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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 95 110 it is the complementary color RGB 44 160 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 95 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 95 110 shade: RGB 216 95 105, RGB 233 113 124, RGB 250 131 143, RGB 255 149 162 and RGB 255 167 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 95 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 95 110 shade: RGB 211 95 110, RGB 194 77 91, RGB 177 59 72, RGB 160 41 53 and RGB 143 23 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 95 110 shade: RGB 211 94 109 and RGB 211 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 95 110 shade: RGB 211 94 109, RGB 211 94 141, RGB 211 94 172, RGB 211 94 203 and RGB 186 94 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 95 110 shade matches the following richer shades: RGB 211 94 109, RGB 227 78 97 and RGB 244 61 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 95 110 shade: RGB 211 94 109, RGB 194 111 122, RGB 178 127 134, RGB 161 144 146 and RGB 145 160 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 95 110 shade: RGB 211 94 172, RGB 211 94 141, RGB 211 94 110, RGB 211 110 94 and RGB 211 141 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 95 110 shade: RGB 175 48 64, RGB 202 62 80, RGB 211 94 109, RGB 220 127 139 and RGB 228 159 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 95 110 shade: RGB 211 95 110, RGB 203 211 94 and RGB 94 156 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 95 110 shade: RGB 211 95 110, RGB 110 211 94 and RGB 94 110 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 95 110 shade: RGB 211 95 110, RGB 203 211 94, RGB 94 211 195 and RGB 102 94 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 95 110 shade: RGB 211 95 110, RGB 168 211 94, RGB 94 211 195 and RGB 137 94 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 48 / 17

HEX #D35F6E

RGB 211 95 110

HSL 352.24, 0.57%, 0.6%

LAB 55.24, 47.09, 14.2

 

Complementary color

CMYK 73 / 0 / 9 / 37

HEX #2CA091

RGB 44 160 145

HSL 172.24, 0.57%, 0.4%

LAB 59.64, -35.11, -1.38

 

CMYK 0 / 56 / 51 / 15

HEX #D85F69

RGB 216 95 105

HSL 355.04, 0.61%, 0.61%

LAB 55.89, 48.38, 18.15

 

CMYK 0 / 52 / 47 / 9

HEX #E9717C

RGB 233 113 124

HSL 354.5, 0.73%, 0.68%

LAB 62.16, 47.38, 16.17

 

CMYK 0 / 48 / 43 / 2

HEX #FA838F

RGB 250 131 143

HSL 353.95, 0.92%, 0.75%

LAB 68.42, 46.38, 14.46

 

CMYK 0 / 42 / 36 / 0

HEX #FF95A2

RGB 255 149 162

HSL 352.64, 1%, 0.79%

LAB 73.13, 41.15, 10.61

 

CMYK 0 / 35 / 29 / 0

HEX #FFA7B5

RGB 255 167 181

HSL 350.45, 1%, 0.83%

LAB 77.42, 34.2, 6.3

 

CMYK 0 / 55 / 48 / 17

HEX #D35F6E

RGB 211 95 110

HSL 352.24, 0.57%, 0.6%

LAB 55.24, 47.09, 14.2

 

CMYK 0 / 60 / 53 / 24

HEX #C24D5B

RGB 194 77 91

HSL 352.82, 0.49%, 0.53%

LAB 48.92, 47.99, 16.4

 

CMYK 0 / 67 / 59 / 31

HEX #B13B48

RGB 177 59 72

HSL 353.39, 0.5%, 0.46%

LAB 42.68, 48.7, 19.08

 

CMYK 0 / 74 / 67 / 37

HEX #A02935

RGB 160 41 53

HSL 353.95, 0.59%, 0.39%

LAB 36.59, 49.02, 22.42

 

CMYK 0 / 84 / 76 / 44

HEX #8F1722

RGB 143 23 34

HSL 354.5, 0.72%, 0.33%

LAB 30.8, 48.56, 26.61

 

CMYK 0 / 55 / 48 / 17

HEX #D35E6D

RGB 211 94 109

HSL 352.31, 0.57%, 0.6%

LAB 55.03, 47.47, 14.5

 

CMYK 0 / 55 / 55 / 17

HEX #D35E5E

RGB 211 94 94

HSL 0, 0.57%, 0.6%

LAB 54.72, 46.18, 22.87

 

CMYK 0 / 55 / 48 / 17

HEX #D35E6D

RGB 211 94 109

HSL 352.31, 0.57%, 0.6%

LAB 55.03, 47.47, 14.5

 

CMYK 0 / 55 / 33 / 17

HEX #D35E8D

RGB 211 94 141

HSL 335.9, 0.57%, 0.6%

LAB 55.86, 50.91, -3.14

 

CMYK 0 / 55 / 18 / 17

HEX #D35EAC

RGB 211 94 172

HSL 320, 0.57%, 0.6%

LAB 56.91, 55.07, -19.65

 

CMYK 0 / 55 / 4 / 17

HEX #D35ECB

RGB 211 94 203

HSL 304.1, 0.57%, 0.6%

LAB 58.19, 59.96, -35.46

 

CMYK 12 / 55 / 0 / 17

HEX #BA5ED3

RGB 186 94 211

HSL 287.18, 0.57%, 0.6%

LAB 55.22, 54.8, -44.91

 

CMYK 0 / 55 / 48 / 17

HEX #D35E6D

RGB 211 94 109

HSL 352.31, 0.57%, 0.6%

LAB 55.03, 47.47, 14.5

 

CMYK 0 / 66 / 57 / 11

HEX #E34E61

RGB 227 78 97

HSL 352.35, 0.73%, 0.6%

LAB 54.7, 58.88, 21.55

 

CMYK 0 / 75 / 65 / 4

HEX #F43D55

RGB 244 61 85

HSL 352.13, 0.89%, 0.6%

LAB 55.3, 69.26, 29.97

 

CMYK 0 / 55 / 48 / 17

HEX #D35E6D

RGB 211 94 109

HSL 352.31, 0.57%, 0.6%

LAB 55.03, 47.47, 14.5

 

CMYK 0 / 43 / 37 / 24

HEX #C26F7A

RGB 194 111 122

HSL 352.05, 0.4%, 0.6%

LAB 56.33, 34.04, 8.36

 

CMYK 0 / 29 / 25 / 30

HEX #B27F86

RGB 178 127 134

HSL 351.76, 0.25%, 0.6%

LAB 58.38, 20.77, 4.09

 

CMYK 0 / 11 / 9 / 37

HEX #A19092

RGB 161 144 146

HSL 352.94, 0.08%, 0.6%

LAB 61.31, 6.68, 1.24

 

CMYK 9 / 0 / 1 / 37

HEX #91A09E

RGB 145 160 158

HSL 172, 0.07%, 0.6%

LAB 64.67, -5.69, -0.78

 

CMYK 0 / 55 / 18 / 17

HEX #D35EAC

RGB 211 94 172

HSL 320, 0.57%, 0.6%

LAB 56.91, 55.07, -19.65

 

CMYK 0 / 55 / 33 / 17

HEX #D35E8D

RGB 211 94 141

HSL 335.9, 0.57%, 0.6%

LAB 55.86, 50.91, -3.14

 

CMYK 0 / 55 / 48 / 17

HEX #D35E6E

RGB 211 94 110

HSL 351.79, 0.57%, 0.6%

LAB 55.05, 47.57, 13.95

 

CMYK 0 / 48 / 55 / 17

HEX #D36E5E

RGB 211 110 94

HSL 8.21, 0.57%, 0.6%

LAB 57.86, 38.19, 26.98

 

CMYK 0 / 33 / 55 / 17

HEX #D38D5E

RGB 211 141 94

HSL 24.1, 0.57%, 0.6%

LAB 64.73, 21.69, 35.73

 

CMYK 0 / 73 / 63 / 31

HEX #AF3040

RGB 175 48 64

HSL 352.44, 0.57%, 0.44%

LAB 40.57, 51.87, 21.2

 

CMYK 0 / 69 / 60 / 21

HEX #CA3E50

RGB 202 62 80

HSL 352.29, 0.57%, 0.52%

LAB 47.73, 56.12, 21.67

 

CMYK 0 / 55 / 48 / 17

HEX #D35E6D

RGB 211 94 109

HSL 352.31, 0.57%, 0.6%

LAB 55.03, 47.47, 14.5

 

CMYK 0 / 42 / 37 / 14

HEX #DC7F8B

RGB 220 127 139

HSL 352.26, 0.57%, 0.68%

LAB 63.56, 37.21, 9.3

 

CMYK 0 / 30 / 26 / 11

HEX #E49FA8

RGB 228 159 168

HSL 352.17, 0.56%, 0.76%

LAB 72.31, 26.89, 5.69

 

CMYK 0 / 55 / 48 / 17

HEX #D35F6E

RGB 211 95 110

HSL 352.24, 0.57%, 0.6%

LAB 55.24, 47.09, 14.2

 

CMYK 4 / 0 / 55 / 17

HEX #CBD35E

RGB 203 211 94

HSL 64.1, 0.57%, 0.6%

LAB 81.89, -18.46, 55.93

 

CMYK 55 / 26 / 0 / 17

HEX #5E9CD3

RGB 94 156 211

HSL 208.21, 0.57%, 0.6%

LAB 62.39, -4.16, -34.19

 

CMYK 0 / 55 / 48 / 17

HEX #D35F6E

RGB 211 95 110

HSL 352.24, 0.57%, 0.6%

LAB 55.24, 47.09, 14.2

 

CMYK 48 / 0 / 55 / 17

HEX #6ED35E

RGB 110 211 94

HSL 111.79, 0.57%, 0.6%

LAB 76.5, -51.82, 48.31

 

CMYK 55 / 48 / 0 / 17

HEX #5E6ED3

RGB 94 110 211

HSL 231.79, 0.57%, 0.6%

LAB 49.78, 23.23, -54.11

 

CMYK 0 / 55 / 48 / 17

HEX #D35F6E

RGB 211 95 110

HSL 352.24, 0.57%, 0.6%

LAB 55.24, 47.09, 14.2

 

CMYK 4 / 0 / 55 / 17

HEX #CBD35E

RGB 203 211 94

HSL 64.1, 0.57%, 0.6%

LAB 81.89, -18.46, 55.93

 

CMYK 55 / 0 / 8 / 17

HEX #5ED3C3

RGB 94 211 195

HSL 171.79, 0.57%, 0.6%

LAB 77.82, -36.83, -2.07

 

CMYK 52 / 55 / 0 / 17

HEX #665ED3

RGB 102 94 211

HSL 244.1, 0.57%, 0.6%

LAB 46.36, 34.64, -59.59

 

CMYK 0 / 55 / 48 / 17

HEX #D35F6E

RGB 211 95 110

HSL 352.24, 0.57%, 0.6%

LAB 55.24, 47.09, 14.2

 

CMYK 20 / 0 / 55 / 17

HEX #A8D35E

RGB 168 211 94

HSL 82.05, 0.57%, 0.6%

LAB 79.46, -32.24, 52.5

 

CMYK 55 / 0 / 8 / 17

HEX #5ED3C3

RGB 94 211 195

HSL 171.79, 0.57%, 0.6%

LAB 77.82, -36.83, -2.07

 

CMYK 35 / 55 / 0 / 17

HEX #895ED3

RGB 137 94 211

HSL 262.05, 0.57%, 0.6%

LAB 49.53, 42.44, -54.32

 

Description

Color code: RGB 211 95 110 | qconv.com Color code: RGB 211 95 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 95 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 95 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 48 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 48% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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