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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 95 186 it is the complementary color RGB 44 160 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 95 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 95 186 shade: RGB 216 95 181, RGB 233 113 200, RGB 250 131 219, RGB 255 149 238 and RGB 255 167 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 95 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 95 186 shade: RGB 211 95 186, RGB 194 77 167, RGB 177 59 148, RGB 160 41 129 and RGB 143 23 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 95 186 shade: RGB 211 94 186, RGB 211 94 154, RGB 211 94 123 and RGB 211 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 95 186 shade: RGB 211 94 186, RGB 204 94 211, RGB 173 94 211, RGB 142 94 211 and RGB 110 94 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 95 186 shade matches the following richer shades: RGB 211 94 186, RGB 227 78 195 and RGB 244 61 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 95 186 shade: RGB 211 94 186, RGB 194 111 176, RGB 178 127 167, RGB 161 144 157 and RGB 145 160 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 95 186 shade: RGB 172 94 211, RGB 203 94 211, RGB 211 94 187, RGB 211 94 156 and RGB 211 94 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 95 186 shade: RGB 175 48 147, RGB 202 62 172, RGB 211 94 186, RGB 220 127 200 and RGB 228 159 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 95 186 shade: RGB 211 95 186, RGB 211 141 94 and RGB 94 211 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 95 186 shade: RGB 211 95 186, RGB 187 211 94 and RGB 94 187 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 95 186 shade: RGB 211 95 186, RGB 211 141 94, RGB 94 211 118 and RGB 94 164 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 95 186 shade: RGB 211 95 186, RGB 211 176 94, RGB 94 211 118 and RGB 94 129 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 12 / 17

HEX #D35FBA

RGB 211 95 186

HSL 312.93, 0.57%, 0.6%

LAB 57.63, 56.74, -26.61

 

Complementary color

CMYK 73 / 0 / 57 / 37

HEX #2CA045

RGB 44 160 69

HSL 132.93, 0.57%, 0.4%

LAB 58.14, -51.27, 37.9

 

CMYK 0 / 56 / 16 / 15

HEX #D85FB5

RGB 216 95 181

HSL 317.36, 0.61%, 0.61%

LAB 58.15, 57.41, -22.89

 

CMYK 0 / 52 / 14 / 9

HEX #E971C8

RGB 233 113 200

HSL 316.5, 0.73%, 0.68%

LAB 64.41, 56.87, -23.9

 

CMYK 0 / 48 / 12 / 2

HEX #FA83DB

RGB 250 131 219

HSL 315.63, 0.92%, 0.75%

LAB 70.64, 56.23, -24.76

 

CMYK 0 / 42 / 7 / 0

HEX #FF95EE

RGB 255 149 238

HSL 309.62, 1%, 0.79%

LAB 75.41, 51.92, -27.83

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 55 / 12 / 17

HEX #D35FBA

RGB 211 95 186

HSL 312.93, 0.57%, 0.6%

LAB 57.63, 56.74, -26.61

 

CMYK 0 / 60 / 14 / 24

HEX #C24DA7

RGB 194 77 167

HSL 313.85, 0.49%, 0.53%

LAB 51.34, 57.11, -25.51

 

CMYK 0 / 67 / 16 / 31

HEX #B13B94

RGB 177 59 148

HSL 314.75, 0.5%, 0.46%

LAB 45.1, 57.17, -24.1

 

CMYK 0 / 74 / 19 / 37

HEX #A02981

RGB 160 41 129

HSL 315.63, 0.59%, 0.39%

LAB 38.98, 56.68, -22.23

 

CMYK 0 / 84 / 23 / 44

HEX #8F176E

RGB 143 23 110

HSL 316.5, 0.72%, 0.33%

LAB 33.09, 55.26, -19.69

 

CMYK 0 / 55 / 12 / 17

HEX #D35EBA

RGB 211 94 186

HSL 312.82, 0.57%, 0.6%

LAB 57.46, 57.2, -26.88

 

CMYK 0 / 55 / 27 / 17

HEX #D35E9A

RGB 211 94 154

HSL 329.23, 0.57%, 0.6%

LAB 56.27, 52.56, -10.15

 

CMYK 0 / 55 / 42 / 17

HEX #D35E7B

RGB 211 94 123

HSL 345.13, 0.57%, 0.6%

LAB 55.36, 48.86, 6.73

 

CMYK 0 / 55 / 55 / 17

HEX #D35E5E

RGB 211 94 94

HSL 0, 0.57%, 0.6%

LAB 54.72, 46.18, 22.87

 

CMYK 0 / 55 / 12 / 17

HEX #D35EBA

RGB 211 94 186

HSL 312.82, 0.57%, 0.6%

LAB 57.46, 57.2, -26.88

 

CMYK 3 / 55 / 0 / 17

HEX #CC5ED3

RGB 204 94 211

HSL 296.41, 0.57%, 0.6%

LAB 57.6, 59.49, -40.99

 

CMYK 18 / 55 / 0 / 17

HEX #AD5ED3

RGB 173 94 211

HSL 280.51, 0.57%, 0.6%

LAB 53.59, 51.43, -47.6

 

CMYK 33 / 55 / 0 / 17

HEX #8E5ED3

RGB 142 94 211

HSL 264.62, 0.57%, 0.6%

LAB 50.05, 43.65, -53.46

 

CMYK 48 / 55 / 0 / 17

HEX #6E5ED3

RGB 110 94 211

HSL 248.21, 0.57%, 0.6%

LAB 47.01, 36.31, -58.51

 

CMYK 0 / 55 / 12 / 17

HEX #D35EBA

RGB 211 94 186

HSL 312.82, 0.57%, 0.6%

LAB 57.46, 57.2, -26.88

 

CMYK 0 / 66 / 14 / 11

HEX #E34EC3

RGB 227 78 195

HSL 312.89, 0.73%, 0.6%

LAB 57.77, 69.56, -31.38

 

CMYK 0 / 75 / 16 / 4

HEX #F43DCC

RGB 244 61 204

HSL 313.11, 0.89%, 0.6%

LAB 58.91, 80.41, -34.54

 

CMYK 0 / 55 / 12 / 17

HEX #D35EBA

RGB 211 94 186

HSL 312.82, 0.57%, 0.6%

LAB 57.46, 57.2, -26.88

 

CMYK 0 / 43 / 9 / 24

HEX #C26FB0

RGB 194 111 176

HSL 313.01, 0.4%, 0.6%

LAB 58.01, 41.97, -20.48

 

CMYK 0 / 29 / 6 / 30

HEX #B27FA7

RGB 178 127 167

HSL 312.94, 0.25%, 0.6%

LAB 59.37, 26.27, -13.43

 

CMYK 0 / 11 / 2 / 37

HEX #A1909D

RGB 161 144 157

HSL 314.12, 0.08%, 0.6%

LAB 61.62, 8.71, -4.55

 

CMYK 9 / 0 / 7 / 37

HEX #91A094

RGB 145 160 148

HSL 132, 0.07%, 0.6%

LAB 64.4, -7.68, 4.44

 

CMYK 18 / 55 / 0 / 17

HEX #AC5ED3

RGB 172 94 211

HSL 280, 0.57%, 0.6%

LAB 53.47, 51.18, -47.8

 

CMYK 4 / 55 / 0 / 17

HEX #CB5ED3

RGB 203 94 211

HSL 295.9, 0.57%, 0.6%

LAB 57.47, 59.23, -41.22

 

CMYK 0 / 55 / 11 / 17

HEX #D35EBB

RGB 211 94 187

HSL 312.31, 0.57%, 0.6%

LAB 57.5, 57.36, -27.39

 

CMYK 0 / 55 / 26 / 17

HEX #D35E9C

RGB 211 94 156

HSL 328.21, 0.57%, 0.6%

LAB 56.34, 52.83, -11.21

 

CMYK 0 / 55 / 41 / 17

HEX #D35E7D

RGB 211 94 125

HSL 344.1, 0.57%, 0.6%

LAB 55.42, 49.08, 5.62

 

CMYK 0 / 73 / 16 / 31

HEX #AF3093

RGB 175 48 147

HSL 313.23, 0.57%, 0.44%

LAB 43.26, 60.6, -26.37

 

CMYK 0 / 69 / 15 / 21

HEX #CA3EAC

RGB 202 62 172

HSL 312.86, 0.57%, 0.52%

LAB 50.66, 65.93, -29.4

 

CMYK 0 / 55 / 12 / 17

HEX #D35EBA

RGB 211 94 186

HSL 312.82, 0.57%, 0.6%

LAB 57.46, 57.2, -26.88

 

CMYK 0 / 42 / 9 / 14

HEX #DC7FC8

RGB 220 127 200

HSL 312.9, 0.57%, 0.68%

LAB 65.41, 45.97, -22.52

 

CMYK 0 / 30 / 7 / 11

HEX #E49FD5

RGB 228 159 213

HSL 313.04, 0.56%, 0.76%

LAB 73.61, 33.93, -17.19

 

CMYK 0 / 55 / 12 / 17

HEX #D35FBA

RGB 211 95 186

HSL 312.93, 0.57%, 0.6%

LAB 57.63, 56.74, -26.61

 

CMYK 0 / 33 / 55 / 17

HEX #D38D5E

RGB 211 141 94

HSL 24.1, 0.57%, 0.6%

LAB 64.73, 21.69, 35.73

 

CMYK 55 / 0 / 11 / 17

HEX #5ED3BB

RGB 94 211 187

HSL 167.69, 0.57%, 0.6%

LAB 77.61, -38.81, 1.91

 

CMYK 0 / 55 / 12 / 17

HEX #D35FBA

RGB 211 95 186

HSL 312.93, 0.57%, 0.6%

LAB 57.63, 56.74, -26.61

 

CMYK 11 / 0 / 55 / 17

HEX #BBD35E

RGB 187 211 94

HSL 72.31, 0.57%, 0.6%

LAB 80.72, -24.87, 54.28

 

CMYK 55 / 11 / 0 / 17

HEX #5EBBD3

RGB 94 187 211

HSL 192.31, 0.57%, 0.6%

LAB 71.3, -20.85, -20.49

 

CMYK 0 / 55 / 12 / 17

HEX #D35FBA

RGB 211 95 186

HSL 312.93, 0.57%, 0.6%

LAB 57.63, 56.74, -26.61

 

CMYK 0 / 33 / 55 / 17

HEX #D38D5E

RGB 211 141 94

HSL 24.1, 0.57%, 0.6%

LAB 64.73, 21.69, 35.73

 

CMYK 55 / 0 / 44 / 17

HEX #5ED376

RGB 94 211 118

HSL 132.31, 0.57%, 0.6%

LAB 76.24, -52.74, 36.24

 

CMYK 55 / 22 / 0 / 17

HEX #5EA4D3

RGB 94 164 211

HSL 204.1, 0.57%, 0.6%

LAB 64.67, -8.62, -30.65

 

CMYK 0 / 55 / 12 / 17

HEX #D35FBA

RGB 211 95 186

HSL 312.93, 0.57%, 0.6%

LAB 57.63, 56.74, -26.61

 

CMYK 0 / 17 / 55 / 17

HEX #D3B05E

RGB 211 176 94

HSL 42.05, 0.57%, 0.6%

LAB 73.36, 2.83, 46.22

 

CMYK 55 / 0 / 44 / 17

HEX #5ED376

RGB 94 211 118

HSL 132.31, 0.57%, 0.6%

LAB 76.24, -52.74, 36.24

 

CMYK 55 / 39 / 0 / 17

HEX #5E81D3

RGB 94 129 211

HSL 222.05, 0.57%, 0.6%

LAB 54.85, 11.63, -46.03

 

Description

Color code: RGB 211 95 186 | qconv.com Color code: RGB 211 95 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 95 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 95 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 12 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 12% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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