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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 110 220 it is the complementary color RGB 43 145 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 110 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 110 220 shade: RGB 217 110 215, RGB 234 128 234, RGB 251 146 253, RGB 255 164 255 and RGB 255 182 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 110 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 110 220 shade: RGB 212 110 220, RGB 195 92 201, RGB 178 74 182, RGB 161 56 163 and RGB 144 38 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 110 220 shade: RGB 212 111 220, RGB 220 111 198, RGB 220 111 169, RGB 220 111 140 and RGB 220 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 110 220 shade: RGB 212 111 220, RGB 182 111 220, RGB 153 111 220, RGB 124 111 220 and RGB 111 111 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 110 220 shade matches the following richer shades: RGB 212 111 220, RGB 224 96 234 and RGB 236 82 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 110 220 shade: RGB 212 111 220, RGB 199 125 205, RGB 187 140 191, RGB 175 154 176 and RGB 162 169 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 110 220 shade: RGB 153 111 220, RGB 182 111 220, RGB 211 111 220, RGB 220 111 200 and RGB 220 111 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 110 220 shade: RGB 189 48 200, RGB 202 78 212, RGB 212 111 220, RGB 222 144 228 and RGB 232 177 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 110 220 shade: RGB 212 110 220, RGB 220 124 111 and RGB 111 220 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 110 220 shade: RGB 212 110 220, RGB 220 211 111 and RGB 111 220 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 110 220 shade: RGB 212 110 220, RGB 220 124 111, RGB 120 220 111 and RGB 111 207 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 110 220 shade: RGB 212 110 220, RGB 220 156 111, RGB 120 220 111 and RGB 111 174 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 50 / 0 / 14

HEX #D46EDC

RGB 212 110 220

HSL 295.64, 0.61%, 0.65%

LAB 61.93, 55.66, -39.2

 

Complementary color

CMYK 70 / 0 / 76 / 43

HEX #2B9123

RGB 43 145 35

HSL 115.64, 0.61%, 0.35%

LAB 52.82, -49.9, 46.95

 

CMYK 0 / 49 / 1 / 15

HEX #D96ED7

RGB 217 110 215

HSL 301.12, 0.58%, 0.64%

LAB 62.35, 56.16, -35.7

 

CMYK 0 / 45 / 0 / 8

HEX #EA80EA

RGB 234 128 234

HSL 300, 0.72%, 0.71%

LAB 68.66, 55.51, -36.27

 

CMYK 1 / 42 / 0 / 1

HEX #FB92FD

RGB 251 146 253

HSL 298.88, 0.96%, 0.78%

LAB 74.93, 54.82, -36.76

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 4 / 50 / 0 / 14

HEX #D46EDC

RGB 212 110 220

HSL 295.64, 0.61%, 0.65%

LAB 61.93, 55.66, -39.2

 

CMYK 3 / 54 / 0 / 21

HEX #C35CC9

RGB 195 92 201

HSL 296.7, 0.5%, 0.57%

LAB 55.56, 56.24, -38.61

 

CMYK 2 / 59 / 0 / 29

HEX #B24AB6

RGB 178 74 182

HSL 297.78, 0.43%, 0.5%

LAB 49.18, 56.64, -37.84

 

CMYK 1 / 66 / 0 / 36

HEX #A138A3

RGB 161 56 163

HSL 298.88, 0.49%, 0.43%

LAB 42.84, 56.71, -36.81

 

CMYK 0 / 74 / 0 / 44

HEX #902690

RGB 144 38 144

HSL 300, 0.58%, 0.36%

LAB 36.61, 56.2, -35.37

 

CMYK 4 / 50 / 0 / 14

HEX #D46FDC

RGB 212 111 220

HSL 295.6, 0.61%, 0.65%

LAB 62.11, 55.17, -38.91

 

CMYK 0 / 50 / 10 / 14

HEX #DC6FC6

RGB 220 111 198

HSL 312.11, 0.61%, 0.65%

LAB 62.22, 53.67, -26.28

 

CMYK 0 / 50 / 23 / 14

HEX #DC6FA9

RGB 220 111 169

HSL 328.07, 0.61%, 0.65%

LAB 61.18, 49.27, -11.35

 

CMYK 0 / 50 / 36 / 14

HEX #DC6F8C

RGB 220 111 140

HSL 344.04, 0.61%, 0.65%

LAB 60.32, 45.53, 4.09

 

CMYK 0 / 50 / 50 / 14

HEX #DC6F6F

RGB 220 111 111

HSL 0, 0.61%, 0.65%

LAB 59.65, 42.5, 19.88

 

CMYK 4 / 50 / 0 / 14

HEX #D46FDC

RGB 212 111 220

HSL 295.6, 0.61%, 0.65%

LAB 62.11, 55.17, -38.91

 

CMYK 17 / 50 / 0 / 14

HEX #B66FDC

RGB 182 111 220

HSL 279.08, 0.61%, 0.65%

LAB 58.49, 46.92, -44.86

 

CMYK 30 / 50 / 0 / 14

HEX #996FDC

RGB 153 111 220

HSL 263.12, 0.61%, 0.65%

LAB 55.39, 39.18, -49.97

 

CMYK 44 / 50 / 0 / 14

HEX #7C6FDC

RGB 124 111 220

HSL 247.16, 0.61%, 0.65%

LAB 52.75, 31.99, -54.33

 

CMYK 50 / 50 / 0 / 14

HEX #6F6FDC

RGB 111 111 220

HSL 240, 0.61%, 0.65%

LAB 51.74, 29.04, -56.01

 

CMYK 4 / 50 / 0 / 14

HEX #D46FDC

RGB 212 111 220

HSL 295.6, 0.61%, 0.65%

LAB 62.11, 55.17, -38.91

 

CMYK 4 / 59 / 0 / 8

HEX #E060EA

RGB 224 96 234

HSL 295.65, 0.77%, 0.65%

LAB 61.79, 67.73, -47.13

 

CMYK 5 / 67 / 0 / 2

HEX #EC52F9

RGB 236 82 249

HSL 295.33, 0.93%, 0.65%

LAB 62.26, 78.59, -54.6

 

CMYK 4 / 50 / 0 / 14

HEX #D46FDC

RGB 212 111 220

HSL 295.6, 0.61%, 0.65%

LAB 62.11, 55.17, -38.91

 

CMYK 3 / 39 / 0 / 20

HEX #C77DCD

RGB 199 125 205

HSL 295.5, 0.44%, 0.65%

LAB 62.69, 41.37, -29.72

 

CMYK 2 / 27 / 0 / 25

HEX #BB8CBF

RGB 187 140 191

HSL 295.29, 0.28%, 0.65%

LAB 64.23, 26.61, -19.6

 

CMYK 1 / 13 / 0 / 31

HEX #AF9AB0

RGB 175 154 176

HSL 297.27, 0.12%, 0.65%

LAB 66.03, 11.75, -8.58

 

CMYK 4 / 0 / 4 / 34

HEX #A2A9A2

RGB 162 169 162

HSL 120, 0.04%, 0.65%

LAB 68.51, -3.81, 2.74

 

CMYK 30 / 50 / 0 / 14

HEX #996FDC

RGB 153 111 220

HSL 263.12, 0.61%, 0.65%

LAB 55.39, 39.18, -49.97

 

CMYK 17 / 50 / 0 / 14

HEX #B66FDC

RGB 182 111 220

HSL 279.08, 0.61%, 0.65%

LAB 58.49, 46.92, -44.86

 

CMYK 4 / 50 / 0 / 14

HEX #D36FDC

RGB 211 111 220

HSL 295.05, 0.61%, 0.65%

LAB 61.99, 54.9, -39.12

 

CMYK 0 / 50 / 9 / 14

HEX #DC6FC8

RGB 220 111 200

HSL 311.01, 0.61%, 0.65%

LAB 62.3, 53.99, -27.29

 

CMYK 0 / 50 / 22 / 14

HEX #DC6FAB

RGB 220 111 171

HSL 326.97, 0.61%, 0.65%

LAB 61.24, 49.55, -12.39

 

CMYK 5 / 76 / 0 / 22

HEX #BD30C8

RGB 189 48 200

HSL 295.66, 0.61%, 0.49%

LAB 48.39, 71.98, -49.45

 

CMYK 5 / 63 / 0 / 17

HEX #CA4ED4

RGB 202 78 212

HSL 295.52, 0.61%, 0.57%

LAB 54.82, 66.16, -45.97

 

CMYK 4 / 50 / 0 / 14

HEX #D46FDC

RGB 212 111 220

HSL 295.6, 0.61%, 0.65%

LAB 62.11, 55.17, -38.91

 

CMYK 3 / 37 / 0 / 11

HEX #DE90E4

RGB 222 144 228

HSL 295.71, 0.61%, 0.73%

LAB 70.23, 42.69, -30.64

 

CMYK 2 / 25 / 0 / 7

HEX #E8B1EC

RGB 232 177 236

HSL 295.93, 0.61%, 0.81%

LAB 78.84, 29.76, -21.73

 

CMYK 4 / 50 / 0 / 14

HEX #D46EDC

RGB 212 110 220

HSL 295.64, 0.61%, 0.65%

LAB 61.93, 55.66, -39.2

 

CMYK 0 / 44 / 50 / 14

HEX #DC7C6F

RGB 220 124 111

HSL 7.16, 0.61%, 0.65%

LAB 62.32, 35.83, 23.48

 

CMYK 50 / 0 / 24 / 14

HEX #6FDCA7

RGB 111 220 167

HSL 150.83, 0.61%, 0.65%

LAB 80.38, -43.49, 16.57

 

CMYK 4 / 50 / 0 / 14

HEX #D46EDC

RGB 212 110 220

HSL 295.64, 0.61%, 0.65%

LAB 61.93, 55.66, -39.2

 

CMYK 0 / 4 / 50 / 14

HEX #DCD36F

RGB 220 211 111

HSL 55.05, 0.61%, 0.65%

LAB 83.42, -10.16, 50.17

 

CMYK 50 / 0 / 4 / 14

HEX #6FDCD3

RGB 111 220 211

HSL 175.05, 0.61%, 0.65%

LAB 81.44, -33.48, -5.23

 

CMYK 4 / 50 / 0 / 14

HEX #D46EDC

RGB 212 110 220

HSL 295.64, 0.61%, 0.65%

LAB 61.93, 55.66, -39.2

 

CMYK 0 / 44 / 50 / 14

HEX #DC7C6F

RGB 220 124 111

HSL 7.16, 0.61%, 0.65%

LAB 62.32, 35.83, 23.48

 

CMYK 45 / 0 / 50 / 14

HEX #78DC6F

RGB 120 220 111

HSL 115.05, 0.61%, 0.65%

LAB 79.8, -50.47, 44.35

 

CMYK 50 / 6 / 0 / 14

HEX #6FCFDC

RGB 111 207 220

HSL 187.16, 0.61%, 0.65%

LAB 77.98, -24.88, -15.2

 

CMYK 4 / 50 / 0 / 14

HEX #D46EDC

RGB 212 110 220

HSL 295.64, 0.61%, 0.65%

LAB 61.93, 55.66, -39.2

 

CMYK 0 / 29 / 50 / 14

HEX #DC9C6F

RGB 220 156 111

HSL 24.77, 0.61%, 0.65%

LAB 69.57, 18.75, 32.99

 

CMYK 45 / 0 / 50 / 14

HEX #78DC6F

RGB 120 220 111

HSL 115.05, 0.61%, 0.65%

LAB 79.8, -50.47, 44.35

 

CMYK 50 / 21 / 0 / 14

HEX #6FAEDC

RGB 111 174 220

HSL 205.32, 0.61%, 0.65%

LAB 68.62, -7.7, -29.45

 

Description

Color code: RGB 212 110 220 | qconv.com Color code: RGB 212 110 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 110 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 110 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 50 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 50% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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