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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 89 205 it is the complementary color RGB 44 166 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 89 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 89 205 shade: RGB 216 89 200, RGB 233 107 219, RGB 250 125 238, RGB 255 143 255 and RGB 255 161 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 89 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 89 205 shade: RGB 211 89 205, RGB 194 71 186, RGB 177 53 167, RGB 160 35 148 and RGB 143 17 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 89 205 shade: RGB 211 89 205, RGB 211 89 172, RGB 211 89 139, RGB 211 89 107 and RGB 211 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 89 205 shade: RGB 211 89 205, RGB 184 89 211, RGB 151 89 211, RGB 118 89 211 and RGB 89 89 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 89 205 shade matches the following richer shades: RGB 211 89 205, RGB 228 72 220 and RGB 244 55 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 89 205 shade: RGB 211 89 205, RGB 194 106 189, RGB 177 123 174, RGB 160 140 159 and RGB 143 157 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 89 205 shade: RGB 150 89 211, RGB 182 89 211, RGB 211 89 207, RGB 211 89 174 and RGB 211 89 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 89 205 shade: RGB 172 45 166, RGB 202 57 195, RGB 211 89 205, RGB 219 122 214 and RGB 228 155 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 89 205 shade: RGB 211 89 205, RGB 211 118 89 and RGB 89 211 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 89 205 shade: RGB 211 89 205, RGB 207 211 89 and RGB 89 207 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 89 205 shade: RGB 211 89 205, RGB 211 118 89, RGB 89 211 93 and RGB 89 182 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 89 205 shade: RGB 211 89 205, RGB 211 154 89, RGB 89 211 93 and RGB 89 146 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

Complementary color

CMYK 73 / 0 / 70 / 35

HEX #2CA632

RGB 44 166 50

HSL 122.95, 0.58%, 0.41%

LAB 59.92, -55.56, 48.46

 

CMYK 0 / 59 / 7 / 15

HEX #D859C8

RGB 216 89 200

HSL 307.56, 0.62%, 0.6%

LAB 57.96, 63.02, -34.07

 

CMYK 0 / 54 / 6 / 9

HEX #E96BDB

RGB 233 107 219

HSL 306.67, 0.74%, 0.67%

LAB 64.12, 62.66, -35.01

 

CMYK 0 / 50 / 5 / 2

HEX #FA7DEE

RGB 250 125 238

HSL 305.76, 0.93%, 0.74%

LAB 70.29, 62.13, -35.78

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 0 / 63 / 4 / 24

HEX #C247BA

RGB 194 71 186

HSL 303.9, 0.5%, 0.52%

LAB 51.29, 62.66, -36.68

 

CMYK 0 / 70 / 6 / 31

HEX #B135A7

RGB 177 53 167

HSL 304.84, 0.54%, 0.45%

LAB 45.2, 62.37, -35.3

 

CMYK 0 / 78 / 7 / 37

HEX #A02394

RGB 160 35 148

HSL 305.76, 0.64%, 0.38%

LAB 39.27, 61.37, -33.43

 

CMYK 0 / 88 / 10 / 44

HEX #8F1181

RGB 143 17 129

HSL 306.67, 0.79%, 0.31%

LAB 33.62, 59.25, -30.85

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 0 / 58 / 18 / 17

HEX #D359AC

RGB 211 89 172

HSL 319.18, 0.58%, 0.59%

LAB 56.06, 57.36, -20.95

 

CMYK 0 / 58 / 34 / 17

HEX #D3598B

RGB 211 89 139

HSL 335.41, 0.58%, 0.59%

LAB 54.93, 53, -3.35

 

CMYK 0 / 58 / 49 / 17

HEX #D3596B

RGB 211 89 107

HSL 351.15, 0.58%, 0.59%

LAB 54.09, 49.65, 14.38

 

CMYK 0 / 58 / 58 / 17

HEX #D35959

RGB 211 89 89

HSL 0, 0.58%, 0.59%

LAB 53.72, 48.17, 24.47

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 13 / 58 / 0 / 17

HEX #B859D3

RGB 184 89 211

HSL 286.72, 0.58%, 0.59%

LAB 54.07, 56.7, -46.76

 

CMYK 28 / 58 / 0 / 17

HEX #9759D3

RGB 151 89 211

HSL 270.49, 0.58%, 0.59%

LAB 50.01, 48.53, -53.46

 

CMYK 44 / 58 / 0 / 17

HEX #7659D3

RGB 118 89 211

HSL 254.26, 0.58%, 0.59%

LAB 46.58, 40.95, -59.17

 

CMYK 58 / 58 / 0 / 17

HEX #5959D3

RGB 89 89 211

HSL 240, 0.58%, 0.59%

LAB 44.19, 35.19, -63.14

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 0 / 68 / 4 / 11

HEX #E448DC

RGB 228 72 220

HSL 303.08, 0.74%, 0.59%

LAB 58.32, 75.7, -44.72

 

CMYK 0 / 77 / 4 / 4

HEX #F437EB

RGB 244 55 235

HSL 302.86, 0.9%, 0.59%

LAB 59.86, 86.31, -50.56

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 0 / 45 / 3 / 24

HEX #C26ABD

RGB 194 106 189

HSL 303.41, 0.42%, 0.59%

LAB 57.51, 46.86, -28.71

 

CMYK 0 / 31 / 2 / 31

HEX #B17BAE

RGB 177 123 174

HSL 303.33, 0.26%, 0.59%

LAB 58.57, 29.47, -18.66

 

CMYK 0 / 13 / 1 / 37

HEX #A08C9F

RGB 160 140 159

HSL 303, 0.1%, 0.59%

LAB 60.55, 11, -7.29

 

CMYK 9 / 0 / 8 / 38

HEX #8F9D90

RGB 143 157 144

HSL 124.29, 0.07%, 0.59%

LAB 63.32, -7.54, 5.1

 

CMYK 29 / 58 / 0 / 17

HEX #9659D3

RGB 150 89 211

HSL 270, 0.58%, 0.59%

LAB 49.9, 48.29, -53.65

 

CMYK 14 / 58 / 0 / 17

HEX #B659D3

RGB 182 89 211

HSL 285.74, 0.58%, 0.59%

LAB 53.81, 56.2, -47.19

 

CMYK 0 / 58 / 2 / 17

HEX #D359CF

RGB 211 89 207

HSL 301.97, 0.58%, 0.59%

LAB 57.56, 62.86, -38.73

 

CMYK 0 / 58 / 18 / 17

HEX #D359AE

RGB 211 89 174

HSL 318.2, 0.58%, 0.59%

LAB 56.14, 57.65, -21.99

 

CMYK 0 / 58 / 33 / 17

HEX #D3598E

RGB 211 89 142

HSL 333.93, 0.58%, 0.59%

LAB 55.02, 53.36, -4.98

 

CMYK 0 / 74 / 3 / 33

HEX #AC2DA6

RGB 172 45 166

HSL 302.83, 0.59%, 0.43%

LAB 43.36, 63.79, -37.66

 

CMYK 0 / 72 / 3 / 21

HEX #CA39C3

RGB 202 57 195

HSL 302.9, 0.58%, 0.51%

LAB 51.18, 71.09, -41.99

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 0 / 44 / 2 / 14

HEX #DB7AD6

RGB 219 122 214

HSL 303.09, 0.57%, 0.67%

LAB 64.83, 50.62, -31.26

 

CMYK 0 / 32 / 2 / 11

HEX #E49BE0

RGB 228 155 224

HSL 303.29, 0.57%, 0.75%

LAB 73.1, 38.01, -23.99

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 0 / 44 / 58 / 17

HEX #D37659

RGB 211 118 89

HSL 14.26, 0.58%, 0.59%

LAB 59.46, 33.62, 31.84

 

CMYK 58 / 0 / 21 / 17

HEX #59D3A6

RGB 89 211 166

HSL 157.87, 0.58%, 0.59%

LAB 76.96, -44.72, 12.19

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 2 / 0 / 58 / 17

HEX #CFD359

RGB 207 211 89

HSL 61.97, 0.58%, 0.59%

LAB 82.15, -17.21, 58.52

 

CMYK 58 / 2 / 0 / 17

HEX #59CFD3

RGB 89 207 211

HSL 181.97, 0.58%, 0.59%

LAB 76.95, -31.7, -11.98

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 0 / 44 / 58 / 17

HEX #D37659

RGB 211 118 89

HSL 14.26, 0.58%, 0.59%

LAB 59.46, 33.62, 31.84

 

CMYK 58 / 0 / 56 / 17

HEX #59D35D

RGB 89 211 93

HSL 121.97, 0.58%, 0.59%

LAB 75.76, -57.42, 47.72

 

CMYK 58 / 14 / 0 / 17

HEX #59B6D3

RGB 89 182 211

HSL 194.26, 0.58%, 0.59%

LAB 69.67, -19.25, -22.98

 

CMYK 0 / 58 / 3 / 17

HEX #D359CD

RGB 211 89 205

HSL 302.95, 0.58%, 0.59%

LAB 57.46, 62.53, -37.74

 

CMYK 0 / 27 / 58 / 17

HEX #D39A59

RGB 211 154 89

HSL 31.97, 0.58%, 0.59%

LAB 67.79, 14.25, 42.08

 

CMYK 58 / 0 / 56 / 17

HEX #59D35D

RGB 89 211 93

HSL 121.97, 0.58%, 0.59%

LAB 75.76, -57.42, 47.72

 

CMYK 58 / 31 / 0 / 17

HEX #5992D3

RGB 89 146 211

HSL 211.97, 0.58%, 0.59%

LAB 59.33, 0.53, -38.99

 

Description

Color code: RGB 211 89 205 | qconv.com Color code: RGB 211 89 205 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 89 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 89 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 3 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 3% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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