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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 155 37 it is the complementary color RGB 43 100 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 155 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 155 37 shade: RGB 217 155 32, RGB 234 173 51, RGB 251 191 70, RGB 255 209 89 and RGB 255 227 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 155 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 155 37 shade: RGB 212 155 37, RGB 195 137 18, RGB 178 119 0, RGB 161 101 0 and RGB 144 83 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 155 37 shade: RGB 212 155 37, RGB 212 108 37, RGB 212 61 37 and RGB 212 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 155 37 shade: RGB 212 155 37, RGB 212 202 37, RGB 175 212 37, RGB 127 212 37 and RGB 80 212 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 155 37 shade matches the following richer shades: RGB 212 155 37 and RGB 232 162 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 155 37 shade: RGB 212 155 37, RGB 192 148 57, RGB 171 141 77, RGB 151 134 98 and RGB 131 127 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 155 37 shade: RGB 212 60 37, RGB 212 107 37, RGB 212 154 37, RGB 212 200 37 and RGB 177 212 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 155 37 shade: RGB 142 104 25, RGB 177 129 31, RGB 212 155 37, RGB 222 172 68 and RGB 228 187 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 155 37 shade: RGB 212 155 37, RGB 60 212 37 and RGB 84 37 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 155 37 shade: RGB 212 155 37, RGB 37 212 154 and RGB 154 37 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 155 37 shade: RGB 212 155 37, RGB 60 212 37, RGB 37 95 212 and RGB 189 37 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 155 37 shade: RGB 212 155 37, RGB 37 212 66, RGB 37 95 212 and RGB 212 37 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

Complementary color

CMYK 80 / 54 / 0 / 15

HEX #2B64DA

RGB 43 100 218

HSL 220.46, 0.7%, 0.51%

LAB 45.21, 24.41, -65.6

 

CMYK 0 / 29 / 85 / 15

HEX #D99B20

RGB 217 155 32

HSL 39.89, 0.74%, 0.49%

LAB 68.24, 13.45, 66.6

 

CMYK 0 / 26 / 78 / 8

HEX #EAAD33

RGB 234 173 51

HSL 40, 0.81%, 0.56%

LAB 74.58, 11.76, 66.81

 

CMYK 0 / 24 / 72 / 2

HEX #FBBF46

RGB 251 191 70

HSL 40.11, 0.96%, 0.63%

LAB 80.86, 10.28, 66.31

 

CMYK 0 / 18 / 65 / 0

HEX #FFD159

RGB 255 209 89

HSL 43.37, 1%, 0.67%

LAB 85.8, 3.63, 63.7

 

CMYK 0 / 11 / 58 / 0

HEX #FFE36C

RGB 255 227 108

HSL 48.57, 1%, 0.71%

LAB 90.45, -4.28, 60.51

 

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

CMYK 0 / 30 / 91 / 24

HEX #C38912

RGB 195 137 18

HSL 40.34, 0.83%, 0.42%

LAB 61.25, 13.25, 63.49

 

CMYK 0 / 33 / 100 / 30

HEX #B27700

RGB 178 119 0

HSL 40.11, 1%, 0.35%

LAB 54.72, 15.35, 61.13

 

CMYK 0 / 37 / 100 / 37

HEX #A16500

RGB 161 101 0

HSL 37.64, 1%, 0.32%

LAB 48.11, 17.79, 55.75

 

CMYK 0 / 42 / 100 / 44

HEX #905300

RGB 144 83 0

HSL 34.58, 1%, 0.28%

LAB 41.4, 20.33, 50.29

 

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

CMYK 0 / 49 / 83 / 17

HEX #D46C25

RGB 212 108 37

HSL 24.34, 0.7%, 0.49%

LAB 56.93, 36.51, 55.02

 

CMYK 0 / 71 / 83 / 17

HEX #D43D25

RGB 212 61 37

HSL 8.23, 0.7%, 0.49%

LAB 48.84, 57.7, 47.7

 

CMYK 0 / 83 / 83 / 17

HEX #D42525

RGB 212 37 37

HSL 0, 0.7%, 0.49%

LAB 46.25, 64.96, 45.29

 

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

CMYK 0 / 5 / 83 / 17

HEX #D4CA25

RGB 212 202 37

HSL 56.57, 0.7%, 0.49%

LAB 79.82, -13.2, 74.77

 

CMYK 17 / 0 / 83 / 17

HEX #AFD425

RGB 175 212 37

HSL 72.69, 0.7%, 0.49%

LAB 79.8, -33.45, 73.66

 

CMYK 40 / 0 / 83 / 17

HEX #7FD425

RGB 127 212 37

HSL 89.14, 0.7%, 0.49%

LAB 77.12, -51.28, 70.27

 

CMYK 62 / 0 / 83 / 17

HEX #50D425

RGB 80 212 37

HSL 105.26, 0.7%, 0.49%

LAB 75.41, -64.55, 68.08

 

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

CMYK 0 / 30 / 93 / 9

HEX #E8A211

RGB 232 162 17

HSL 40.47, 0.86%, 0.49%

LAB 71.58, 15.92, 73.25

 

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

CMYK 0 / 23 / 70 / 25

HEX #C09439

RGB 192 148 57

HSL 40.44, 0.54%, 0.49%

LAB 63.9, 7.25, 52.5

 

CMYK 0 / 18 / 55 / 33

HEX #AB8D4D

RGB 171 141 77

HSL 40.85, 0.38%, 0.49%

LAB 60.11, 3.28, 38.03

 

CMYK 0 / 11 / 35 / 41

HEX #978662

RGB 151 134 98

HSL 40.75, 0.21%, 0.49%

LAB 56.6, 0.87, 21.76

 

CMYK 0 / 3 / 10 / 49

HEX #837F76

RGB 131 127 118

HSL 41.54, 0.05%, 0.49%

LAB 53.29, -0.18, 5.42

 

CMYK 0 / 72 / 83 / 17

HEX #D43C25

RGB 212 60 37

HSL 7.89, 0.7%, 0.49%

LAB 48.71, 58.06, 47.58

 

CMYK 0 / 50 / 83 / 17

HEX #D46B25

RGB 212 107 37

HSL 24, 0.7%, 0.49%

LAB 56.73, 37.02, 54.83

 

CMYK 0 / 27 / 83 / 17

HEX #D49A25

RGB 212 154 37

HSL 40.11, 0.7%, 0.49%

LAB 67.46, 11.94, 64.23

 

CMYK 0 / 6 / 83 / 17

HEX #D4C825

RGB 212 200 37

HSL 55.89, 0.7%, 0.49%

LAB 79.29, -12.19, 74.32

 

CMYK 17 / 0 / 83 / 17

HEX #B1D425

RGB 177 212 37

HSL 72, 0.7%, 0.49%

LAB 79.94, -32.65, 73.82

 

CMYK 0 / 27 / 82 / 44

HEX #8E6819

RGB 142 104 25

HSL 40.51, 0.7%, 0.33%

LAB 46.61, 7.83, 46.9

 

CMYK 0 / 27 / 82 / 31

HEX #B1811F

RGB 177 129 31

HSL 40.27, 0.7%, 0.41%

LAB 57.22, 9.93, 55.74

 

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

CMYK 0 / 23 / 69 / 13

HEX #DEAC44

RGB 222 172 68

HSL 40.52, 0.7%, 0.57%

LAB 73.19, 7.9, 58.36

 

CMYK 0 / 18 / 54 / 11

HEX #E4BB68

RGB 228 187 104

HSL 40.16, 0.7%, 0.65%

LAB 77.9, 4.91, 47.11

 

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

CMYK 72 / 0 / 83 / 17

HEX #3CD425

RGB 60 212 37

HSL 112.11, 0.7%, 0.49%

LAB 74.94, -68.49, 67.49

 

CMYK 60 / 83 / 0 / 17

HEX #5425D4

RGB 84 37 212

HSL 256.11, 0.7%, 0.49%

LAB 33.9, 62.13, -80.59

 

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

CMYK 83 / 0 / 27 / 17

HEX #25D49A

RGB 37 212 154

HSL 160.11, 0.7%, 0.49%

LAB 75.95, -55.4, 17

 

CMYK 27 / 83 / 0 / 17

HEX #9A25D4

RGB 154 37 212

HSL 280.11, 0.7%, 0.49%

LAB 42.68, 71.1, -65.85

 

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

CMYK 72 / 0 / 83 / 17

HEX #3CD425

RGB 60 212 37

HSL 112.11, 0.7%, 0.49%

LAB 74.94, -68.49, 67.49

 

CMYK 83 / 55 / 0 / 17

HEX #255FD4

RGB 37 95 212

HSL 220.11, 0.7%, 0.49%

LAB 43.26, 24.84, -65.35

 

CMYK 11 / 83 / 0 / 17

HEX #BD25D4

RGB 189 37 212

HSL 292.11, 0.7%, 0.49%

LAB 48.13, 76.88, -56.78

 

CMYK 0 / 27 / 83 / 17

HEX #D49B25

RGB 212 155 37

HSL 40.46, 0.7%, 0.49%

LAB 67.7, 11.4, 64.44

 

CMYK 83 / 0 / 69 / 17

HEX #25D442

RGB 37 212 66

HSL 129.94, 0.7%, 0.49%

LAB 74.75, -69.55, 57.82

 

CMYK 83 / 55 / 0 / 17

HEX #255FD4

RGB 37 95 212

HSL 220.11, 0.7%, 0.49%

LAB 43.26, 24.84, -65.35

 

CMYK 0 / 83 / 14 / 17

HEX #D425B7

RGB 212 37 183

HSL 309.94, 0.7%, 0.49%

LAB 50.38, 76.84, -36.16

 

Description

Color code: RGB 212 155 37 | qconv.com Color code: RGB 212 155 37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 155 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 155 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 83 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 83% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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