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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 69 53 it is the complementary color RGB 44 186 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 69 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 69 53 shade: RGB 216 69 48, RGB 233 87 67, RGB 250 105 86, RGB 255 123 105 and RGB 255 141 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 69 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 69 53 shade: RGB 211 69 53, RGB 194 51 34, RGB 177 33 15, RGB 160 15 0 and RGB 143 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 69 53 shade: RGB 210 70 54 and RGB 210 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 69 53 shade: RGB 210 70 54, RGB 210 112 54, RGB 210 154 54, RGB 210 196 54 and RGB 182 210 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 69 53 shade matches the following richer shades: RGB 210 70 54, RGB 230 54 34 and RGB 250 38 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 69 53 shade: RGB 210 70 54, RGB 191 85 74, RGB 171 101 93, RGB 151 117 113 and RGB 131 133 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 69 53 shade: RGB 210 54 122, RGB 210 54 80, RGB 210 69 54, RGB 210 111 54 and RGB 210 153 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 69 53 shade: RGB 149 44 32, RGB 183 54 40, RGB 210 70 54, RGB 218 101 88 and RGB 225 132 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 69 53 shade: RGB 211 69 53, RGB 163 210 54 and RGB 54 101 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 69 53 shade: RGB 211 69 53, RGB 54 210 69 and RGB 69 54 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 69 53 shade: RGB 211 69 53, RGB 163 210 54, RGB 54 195 210 and RGB 101 54 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 69 53 shade: RGB 211 69 53, RGB 116 210 54, RGB 54 195 210 and RGB 148 54 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 75 / 17

HEX #D34535

RGB 211 69 53

HSL 6.08, 0.64%, 0.52%

LAB 49.93, 54.85, 40.42

 

Complementary color

CMYK 78 / 8 / 0 / 21

HEX #2CBACA

RGB 44 186 202

HSL 186.08, 0.64%, 0.48%

LAB 69.41, -30.55, -18.55

 

CMYK 0 / 68 / 78 / 15

HEX #D84530

RGB 216 69 48

HSL 7.5, 0.68%, 0.52%

LAB 50.77, 56.31, 44.25

 

CMYK 0 / 63 / 71 / 9

HEX #E95743

RGB 233 87 67

HSL 7.23, 0.79%, 0.59%

LAB 56.63, 55.37, 41.3

 

CMYK 0 / 58 / 66 / 2

HEX #FA6956

RGB 250 105 86

HSL 6.95, 0.94%, 0.66%

LAB 62.59, 54.25, 38.63

 

CMYK 0 / 52 / 59 / 0

HEX #FF7B69

RGB 255 123 105

HSL 7.2, 1%, 0.71%

LAB 66.86, 48.81, 33.67

 

CMYK 0 / 45 / 51 / 0

HEX #FF8D7C

RGB 255 141 124

HSL 7.79, 1%, 0.74%

LAB 70.71, 41.4, 28.25

 

CMYK 0 / 67 / 75 / 17

HEX #D34535

RGB 211 69 53

HSL 6.08, 0.64%, 0.52%

LAB 49.93, 54.85, 40.42

 

CMYK 0 / 74 / 82 / 24

HEX #C23322

RGB 194 51 34

HSL 6.38, 0.7%, 0.45%

LAB 44.16, 55.47, 43.62

 

CMYK 0 / 81 / 92 / 31

HEX #B1210F

RGB 177 33 15

HSL 6.67, 0.84%, 0.38%

LAB 38.67, 55.47, 46.49

 

CMYK 0 / 91 / 100 / 37

HEX #A00F00

RGB 160 15 0

HSL 5.63, 1%, 0.31%

LAB 33.6, 54.42, 47.4

 

CMYK 0 / 100 / 100 / 44

HEX #8F0000

RGB 143 0 0

HSL 0, 1%, 0.28%

LAB 29, 52.07, 42.42

 

CMYK 0 / 67 / 74 / 18

HEX #D24636

RGB 210 70 54

HSL 6.15, 0.63%, 0.52%

LAB 49.92, 54.16, 39.8

 

CMYK 0 / 74 / 74 / 18

HEX #D23636

RGB 210 54 54

HSL 0, 0.63%, 0.52%

LAB 47.76, 60.08, 37.42

 

CMYK 0 / 67 / 74 / 18

HEX #D24636

RGB 210 70 54

HSL 6.15, 0.63%, 0.52%

LAB 49.92, 54.16, 39.8

 

CMYK 0 / 47 / 74 / 18

HEX #D27036

RGB 210 112 54

HSL 22.31, 0.63%, 0.52%

LAB 57.61, 34.26, 48.03

 

CMYK 0 / 27 / 74 / 18

HEX #D29A36

RGB 210 154 54

HSL 38.46, 0.63%, 0.52%

LAB 67.34, 11.7, 57.87

 

CMYK 0 / 7 / 74 / 18

HEX #D2C436

RGB 210 196 54

HSL 54.62, 0.63%, 0.52%

LAB 78.14, -10.43, 68.24

 

CMYK 13 / 0 / 74 / 18

HEX #B6D236

RGB 182 210 54

HSL 70.77, 0.63%, 0.52%

LAB 79.79, -29.03, 69.02

 

CMYK 0 / 67 / 74 / 18

HEX #D24636

RGB 210 70 54

HSL 6.15, 0.63%, 0.52%

LAB 49.92, 54.16, 39.8

 

CMYK 0 / 77 / 85 / 10

HEX #E63622

RGB 230 54 34

HSL 6.12, 0.8%, 0.52%

LAB 51.36, 65.45, 52.61

 

CMYK 0 / 85 / 94 / 2

HEX #FA260E

RGB 250 38 14

HSL 6.1, 0.96%, 0.52%

LAB 53.75, 74.65, 63.47

 

CMYK 0 / 67 / 74 / 18

HEX #D24636

RGB 210 70 54

HSL 6.15, 0.63%, 0.52%

LAB 49.92, 54.16, 39.8

 

CMYK 0 / 55 / 61 / 25

HEX #BF554A

RGB 191 85 74

HSL 5.64, 0.48%, 0.52%

LAB 49.58, 41.79, 27.26

 

CMYK 0 / 41 / 46 / 33

HEX #AB655D

RGB 171 101 93

HSL 6.15, 0.32%, 0.52%

LAB 50.4, 27.27, 16.66

 

CMYK 0 / 23 / 25 / 41

HEX #977571

RGB 151 117 113

HSL 6.32, 0.15%, 0.52%

LAB 52.39, 12.69, 7.32

 

CMYK 2 / 0 / 0 / 48

HEX #838585

RGB 131 133 133

HSL 180, 0.01%, 0.52%

LAB 55.37, -0.74, -0.27

 

CMYK 0 / 74 / 42 / 18

HEX #D2367A

RGB 210 54 122

HSL 333.85, 0.63%, 0.52%

LAB 49.19, 64.71, -1.64

 

CMYK 0 / 74 / 62 / 18

HEX #D23650

RGB 210 54 80

HSL 350, 0.63%, 0.52%

LAB 48.16, 61.4, 22.51

 

CMYK 0 / 67 / 74 / 18

HEX #D24536

RGB 210 69 54

HSL 5.77, 0.63%, 0.52%

LAB 49.77, 54.56, 39.64

 

CMYK 0 / 47 / 74 / 18

HEX #D26F36

RGB 210 111 54

HSL 21.92, 0.63%, 0.52%

LAB 57.4, 34.78, 47.81

 

CMYK 0 / 27 / 74 / 18

HEX #D29936

RGB 210 153 54

HSL 38.08, 0.63%, 0.52%

LAB 67.09, 12.24, 57.62

 

CMYK 0 / 70 / 79 / 42

HEX #952C20

RGB 149 44 32

HSL 6.15, 0.65%, 0.35%

LAB 34.59, 43.17, 32.32

 

CMYK 0 / 70 / 78 / 28

HEX #B73628

RGB 183 54 40

HSL 5.87, 0.64%, 0.44%

LAB 42.55, 51, 38.15

 

CMYK 0 / 67 / 74 / 18

HEX #D24636

RGB 210 70 54

HSL 6.15, 0.63%, 0.52%

LAB 49.92, 54.16, 39.8

 

CMYK 0 / 54 / 60 / 15

HEX #DA6558

RGB 218 101 88

HSL 6, 0.64%, 0.6%

LAB 56.99, 44.87, 29.49

 

CMYK 0 / 41 / 46 / 12

HEX #E18479

RGB 225 132 121

HSL 6.35, 0.63%, 0.68%

LAB 64.88, 34.5, 21.41

 

CMYK 0 / 67 / 75 / 17

HEX #D34535

RGB 211 69 53

HSL 6.08, 0.64%, 0.52%

LAB 49.93, 54.85, 40.42

 

CMYK 22 / 0 / 74 / 18

HEX #A3D236

RGB 163 210 54

HSL 78.08, 0.63%, 0.52%

LAB 78.55, -36.57, 67.4

 

CMYK 74 / 52 / 0 / 18

HEX #3665D2

RGB 54 101 210

HSL 221.92, 0.63%, 0.52%

LAB 45.28, 21.96, -60.89

 

CMYK 0 / 67 / 75 / 17

HEX #D34535

RGB 211 69 53

HSL 6.08, 0.64%, 0.52%

LAB 49.93, 54.85, 40.42

 

CMYK 74 / 0 / 67 / 18

HEX #36D245

RGB 54 210 69

HSL 125.77, 0.63%, 0.52%

LAB 74.39, -66.52, 56.33

 

CMYK 67 / 74 / 0 / 18

HEX #4536D2

RGB 69 54 210

HSL 245.77, 0.63%, 0.52%

LAB 35.12, 52.29, -77.47

 

CMYK 0 / 67 / 75 / 17

HEX #D34535

RGB 211 69 53

HSL 6.08, 0.64%, 0.52%

LAB 49.93, 54.85, 40.42

 

CMYK 22 / 0 / 74 / 18

HEX #A3D236

RGB 163 210 54

HSL 78.08, 0.63%, 0.52%

LAB 78.55, -36.57, 67.4

 

CMYK 74 / 7 / 0 / 18

HEX #36C3D2

RGB 54 195 210

HSL 185.77, 0.63%, 0.52%

LAB 72.54, -31.39, -18.16

 

CMYK 52 / 74 / 0 / 18

HEX #6536D2

RGB 101 54 210

HSL 258.08, 0.63%, 0.52%

LAB 37.95, 56.29, -72.71

 

CMYK 0 / 67 / 75 / 17

HEX #D34535

RGB 211 69 53

HSL 6.08, 0.64%, 0.52%

LAB 49.93, 54.85, 40.42

 

CMYK 45 / 0 / 74 / 18

HEX #74D236

RGB 116 210 54

HSL 96.15, 0.63%, 0.52%

LAB 76.11, -53.18, 64.21

 

CMYK 74 / 7 / 0 / 18

HEX #36C3D2

RGB 54 195 210

HSL 185.77, 0.63%, 0.52%

LAB 72.54, -31.39, -18.16

 

CMYK 30 / 74 / 0 / 18

HEX #9436D2

RGB 148 54 210

HSL 276.15, 0.63%, 0.52%

LAB 43.64, 64.01, -63.19

 

Description

Color code: RGB 211 69 53 | qconv.com Color code: RGB 211 69 53 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 69 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 69 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 75 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 75% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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