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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 53 184 it is the complementary color RGB 44 202 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 53 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 53 184 shade: RGB 216 53 179, RGB 233 71 198, RGB 250 89 217, RGB 255 107 236 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 53 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 53 184 shade: RGB 211 53 184, RGB 194 35 165, RGB 177 17 146, RGB 160 0 127 and RGB 143 0 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 53 184 shade: RGB 210 54 184, RGB 210 54 141, RGB 210 54 99, RGB 210 54 57 and RGB 210 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 53 184 shade: RGB 210 54 184, RGB 195 54 210, RGB 153 54 210, RGB 110 54 210 and RGB 68 54 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 53 184 shade matches the following richer shades: RGB 210 54 184, RGB 230 34 197 and RGB 250 14 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 53 184 shade: RGB 210 54 184, RGB 191 74 171, RGB 171 93 158, RGB 151 113 145 and RGB 131 133 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 53 184 shade: RGB 153 54 210, RGB 195 54 210, RGB 210 54 184, RGB 210 54 143 and RGB 210 54 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 53 184 shade: RGB 149 32 129, RGB 183 40 159, RGB 210 54 184, RGB 218 88 196 and RGB 225 121 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 53 184 shade: RGB 211 53 184, RGB 210 111 54 and RGB 54 210 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 53 184 shade: RGB 211 53 184, RGB 184 210 54 and RGB 54 184 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 53 184 shade: RGB 211 53 184, RGB 210 111 54, RGB 54 210 80 and RGB 54 153 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 53 184 shade: RGB 211 53 184, RGB 210 158 54, RGB 54 210 80 and RGB 54 106 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 13 / 17

HEX #D335B8

RGB 211 53 184

HSL 310.25, 0.64%, 0.52%

LAB 51.67, 72.69, -34.73

 

Complementary color

CMYK 78 / 0 / 65 / 21

HEX #2CCA47

RGB 44 202 71

HSL 130.25, 0.64%, 0.48%

LAB 71.71, -65.16, 52.55

 

CMYK 0 / 75 / 17 / 15

HEX #D835B3

RGB 216 53 179

HSL 313.62, 0.68%, 0.53%

LAB 52.29, 73.13, -30.79

 

CMYK 0 / 70 / 15 / 9

HEX #E947C6

RGB 233 71 198

HSL 312.96, 0.79%, 0.6%

LAB 57.95, 73.96, -32.74

 

CMYK 0 / 64 / 13 / 2

HEX #FA59D9

RGB 250 89 217

HSL 312.3, 0.94%, 0.66%

LAB 63.74, 74.28, -34.3

 

CMYK 0 / 58 / 7 / 0

HEX #FF6BEC

RGB 255 107 236

HSL 307.7, 1%, 0.71%

LAB 67.9, 71.16, -38.35

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 75 / 13 / 17

HEX #D335B8

RGB 211 53 184

HSL 310.25, 0.64%, 0.52%

LAB 51.67, 72.69, -34.73

 

CMYK 0 / 82 / 15 / 24

HEX #C223A5

RGB 194 35 165

HSL 310.94, 0.69%, 0.45%

LAB 46.16, 71.13, -32.4

 

CMYK 0 / 90 / 18 / 31

HEX #B11192

RGB 177 17 146

HSL 311.63, 0.82%, 0.38%

LAB 40.93, 68.5, -29.38

 

CMYK 0 / 100 / 21 / 37

HEX #A0007F

RGB 160 0 127

HSL 312.38, 1%, 0.31%

LAB 36, 64.75, -25.63

 

CMYK 0 / 100 / 24 / 44

HEX #8F006C

RGB 143 0 108

HSL 314.69, 1%, 0.28%

LAB 31.63, 58.98, -20.68

 

CMYK 0 / 74 / 12 / 18

HEX #D236B8

RGB 210 54 184

HSL 310, 0.63%, 0.52%

LAB 51.61, 72.17, -34.84

 

CMYK 0 / 74 / 33 / 18

HEX #D2368D

RGB 210 54 141

HSL 326.54, 0.63%, 0.52%

LAB 49.81, 66.69, -12.18

 

CMYK 0 / 74 / 53 / 18

HEX #D23663

RGB 210 54 99

HSL 342.69, 0.63%, 0.52%

LAB 48.56, 62.71, 11.48

 

CMYK 0 / 74 / 73 / 18

HEX #D23639

RGB 210 54 57

HSL 358.85, 0.63%, 0.52%

LAB 47.8, 60.2, 35.74

 

CMYK 0 / 74 / 74 / 18

HEX #D23636

RGB 210 54 54

HSL 0, 0.63%, 0.52%

LAB 47.76, 60.08, 37.42

 

CMYK 0 / 74 / 12 / 18

HEX #D236B8

RGB 210 54 184

HSL 310, 0.63%, 0.52%

LAB 51.61, 72.17, -34.84

 

CMYK 7 / 74 / 0 / 18

HEX #C336D2

RGB 195 54 210

HSL 294.23, 0.63%, 0.52%

LAB 50.56, 73.03, -51.67

 

CMYK 27 / 74 / 0 / 18

HEX #9936D2

RGB 153 54 210

HSL 278.08, 0.63%, 0.52%

LAB 44.32, 64.93, -62.04

 

CMYK 48 / 74 / 0 / 18

HEX #6E36D2

RGB 110 54 210

HSL 261.54, 0.63%, 0.52%

LAB 38.91, 57.62, -71.1

 

CMYK 68 / 74 / 0 / 18

HEX #4436D2

RGB 68 54 210

HSL 245.38, 0.63%, 0.52%

LAB 35.04, 52.19, -77.59

 

CMYK 0 / 74 / 12 / 18

HEX #D236B8

RGB 210 54 184

HSL 310, 0.63%, 0.52%

LAB 51.61, 72.17, -34.84

 

CMYK 0 / 85 / 14 / 10

HEX #E622C5

RGB 230 34 197

HSL 310.1, 0.8%, 0.52%

LAB 54.03, 82.85, -38.34

 

CMYK 0 / 94 / 16 / 2

HEX #FA0ED2

RGB 250 14 210

HSL 310.17, 0.96%, 0.52%

LAB 57.36, 90.67, -40.31

 

CMYK 0 / 74 / 12 / 18

HEX #D236B8

RGB 210 54 184

HSL 310, 0.63%, 0.52%

LAB 51.61, 72.17, -34.84

 

CMYK 0 / 61 / 10 / 25

HEX #BF4AAB

RGB 191 74 171

HSL 310.26, 0.48%, 0.52%

LAB 50.59, 58.21, -29.06

 

CMYK 0 / 46 / 8 / 33

HEX #AB5D9E

RGB 171 93 158

HSL 310, 0.32%, 0.52%

LAB 50.63, 40.98, -21.58

 

CMYK 0 / 25 / 4 / 41

HEX #977191

RGB 151 113 145

HSL 309.47, 0.15%, 0.52%

LAB 52.32, 20.55, -11.58

 

CMYK 2 / 0 / 1 / 48

HEX #838584

RGB 131 133 132

HSL 150, 0.01%, 0.52%

LAB 55.35, -0.94, 0.27

 

CMYK 27 / 74 / 0 / 18

HEX #9936D2

RGB 153 54 210

HSL 278.08, 0.63%, 0.52%

LAB 44.32, 64.93, -62.04

 

CMYK 7 / 74 / 0 / 18

HEX #C336D2

RGB 195 54 210

HSL 294.23, 0.63%, 0.52%

LAB 50.56, 73.03, -51.67

 

CMYK 0 / 74 / 12 / 18

HEX #D236B8

RGB 210 54 184

HSL 310, 0.63%, 0.52%

LAB 51.61, 72.17, -34.84

 

CMYK 0 / 74 / 32 / 18

HEX #D2368F

RGB 210 54 143

HSL 325.77, 0.63%, 0.52%

LAB 49.89, 66.92, -13.27

 

CMYK 0 / 74 / 52 / 18

HEX #D23665

RGB 210 54 101

HSL 341.92, 0.63%, 0.52%

LAB 48.61, 62.87, 10.32

 

CMYK 0 / 79 / 13 / 42

HEX #952081

RGB 149 32 129

HSL 310.26, 0.65%, 0.35%

LAB 36, 56.88, -27.02

 

CMYK 0 / 78 / 13 / 28

HEX #B7289F

RGB 183 40 159

HSL 310.07, 0.64%, 0.44%

LAB 44.36, 66.66, -31.78

 

CMYK 0 / 74 / 12 / 18

HEX #D236B8

RGB 210 54 184

HSL 310, 0.63%, 0.52%

LAB 51.61, 72.17, -34.84

 

CMYK 0 / 60 / 10 / 15

HEX #DA58C4

RGB 218 88 196

HSL 310.15, 0.64%, 0.6%

LAB 57.91, 63.35, -31.83

 

CMYK 0 / 46 / 8 / 12

HEX #E179D0

RGB 225 121 208

HSL 309.81, 0.63%, 0.68%

LAB 65.15, 51.88, -27.35

 

CMYK 0 / 75 / 13 / 17

HEX #D335B8

RGB 211 53 184

HSL 310.25, 0.64%, 0.52%

LAB 51.67, 72.69, -34.73

 

CMYK 0 / 47 / 74 / 18

HEX #D26F36

RGB 210 111 54

HSL 21.92, 0.63%, 0.52%

LAB 57.4, 34.78, 47.81

 

CMYK 74 / 0 / 17 / 18

HEX #36D2AE

RGB 54 210 174

HSL 166.15, 0.63%, 0.52%

LAB 76.03, -48.09, 6.47

 

CMYK 0 / 75 / 13 / 17

HEX #D335B8

RGB 211 53 184

HSL 310.25, 0.64%, 0.52%

LAB 51.67, 72.69, -34.73

 

CMYK 12 / 0 / 74 / 18

HEX #B8D236

RGB 184 210 54

HSL 70, 0.63%, 0.52%

LAB 79.93, -28.21, 69.2

 

CMYK 74 / 12 / 0 / 18

HEX #36B8D2

RGB 54 184 210

HSL 190, 0.63%, 0.52%

LAB 69.27, -25.99, -23.13

 

CMYK 0 / 75 / 13 / 17

HEX #D335B8

RGB 211 53 184

HSL 310.25, 0.64%, 0.52%

LAB 51.67, 72.69, -34.73

 

CMYK 0 / 47 / 74 / 18

HEX #D26F36

RGB 210 111 54

HSL 21.92, 0.63%, 0.52%

LAB 57.4, 34.78, 47.81

 

CMYK 74 / 0 / 62 / 18

HEX #36D250

RGB 54 210 80

HSL 130, 0.63%, 0.52%

LAB 74.48, -65.36, 51.85

 

CMYK 74 / 27 / 0 / 18

HEX #3699D2

RGB 54 153 210

HSL 201.92, 0.63%, 0.52%

LAB 60.09, -9.56, -37.33

 

CMYK 0 / 75 / 13 / 17

HEX #D335B8

RGB 211 53 184

HSL 310.25, 0.64%, 0.52%

LAB 51.67, 72.69, -34.73

 

CMYK 0 / 25 / 74 / 18

HEX #D29E36

RGB 210 158 54

HSL 40, 0.63%, 0.52%

LAB 68.33, 9.54, 58.84

 

CMYK 74 / 0 / 62 / 18

HEX #36D250

RGB 54 210 80

HSL 130, 0.63%, 0.52%

LAB 74.48, -65.36, 51.85

 

CMYK 74 / 50 / 0 / 18

HEX #366AD2

RGB 54 106 210

HSL 220, 0.63%, 0.52%

LAB 46.64, 18.77, -58.7

 

Description

Color code: RGB 211 53 184 | qconv.com Color code: RGB 211 53 184 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 53 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 53 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 13 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 13% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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