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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 51 232 it is the complementary color RGB 44 204 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 51 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 51 232 shade: RGB 216 51 227, RGB 233 69 246, RGB 250 87 255, RGB 255 105 255 and RGB 255 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 51 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 51 232 shade: RGB 211 51 232, RGB 194 33 213, RGB 177 15 194, RGB 160 0 175 and RGB 143 0 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 51 232 shade: RGB 210 48 232, RGB 232 48 203, RGB 232 48 154, RGB 232 48 104 and RGB 232 48 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 51 232 shade: RGB 210 48 232, RGB 161 48 232, RGB 111 48 232, RGB 62 48 232 and RGB 48 48 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 51 232 shade matches the following richer shades: RGB 210 48 232 and RGB 225 29 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 51 232 shade: RGB 210 48 232, RGB 196 67 213, RGB 182 85 194, RGB 167 104 176 and RGB 153 122 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 51 232 shade: RGB 112 48 232, RGB 161 48 232, RGB 210 48 232, RGB 232 48 204 and RGB 232 48 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 51 232 shade: RGB 159 19 178, RGB 193 23 215, RGB 210 48 232, RGB 218 85 236 and RGB 226 122 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 51 232 shade: RGB 211 51 232, RGB 232 63 48 and RGB 48 232 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 51 232 shade: RGB 211 51 232, RGB 232 210 48 and RGB 48 232 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 51 232 shade: RGB 211 51 232, RGB 232 63 48, RGB 69 232 48 and RGB 48 216 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 51 232 shade: RGB 211 51 232, RGB 232 118 48, RGB 69 232 48 and RGB 48 161 232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 78 / 0 / 9

HEX #D333E8

RGB 211 51 232

HSL 293.04, 0.8%, 0.55%

LAB 54.07, 80.65, -58.41

 

Complementary color

CMYK 78 / 0 / 89 / 20

HEX #2CCC17

RGB 44 204 23

HSL 113.04, 0.8%, 0.45%

LAB 72.08, -69.06, 67.89

 

CMYK 5 / 78 / 0 / 11

HEX #D833E3

RGB 216 51 227

HSL 296.25, 0.76%, 0.55%

LAB 54.57, 80.76, -54.75

 

CMYK 5 / 72 / 0 / 4

HEX #E945F6

RGB 233 69 246

HSL 295.59, 0.91%, 0.62%

LAB 60.1, 81.88, -56.41

 

CMYK 2 / 66 / 0 / 0

HEX #FA57FF

RGB 250 87 255

HSL 298.21, 1%, 0.67%

LAB 65.25, 80.81, -53.04

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 9 / 78 / 0 / 9

HEX #D333E8

RGB 211 51 232

HSL 293.04, 0.8%, 0.55%

LAB 54.07, 80.65, -58.41

 

CMYK 9 / 85 / 0 / 16

HEX #C221D5

RGB 194 33 213

HSL 293.67, 0.73%, 0.48%

LAB 48.71, 78.78, -56.37

 

CMYK 9 / 92 / 0 / 24

HEX #B10FC2

RGB 177 15 194

HSL 294.3, 0.86%, 0.41%

LAB 43.63, 75.82, -53.7

 

CMYK 9 / 100 / 0 / 31

HEX #A000AF

RGB 160 0 175

HSL 294.86, 1%, 0.34%

LAB 38.84, 71.69, -50.36

 

CMYK 8 / 100 / 0 / 39

HEX #8F009C

RGB 143 0 156

HSL 295, 1%, 0.31%

LAB 34.48, 65.94, -46.12

 

CMYK 9 / 79 / 0 / 9

HEX #D230E8

RGB 210 48 232

HSL 292.83, 0.8%, 0.55%

LAB 53.64, 81.25, -59.1

 

CMYK 0 / 79 / 13 / 9

HEX #E830CB

RGB 232 48 203

HSL 309.46, 0.8%, 0.55%

LAB 55.67, 81.12, -39.19

 

CMYK 0 / 79 / 34 / 9

HEX #E8309A

RGB 232 48 154

HSL 325.43, 0.8%, 0.55%

LAB 53.6, 75.21, -13.83

 

CMYK 0 / 79 / 55 / 9

HEX #E83068

RGB 232 48 104

HSL 341.74, 0.8%, 0.55%

LAB 52.14, 70.83, 14.03

 

CMYK 0 / 79 / 76 / 9

HEX #E83037

RGB 232 48 55

HSL 357.72, 0.8%, 0.55%

LAB 51.32, 68.3, 41.95

 

CMYK 9 / 79 / 0 / 9

HEX #D230E8

RGB 210 48 232

HSL 292.83, 0.8%, 0.55%

LAB 53.64, 81.25, -59.1

 

CMYK 31 / 79 / 0 / 9

HEX #A130E8

RGB 161 48 232

HSL 276.85, 0.8%, 0.55%

LAB 46.33, 72.96, -71.28

 

CMYK 52 / 79 / 0 / 9

HEX #6F30E8

RGB 111 48 232

HSL 260.54, 0.8%, 0.55%

LAB 40.11, 65.95, -81.72

 

CMYK 73 / 79 / 0 / 9

HEX #3E30E8

RGB 62 48 232

HSL 244.57, 0.8%, 0.55%

LAB 35.92, 61.26, -88.79

 

CMYK 79 / 79 / 0 / 9

HEX #3030E8

RGB 48 48 232

HSL 240, 0.8%, 0.55%

LAB 35.14, 60.4, -90.1

 

CMYK 9 / 79 / 0 / 9

HEX #D230E8

RGB 210 48 232

HSL 292.83, 0.8%, 0.55%

LAB 53.64, 81.25, -59.1

 

CMYK 10 / 88 / 0 / 2

HEX #E11DFA

RGB 225 29 250

HSL 293.21, 0.96%, 0.55%

LAB 55.88, 90.42, -65.47

 

CMYK 9 / 79 / 0 / 9

HEX #D230E8

RGB 210 48 232

HSL 292.83, 0.8%, 0.55%

LAB 53.64, 81.25, -59.1

 

CMYK 8 / 69 / 0 / 16

HEX #C443D5

RGB 196 67 213

HSL 293.01, 0.63%, 0.55%

LAB 52.46, 69.29, -50.35

 

CMYK 6 / 56 / 0 / 24

HEX #B655C2

RGB 182 85 194

HSL 293.39, 0.47%, 0.55%

LAB 52.22, 54.8, -39.97

 

CMYK 5 / 41 / 0 / 31

HEX #A768B0

RGB 167 104 176

HSL 292.5, 0.31%, 0.55%

LAB 53.22, 37.16, -28.13

 

CMYK 3 / 22 / 0 / 38

HEX #997A9D

RGB 153 122 157

HSL 293.14, 0.15%, 0.55%

LAB 55.2, 18.43, -14.22

 

CMYK 52 / 79 / 0 / 9

HEX #7030E8

RGB 112 48 232

HSL 260.87, 0.8%, 0.55%

LAB 40.22, 66.07, -81.53

 

CMYK 31 / 79 / 0 / 9

HEX #A130E8

RGB 161 48 232

HSL 276.85, 0.8%, 0.55%

LAB 46.33, 72.96, -71.28

 

CMYK 9 / 79 / 0 / 9

HEX #D230E8

RGB 210 48 232

HSL 292.83, 0.8%, 0.55%

LAB 53.64, 81.25, -59.1

 

CMYK 0 / 79 / 12 / 9

HEX #E830CC

RGB 232 48 204

HSL 309.13, 0.8%, 0.55%

LAB 55.71, 81.26, -39.69

 

CMYK 0 / 79 / 33 / 9

HEX #E8309B

RGB 232 48 155

HSL 325.11, 0.8%, 0.55%

LAB 53.64, 75.31, -14.36

 

CMYK 11 / 89 / 0 / 30

HEX #9F13B2

RGB 159 19 178

HSL 292.83, 0.81%, 0.39%

LAB 39.67, 69.67, -50.83

 

CMYK 10 / 89 / 0 / 16

HEX #C117D7

RGB 193 23 215

HSL 293.13, 0.81%, 0.47%

LAB 48.08, 80.69, -58.54

 

CMYK 9 / 79 / 0 / 9

HEX #D230E8

RGB 210 48 232

HSL 292.83, 0.8%, 0.55%

LAB 53.64, 81.25, -59.1

 

CMYK 8 / 64 / 0 / 7

HEX #DA55EC

RGB 218 85 236

HSL 292.85, 0.8%, 0.63%

LAB 59.4, 71.25, -52.09

 

CMYK 6 / 49 / 0 / 6

HEX #E27AF0

RGB 226 122 240

HSL 292.88, 0.8%, 0.71%

LAB 66.81, 57.31, -42.54

 

CMYK 9 / 78 / 0 / 9

HEX #D333E8

RGB 211 51 232

HSL 293.04, 0.8%, 0.55%

LAB 54.07, 80.65, -58.41

 

CMYK 0 / 73 / 79 / 9

HEX #E83F30

RGB 232 63 48

HSL 4.89, 0.8%, 0.55%

LAB 52.87, 63.55, 47.31

 

CMYK 79 / 0 / 41 / 9

HEX #30E889

RGB 48 232 137

HSL 149.02, 0.8%, 0.55%

LAB 81.92, -65.08, 33.87

 

CMYK 9 / 78 / 0 / 9

HEX #D333E8

RGB 211 51 232

HSL 293.04, 0.8%, 0.55%

LAB 54.07, 80.65, -58.41

 

CMYK 0 / 9 / 79 / 9

HEX #E8D230

RGB 232 210 48

HSL 52.83, 0.8%, 0.55%

LAB 83.69, -8.38, 75.85

 

CMYK 79 / 0 / 9 / 9

HEX #30E8D2

RGB 48 232 210

HSL 172.83, 0.8%, 0.55%

LAB 83.44, -48.66, -1.93

 

CMYK 9 / 78 / 0 / 9

HEX #D333E8

RGB 211 51 232

HSL 293.04, 0.8%, 0.55%

LAB 54.07, 80.65, -58.41

 

CMYK 0 / 73 / 79 / 9

HEX #E83F30

RGB 232 63 48

HSL 4.89, 0.8%, 0.55%

LAB 52.87, 63.55, 47.31

 

CMYK 70 / 0 / 79 / 9

HEX #45E830

RGB 69 232 48

HSL 113.15, 0.8%, 0.55%

LAB 81.4, -72.54, 70.61

 

CMYK 79 / 7 / 0 / 9

HEX #30D8E8

RGB 48 216 232

HSL 185.22, 0.8%, 0.55%

LAB 79.37, -35.31, -19.69

 

CMYK 9 / 78 / 0 / 9

HEX #D333E8

RGB 211 51 232

HSL 293.04, 0.8%, 0.55%

LAB 54.07, 80.65, -58.41

 

CMYK 0 / 49 / 79 / 9

HEX #E87630

RGB 232 118 48

HSL 22.83, 0.8%, 0.55%

LAB 61.93, 39.67, 56.1

 

CMYK 70 / 0 / 79 / 9

HEX #45E830

RGB 69 232 48

HSL 113.15, 0.8%, 0.55%

LAB 81.4, -72.54, 70.61

 

CMYK 79 / 31 / 0 / 9

HEX #30A1E8

RGB 48 161 232

HSL 203.15, 0.8%, 0.55%

LAB 63.3, -7.02, -44.51

 

Description

Color code: RGB 211 51 232 | qconv.com Color code: RGB 211 51 232 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 51 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 51 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 78 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 78% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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