX #D4D495

RGB 212 212 149

HSL 60, 0.42%, 0.71%

LAB 83.58, -9.74, 31.26

 

CMYK 30 / 0 / 15 / 17

HEX #95D4B5

RGB 149 212 181

HSL 150.48, 0.42%, 0.71%

LAB 80.07, -26.51, 8.97

 

CMYK 30 / 30 / 0 / 17

HEX #9595D4

RGB 149 149 212

HSL 240, 0.42%, 0.71%

LAB 63.87, 14.22, -32.19

 

Description

Color code: RGB 212 150 180 | qconv.com Color code: RGB 212 150 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 150 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 150 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 15 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 15% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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