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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 142 140 it is the complementary color RGB 43 113 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 142 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 142 140 shade: RGB 217 142 135, RGB 234 160 154, RGB 251 178 173, RGB 255 196 192 and RGB 255 214 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 142 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 142 140 shade: RGB 212 142 140, RGB 195 124 121, RGB 178 106 102, RGB 161 88 83 and RGB 144 70 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 142 140 shade: RGB 212 141 139 and RGB 212 139 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 142 140 shade: RGB 212 141 139, RGB 212 161 139, RGB 212 180 139, RGB 212 200 139 and RGB 204 212 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 142 140 shade matches the following richer shades: RGB 212 141 139, RGB 225 129 126, RGB 237 117 114 and RGB 250 105 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 142 140 shade: RGB 212 141 139, RGB 199 153 152, RGB 186 165 165, RGB 173 177 177 and RGB 161 189 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 142 140 shade: RGB 212 139 177, RGB 212 139 157, RGB 212 140 139, RGB 212 160 139 and RGB 212 179 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 142 140 shade: RGB 190 82 79, RGB 201 112 109, RGB 212 141 139, RGB 223 171 169 and RGB 234 200 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 142 140 shade: RGB 212 142 140, RGB 196 212 139 and RGB 139 167 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 142 140 shade: RGB 212 142 140, RGB 139 212 140 and RGB 140 139 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 142 140 shade: RGB 212 142 140, RGB 196 212 139, RGB 139 211 212 and RGB 155 139 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 142 140 shade: RGB 212 142 140, RGB 174 212 139, RGB 139 211 212 and RGB 177 139 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 34 / 17

HEX #D48E8C

RGB 212 142 140

HSL 1.67, 0.46%, 0.69%

LAB 65.93, 26.34, 11.96

 

Complementary color

CMYK 63 / 2 / 0 / 55

HEX #2B7173

RGB 43 113 115

HSL 181.67, 0.46%, 0.31%

LAB 43.6, -20.88, -7.64

 

CMYK 0 / 35 / 38 / 15

HEX #D98E87

RGB 217 142 135

HSL 5.12, 0.52%, 0.69%

LAB 66.4, 27.64, 15.51

 

CMYK 0 / 32 / 34 / 8

HEX #EAA09A

RGB 234 160 154

HSL 4.5, 0.66%, 0.76%

LAB 72.87, 26.75, 14.3

 

CMYK 0 / 29 / 31 / 2

HEX #FBB2AD

RGB 251 178 173

HSL 3.85, 0.91%, 0.83%

LAB 79.25, 25.95, 13.2

 

CMYK 0 / 23 / 25 / 0

HEX #FFC4C0

RGB 255 196 192

HSL 3.81, 1%, 0.88%

LAB 84.25, 20.49, 10.15

 

CMYK 0 / 16 / 17 / 0

HEX #FFD6D3

RGB 255 214 211

HSL 4.09, 1%, 0.91%

LAB 88.95, 13.83, 6.82

 

CMYK 0 / 33 / 34 / 17

HEX #D48E8C

RGB 212 142 140

HSL 1.67, 0.46%, 0.69%

LAB 65.93, 26.34, 11.96

 

CMYK 0 / 36 / 38 / 24

HEX #C37C79

RGB 195 124 121

HSL 2.43, 0.38%, 0.62%

LAB 59.34, 27.26, 13.2

 

CMYK 0 / 40 / 43 / 30

HEX #B26A66

RGB 178 106 102

HSL 3.16, 0.33%, 0.55%

LAB 52.66, 28.28, 14.61

 

CMYK 0 / 45 / 48 / 37

HEX #A15853

RGB 161 88 83

HSL 3.85, 0.32%, 0.48%

LAB 45.88, 29.42, 16.24

 

CMYK 0 / 51 / 56 / 44

HEX #904640

RGB 144 70 64

HSL 4.5, 0.38%, 0.41%

LAB 39.04, 30.66, 18.19

 

CMYK 0 / 33 / 34 / 17

HEX #D48D8B

RGB 212 141 139

HSL 1.64, 0.46%, 0.69%

LAB 65.68, 26.76, 12.17

 

CMYK 0 / 34 / 34 / 17

HEX #D48B8B

RGB 212 139 139

HSL 0, 0.46%, 0.69%

LAB 65.22, 27.84, 11.52

 

CMYK 0 / 33 / 34 / 17

HEX #D48D8B

RGB 212 141 139

HSL 1.64, 0.46%, 0.69%

LAB 65.68, 26.76, 12.17

 

CMYK 0 / 24 / 34 / 17

HEX #D4A18B

RGB 212 161 139

HSL 18.08, 0.46%, 0.69%

LAB 70.42, 15.91, 18.77

 

CMYK 0 / 15 / 34 / 17

HEX #D4B48B

RGB 212 180 139

HSL 33.7, 0.46%, 0.69%

LAB 75.14, 5.69, 25.21

 

CMYK 0 / 6 / 34 / 17

HEX #D4C88B

RGB 212 200 139

HSL 50.14, 0.46%, 0.69%

LAB 80.27, -4.82, 32.06

 

CMYK 4 / 0 / 34 / 17

HEX #CCD48B

RGB 204 212 139

HSL 66.58, 0.46%, 0.69%

LAB 82.8, -14.05, 35.26

 

CMYK 0 / 33 / 34 / 17

HEX #D48D8B

RGB 212 141 139

HSL 1.64, 0.46%, 0.69%

LAB 65.68, 26.76, 12.17

 

CMYK 0 / 43 / 44 / 12

HEX #E1817E

RGB 225 129 126

HSL 1.82, 0.62%, 0.69%

LAB 64.33, 36.58, 17.86

 

CMYK 0 / 51 / 52 / 7

HEX #ED7572

RGB 237 117 114

HSL 1.46, 0.77%, 0.69%

LAB 63.29, 45.95, 23.5

 

CMYK 0 / 58 / 60 / 2

HEX #FA6965

RGB 250 105 101

HSL 1.61, 0.94%, 0.69%

LAB 62.82, 55.17, 30.57

 

CMYK 0 / 33 / 34 / 17

HEX #D48D8B

RGB 212 141 139

HSL 1.64, 0.46%, 0.69%

LAB 65.68, 26.76, 12.17

 

CMYK 0 / 23 / 24 / 22

HEX #C79998

RGB 199 153 152

HSL 1.28, 0.3%, 0.69%

LAB 67.42, 17.02, 7.16

 

CMYK 0 / 11 / 11 / 27

HEX #BAA5A5

RGB 186 165 165

HSL 0, 0.13%, 0.69%

LAB 69.52, 7.63, 2.79

 

CMYK 2 / 0 / 0 / 31

HEX #ADB1B1

RGB 173 177 177

HSL 180, 0.02%, 0.69%

LAB 71.89, -1.4, -0.5

 

CMYK 15 / 1 / 0 / 25

HEX #A1BDBE

RGB 161 189 190

HSL 182.07, 0.18%, 0.69%

LAB 74.63, -9.23, -3.69

 

CMYK 0 / 34 / 17 / 17

HEX #D48BB1

RGB 212 139 177

HSL 328.77, 0.46%, 0.69%

LAB 66.24, 33.24, -8.42

 

CMYK 0 / 34 / 26 / 17

HEX #D48B9D

RGB 212 139 157

HSL 345.21, 0.46%, 0.69%

LAB 65.67, 30.24, 2.01

 

CMYK 0 / 34 / 34 / 17

HEX #D48C8B

RGB 212 140 139

HSL 0.82, 0.46%, 0.69%

LAB 65.45, 27.3, 11.84

 

CMYK 0 / 25 / 34 / 17

HEX #D4A08B

RGB 212 160 139

HSL 17.26, 0.46%, 0.69%

LAB 70.18, 16.45, 18.44

 

CMYK 0 / 16 / 34 / 17

HEX #D4B38B

RGB 212 179 139

HSL 32.88, 0.46%, 0.69%

LAB 74.89, 6.22, 24.87

 

CMYK 0 / 57 / 58 / 25

HEX #BE524F

RGB 190 82 79

HSL 1.62, 0.46%, 0.53%

LAB 48.94, 43.25, 23.48

 

CMYK 0 / 44 / 46 / 21

HEX #C9706D

RGB 201 112 109

HSL 1.96, 0.46%, 0.61%

LAB 57.18, 34.7, 17.24

 

CMYK 0 / 33 / 34 / 17

HEX #D48D8B

RGB 212 141 139

HSL 1.64, 0.46%, 0.69%

LAB 65.68, 26.76, 12.17

 

CMYK 0 / 23 / 24 / 13

HEX #DFABA9

RGB 223 171 169

HSL 2.22, 0.46%, 0.77%

LAB 74.62, 18.74, 8.39

 

CMYK 0 / 15 / 15 / 8

HEX #EAC8C7

RGB 234 200 199

HSL 1.71, 0.45%, 0.85%

LAB 83.4, 11.82, 4.94

 

CMYK 0 / 33 / 34 / 17

HEX #D48E8C

RGB 212 142 140

HSL 1.67, 0.46%, 0.69%

LAB 65.93, 26.34, 11.96

 

CMYK 8 / 0 / 34 / 17

HEX #C4D48B

RGB 196 212 139

HSL 73.15, 0.46%, 0.69%

LAB 82.21, -17.1, 34.37

 

CMYK 34 / 21 / 0 / 17

HEX #8BA7D4

RGB 139 167 212

HSL 216.99, 0.46%, 0.69%

LAB 67.93, 1.16, -25.98

 

CMYK 0 / 33 / 34 / 17

HEX #D48E8C

RGB 212 142 140

HSL 1.67, 0.46%, 0.69%

LAB 65.93, 26.34, 11.96

 

CMYK 34 / 0 / 34 / 17

HEX #8BD48C

RGB 139 212 140

HSL 120.82, 0.46%, 0.69%

LAB 78.73, -37.03, 28.62

 

CMYK 34 / 34 / 0 / 17

HEX #8C8BD4

RGB 140 139 212

HSL 240.82, 0.46%, 0.69%

LAB 60.6, 17.42, -37.33

 

CMYK 0 / 33 / 34 / 17

HEX #D48E8C

RGB 212 142 140

HSL 1.67, 0.46%, 0.69%

LAB 65.93, 26.34, 11.96

 

CMYK 8 / 0 / 34 / 17

HEX #C4D48B

RGB 196 212 139

HSL 73.15, 0.46%, 0.69%

LAB 82.21, -17.1, 34.37

 

CMYK 34 / 0 / 0 / 17

HEX #8BD3D4

RGB 139 211 212

HSL 180.82, 0.46%, 0.69%

LAB 80.08, -22.09, -7.64

 

CMYK 27 / 34 / 0 / 17

HEX #9B8BD4

RGB 155 139 212

HSL 253.15, 0.46%, 0.69%

LAB 61.82, 21.72, -35.34

 

CMYK 0 / 33 / 34 / 17

HEX #D48E8C

RGB 212 142 140

HSL 1.67, 0.46%, 0.69%

LAB 65.93, 26.34, 11.96

 

CMYK 18 / 0 / 34 / 17

HEX #AED48B

RGB 174 212 139

HSL 91.23, 0.46%, 0.69%

LAB 80.71, -25.27, 32.12

 

CMYK 34 / 0 / 0 / 17

HEX #8BD3D4

RGB 139 211 212

HSL 180.82, 0.46%, 0.69%

LAB 80.08, -22.09, -7.64

 

CMYK 17 / 34 / 0 / 17

HEX #B18BD4

RGB 177 139 212

HSL 271.23, 0.46%, 0.69%

LAB 63.81, 28.33, -32.09

 

Description

Color code: RGB 212 142 140 | qconv.com Color code: RGB 212 142 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 142 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 142 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 34 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 34% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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